SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sga Bugiani"/1) | (@(roleclean,performerclean) "Sga Bugiani")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 903 matches on Performance Comments, 651 matches on Performance Title, 219 matches on Event Comments, 3 matches on Roles/Actors, and 0 matches on Author.
Event Comment: Benefit for Sga Passerini at the Great Room, Dean Street, Soho. N.B. The Pastoral will precede the Oratorio. The Pastoral, by Desire. The overture and greatest part of which composed by his Majesty the King of Prussia. Mainpiece by Handel. Tickets for the 29th will be taken. Tickets at half a guinea for the Pit, and 5s. for the Gallery. To begin at 6:30 p.m. [The Pastoral is not named in the Bill, but from comment on its musical composer is deemed to be Charlottenburg Festegiante. See 16 March.

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: Vocal Parts-Sga Passerini, the best English singers.

Afterpiece Title: Charlottenburg Festegiante

Performance Comment: . Vocal Parts-Sga Passerini, Sga Mattei, Sga Peralta, Pazzalia.
Event Comment: Benefit for Sga Storace. A new Comic Opera, as originally performed at the Courts of Petersburgh and Vienna; the Music by Paisiello. Tickets to be had of Sga Storace, No. 23, Howland-street, Rathbone-place

Performances

Mainpiece Title: Il Barbiere Di Siviglia; Or, The Spanish Barber

Performance Comment: Almaviva-Kelly (of dl); Figaro-Borselli; Don Basilio-Torregiani; Don Bartolo-Benucci; Rosina-Sga Storace; The other Characters-Sga Delicati, Sga Giani; Libretto (L. Wayland, 1789) adds: Il Giovinetto-Delicati; Notaro-D@@; Alcade-Cardinale.

Dance: End II: New Divertissement-[See17890110]; End Opera: La Nymphe et le Chasseur, as17890606

Music: End I: a Trio for Piano Forte Violin and Violoncello-Clementi, Cramer, Cervetto

Event Comment: Benefit for Dagueville (ballet master) and Sga Vidini. Doors open half past 5. To begin a half past 6 o'clock

Performances

Mainpiece Title: Edward And Eleonora

Afterpiece Title: A Duke and no Duke

Dance: II: New Dance Call'd The Academy-; in which will be introduced the New Court Minuet, Rigadoon (never perform'd before)-Mas. Holland, Miss Armstrong; with a Minuet, Allemande-Mas. Dagueville, a Girl only 5 years old; to conclude with a new Cadrille-Sg and Sga Zuchelli, Dagueville, Sga Vidini; End: a New Dance call'd The Humours of the New@Market Races with all the usual performances,-Dagueville, Harris, Rudd, Mas. Holland, Miss Ross, Miss Armstrong, Sga Vidini; to conclude with the Pony Races-

Performance Comment: Holland, Miss Armstrong; with a Minuet, Allemande-Mas. Dagueville, a Girl only 5 years old; to conclude with a new Cadrille-Sg and Sga Zuchelli, Dagueville, Sga Vidini; End: a New Dance call'd The Humours of the New@Market Races with all the usual performances,-Dagueville, Harris, Rudd, Mas. Holland, Miss Ross, Miss Armstrong, Sga Vidini; to conclude with the Pony Races-.
Event Comment: A new Serious Opera in 2 acts [1st rime; author unknown]; the music by several eminent composers, under the direction of Bertoni. Books of the Opera [which are entitled Giunio Bruto], with an account of the new Dance, to be had at the Theatre. [Sga Macchierini was from the Opera, Cremona.] Public Advertiser, 14 Jan.: Pacchierotti sang "in a Stile the most superior--superior to any Singer heard in this country since Farinelli--superior to Pacchierotti himself!"

Performances

Mainpiece Title: Junius Brutus

Performance Comment: Principal Characters by Pacchierotri, Ansani, Manzoletto, Micheli; Sga Lorenzini, Sga Macchierini (1st appearance in England). [Cast from libretto (E. Cox, 1781): Tito-Pacchierotri; Giunio Bruto-Ansani; Aronte-Manzoletto; Procolo-Micheli; Marzia-Sga Lorenzini; Tullia-Sga Macchierini.] hathi. hathi.
Cast
Role: Marzia Actor: Sga Lorenzini
Role: Tullia Actor: Sga Macchierini.

Dance: End of Act I Divertisement Dance, as17811117; End of Act II Le Triomphe de l'Amour Conjugal, as17820110

Event Comment: [The playbill retains Sga Pollone, but she did not sing. Public Advertiser, 27 Jan.: The Indisposition of Sga Pollone prevented the performance of Il Convito [originally announced for performance on this present night]. For Sga Salpietro, see 13 Feb.]

Performances

Mainpiece Title: Il Trionfo Della Costanza

Performance Comment: As17821219, but Sga Salpietro (probably) in place of Sga Pollone .
Cast
Role: Giacomina Actor: Sga Gherardi
Role: Lisetta Actor: Sga Pollone
Role: Giannina Actor: Sga Allegranti.

Dance: End of Act I New Divertisement, as17821130, but omitted: Mlle Theodore; End of Act II Le Tuteur Trompe, as17830111, but omitted: Mlle Theodore, Pas de Basque

Event Comment: Benefit for Sga Sestini. A Comic Opera, not acted these 7 years [acted 28 Apr. 1785]; the Music by Piccinni, under the direction of Mazzinghi. Tickets, 10s. 6d., to be had of Sga Sestini, No. 15, Mount-street, Berkeley-square

Performances

Mainpiece Title: La Buona Figliuola

Performance Comment: Principal Characters-Benucci, Fineschi, Balelli, Borselli, Mme Pieltain, Sga Borselli, Sga Sestini. [Libretto (T. Cadell, 1777) lists the parts: Il Cavaliere Armidoro, Il Marchese della Conchiglia, Tagliaferro, Mengotto, La Marchesa Lucinda, Paoluccia, Cecchina, Sandrina.]Libretto (T. Cadell, 1777) lists the parts: Il Cavaliere Armidoro, Il Marchese della Conchiglia, Tagliaferro, Mengotto, La Marchesa Lucinda, Paoluccia, Cecchina, Sandrina.]

Dance: End I: New Divertissement-[See17890110]; in which the Minuet of Iphigenia, as17890428; Pas de Deux Anacreontique, as17890428; End Opera: Les Caprices de Galatee, as17890523

Event Comment: Benefit for Sga Storace. Afterpiece [1st time; MF 2, by Prince Hoare]: The Musick by Storace. Morning Herald, 27 Feb.: Tickets to be had of Sga Storace, No. 36, Howland-street, Rathbone-place. Account-Book, 4 July: Paid Hoare for Prize #210. ["Sga Storace's person (is) clumsy; her face coarse and ordinary; and yet there is so much enchanting vivacity...that she always delights whenever she appears" (Candid Strictures, 41).] Receipts: #388 12s. 6d. (196.11.6; 38.5.0; 3.10.0; tickets: 150.6.0) (charge: #157 1s. 3d.)

Performances

Mainpiece Title: At King's The Pirates

Cast
Role: Fabulina Actor: Sga Storace

Afterpiece Title: The Prize; or, 2

Performance Comment: 5.3.8. Characters by Bannister Jun., Baddeley, Whitfield, Suett, Mrs Bland, Webb, Master Welsh, Mrs Booth, Sga Storace. Cast from text (Dublin: Patrick Conner, 1793) Lenitive-Bannister Jun.; Caddy-Baddeley [in text: Wewitzer (see17930319; Heartwell-Whitfield; Label-Suett; Juba-Mrs Bland; Servant-Webb [in text: Lyons]; Boy-Master Welsh [in text: Master Gregson (see17930319; Mrs Caddy-Mrs Booth; Caroline-Sga Storace.
Cast
Role: Caroline Actor: Sga Storace.
Event Comment: p Comic Opera; the music by Paisiello. 2nd ballet: Originally composed by D'Auberval, and brought out with new Episodes and Dances by D'Egville [with music by Bossi], The Doors to be opened at 6:15. To begin at 7:15 [same throughout opera season]. Single tickets for the night, for pit or gallery, to be had at the office of the Theatre. [Sga Bolla was from the opera, Milan. Sga Clara's name is not in the playbill, but "The second comic opera singer, Sga Clara, was also new...There is much sweetness and delicacy in her voice, and perhaps it may be owing to her evident timidity that it did not seem to possess strength and compass in proportion" (Monthly Visitor, Jan. 1800, p. 71). Deshayes was from the Opera, Madrid.

Performances

Mainpiece Title: I Zingari In Fiera

Performance Comment: Principal Characters-Viganoni, Rovedino, Morelli, Sga Bolla (1st appearance in this country) [Sga Clara (1st appearance)]. Parts from libretto (J. Hammond [1793]): [Pandolfo, Eleuterio, Perillo, Scevola, Calandrino, Frappa, Lucrezia, Stellidaura, Cecca.]Sga Clara (1st appearance)]. Parts from libretto (J. Hammond [1793]): [Pandolfo, Eleuterio, Perillo, Scevola, Calandrino, Frappa, Lucrezia, Stellidaura, Cecca.]

Dance: End I: A New Divertisement (composed by D'Egville)-Didelot, Mme Rose Didelot, Mr Laborie, Mme Laborie, Mme Hilligsberg, Deshayes (1st appearance in this country), Mlle Parisot (1st appearance at this theatre these 2 years); End Opera: a new Anacreontic Ballet, in 2 parts, Les Jeux d'Egle-Deshayes, Laborie, D'Egville, Didelot, Mme Hilligsberg, Mlle Parisot, Mme Laborie, Mlle J. Hilligsberg, Mrs D'Egville, Mme Rose Didelot

Event Comment: With Alterations. Benefit Sga Pirker who lives at the Golden Ball in Panton St

Performances

Mainpiece Title: La Ingratitudine Punita

Performance Comment: Played at hay 12 Jan. Edition of 1748 lists for that date Nerina-Signiora Casarini; Silvia-Signiora Frasi; Alcasto-Signiora Pircher; Tirsi-Signiora Palli; Idreno-Ciacchi. New Song-Sga Pirker; Sga Frasi is to perform. Sga Frasi is to perform.
Event Comment: A new Sacred Oratorio. Music entirely new composed by Bach. Sga Grassi being indisposed Sg Savoi will do her part

Performances

Mainpiece Title: Gioas Re Di Giuda

Performance Comment: Parts-Guadagni, Savoi, Sga Guglielmi, Piatti, Morigi, Bianchi. Gioas-Guadagni; Sebia-Sga Grassi; Atalia-Sga Guglielmi; Gioiada-Bianchi; Ismaele-Piatti; Matan-Morigi (Edition of 1770).

Song: I: A Song-Guadagni, accompanied on the French Horn-Rodolfe

Music: I: Concerto on Violin-LaHaussage; II: A Sonata on the Violincello-Duport

Event Comment: Benefit for Fishar (Ballet Master) and Sga Manesiere. Charges #64 10s. Profit to each beneficiary #26 7s. 3d., plus income from tickets: Fishar #55 13s. (Box 115; Pit 112; Gallery 106); Sga Manesiere, #34 7s. (Box 59; Pit 74; Gallery 85) (Account Book). Receipts: #117 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Padlock

Dance: I: The Fingalian Dance, Double Hornpipe-Mas. Blurton, Miss Besford (both apprentices to Fishar) [see17710515]; II: A Serious Dance-Miss Capon (Apprentice to Fishar) [see17670427]; III: [A New Pastoral Dance call'd The Rural Amusements of the Shepherds and Shepherdesses-Fishar, Sga Manesiere;[, in which by Particular Desire will be be introduced an Allemande-Fishar, Sga Manesiere; IV: [A New Pantomime Dance call'd The Italian Gardner-Mas. Blurton, Miss Capon, Miss Besford. [see dl 9 Dec. 1760]

Performance Comment: Blurton, Miss Besford (both apprentices to Fishar) [see17710515]; II: A Serious Dance-Miss Capon (Apprentice to Fishar) [see17670427]; III: [A New Pastoral Dance call'd The Rural Amusements of the Shepherds and Shepherdesses-Fishar, Sga Manesiere;[, in which by Particular Desire will be be introduced an Allemande-Fishar, Sga Manesiere; IV: [A New Pantomime Dance call'd The Italian Gardner-Mas. Blurton, Miss Capon, Miss Besford. [see dl 9 Dec. 1760] .see dl 9 Dec. 1760] .

Ballet: V: The Wapping Landlady. Jack-Fishar; Landlady-Banks; Orange Woman-Sga Manesiere; with a Sixfold Hornpipe[, that night only, by six principal dancers-Fishar, Sga Manesiere, Miss Twist, Mas. Blurton, Miss Capon, Miss Besford. [For Wapping Landlady, see17710412.

Performance Comment: Jack-Fishar; Landlady-Banks; Orange Woman-Sga Manesiere; with a Sixfold Hornpipe[, that night only, by six principal dancers-Fishar, Sga Manesiere, Miss Twist, Mas. Blurton, Miss Capon, Miss Besford. [For Wapping Landlady, see17710412.]For Wapping Landlady, see17710412.]
Event Comment: Benefit for Fishar (ballet master) and Sga Manesiere. [The Lady identified as Mrs Sage by Kemble note on playbill.] Charges #65 10s. 6d. Profit to each beneficiary #18 6s. 3d., plus income from tickets: Fishar #61 14s. (Box 104; Pit 150; Gallery 132); Sga Manesiere, #66 12s. (Box 125; Pit 179; Gallery 85) (Account Book). Receipts: #002 3s

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Padlock

Dance: I: A New Comic Dance, call'd The Cumberland Corn@thrashers-Mas. Blurton (Apprentice to Fishar), Miss Mathews; II: (By Particular Desire) a Minuet-Fishar, Sga Manesiere; III: A Hornpipe, first time-Miller (Scholar to Fishar)

Performance Comment: Blurton (Apprentice to Fishar), Miss Mathews; II: (By Particular Desire) a Minuet-Fishar, Sga Manesiere; III: A Hornpipe, first time-Miller (Scholar to Fishar).
Cast
Role: a Minuet Actor: Fishar, Sga Manesiere

Monologue: IV: a New Grand Ballet (that night only) called The Festival of the Black Prince(As performed at Paris by Fishar with universal applause). Black Prince-Fishar; Favourites-Sga Manesiere, Miss Twist; Pages-Mas. Blurton, Miller; Dancers and Attendants-Hussey, Petrie, Dumay, Settree, King, Merrifield, Curtat, Holloway, Miss Capon, Mrs Willems, Miss Stede, Mrs Inuill, Miss Matthews, Miss Bassan, Sodi, Mrs Holloway. With dresses in the mode

Performance Comment: Black Prince-Fishar; Favourites-Sga Manesiere, Miss Twist; Pages-Mas. Blurton, Miller; Dancers and Attendants-Hussey, Petrie, Dumay, Settree, King, Merrifield, Curtat, Holloway, Miss Capon, Mrs Willems, Miss Stede, Mrs Inuill, Miss Matthews, Miss Bassan, Sodi, Mrs Holloway. With dresses in the mode.

Ballet: V: First time this season The Wapping Landlady. Jack-Fishar; Landlady-Banks; Nosegay Woman-Sga Manesiere; with a New Hornpipe-Fishar, Mas. Blurton, Sga Manesiere, Miss Twist, Miss Capon, Miss Besford (Six principal dancers)

Performance Comment: Jack-Fishar; Landlady-Banks; Nosegay Woman-Sga Manesiere; with a New Hornpipe-Fishar, Mas. Blurton, Sga Manesiere, Miss Twist, Miss Capon, Miss Besford (Six principal dancers).
Event Comment: Benefit for Sga Sestini. Public Advertiser, 13 Feb.: Tickets to be had of Sga Sestini, No. 52, Margaret-street, Cavendish Square. Afterpiece [1st time; burl 2, by John O'Keeffe. MS: Larpent 616; not published]: Taken from the Italian of La Serva Padrona [by Gennaro Antonio Federico]. The Music chiefly the Original of Parosasi [i.e. Pergolesi, and so spelled on playbill of 17 Feb.]. The new Music composed by Dr Arnold. Books of the Songs to be had at the Theatre. Receipts: #256 5s. 6d. (198/12/0; 7/3/6; tickets: 50/10/0) (charge: none listed)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Maid's the Mistress

Performance Comment: Principal Characters by Reinhold, Edwin; Mr Bannister, Sga Sestini. [Cast from European Magazine, Feb. 1783, p. 148: Uberto-Reinhold; Vespone-Edwin; Old Woman-Mr Bannister; Serpilla-Sga Sestini.] hathi. hathi.
Cast
Role: Serpilla Actor: Sga Sestini.
Event Comment: Benefit for Sga Ferrarese del Bene. A Serious Opera [1st time; SER 2, by Pietro Giovannini]; the Music entirely new by Cherubini. Tickets, 10s. 6d. each, to be had of Sga Ferrarese del Bene, No. 232, Piccadilly

Performances

Mainpiece Title: Giulio Sabino

Performance Comment: Principal Characters by Babbini, Bartolini, Schinotti, Simonetti; Miss Wheeler, Sga Ferrarese del Bene. [Cast from libretto (Stuart and Stevenson, 1786): Sabino-Babbini; Arminio-Bartolini; Annio-Schinotti; Tito-Simonetti; Voadice-Miss Wheeler; Epponina-Sga Ferrarese del Bene.] hathi. hathi.

Dance: As17860311hroughout

Event Comment: A Serious Opera; the music by Tarchi. Mme Mara being indisposed, the new serious Opera, L'Amore Protetto dal Cielo; o sia, La Vestale, is unavoidably postponed; and Sga Benini will appear this evening for the first time in the character of Virginia. Receipts: #104 0s. 6d. [non-subscription]

Performances

Mainpiece Title: Virginia

Performance Comment: See17870322but Principal Parts-Rubinelli, Mengozzi, Balelli, Cremonini, Sga Schinotti, Sga Benini. Larpent MS 731 lists the parts: Icilius, Lucius Virginius, Appius Claudius, Publius, Tullia, Virginia.

Dance: End I: Divertissement, as17870116; End Opera: La Jardiniere, as17870322

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text 1st published (unauthorized), Dublin [1790]. Sga Storace had 1st appeared in concerts from 1774 to 1778, and at king's on 24 Apr. 1787 and thereafter]: With new Scenes, Dresses and Decorations. The new Music composed by Storace, the rest compiled from Linley? Sen., Purcell, Sarti, Paisiello, Martin y Soler?, Pleyel, &c. The Scenes designed and executed by Greenwood. Books of the Songs to be had at the Theatre. "In her own particular line on the stage [Sga Storace] was unrivalled, being an excellent actress, as well as a masterly singer. She settled entirely in England, and after quitting the opera (to which she was frequently recalled in times of distress, as was too often the case), she engaged at Drury Lane, where the English opera was raised to an excellence not known before, by her singing, with that of Mrs Crouch, Mrs Bland, Kelly, and Bannister, and under the direction of her brother Stephen Storace, who composed, or rather compiled, several very pretty operas, of which the Haunted Tower, and the Siege of Belgrade still remain favorites, and are frequently performed" (Mount-Edgcumbe, 65). Account-Book, 4 Jan. 1790: Paid Cobb on Acct. of the Purchase of the Copyright of the Haunted Tower #157 10s.; 27 Feb. 1790: Paid Cobb in full for Copyright #52 10s. Receipts: #219 9s. 6d. (200.13.0; 17.14.6; 1.2.0)

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: [Characters-Kelly, Baddeley, Moody, Suett, Dignum, Sedgwick, Whitfield, Williames, Bannister Jun.; Sga Storace (1st appearance on the English stage i.e. in a speaking part]), Miss Romanzini, Mrs Booth, Mrs Crouch. [Cast from Songs (J. Jarvis, 1789): Lord William-Kelly; Baron of Oakland-Baddeley; Hugo-Moody; Lewis-Suett; Robert-Dignum; Charles-Sedgwick; De Courcy-Whitfield; Martin-Williames; Edward-Bannister Jun.; Hubert-Webb; Servant-Lyons; Adela-Sga Storace; Cicely-Miss Romanzini; Maud-Mrs Booth; Lady Elinor-Mrs Crouch.
Cast
Role: Adela Actor: Sga Storace

Afterpiece Title: The Miller of Mansfield

Event Comment: [The playbill retains Sga Calvesi, but Morning Post, 14 Apr., prints a letter from her dated 13 Apr., stating that "she returns her most grateful thanks to the Subscribers and the Public for their indulgence in dispensing with her performance yesterday evening. She was one of the many unfortunate performers who were left unpaid in the year of 1783 by Mr Taylor. Deprived of resources, she naturally contracted debts, for one of which (yesterday evening going to obey her duty to the Public) she was arrested, and so expeditiously and secretly hurried away as to deprive her of the assistance of the Manager or her Friends to liberate her 'till an hour too late for Performance." The name of the singer who took her place is not known.

Performances

Mainpiece Title: La Bella Pescatrice

Performance Comment: As17910301but Sga_ Calvesi.

Dance: End I: Amphion et Thalie, as17910409

Ballet: End Opera: Telemachus in the Island of Calypso

Event Comment: Benefit for Sga Sestini. Tickets to be had of Sga Sestini at No. 17, Mount-street, Berkely-square. Tickets delivered for the 19th inst. will be admitted

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Performance Comment: A new selection of Serious and Comic Music. As17910331but By particular Desire, a favourite Rondeau, and for that night only, a new Song-Sga Sestini; accompanied on the Pedal Harp-Meyer Jun.; the Duetto from the Opera La Buona Figliuola-Sga Sestini, Davide.

Dance: End I: Divertissement-all the Principal Dancers; will be introduced the favourite Pas Russe, as17910519; End II: Orpheus and Eurydice, as17910326but Mlle St.Amand

Event Comment: On account of the sudden indisposition of Sga Casentini La Discordia Conjugale [advertised in Morning Chronicle, 26 Mar.] must be postponed till further notice [see 31 Mar.]

Performances

Mainpiece Title: La Locanda

Performance Comment: As17920228, but Guerina-Sga Salimbeni in place of Sga Casentini.

Dance: As17920324

Event Comment: Benefit for Sga Storace. Mainpiece: By Permission of the Proprietors of the Theatre Royal, Drury Lane. Afterpiece [1st time; MF 2, by Prince Hoare, based partly on LE TABLEAU PARLANT, by Louis Anseaume]: The Music by Storace. "The songs are written with taste, and set to very lively and agreeable tunes by Storace's brother...[They are] calculated to afford her a complete opportunity of displaying that mixture of laughable levity, friskiness and merriment which on the stage give her so much attraction" (Public Advertiser, 18 Dec.). Tickets to be had of Sga Storace, No. 36, Howland Street, and of Rice at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: Lord William- Dignum; Baron of Oakland-Baddeley; Baron de Courcy-Caulfield; Robert-Suett; Charles-Sedgwick; Lewis-Bland; Martin-Cooke; Hugo-Benson; Edward-Bannister Jun.//Lady Elinor-Miss De Camp; Cicely-Mrs Bland; Maud-Mrs Booth; Adela-Sga Storace .
Cast
Role: Adela Actor: Sga Storace

Afterpiece Title: MY GRANDMOTHER

Performance Comment: Characters by Bannister Jun., Suett, Wewitzer, Waldron, Sedgwick, Bland, Lyons// Mrs Bland, Sga Storace. [Cast from text (No pub., 1794): Vapour-Bannister Jun.; Gossip-Suett; Souffrance-Wewitzer; Sir Matthew Medley-Waldron; Woodly-Sedgwick; Tom-Bland; Servant-Lyons// Charlotte-Mrs Bland; Florella-Sga Storace.] hathi. hathi.
Cast
Role: Florella Actor: Sga Storace.
Event Comment: Benefit for Sga Bossi DelCaro. Ballet: Composed by Sga Bossi DelCaro; the Music by Bossi. Morning Chronicle, 24 June; Tickets to be had of Sga Bossi DelCaro, No. 1, Suffolk-street, Haymarket. Mr Ridgeway [see 29 June]...begs leave to inform the public that [Pizarro] will be published this day at twelve o'Clock. Morning Chronicle, 1 July: This Day is published Pizarro (on fine wove paper, hot-pressed, 5s., and on common paper, 2s. 6d.). Receipts: #148 0s. 6d. (56.11.6; 37.5.6; 0.15.0; odd money: 0.7.6; tickets: 53.1.0) (charge: #212 2s. 3d.)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: The Prize

Music: End: a new Grand Concerto on the violin (his composition)-Spagnoletti (1st appearance in public since his arrival from Italy)

Ballet: End II: a new Comic Ballet, The Happy Stratagem; or, The Deluded Mother. Jack-Bartolomici (1st public appearance); Fanny , Younger Sister-Sga Bossi DelCaro; Margaret , Elder Sister-Mlle Parisot; Susanna , their Mother-Mrs Brooker

Performance Comment: Jack-Bartolomici (1st public appearance); Fanny , Younger Sister-Sga Bossi DelCaro; Margaret , Elder Sister-Mlle Parisot; Susanna , their Mother-Mrs Brooker.

Performances

Mainpiece Title: The Old Batchelor

Dance: Sga Barberini; The Peasants, as17411221, but Picq, Mlle +Bonneville, _Lalauze; +Louvre, Minuet-Desnoyer, Sga Barberini

Event Comment: Benefit for Fishar, Ballet Master and Sga Manesiere. Entertainments by Children for that night only. Charges #64 5s. [Profit to each #21 11s. 9d. plus income from tickets: Fishar #38 14s. (Box 57; Pit 107; Gallery 84); Sga Manesiere, #29 13s. (Box 60; Pit 55; Gallery 64).] Paid Barratt (wax chandler) #201 5s.; Paid Buxtons and Co., (oyl men) #135 16s. (Account Book). Receipts: #107 8s. 6d. (Account Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Chaplet

Dance: I: A New Tambourine Dance-Master Blurton (apprentice to Fishar, eleven years old, 1st appearance any stage); End I: Rural Love, as17661120; II: A Serious Dance-Miss Capon (Apprentice to Fishar, sixteen years old, 1st appearance any stage); III: A New Pantomime Ballet-Mas. Blurton, Miss Besford (Apprentice to Fishar, ten years old, 1st appearance any stage as a dancer); IV: A Minuet-Fishar, Miss Capon; Double Hornpipe-Fishar, Sga Manesiere

Performance Comment: Blurton, Miss Besford (Apprentice to Fishar, ten years old, 1st appearance any stage as a dancer); IV: A Minuet-Fishar, Miss Capon; Double Hornpipe-Fishar, Sga Manesiere.

Ballet: End: A New Grand Ballet call'd The Wapping Landlady. Jack (in Distress)-Fishar; the other Sailors-Petro, Hussey, Martin, Reynald, Curtat, King; Landlady-Miles; Milk Woman-Sga Manesiere; other women-Miss D. Twist, Miss S. Twist, Miss Barrowby, Miss Hilliard, Miss Daw, Mrs Viviez

Performance Comment: Jack (in Distress)-Fishar; the other Sailors-Petro, Hussey, Martin, Reynald, Curtat, King; Landlady-Miles; Milk Woman-Sga Manesiere; other women-Miss D. Twist, Miss S. Twist, Miss Barrowby, Miss Hilliard, Miss Daw, Mrs Viviez.
Cast
Role: Milk Woman Actor: Sga Manesiere
Event Comment: Benefit for Sga Ristorini. A new Opera. Music by Sacchini

Performances

Mainpiece Title: La Contadina In Corte

Performance Comment: Clarice-Mrs Barthelemon; Rinaldo-Lovattini; Fabio-Morigi; Sandrina-Sga Ristorini; Menichino-Zanca; Tancia-Sga Demera; Berto-Ristorini (Larpent MS).
Cast
Role: Sandrina Actor: Sga Ristorini
Role: Tancia Actor: Sga Demera
Event Comment: Benefit for Fishar (ballet master) and Sga Manesiere. [The previous day's bill made special announcement of the variety of Dancing to be offered. N.B. A previous Academy of Dancing 23 April 1762. Miles listed for the part of Landlady by Public Advertiser.

Performances

Mainpiece Title: Tom Jones

Afterpiece Title: Catharine and Petruchio

Dance: By Desire The Tartars, as17701003; End of Farce: A New Dance, The Corsican Sailor's Punch House-Fishar, Miss Twist, Hussey, Blurton, Miss Besford

Monologue: I: A Dancing Academy. The Minuet-Fishar, Sga Manesiere; The Allemande (first time)-Mas. Blurton, Miss Besford (both apprentices of Fishar); the Hornpipe-Mas. Blurton; to conclude with a New Cotillion-

Performance Comment: The Minuet-Fishar, Sga Manesiere; The Allemande (first time)-Mas. Blurton, Miss Besford (both apprentices of Fishar); the Hornpipe-Mas. Blurton; to conclude with a New Cotillion-.
Cast
Role: The Minuet Actor: Fishar, Sga Manesiere

Ballet: End Opera: First time this season, The Wapping Landlady. Jack-Fishar; Landlady-Mrs White; Orange Woman-Sga Manesiere; with a Double Hornpipe-Fishar, Sga Manesiere

Performance Comment: Jack-Fishar; Landlady-Mrs White; Orange Woman-Sga Manesiere; with a Double Hornpipe-Fishar, Sga Manesiere.