SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Richard Duke of Gloucester"/1) | (@(roleclean,performerclean) "Richard Duke of Gloucester")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2430 matches on Author, 1707 matches on Performance Comments, 1495 matches on Event Comments, 1026 matches on Performance Title, and 1 matches on Roles/Actors.

Performances

Mainpiece Title: King Charles I

Performance Comment: King Charles-Connell; Fairfax-Diamond; Duke of York-Mrs Hudson; Duke of Gloucester-Miss Barnes; Bishop Juxon-Banyard; Ireton-Loader; Colonel Tomlinson-Ferguson; Duke of Richmond-Randall; Marquis of Lindsey-Wood; Servant-Cooper; Bradshaw-Thompson; Oliver Cromwell-Gray; Lady Fairfax-Miss Clarke; Princess Elizabeth-Miss Brooksbank; Queen-Miss Greenleaf. With an Occasional Prologue .

Afterpiece Title: The Beggars Opera Last Act only

Dance: In afterpiece a Hornpipe by Middleton. IMITATIONS. End of mainpiece a variety of new Imitations by a Gentleman [probably Kean (see17850124)]. VAUDEVILLE. After the Imitations A Comic Sketch of the Times by Ryder, Greville, Mrs Hudson; and Bucks have at ye All by Cross

Performances

Mainpiece Title: King Henry The Fifth Or The Conquest Of France

Performance Comment: English: King Henry-Kemble; Exeter-Aickin; Westmorland-R. Palmer; Duke of Bedford-Dignum; Duke of Gloucester-Benson; Pistol-Suett; Erpingham-Waldron; Bardolph-Alfred; Williams-Whitfield; Nym-Burton; Gower-Williames; Archbishop of Canterbury-Maddocks; Ely-Jones; Grey-Lamash; Scroop-Wilson; Cambridge-Webb; Bates-Banks; Boy-Master Gregson; Fluellen-Baddeley; Hostess-Mrs Booth; French: King-Packer; Duke of Burgundy-Phillimore; Constable-Fawcett; Montjoy-Haymes; Governor-Hollingsworth; Dauphin-Barrymore; Princess Catharine-Miss Collins; Queen of France-Mrs Ward.

Afterpiece Title: The Virgin Unmaskd

Performances

Mainpiece Title: Queen Catharine Or The Ruines Of Love

Performance Comment: Edition of 1698: Prologue-Mr Batterton; Epilogue by Mrs Trotter-Miss Porter; Edward the Fourth-Scudamore; Duke of Clarence-Verbruggen; Duke of Gloucester-Arnold; Earl of Warwick-Kynnaston; Mallavill-Bayly; Owen Tudor-Batterton; Lord Dacres-Freeman; Sir James Thyrrold-Thurmond; Queen Catharine-Mrs Barry; Isabella-Mrs Bracegirdle; Esperanza-Mrs Martin.

Performances

Mainpiece Title: Jane Shore

Performance Comment: Lord Hastings-A Gentleman [unidentified]; Duke of Gloucester-Gardner; Belmour-Griffith; Ratcliff-Dennis; Catesby-Scott; Earl of Derby-Squire; Dumont-Cresswick; Jane Shore-A Young Lady unidentified]; Alicia-Mrs Lefevre; Epilogue, [including a parody of Shakespeare's Seven Ages-Cresswick.
Cast
Role: Duke of Gloucester Actor: Gardner

Afterpiece Title: Wrangling Lovers or Like Master Like Man

Entertainment: Imitations. After the Epilogue: a Variety of new Imitations-Decastro; Monologue. End IV: Address to the Town, in which several Dramatic Characters will be introduced-Master Russell

Performances

Mainpiece Title: The Provokd Husband

Cast
Role: Squire Richard Actor: Suett

Afterpiece Title: The Toy Shop

Afterpiece Title: Laoeudaimonos or A People Made Happy

Performance Comment: Principal Characters-Kelly, Dignum, Sedgwick, Miss Romanzini, Mrs Edwards, Mrs Crouch. [Larpent MS lists the parts: Britannia, Genius of England, Hope, Hygeia, Britons.] SCENE I. Cavern of Despairv. SCENE II. White Cliffs of Albionv. SCENE III. Grove of Hygeiav. SCENE IV. Temple of Gratitudev. In which will be displayed those Superb Transparencies which were exhibited at the Opera House, at the Grand Gala given [on 21 Apr.] in Commemoration of his Majesty's Recovery. The Capitals of the Transparencies will be ornamented with rich Festoons of different coloured Lamps, and the intervening Columns beautifully illuminated with variegated Fire. [There were three transparencies: the 1st representing George I, II and III, the 2nd King William, the 3rd the Prince of Wales and the Duke of Gloucester (World, 22 Apr.).]Larpent MS lists the parts: Britannia, Genius of England, Hope, Hygeia, Britons.] SCENE I. Cavern of Despairv. SCENE II. White Cliffs of Albionv. SCENE III. Grove of Hygeiav. SCENE IV. Temple of Gratitudev. In which will be displayed those Superb Transparencies which were exhibited at the Opera House, at the Grand Gala given [on 21 Apr.] in Commemoration of his Majesty's Recovery. The Capitals of the Transparencies will be ornamented with rich Festoons of different coloured Lamps, and the intervening Columns beautifully illuminated with variegated Fire. [There were three transparencies: the 1st representing George I, II and III, the 2nd King William, the 3rd the Prince of Wales and the Duke of Gloucester (World, 22 Apr.).]

Dance: End II: The Russian Minuet-the young D'Egvilles, Miss DeCamp; End: a new dance, The Irish Bird@Catchers-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Performances

Mainpiece Title: King Henry The Fifth

Performance Comment: As17891001, but Scroop-Lyons; Dauphin-Benson; Duke of Gloucester-_.

Afterpiece Title: Harlequins Frolicks

Event Comment: Jane Shore oblig'd to be deferr'd. Gave Duke of Cumberland's Footmen by Cummins #1 1s., and Duke of Gloucester's Footmen by Bryan #2 2s. (Account Book). Receipts: #111 11s

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Harlequin Sorcerer

Dance: IV: A Double Hornpipe-Mas Blurton, Miss Besford

Event Comment: Gave King's Footmen by Heron #2 2s., and Chairmen by Jupp, #2 2s.; Queen's Footmen by Burton 2s., and chairmen by Jones #2 2s.; Duke of Gloucester's footmen by Scalkavy #2 2s., and Duke of Cumberland's by Malme 2s. (Account Book). Receipts: #135 18s. 6d. (Account Book)

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: The Englishman in Paris

Dance: End: A Dance, as17731014

Event Comment: Betterton's Company. There may have been a revival of Oedipus in the summer of 1696. In Francis Manning's Poems upon Several Occasions and to Several Persons (1701) there is a poem To Mr Betterton, Acting Oedipus King of Thebes. The first stanza describes the splendor of the installation of the Duke of Gloucester as a Knight of the Garter, an event which occurred at Windsor Castle in July 1696; but there is no certainty that Betterton's performance occurred before that date. It should be noted also that the play was reprinted in 1696

Performances

Mainpiece Title: Oedipus King Of Thebes

Event Comment: Post Man, 25 Sept. 1697: A Trumpet Song on the King, and a Song made for the Birth day of his Highness the Duke of Gloucester: with two Sonatas by Mr John Shore. And variety of other new Musick...being the last time of performance this Season

Performances

Mainpiece Title: Concert

Event Comment: Luttrell, A Brief Relation, IV, 674: The lord chamberlain has ordered that no playes be acted for 6 weeks while the mourning [for the Duke of Gloucester] continues

Performances

Event Comment: Benefit Widow and 7 Children of Mr Charles Powel, late Servant to his Majesty and his late Highness the Duke of Gloucester. At the desire of several Persons of Quality. At 8 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music, Composed by the late Famous Mr Henry Purcell for the York-shire Feast-

Event Comment: For an essay on Humphrey, Duke of Gloucester, see Pasquin, 6 March

Performances

Event Comment: By Desire. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for Boxes may be taken of Mr Sarjant(Only)Book-Keeper at the Stage Door. No Money to be received at the stage door, nor any money returned after the curtain is up. [Customary note at foot of each bill during season. Only significant variations will be noted.] Present the Duke of Gloucester, Prince Henry, the Princesses Brunswick, Louisa and Caroline (Account Book). Receipts: #224 3s. (Account Book)

Performances

Mainpiece Title: King Henry V

Afterpiece Title: Coronation

Event Comment: To Duke of Gloucester's Footmen (by Atwood) [Xmas Box] #2 2s. (Account Book). Receipts: #176 4s. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Royal Chace

Event Comment: Shortly will be publish'd Expostulations with George Colman, by Jane Lessingham. Gave Duke of Gloucester's Footmen by Malm #2 2s. (Account Book). Receipts: #200 13s. (Account Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne; or, Harlequin Mercury Author(s): Richard Jones
Event Comment: Gave Princess Dowager's footmen by Mayne #1 1s.; her Chairmen, by Clive, #1 1s.; Gave Duke of Gloucester's Footmen by Berkley #2 2s. (Account Book). Receipts: #164 8s. 6d. (Account Book)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Fairy Prince

Performances

Mainpiece Title: True Blue Or A Bang At The Dons

Afterpiece Title: King Henry the Fifth

Performance Comment: As17891001, but Gower-Benson; Scroop-Lyons; Fluellen-Williames; Duke of Gloucester-_; Grey-_; Bates-_; Montjoy-_; Governor-_.

Afterpiece Title: The Follies of a Day

Entertainment: Monologue. End 2nd piece: (for this night only) The Monster Discovered-

Event Comment: The Duke's Company. Downes (p. 25) states that it was acted eight days successively, but as Pepys does not indicate whether he saw its first performance, the sequence of playing it is not known. Pepys, Diary: We [Mrs Pepys and Pepys] took coach and to the Duke's playhouse, where we saw The Duchess of Malfy well performed, but Betterton and Ianthe [Mrs Saunderson] to admiration. Downes (p. 25): This Play was so exceeding Excellently Acted in all Parts; chiefly, Duke Ferdinand and Bosola: It fill'd the House 8 Days Successively, it proving one of the Best of Stock Tragedies

Performances

Mainpiece Title: The Duchess Of Malfy

Performance Comment: Downes (Roscius Anglicanus, p. 25): Duke Ferdinand-Harris; Bosola-Betterton; Antonio-Smith; Cardinal-Young; Dutchess of Malfey-Mrs Betterton [Mrs Saunderson]; Julia-Mrs Gibbs; [The edition of 1678 lists other performers who could have acted on this occasion: Delio-Midburn? [Medbourne]; Castruchio-Richards?; Sylvio-Cademan?; Pescara-Norris?; Molateste-Price?; Cariolo=-Mrs Norris?.
Cast
Role: Duke Ferdinand Actor: Harris
Role: Castruchio Actor: Richards?
Event Comment: The Duke's Company. The date of the first production is not known, but the fact that Narcissus Luttrell purchased a copy on 22 March 1679@80 suggests that the premiere occurred not later than February. A copy, with Luttrell's date of purchase, is in the Ohio State University Library. (I am indebted to Professor J. H. Wilson for this information.

Performances

Mainpiece Title: The Misery Of Civil war

Performance Comment: Edition of 1680: Prologue-; King Henry the Sixth-Joseph Williams; Richard Plantagenet-David Williams; Edward-Smith; George, Duke of Clarence-Bowman; Richard-Gillow; Earl of Warwick-Batterton; Old Lord Clifford-Percival; Young Clifford-Wiltshire; Queen Margaret-Mrs Leigh [Mrs Mary Lee]; Lady Grey-Mrs Batterton; Lady Eleanor Butler-Mrs Currer; Epilogue-.
Cast
Role: Richard Plantagenet Actor: David Williams
Role: Duke of Clarence Actor: Bowman
Role: Richard Actor: Gillow
Event Comment: Afterpiece [1st time; M. ENT 2, by Richard Brinsley Sheridan (also attributed to Richard Tickell). Prologue by Richard Tickell (London Chronicle, 23 Oct.). Text 1st published probably by T. Lowndes, 1795]: To conclude with a perspective Representation of the Grand Camp at Cox-Heathv [near Maidstone, Kent, where a military encampment had been in existence for several months], from a View taken by DeLoutherbourg and executed under his direction. [This was included in all subsequent performances.] With a New Overture and other Music [by Thomas Linley Sen.]. New Scenery, Dresses and Decorations. Account-Book, 16 Oct.: Paid Supernumeraries & Soldiers for Camp #35 5s. 6d. Receipts: #266 0s. 6d. (258.16.0; 6.18.0; 0.6.6)

Performances

Mainpiece Title: Braganza

Performance Comment: Velasquez-Smith; Almada-Aickin; Ribiro-Palmer; Mendoza-Farren; Lemos-Chaplin; Corea-Hurst; Roderic-Wright; Mello-R. Palmer; Pizarro-Davies; Ramirez-Packer; Antonio-Wrighten; Ferdinand-Griffiths; Duke of Braganza-Brereton; Ines-Mrs Johnston; Dutchess of Braganza-Mrs Yates.
Cast
Role: Duke of Braganza Actor: Brereton

Afterpiece Title: The Camp

Event Comment: The Duke's Company. Pepys, Diary: With Creed, my wife, and Mercer to a play at the Duke's, of my Lord Orrery's, called Mustapha, which being not good, made Betterton's part and Ianthe's but ordinary too, so that we were not contented with it at all...All the pleasure of the play was, the King and my Lady Castlemayne wer there; and pretty witty Nell Gwin?, at the King's house, and the younger Rebecca? Marshall sat next us; which pleased me mightily. Downes (p. 26): All the Parts being new Cloath's with new Scenes, Sir William's great Care of having it perfect and exactly perform'd, it produc'd to himself and Company vast Profit

Performances

Mainpiece Title: Mustapha The Son Of Solyman The Magnificent

Performance Comment: Downes (Roscius Anglicanus, pp. 25-26): Solyman-Betterton; Mustapha-Harris; Zanger-Smith; Rustan-Sandford; Pyrrhus-Richards; Cardinal of Veradium?-Young; Haly-Cademan; Roxolana-Mrs Davenport [presumably an error for Mrs Betterton, who is named for this role in the edition of 1668 and who is referred to (Ianthe) by Pepys on this day]; Queen of Hungaria-Mrs Davies. [Edition of 1668 adds: Achmat-$James Noke; Thuricus-$Medborn; Viche-$Aingel; Zarma-$Mrs Long; Mitza-$Mrs Norris; Cleora-$Mrs Shadwel.
Cast
Role: Pyrrhus Actor: Richards
Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 19

Performances

Mainpiece Title: The Duchess Of Malfi

Performance Comment: The edition of 1678 contains a cast which corresponds to the Duke's Company at this time: Ferdinand-Harris; Cardinal-Young; Antonio-Smith; Delio-Midburn [Medbourne]; Bosola-Betterton; Castruchio-Richards; Sylvio-Cademan; Pescara-Norris; Malateste-Price; Roderigo-Cogun; Grisolan-Percival; Dutchess of Malfey-Mrs Betterton; Cariola-Mrs Norris; Old Lady-Mrs Osborn; Julia-Mrs Shadwell.
Cast
Role: Castruchio Actor: Richards
Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408. It is not certain that this was the premiere, but, as the play was licensed for publication on 20 Nov. 1676, the first performance may well have been on this day. A song, Away with the causes of riches and cares, with music by Matthew Lock, is in Catch that Catch Can, No. 64, 1685. Another, Beneath a shady willow, with music by William Turner, is in A New Collection of Songs and Poems...by Thomas D'Urfey, 1683. Edition of 1677: That its only good Fortune was, in being the Subject of the Courts Diversion, where their Noble Clemency and Good Nature were extremely requisite, in covering its defects from the too Censorious; His Majesty, according to His accustomed Royal and Excellent Temper, was pleas'd to descend so far, as to give it a particular Applause, which was seconded by your Grace [The Duke of Ormond]

Performances

Mainpiece Title: Madam Fickle Or The Witty False One

Performance Comment: Edition of 1677: Prologue-Mr Smith; Epilogue-; Lord Bellamore-Betterton; Manley-Smith; Sir Arthur Oldlove-Sandford; Captain Tilbury-Medbourn; Zechiel-Anthony Leigh; Toby-James Nokes; Old Jollyman-Underhill; Harry-Jevan; Flaile-Richards; Dorrel-Norrice; Madam Fickle-Mrs Mary Lee; Constantia-Mrs Barrer [Barry]; Arbella-Mrs Gibbs; Silvia-Mrs Napper.
Cast
Role: Flaile Actor: Richards
Event Comment: Benefit for Richard Brinsley Sheridan [who is named in the Account-Book, but not on the playbill]. Afterpiece: With a Sea Fight and Procession. [These were included in all subsequent performances.] The Scenery designed by De Loutherbourg, and executed under his direction. Receipts: #236 3s. 6d. (200.17.0; 35.0.0; 0.6.6; tickets: none listed) (charge: #73 10s.)

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-King (1st appearance this season); Orlando-Brereton; Amiens (with songs)-Vernon; Duke Senior-Aickin; Adam-Moody; Oliver-Packer; Duke Frederick-Chaplin; William-Burton; Corin-Waldron; Jaques de Bois-Lamash; Silvius-R. Palmer; Le Beau-Phillimore; Charles-Wrighten; Jaques-Palmer; Caelia (with the Cuckow song)-Mrs Baddeley; Phoebe-Miss Kirby; Audrey (1st time)-Mrs Wrighten; Rosalind-Mrs Crawford (1st appearance on this stage these 6 years).
Cast
Role: Duke Senior Actor: Aickin
Role: Duke Frederick Actor: Chaplin

Afterpiece Title: The Critic or A Tragedy Rehearsd

Dance: End I: The Butterfly, as17800921

Song: V: song-Miss Field