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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Sir J Duncomb"/1) | (@(roleclean,performerclean) "Sir J Duncomb")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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10485 results for: Keyword - Sir J. Duncomb
We found 6725 matches on Performance Comments, 1617 matches on Author, 1361 matches on Event Comments, 556 matches on Performance Title, and 0 matches on Roles/Actors.

4851
06 February 1798 @ Covent Garden

Performances

Mainpiece Title: The Double Gallant Or A Sick Ladys Cure

Performance Comment: Atall-Lewis; Careless-Holman; Clerimont-Whitfield; Finder-Farley; Sir Harry Atall-Thompson; Dr Bolus-Davenport; Rhubarb-Wilde; Mr Wilful-Powel; Supple-Simmons; Sir Solomon Sadlife-Quick; Wishwell-Mrs Mattocks; Lady Dainty-Mrs Knight; Sylvia-Miss Mansel; Clarinda-Miss Chapman; Lady Sadlife-Mrs Abington.
Cast
Role: Sir Harry Atall Actor: Thompson
Role: Sir Solomon Sadlife Actor: Quick

Afterpiece Title: The Farmer

4852
13 February 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Orsino-Barrymore; Sebastian-Trueman; Antonio-Caulfield; Valentine-Gibbon; Curio-Wentworth; Sir Toby Belch-Hollingsworth; Sir Andrew Ague@cheek-Suett; Sea Captain-Holland; Fabian-R. Palmer; Malvolio-Dowton; Clown-Russell; Priest-Maddocks; Officers-Webb, Evans; Olivia-Mrs Crouch; Viola-Mrs Jordan; Maria-Miss Mellon.
Cast
Role: Sir Toby Belch Actor: Hollingsworth
Role: Sir Andrew Ague@cheek Actor: Suett

Afterpiece Title: Blue Beard

4853
30 April 1798 @ Covent Garden

Performances

Mainpiece Title: The Eccentric Lover

Performance Comment: Principal Characters-Lewis, Quick, Holman, Munden, Fawcett, Murray, Knight, Whitfield, Waddy, Simmons, Rees, Curties, Miss Betterton, Mrs Pope, Mrs Gilbert, Mrs Mattocks. [Cast from Times, 1 May: Sir Francis Delroy-Lewis; Peter Crowfoot-Quick; Fenton-Holman; Admiral Delroy-Munden; Doctor Crisis-Fawcett; Gangrene-Murray; Gabriel-Knight; Sir Henry Netterville-Whitfield; Ostrich-Waddy; Tom Transit-Simmons; John Seagrave-Rees; Admiral's Servant-Curties; Eleanor de Ferrars-Miss Betterton; Constantia-Mrs Pope; Widow Blandy-Mrs Gilbert; Fidelia-Mrs Mattocks; [Times does not spell all the parts as they are listed in the text, in Cumberland's Posthumous Dramatic Works, 1813, Vol. II, which assigns no parts, but in which they are spelled as above. Times erroneously assigns Doctor Crisis to Farley, and lists Mrs Mattocks' part as Mrs Crowfoot; it does not assign Gabriel or the Servant.] Prologue-Holman; Epilogue-Mrs Mattocks.
Cast
Role: Sir Francis Delroy Actor: Lewis
Role: Sir Henry Netterville Actor: Whitfield

Afterpiece Title: Raymond and Agnes

Dance: Afterpiece to conclude with: Dance of Savoyards-Platt, Miss Cranfield, Mlle St.Amand

4854
11 May 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: Know Your Own Mind

Performance Comment: Millamour-Wroughton; Dashwould-Bannister Jun.; Malvil-R. Palmer; Bygrove-Aickin; Captain Bygrove-C. Kemble; Sir John Millamour-Packer; Sir Harry Lovewit-Holland; Charles-Wewitzer; Lady Bell (with a song)-Mrs Jordan (2nd appearance in that character); Lady Jane-Mrs Powell; Mrs Bromley-Miss Pope; Miss Neville-Miss Miller; Madame La Rouge-Miss Tidswell.
Cast
Role: Sir John Millamour Actor: Packer
Role: Sir Harry Lovewit Actor: Holland

Afterpiece Title: Sylvester Daggerwood

Cast
Role: Sir Matthew Medley Actor: Maddocks

Afterpiece Title: Don Juan or The Libertine Destroyed

Dance: In 3rd piece: Pas Seul, incidental to the piece-Sga Bossi DelCaro

4855
23 February 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Orsino-Barrymore; Sebastian-Trueman; Antonio-Caulfield; Valentine-Surmont; Curio-Wentworth; Sir Toby Belch-Hollingsworth; Sir Andrew Ague@cheek-Suett; Sea Captain-Holland; Fabian-R. Palmer; Malvolio-Dowton; Clown (with the original Epilogue Song)-Russell; Olivia-Mrs Crouch; Viola-Mrs Jordan; Maria-Miss Mellon.
Cast
Role: Sir Toby Belch Actor: Hollingsworth
Role: Sir Andrew Ague@cheek Actor: Suett

Afterpiece Title: Feudal Times

4856
05 June 1799 @ Covent Garden

Performances

Mainpiece Title: The Horse And The Widow

Cast
Role: Sir Simon Flourish Actor: Emery

Afterpiece Title: Inkle and Yarico

Afterpiece Title: The School for Arrogance

Performance Comment: Count Conolly Villars-Holman; M'Dermot-Johnstone; Mr Dorimont-Hull; Sir Paul Peckham-Waddy; Sir Samuel Sheepy-Munden; Picard-Farley; Exempt-Thompson; Bailiff-Wilde; Lucy-Miss Chapman; Lydia-Miss Sims; Lady Peckham-Mrs Mattocks.
Cast
Role: Sir Paul Peckham Actor: Waddy
Role: Sir Samuel Sheepy Actor: Munden

Dance: In II 2nd piece: Negro Dance, as17990513, but added: Blurton

Song: In course Evening: Young William was a Seaman true-Incledon; A favorite new song-Miss Waters; comic song-Munden; Old Towler-Incledon; Boxing the Compass-Fawcett

4857
08 February 1800 @ Covent Garden

Performances

Mainpiece Title: Speed The Plough

Performance Comment: Principal Characters by Pope, Munden, Fawcett, Knight, H. Johnston, Murray, Davenport, Waddy, Atkins, Street, Abbot, Curties, Klanert, Miss Murray, Mrs Davenport, Mrs Dibdin, Mrs H. Johnston. [Cast from text (T. N. Longman and O. Rees, 1800): Sir Philip Blandford-Pope; Sir Abel Handy-Munden; Bob Handy-Fawcett; Farmer Ashfield-Knight; Henry-H. Johnston; Morrington-Murray; Evergreen-Davenport; Gerald-Waddy; Peter-Atkins; Postillion-Abbot; Young Handy's Servant-Klanert; Susan Ashfield-Miss Murray; Dame Ashfield-Mrs Davenport; Lady Handy-Mrs Dibdin; Miss Blandford-Mrs H. Johnston; unassigned-Street, Curties; Prologue-Betterton; [This was spoken, as here assigned, at the 1st 9 performances only (see18000219).] Epilogue-Fawcett. [This was spoken, as here assigned, at the 1st 19 performances only (see18000306] .This was spoken, as here assigned, at the 1st 19 performances only (see18000306] .
Cast
Role: Sir Philip Blandford Actor: Pope
Role: Sir Abel Handy Actor: Munden

Afterpiece Title: Rosina

4858
05 April 1800 @ Covent Garden

Performances

Mainpiece Title: How To Grow Rich

Performance Comment: Pave-Lewis; Warford-Pope; Sir ThomasRoundhead-Munden; Latitat-Fawcett; Smalltrade-Emery; Sir Charles Dazzle-Betterton; Hippy-Townsend; Nab-Farley; Plainly-Claremont; Servants-Curties, Blurton, Platt, Wilde, Rees; Robert-Simmons; Formal-Thompson; Miss Dazzle-Miss Chapman; Rosa-Miss Murray; Betty-Miss Leserve; Visitors-Ms Watts, Ms Follett, Ms Norton, Ms Gilbert; Lady Henrietta-the Late Miss Betterton [i.e. now Mrs Glover].i.e. now Mrs Glover].
Cast
Role: Sir ThomasRoundhead Actor: Munden
Role: Sir Charles Dazzle Actor: Betterton

Afterpiece Title: A Peep behind the Curtain or An Opera Rehearsal

Performance Comment: Glib, the Author-Lewis; Manager-Davenport; Sir Toby Fuz-Gardner; Sir Macaroni Virtu-Farley; Wilson-Claremont; Mervin-Klanert; Prompter-Abbot; Carpenter-Rees; Scenemen-Wilde, Whitmore; Miss Fuz-Mrs Mills; Sweepers of the Stage-Mrs Whitmore, Mrs Norton; Lady Fuz-Mrs Davenport; Characters in the Burletta: Orpheus-Hill; Shepherds-Linton, Denman, Whitmore, Platt, Curties, Street, Bologna, Lee, Hawtin, Blurton, Coombs, Thomas, Noble, Lewiss; The Old Shepherd-Simmons; Rhodope-Mrs Martyr.
Cast
Role: Sir Toby Fuz Actor: Gardner
Role: Sir Macaroni Virtu Actor: Farley

Afterpiece Title: The Hermione or Valours Triumph

4859
28 May 1800 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were And Maids As They Are

Performance Comment: Bronzely-Lewis; Sir George Evelyn-Pope; Sir William Dorillon-Munden; Lord Priory-Emery (1st appearance in that character); Mr Norberry-Waddy; Oliver-Simmons; Miss Dorillon-Mrs Johnson; Lady Mary Raffle-Mrs Dibdin (1st appearance in that character); Lady Priory-Miss Chapman.
Cast
Role: Sir George Evelyn Actor: Pope
Role: Sir William Dorillon Actor: Munden

Afterpiece Title: St

Cast
Role: Sir Toby Fuz Actor: Gardner
Role: Sir Macaroni Virtu Actor: Farley

Afterpiece Title: The Hermione

Cast
Role: Sir Toby Fuz Actor: Gardner
Role: Sir Macaroni Virtu Actor: Farley

Song: End I 1st piece: a Song-Master Gray; End II: The Muffin Man (Written by T. Dibdin, and composed by Moorehead)-Dighton (1st appearance on this stage); End 1st piece: the celebrated Laughing Song-Dighton

4860
28 March 1660 @ Draper's Hall

Performances

Mainpiece Title: Entertainment

4861
30 August 1661 @ The Cockpit in Drury Lane

Performances

Mainpiece Title: A French Comedy

4862
29 November 1661 @ Theatre in Vere Street

Performances

Mainpiece Title: The Princess Or Love At First Sight

4863
02 February 1663 @ Middle Temple

Performances

Mainpiece Title: An Unidentified Play

4864
25 August 1663 @ no theater listed

Performances

4865
10 December 1663 @ Whitehall or St. James's

Performances

Mainpiece Title: The Step Mother

Related Works
Related Work: The Step-Mother Author(s): Sir Robert Stapylton

4866
29 November 1666 @ no theater listed

Performances

4867
07 September 1668 @ Bartholomew Fair

Performances

Mainpiece Title: Entertainments

4868
14 September 1668 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: The Damaseiles A La Mode

4869
24 May 1669 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: Psyche Or Loves Mistress

4870
09 January 1671 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Forcd Marriage Or The Jealous Bridegroom

4871
26 January 1671 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: The Conquest Of Granada Part I

4872
31 January 1671 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: The Conquest Of Granada Part Ii

4873
July 1671 @ Oxford University

Performances

4874
January 1672 @ Whitehall or St. James's

Performances

4875
12 March 1673 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. This performance may well be the premiere. In the Preface the author states that the play was asked for on Shrove Tuesday and he wrote it within a week; a premiere, then, before this date would allow very little time for rehearsal. This play is certainly a "Lenten" performance, for it was acted on a Wednesday in Lent and was referred to in the Prologue as a "Lenten Play." See the discussion under The Spanish Rogue (March 1673) and Gray, pp. 785-86. See also J. G. McManaway, The Copy for The Careless Lovers," MLN, XLVI (1931), 406-9. Preface to the edition of 1673: [This play] was written at the Desire of the Young Men of the Stage, and given them for a Lenten-Play, they ask't it not above a Week before Shrove-Tuesday

Performances

Mainpiece Title: The Careless Lovers