SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Richard Cumberland Esq"/1) | (@(roleclean,performerclean) "Richard Cumberland Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1991 matches on Author, 806 matches on Event Comments, 709 matches on Performance Title, 707 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: Benefit for Fawcett 1st piece: By permission of G. Colman, Esq. Never performed at that Theatre. As performed at the Theatre Royal, Haymarket, with universal Applause. With new Scenery, Dresses and Decorations. Written by the Author of The Way to Get Married [Thomas Morton]. 2nd piece [1st time; M. INT 1]. Oracle, 8 Apr.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-Court-Road, opposite Howland-street. Receipts: #507 9s. 6d. (185.7.6; 10.0.0; tickets: 312.2.0)

Performances

Mainpiece Title: Zorinski

Afterpiece Title: A Nicknackatory

Afterpiece Title: Lock and Key

Dance: 2nd piece to conclude with: Highland Festivity, as17951125

Song: 1st piece: Vocal Parts-Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Miss Logan, Miss Ives, Miss Leserve, Miss Walcup, Mrs Castelle, Mrs Masters, Mrs Watts

Entertainment: Monologue.End: Monsieur Tonson (Founded on Fact, and recited at Free-Mason's Hall, last Winter, with universal Applause)-Fawcett

Event Comment: Benefit for Fawcett. 1st piece: Not acted some years [acted 30 Oct. 1790]. 2nd piece [1st time: ENT 1]. 3rd piece: By Permission of George Colman, Esq., and for that Night only. Tickets and Places to be had of Fawcett at his house, No. 10, Golden Square, and of Brandon, at the Theatre. "To the Public, May 16, 1797. In consequence of repeated Forgeries of Tickets on Benefit Nights, particularly those of Miss Wallis, Mr Incledon, Mr Holman, and Mrs Mattocks, it has been found necessary to offer a large Reward for the Discovery of the Person or Persons concerned in this unjust and cruel Practice. Mr Fawcett, therefore, thinks it his Duty to warn his Friends and the Public from purchasing Tickets for his Night of Strangers, especially those Persons who sell them in the Avenues of the Theatre, as all such will be stopt at the Doors, and if forged the Persons offering them for Admittance will be drawn into a disagreeable dilemma" (printed slip attached to Kemble playbill). Receipts: #462 5s. (189.12; 8.13; tickets: 264.0)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: An Entremets

Afterpiece Title: Peeping Tom

Event Comment: Benefit for Fawcett. 3rd piece: By permission of T. Harris, Esq.; never acted at this theatre. True Briton, 29 Aug.: Tickets to be had of Fawcett at his house, No. 10, Golden-square

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Poor Soldier

Event Comment: [Extra night] By Authority of the Lord Chamberlain, and Permission of G. Colman, Esq. Benefit for Waldron, prompter. The Public are respectfully cautioned against purchasing Tickets offered for Sale, Waldron not having issued any for this Evening

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: Peeping Tom

Song: End II: The Nightingale-Mrs Atkins; End: The Flowing can-Mrs Harlowe; End 2nd piece: Sweet Echo, as17970904

Performances

Mainpiece Title: The Castle-spectre

Performance Comment: As17980409, but added; Mrs Powell [the only time her name is in the playbill of this play (and see17971214)]; Wentworth_; Gibbon_; Original Epilogue-Mrs Jordan; (for that night only) a new Additional Dialogue[, written by M. G. Lewis, Esq., Author of the Play,-Mrs Jordan, Mrs Powell.

Afterpiece Title: The Escape

Afterpiece Title: The Shipwreck

Performances

Mainpiece Title: Cambro-britons

Afterpiece Title: The Shipwreck

Song: End II: (by permission of the Proprietors of the Theatre-Royal Drury-Lane) the favourite song in The Stranger I have a silent sorrow here (The Words by R. B. Sheridan, Esq., the Air by her Grace the Duchess of Devonshire)-Mrs Bland; End: A Musical Elegy on the late Mr Palmer- (composed by The Earl of Abingdon; the words from The Stranger); The United Englishmen-Munden; A favourite song-Mrs Hindmarsh; Little Taffline ; or, The silken sash-Mrs Bland

Performance Comment: B. Sheridan, Esq.=, the Air by her Grace the Duchess of Devonshire)-Mrs Bland; End: A Musical Elegy on the late Mr Palmer- (composed by The Earl of Abingdon; the words from The Stranger); The United Englishmen-Munden; A favourite song-Mrs Hindmarsh; Little Taffline ; or, The silken sash-Mrs Bland.

Performances

Mainpiece Title: The Messiah

Music: Previous to The Messiah: An Ode, written by W. T. Fitzgerald, Esq., the Music entirely new by Dr Arnold-; Concerto on the violin-Barthelemon

Performance Comment: T. Fitzgerald, Esq=., the Music entirely new by Dr Arnold-; Concerto on the violin-Barthelemon.
Event Comment: Benefit for Johnstone. 1st piece: By permission of G. Colman, Esq.; never performed here. [Bannister Jun.'s 1st appearance at this theatre was on 2 Feb. 1779.] 3rd piece: Not performed here these 3 years. [No play of this title had been hitherto acted anywhere. But it appears to be the same as The Sailor's Prize, for which see cg, 1 May 1795.] Morning Chronicle, 22 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent Garden. Receipts: #478 (208.6.6; 13.17.6; tickets: 255.16.0)

Performances

Mainpiece Title: False And True

Afterpiece Title: The Son-in-Law

Afterpiece Title: The Paradox; or, Maid, Wife and Widow

Dance: III: a Characteristic Dance and Masquerade as at the Venetian Carnival-

Song: In course Evening: a new Sea Ballad, composed for his Royal Highness the Prince of Wales, Tomorrow[; or, the Mars, Capt. Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone

Event Comment: The Last Night of the Company's performing this Season. Account-Book, 24 June: Balance carried forward to Thos. Harris Esq's Private Account #1,614 2s. 5d. Receipts: #151 2s. (145.15.6; 5.6.6)

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: The Birth Day

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Shipwreck

Song: In: The Blue Bell of Scotland, as18000512; accompanied on the Lute, as18000512; In course Evening: Crazy Jane-Mrs Bland; In 3rd piece: a new ballad, The Fisherman and the River Queen (Written and Composed by M. G. Lewis, Esq, M. P., Author of Crazy Jane.)-Mrs Bland

Performance Comment: G. Lewis, Esq=, M. P., Author of Crazy Jane.)-Mrs Bland.
Event Comment: By Command of His Royal Highness the Duke. Benefit a Gentleman's Family in Distress. Receipts: money #71 0s. 6d.; tickets #51 15s. [Duke of Cumberland present.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Flora

Related Works
Related Work: Flora's Vagaries Author(s): Richard Rhodes

Dance: TTwo Pierrots-Poitier, Nivelon; Fingalian-Newhouse, Mrs Ogden; Tambourine-Miss Rogers; French Sailor-Salle, Mrs Laguerre

Event Comment: Benefit Denoyer. By Command of His Royal Highness. [Prince, Duke of Cumberland, three eldest Princesses, and Princess Mary present.

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Jovial Crew

Related Works
Related Work: The Jovial Crew Author(s): Richard Brome
Related Work: The Ladies' Frolic Author(s): Richard Brome

Dance: II: Le Chasseur Royal-Denoyer, Mrs Booth, others; III: Comic Dance-Denoyer, Mrs Walter; IV: Minuet-Denoyer, Mrs Booth; V: Serious Dance-Denoyer

Event Comment: A Musical Drama, in Two Parts...with Dances and other Decorations Entirely new. Pit and Boxes to be put together, and no Persons to be admitted without Tickets, which will be delivered this Day, at the Opera Office in the Haymarket, at Half a Guinea each. Gallery 5s. By His Majesty's Command, No Persons whatsoever to be admitted behind the Scenes. The Gallery to be open'd at Four o'Clock. Pit and Boxes at Five. To begin at Six o'clock. A New Opera [composed by Gluck; text by F. Vanneschi]. The Subscribers to the Opera are desired to make the last Payment of their Subscription Money to the Treasurer, at the Opera Office in the Haymarket, where Attendance will be given this and every Day, from Ten till Two, to receive the same, and deliver out the Silver Tickets. [Repeated until 28 Jan.] The new Musical Italian Drama; entitled La Caduta de Giganti, or the Fall of the Giants, writ on Occasion of the expulsion of the Rebels, was perform'd last Night at King's Theatre in the Haymarket. The performance was received and carried on with great Attention, Tranquility, and Applause: and not a little enliven'd by the Presence of his Royal Highness the Duke of Cumberland.--Daily Advertiser, 8 Jan

Performances

Mainpiece Title: La Caduta De Giganti; Or, The Fall Of The Giants

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: Vocal Parts-Sga Sybilla, Miss Young, Waltz, Hague, Messing Jr; Act I: The overture in Otho-; A Concerto of Geminiani-; A Solo on the German Flute-Balicourt; Powerful Guardians, Come ever Smiling Liberty by Handel-Sga Sybilla; Concerto on the Bassoon-Miller; Solo on the Violincello-Jones; First Trumpet-Snow; A Grand Concerto with Trumpets French Horns, and four Kettle Drums-John Mitchell Axt; who has had the honour to perform before several Sovereigns and English General Officers with great applause. Between the Acts: Preamble on Kettle Drums-Axe; a piece of music-six of the best French Horns; in England, never attempted before. Act II: The Music on the Thanksgiving Day-; compos'd by John Frederick Lampe, as it was perform'd on Thursday the 9th day of October 1746, in the Savoy. The words oy Christian Benjamin Schlaiblin, dedicated to the Duke of Cumberland. Concluding with the Water Music of Handel-;accompanied with four kettle drummers-.
Event Comment: At Cushing's Booth, facing the King's Head, Smithfield. The tragedy contains the barbarous contrivances of King John against his nephew Prince Arthur; his method of persuading Hubert to undertake the cruel murder of that youth; the sufferings of Arthur in his confinement, where Hubert attempts to put out eyes with a red-hot iron, til moved to compassion by the tender entreating of the young prince, he quits his horrid purpose. The manner of Arthur's leaping from the battlements of the tower where he was imprisoned, when by attempting to escape his severe treatment he loses his life. The terrors that attended the villainous Uncle King John, and at length his dreadful death, who is poisoned in the midst of all his glory, and in terrible anguish and distraction, pays his nephew's blood with the price of his own. The comic contains the exquisite drolleries of Sir Lubberly and his man, their whimsical journey from Cumberland, and no less whimsical exploits in London; the odd reception they met with from their three faithful friends, Tom Rash the Porter, Jeffrey Holdfast the Constable, and Moll Tatter the Beggar Woman, the one getting a wife, the other a bastard

Performances

Mainpiece Title: The Life And Death Of King John

Afterpiece Title: The Adventures of Sir Lubberly Lackbrains and His Man Blunderbuss

Event Comment: Mainpiece: By Desire. His Royal Highness the Duke of Cumberland was at the Theatre Royal in Drury Lane, to see the tragedy of The Orphan; being the first time of his Royal Highness's being at either of the Theatres since his indisposition (General Advertiser, 4 Jan.). Receipts: #180 (Cross)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Harlequin Ranger

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Event Comment: [Scheduled for performance, but theatres closed on account of the death of the Duke of Cumberland.

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Daphne and Amintor

Event Comment: Both Pieces By Particular Desire. Present the Dukes of York and Cumberland, Princess of Brunswick, and Lady Louisa. Paid for the paragraph of the Royal Family coming in the Ledger and Gazetteer 6s. (Account Book). Receipts: #149 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Squire Of Alsatia

Afterpiece Title: The Citizen

Related Works
Related Work: The Fair Example: or the Modish Citizens Author(s): Richard Estcourt

Dance: End: The Garland-Fishar, Miss Wilford. [See17651003.

Event Comment: Program By Command of their Majesties. Present their Majesties, the Duke of Cumberland, Princess of Brunswick, and Lady Louisa. Paid Yeoman of the Guard #2 2s. Paid Messrs Tomkyn and Robinson a bill for wine, &c. 4s. 3d. (Account Book). Receipts: #243 7s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Harlequin Dr Faustus

Dance: II: Rural Love-Fishar, Sga Manesiere, Miss Wilford, Arnauld, Dumai, Miss Twist, Miss Pitt.[See17641212.

Event Comment: Paid Bibb (sword cutler) #5 5s. Paid Barratt (wax chandler) as per Bill #156; Gave Duke of York's Footmen #2 2s. Duke of Cumberland's Footmen #2 2s. (Account Book). Receipts: #118 18s. (Account Book)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Both pieces By Command of their Majesties. Present their Majesties, the Duke of Cumberland, Princess of Brunswick, and Lady Louisa. Gave Yeomen of the Guard #2 2s., and gave Princess Dowager's Footmen #1 1s. and Chairmen #1 1s. (Account Book). Receipts: #232 7s. (Account Book)

Performances

Mainpiece Title: The School For Guardians

Afterpiece Title: Thomasand Sally

Dance: End: Rural Love, as17661120; End Afterpiece: The Female Archer, as17661215

Event Comment: By Command of their Majesties, both pieces. Present their Majesties, the Prince of Wales Duke of Cumberland, Princess of Brunswick, and Lady Louisa. Gave Yeomen of the Guards #2 2s. Paid Miss Valois the balance of her salary last season #27 16s. 8d., and in full for this season to 24 Oct. 1766, #3 16s. 8d. (Account Book). Receipts: #241 3s

Performances

Mainpiece Title: The Jovial Crew; Or, The Merry Beggars

Related Works
Related Work: The Jovial Crew Author(s): Richard Brome
Related Work: The Ladies' Frolic Author(s): Richard Brome

Afterpiece Title: Perseus and Andromeda

Event Comment: Both pieces By Command of their Majesties. Afterpiece: Not acted these 7 years. [See 27 Nov. 1760.] Present their Majesties, Dukes of Gloster and Cumberland, Princess of Brunswick and Lady Louisa. Gave Yeomen of the guard #2 2s.; Paid Mr Cousins for hair dressing in the Fairy Favour #1 4s. and Mr Thompson for the same #1 12s. Paid Ellis (scourer) a bill for the Men's Wardrobe, #1 4s. 6d. Paid for the license of Love in the City #2 2s. (Account Book). Receipts: #231 16s. (Account Book)

Performances

Mainpiece Title: The Perplexities

Afterpiece Title: The Lottery

Dance: II: The Gallant Peasants, as17670113; End: The Female Archer, as17661215

Music: End: By Command, Violin Solo-Linley

Event Comment: Mainpiece: By Particular Desire. Rec'd of the Duke of Cumberland for the 25th inst. 5s. (Account Book). Receipts: #167 2s. (Account Book)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Harlequin Dr Faustus