SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Thomas King"/1) | (@(roleclean,performerclean) "Thomas King")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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Event Comment: On this day Charles II died. Although the order to close the theatres was not issued until 20 Feb. 1684@5 (L. C. 5@145, p. 153), acting Probably ceased on Thursday 5 Feb. 1684@5. At this time John Crowne's Sir Courtly Nice was in rehearsal. John Dennis gives a dramatic account of the last day of rehearsing: The Play was now just ready to appear to the World; and as every one that had seen it rehears'd was highly pleas'd with it; every one who had heard of it was big with the Expectation of it; and Mr Crown was delighted with the flattering Hope of being made happy for the rest of his Life, by the Performance of the King's Promise; when, upon the very last Day of the Rehearsal, he met Cave Underhill coming from the Play-House as he himself was going towards it; Upon which the Poet reprimanding the Player for neglecting so considerable a Part as he had in the Comedy, and neglecting it on a Day of so much Consequence, as the very last Day of Rehearsal: Oh Lord, Sir, says Underhill, we are all undone. Wherefore, says Mr Crown, is the Play-House on Fire? The whole Nation, replys the Player, will quickly be so, for the King is dead. At the hearing which dismal Words, the Author was little better; for he who but the Moment before was ravish'd with the Thought of the Pleasure, which he was about to give to his King, and of the Favours which he was afterwards to receive from him, this Moment found, to his unspeakable Sorrow, that his Royal Patron was gone for ever, and with him all his Hopes. The King indeed reviv'd from his Apoplectick Fit, but three Days after dyed, and Mr Crown by his Death was replung'd in the deepest Melancholy (John Dennis, Original Letters, 1721, I, 53-54). [It is not clear whether the last sentence refers to the day on which Crowne had seen the King and had assurances from His Majesty, the King dying three days later, or whether there was a false rumor of the King's death on 3 Feb. 1684@5.

Performances

Performances

Mainpiece Title: Zara

Afterpiece Title: The Spleen or Islington Spa

Performance Comment: Parts by: King, Palmer, Moody, Brereton, Baddeley, Lamash, Whitfield, Wrighten, Everard, Parsons, Mrs Hopkins, Miss P. Hopkins, Mrs Davies; Mrs Love, Mrs King. Prologue-King; Epilogue-Mrs King; Rubrick-King; Jack Rubrick-Palmer; Machoof-Moody; Merton-Brereton; Aspin-Baddeley; Merton's Servant-Lamash; Clerk-Whitfield; Folio-Wrighten; D'Oyley-Parsons; Servt?-Everard; Mrs Rubrick-Mrs Hopkins; Eliza-Miss P. Hopkins; Maid-Mrs Davies; Mrs Tabitha-Mrs Love; Laetitia-Mrs King (Genest, V, 491).
Cast
Role: Prologue Actor: King
Role: Epilogue Actor: Mrs King
Role: Rubrick Actor: King
Role: Laetitia Actor: Mrs King

Dance: V: The Sailors Revels, as17751220

Event Comment: Benefit for King. [This was Smith's last appearance on the stage, from which he had officially retired on 9 June 1788.] Broadside in Kemble playbills announcing this benefit: Mr King most respectfully informs the Public that his Night is fixed for Friday the 18th of May, when will be presented The School for Scandal. Mr King has the pleasure to add that Mr Smith, who was so long and so worthily applauded by the Public, and was the original performer of Charles Surface in the above, distinguished Comedy, at the particular request of Mr King, backed by a strong assurance from many admirers and encouragers of the Drama that it will not only add to Mr King's emolument but highly gratify the Town, has kindly consented to return to the Theatre for one night, and resume his favourite Character. "We had been told that Smith pourtrayed the Manners of a finished gentleman with more delicacy and characteristic propriety than any actor of his day; but this did not appear to us to be his particular excellence; he stands too wide to be graceful, and his deportment gains no advantage from a perpetual application of his hand to the lower part of the waist. These habits are far from elegant. His Charles, however, is a favourable specimen of that sort of acting which commonly falls under the denomination of the old school: light, airy, and natural; which excites applause without any anxious endeavour to produce it; which suffers the points to tell of themselves, and does not place them as so many traps to ensnare the injudicious part of the audience" (Monthly Mirror, May 1798, p. 299). "He was received with the most heart-felt gratulations by an audience who did not expect any apology for such acting, though he saw fit to deliver one at the conclusion of the play" (Monthly Visitor, May 1798, p. 72). Times, 4 May: Tickets to be had of King at his house, New Store-street, Bedford-square. Receipts: #674 6s. (388.0.6; 55.17.6; 2.0.0); tickets: 228.8.0) (charge: #212 5s. 6d.)

Performances

Mainpiece Title: The School For Scandal

Cast
Role: Sir Peter Teazle Actor: King

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Son in Law

Song: In III 1st piece: song-Dignum

Event Comment: The King's Company. Pepys, Diary: And wife and Deb. to the King's house, there to see The Wild-goose Chase, which I never saw, but have long longed to see it, being a famous play, but as it was yesterday I do find that where I expect most I find least satisfaction, for in this play I met with nothing extraordinary at all, but very dull inventions and designs. Knepp come and sat by us, and her talk pleased me a little, she telling me how Mis Davis is for certain going away from the Duke's house, the King being in love with her; and a house is taken for her, and furnishing; and she hath a ring given her already worth #600: that the King did send several times for Nelly, and she was with him, but what he did she knows not; this was a good while ago, and she says that the King first spoiled Mrs Weaver, which is very mean, methinks, in a prince, and I am sorry for it, and can hope for no good to the State from having a Prince so devoted to his pleasure. She told me also of a play shortly coming upon the stage, of Sir Charles Sidly's, which, she thinks, will be called The Wandering Ladys, a comedy that, she thinks, will be more pleasant; and also another play, called The Duke of Lerma; besides Catelin, which she thinks, for want of the clothes which the King promised them, will not be acted for a good while

Performances

Mainpiece Title: The Wild Goose Chace

Event Comment: The King's Company. This play is on the L. C. list, 5@12, p. 17: Cattalines Conspiracie King here. See also Nicoll, Restoration Drama, p. 344. Although the L. C. list and Pepys disagree as to the play performed, Pepys' uncertainty suggests that he may have put down the wrong title and that the L. C. list is correct. Pepys, Diary: To the King's playhouse, and there saw, I think, The Maiden Queene. Pepys, Diary, 15 Jan.: [Sir W. Coventry] told me of the great factions at court at this day, even to the sober engaging of great persons, and differences, and making the King cheap and ridiculous. It is about my Lady Harvy's being offended at Doll Common's acting of Sempronia [see 18 Dec. 1668], to imitate her; for which she got my Lord Chamberlain, her kinsman, to imprison Doll: when my Lady Castlemayne made the King to release her, and to order her to act it again, worse than ever, the other day, where the King himself was: and since it was acted again, and my Lady Harvy provided people to hiss her and fling oranges at her: but it seems the heat is come to a great height, and real troubles at court about it

Performances

Mainpiece Title: Catiline

Event Comment: The King's Company. This day marks the resumption of acting by the King's Company after the disastrous fire at Bridges Street, Drury Lane; the players turned to the theatre in Lincoln's Inn Fields which the Duke's Company had recently left. The Prologue was printed in Covent Garden Drollery, 1672. Sloane MS. 4455 folio 26 verso: The Prologue of a Play entitled Witt without Money-Spoken at the Dukes old Theatre (after the Kings was burnt) by the King's players, Feb. 26 1671. The Curtaine being drawne up all the Actors were discover'd on the stage in Melancholick postures, & Moone [Mohun] advancing before the rest speaks as follows, addressing chiefly to ye King then [present]. Langbaine (English Dramatick Poets, p. 216): Wit Without Money: a Comedy which I have seen acted at the Old House in little Lincolns-Inn-Fields with very great Applause: the part of Valentine being Play'd by that compleat Actor Major Mohun deceas'd. This was the first Play that was acted after the Burning the King's House in Drury-lane: a New Prologue being writ for them by Mr Dryden

Performances

Mainpiece Title: Wit Without Money

Performances

Mainpiece Title: The School For Rakes

Cast
Role: Loyd Actor: King

Afterpiece Title: The Jubilee

Performance Comment: Parts-King, Moody, Parsons, Ackman, Hurst, Waldron, Castle, Wheeler, W. Palmer, Wright, Keen, Hartry, Mesink, Clough, Booth, J. Burton, Mas. Cape, Mrs Bradshaw, Mrs Lowe. The Vocal Parts-Vernon, Dibdin, Bannister, Champnes, Fawcett, Kear, Miss Radley, Mrs Baddeley; The Dances-Dagueville, Mrs King, Sga Vidini, Miss Rogers; In which will be introduced The Pageant as it was intended for Stratford-Upon-Avon; Ralph-King; Irishman-Moody; Ballad Singer-Vernon; Ostler-Parsons; Country Girls-Mrs Baddeley, Miss Radley; Margery Jervis-Mrs Love; Female Ballad Singer-Dibdin; Prologue-King; Characters in the pageant: Benedict-Garrick; Beatrice-Miss Pope; Touchstone-King; Richard III-Holland; Romeo-Brereton; Hamlet-Cautherly; Falstaff-Love; Lear-Reddish; Antony-Aikin; Portia-Mrs W. Barry; Apollo-Vernon; Tragic Muse-Mrs Barry; Comic Muse-Mrs Abington; Also: Hurst, Wheeler, Castle, Waldron, Wright, Keen, Clough, Hartry, Messink, Booth, J. Burton, Master Cape, Mrs Bradshaw, Mrs Love; Dancing-; Singing- New Dresses, Scenes; Music by Dibdin (Genest, V, 256, and Winston MS 10). See Three Plays by David Garrick, Elisabeth P. Stein (New York, 1926). Music by Dibdin (Genest, V, 256, and Winston MS 10). See Three Plays by David Garrick, Elisabeth P. Stein (New York, 1926).
Related Works
Related Work: The Goldsmiths Jubilee; or, London's Triumph: Containing, A Description of the several Pageants: On which are Represented, Emblematical Figures, Artful Pieces of Architecture, and Rural Dancing: with the Speeches Spoken on each Pageant. Author(s): Thomas Jordan

Performances

Mainpiece Title: The Female Fop Or The False One Fitted

Performance Comment: Persons who never yet appear'd in Public. Edition of 1724 lists: Sir Zealwou'd Fainall-Alleyn; Sir Obstinate Lecture-Thomas; Manworth-Hawker; Trueman-Milward; Timothy-Williams; 1st Companion-Dyas; 2d Companion-Richards; Eudmia-Mrs Thomas; Clarinda-Mrs Howey; Manilia-Mrs Herold; Isabella Wealthy-Mrs Marlow; Hearty-Mrs Wadderburn; Prologue-Milward.
Cast
Role: Sir Obstinate Lecture Actor: Thomas
Role: Eudmia Actor: Mrs Thomas

Song: Singing in Italian and English-Mrs Hill

Performances

Mainpiece Title: Hurlothrumbo Or News From Terra Australis Incognita With The Whimsical Flights Of My Lord Flame

Performance Comment: Flame-the Author; other parts-Smith, Giffard, Raymond, Gillow, Hulet, Williams, Reynolds, Hill, Mrs Purden, Mrs Thomas, Mrs Ward, Mrs Mountfort; but second edition of 1729 lists: Soarethereal-Gillow; Hurlothrumbo-Hulett; Dologodelmo-Smith; Darony-Taswell; Urlandenny-Williams; Theorbeo-Machen; Lomperhomock-Pearce; Darno-Holt; Primo-Reynolds; Puny-Hicks; Temo-Ware; Colonel Countermine-Dove; Genius-Webster; Spirit-Russel; Death-Wathen; Lord Flame-Johnson; Cademore-Mrs Purden; Sermentory-Mrs Thomas; Seringo-Mrs Montford; Lusingo-Miss Mann; Cuzzonida-Mrs Hill; Prologue by Amos Meredith-; Epilogue by Mr Byrom-.

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Humours of Harlequin With the Loves of several Deities

Performance Comment: See17290225, but Diana-Mrs Hill; Venus-Mrs Turner; Adonis-Chardin; Graces-Mrs Thomas, Mrs Jones, Mrs Purden; Shepherds-Tench, Ware, Webster; Harlequin-Nott; Miller-Reynolds; Miller's Wife-Miss Mann; Miller's Man-Dove; Countrymen-Gillow, Russel, Wathen; Countrywomen-Mrs Clarke, Mrs Palmer, Mrs Noakes; Aurora-Mrs Mountfort; Sylvans-Ware, Tench, Webster; Nymphs-Mrs Thomas, Mrs Purden, Mrs Jones.

Performances

Mainpiece Title: Flora

Performance Comment: Hob-Ray; Flora-Mrs Clark, being the first Time of their appearing on this stage; Sir Thomas-Reynolds; Friendly-Hulett; Dick-Gillow; Old Hob-Pearce; Betty-Mrs Thomas; Hob's Mother-Mrs Nokes.
Cast
Role: Sir Thomas Actor: Reynolds
Role: Betty Actor: Mrs Thomas

Afterpiece Title: The Humours of Harlequin

Performances

Mainpiece Title: The Gamester

Performance Comment: Gamester-Giffard; Sir Thomas-W. Giffard; Dorante-Penkethman; Lovewell-Smith; Marquis of Hazard-W. Bullock; Galloon-Hallam; Cogdie-R. Williams; Hector-Collet; Lady Wealthy-Mrs Clark; Angelica-Mrs Seal; Favorite-Mrs Palmer; Mrs Security-Mrs Thomas; Betty-Mrs Mountfort.
Cast
Role: Sir Thomas Actor: W. Giffard
Role: Mrs Security Actor: Mrs Thomas

Dance: Mrs Haughton, others

Performances

Mainpiece Title: The Fashionable Lady Or Harlequins Opera In The Manner Of A Rehearsal

Performance Comment: Part-Penkethman, Bullock, Lacy, W. Giffard, W. Williams, Huddy, Smith, Collet, Bardin, Mrs Thomas, Mrs Mountfort, Mrs Giffard, Mrs Palmer; but edition of 1730 lists: Ballad-Penkethman; Meanwell-W. Giffard; Modely-Bullock; Drama-Lacey; Mrs Foible-Mrs Mountford; Mrs Sprightly-Mrs Giffard; Prattle-Mrs Palmer; Merit-W. Williams; Smooth-Mrs Thomas; Hackum-Huddy; Whim-Smith; Trifle-Collet; Voice-Bardin; Harlequin-Burney.

Dance: Burny, Sandham, Eaton, R. Williams as Harlequin, Scaramouch, Punch, Pantalon

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Flora

Performance Comment: Hob-Bardin; Sir Thomas-W. Williams; Dick-Eaton; Old Hob-Pearce; Friendly-Mrs Thomas; Flora-Mrs Mountfort; Betty-Miss M. Vaughan , her first appearance on this stage; Hob's Mother-Mrs Palmer.
Cast
Role: Sir Thomas Actor: W. Williams
Role: Friendly Actor: Mrs Thomas

Song: Miss Thornowets

Dance: FFlag Dance-Burny

Performances

Mainpiece Title: The Gamester

Performance Comment: Gamester-Giffard; Lovewell-Smith; Sir Thomas-W. Giffard; Dorante-Penkethman; Cogdie-R. Williams; Marquis of Hazard-W. Bullock; Hector-Collet; Angelica-Mrs Thomas; Lady Wealthy-Mrs Haughton; Mrs Security-Mrs Woodward; Mrs Favourite-Mrs Palmer; Betty-Mrs Mountfort.
Cast
Role: Sir Thomas Actor: W. Giffard
Role: Angelica Actor: Mrs Thomas

Afterpiece Title: Flora

Performance Comment: Friendly-Woodward; Flora-Mrs Mountfort; Betty-Mrs Thomas; Sir Thomas-Collet; Hob-Pearce.
Cast
Role: Betty Actor: Mrs Thomas
Role: Sir Thomas Actor: Collet

Performances

Mainpiece Title: The Inconstant

Performance Comment: As17301207, but Duretete-Morgan; Dugard-Havard; Bravos-W. Giffard, Bullock, Pearce; New Prologue-Mrs Thomasin a Gentleman's Habit, in Honour of the Ancient Britons; new Epilogue-Mrs Haughton.

Afterpiece Title: Flora

Performance Comment: See17311211, but Hob-Pearce; Sir Thomas-Collett; Dick-Master Woodward; Old Hob-W. Williams; Friendly-Stoppelaer; Flora-Mrs Thomas; Betty-Miss Smith; Hob's Mother-Mrs Palmer.
Cast
Role: Sir Thomas Actor: Collett
Role: Flora Actor: Mrs Thomas

Dance:

Performances

Mainpiece Title: Loves Last Shift

Afterpiece Title: The London Prentice

Performance Comment: Parts-Beard, Wilder, Vernon, Miss Thomas, Mrs Clive. [Emperor-Wilder; Vizir-Vernon; London Prentice-Beard; Humdrumeda-Miss Thomas; Princess Theoraze-Mrs Clive (MacMillan).]

Dance: Devisse, Mlle Auretti

Performances

Mainpiece Title: Artaxerxes

Performance Comment: Principal parts: Beard, Tenducci, Peretti, Mattocks, Miss Thomas, Miss Brent. Artabanes-Beard; Arabaces-Tenducci; Rimenes-Mattocks; Artaxerxes-Peretti, first appearance on English stage; Mandane-Miss Brent, Edition of 1762; Semira-Miss Thomas. (Genest, IV, 650) mistakenly assigns the part to Mrs Vernon.
Cast
Role: Semira Actor: Miss Thomas.
Related Works
Related Work: Artaxerxes Author(s): Thomas Arne

Ballet: II: A New Ballet call'd The Statue Animated. Pygmalion-Maranesi; Scaramouch-Sodi; Inchantress-Miss Valois; Statue-Miss Wilford

Dance: End Opera: A New Dutch Dance-Maranesi, Mlle Capdeville

Event Comment: Benefit for Fawcett. 3rd piece: By permission of Thomas Harris, Esq.; never acted at this theatre, and for that night only. [Address by Thomas Hurlstone (Morning Herald, 25 Aug.)]. Morning Herald, 19 Aug.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-Court-Road, opposite Howland-street

Performances

Mainpiece Title: The Prisoner At Large

Afterpiece Title: THE AGREEABLE SURPRISE

Cast
Role: Thomas Actor: Burton

Afterpiece Title: THE FARMER

Song: In the course of the evening Dr Grigsby's Tippety Witchet by Fawcett [sec CG, 16 May]

Monologue: 1794 08 23 A new Occarimlal Address in the Character of Trudge [in INKLE AND YARICO] by Fawcett

Performances

Mainpiece Title: Lifes Vagaries

Afterpiece Title: Saturday Night at Sea or Tars at Anchor

Afterpiece Title: The Norwood Gipsies

Performance Comment: Harlequin-Bologna Jun.; Squire Breakneck-Farley; Beggar-Townsend; (with) A Beggar I am of low degree-Townsend; Natty Sammy-Simmons; Justice Smallwit-Whitmore; Deputy Paunch-Hawtin; Baker-Blurton; Captain Swagger-Coombs; Highwaymen-Dyke, Blurton [i.e. doubled Baker]; Waiters-Webb, Rees Jun.; Serjeant-Claremont; Corporal-L. Bologna; Countrymen-Abbot, Rees; Pierrot (for that night only)-Laurent (1st appearance on this stage); Hunter and Huntress-Mrs Martyr, Mrs Atkins; (with) Tantara-Mrs Martyr, Mrs Atkins; Gipsies-Ms Iliff, Ms Castelle, Ms Leserve, Ms Burnett, Ms Norton, Ms Masters, Mt Linton, Mt Street, Mt Thomas, Mt Lee, Mt Curties; (with) O who has seen the miller's wife-Ms Iliff, Ms Castelle, Ms Leserve, Ms Burnett, Ms Norton, Ms Masters, Mt Linton, Mt Street, Mt Thomas, Mt Lee, Mt Curties; Pierrot's Wife-Mrs Watts; Mother to Columbine-Mrs Whitmore; Nurse-Mrs Lloyd; Deputy's Lady-Mrs Gilbert; Columbine-Mrs Mills.

Song: End II 1st piece: Admiral Benbow-Incledon; End 1st piece: The Group of Lovers-Munden

Event Comment: The Journal of Sir Richard Bulstrode (p. 19): This evening is repeated in the great Hall by foure persons of quality the Indian Emper, but the Company is made very private, soe as few attempt to gett in. Jean Chappuzeau, Le Theatre Francois (Paris, 1675), p. 55, states that in 1668 he saw a revival of The Indian Emperor in London. Pepys, Diary: 14 Jan.: They fell to discourse of last night's work at court, where the ladies and Duke of Monmouth and others acted The IndianEmperour; wherein they told me these things most remarkable: that not any woman but the Duchesse of Monmouth and Mrs Cornwallis did any thing but like fools and stocks, but that these two did do most extraordinary well: that not any man did any thing well but Captain O'Bryan, who spoke and did well, but, above all things, did dance most incomparably. That she did sit near the players of the Duke's house; among the rest, Mis Davis, who is the most impertinent slut, she says, in the world; and the more, now the King do show her countenance; and is reckoned his mistress, even to the scorne of the whole world; the King gazing on her, and my Lady Castlemayne being melancholy and out of humour, all the play, not smiling once. The King, it seems, hath given her a ring of #700, which she shews to every body, and owns that the King did give it her; and he hath furnished a house for her in Suffolke Street most richly, which is a most infinite shame. It seems she is bastard of Colonell Howard, my Lord Berkshire, and that he do pimp to her for the King, and hath got her for him; but Pierce says that she is a most homely jade as ever she saw, though she dances beyond any thing in the world

Performances

Mainpiece Title: The Indian Emperour

Event Comment: The King's Company. Pepys, Diary: By one o'clock to the King's house: a new play, The Duke of Lerma, of Sir Robert Howard's: where the King and Court was; and Knepp and Nell spoke the prologue most excellently, especially Knepp, who spoke beyond any creature I ever heard. The play designed to reproach our King with his mistresses, that I was troubled for it, and expected it should be interrupted; but it ended all well, which salved all. The play a well-writ and good play, only its design I did not like of reproaching the King, but altogether a very good and most serious play

Performances

Mainpiece Title: The Great Favourite Or The Duke Of Lerma

Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par LAmour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Performances

Mainpiece Title: A Word To The Wise

Performance Comment: Parts-King, Reddish, Palmer, Aickin, Wrighten, Watkins, Cautherly, Miss Younge, Miss Platt, Mrs Baddeley, Mrs Jeffries, Mrs Barry. Prologue-King; Epilogue-Mrs Barry; Capt. Dormer-Palmer; Sir George Hastings-King; Sir John Dormer-Reddish; Willoughby-Aickin; Villars-Cautherly; Miss Montague-Mrs Barry; Miss Dormer-Miss Younge; Miss Willoughby-Mrs Baddeley; Mrs Willoughby-Mrs Jeffries; Footmen-Wrighten, Watkins; Lucy-Miss Platt; Jenny-Mrs Smith (Genest, V, 232).

Afterpiece Title: Hob in the Well

Cast
Role: Sir ThomasTesty Actor: Hartry

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Smith; Cimberton-Parsons; Humphrey-Usher; Daniel-Waldron; Myrtle-Jefferson; Sir John Bevil-Bransby; Sealand-Aickin; Tom-King; Phillis-Mrs Abington, first time; Lucinda-Miss Platt; Mrs Sealand-Mrs Cross; Isabella-Mrs Johnston; Indiana-Miss Younge; in II, Singing-Mrs Scott.
Cast
Role: Tom Actor: King

Afterpiece Title: The Theatrical Candidates

Cast
Role: King Actor: J. Aickin

Afterpiece Title: Bon Ton or High Life Above Stairs

Performance Comment: Parts-King, Dodd, Parsons, Brereton, Lamash, Burton, Mrs King, first appearance in that character, Miss Platt, Mrs Abington; Davy-Parsons; Tivy-Brereton; Lady Minikin-Mrs King, first time (Winston MS 11).

Dance: II: The Savage Hunters, as17751020