SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Private Theatre Royal in Dublin"/1) | (@(roleclean,performerclean) "Private Theatre Royal in Dublin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3440 matches on Event Comments, 738 matches on Performance Title, 549 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mrs Egerton smart figure not much of the Gentlewoman tho, appear'd in Lady Townly (Hopkins Diary). From the Theatre Royal, Dublin (MacMillan). Lady Townly, Mrs Egerton, first time (Cross Diary)

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performance Comment: Lord Townly-Reddish; Manly-Packer; John Moody-Burton; Myrtilla-Miss Platt; Lady Townly-Mrs Egerton, from the Theatre Royal in Dublin; Count Basset-Dodd; Sir Francis Wronghead-Love; Squire Richard-W. Palmer; Lady Grace-Mrs W. Barry; Miss Jenny-Miss Radley; Lady Wronghead-Mrs Hopkins; Mrs Motherly-Mrs Cross; Trusty-Mrs Johnston.

Afterpiece Title: The Elopement

Event Comment: Benefit Mrs Clive. Mainpiece: Written by Sir George Etheridge. By Command of their Royal Highnesses the Prince and Princess of Wales. Receipts: #230

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Afterpiece Title: The Virgin Unmasked

Song: I: Sweet Bird, from Milton,-Mrs Arne; III: The celebrated Irish Ballad Elin a Roon-Mrs Clive in Irish, as she perform'd it at the Theatre Royal in Dublin; IV: Singing in Italian and English-Miss Edwards

Dance: II: The Italian Peasants, as17411205; IV: A Ballet-Desse, Baudouin, Leviez

Event Comment: Benefit for Mrs Bland. Afterpiece: By permission of the Proprietors of the Theatre-Royal, Drury-Lane. Times, 18 Aug.: Tickets to be had of Mrs Bland, No. 25, King-street, Covent-garden

Performances

Mainpiece Title: Cambro-britons

Afterpiece Title: The Shipwreck

Song: End II: (by permission of the Proprietors of the Theatre-Royal Drury-Lane) the favourite song in The Stranger I have a silent sorrow here (The Words by R. B. Sheridan, Esq., the Air by her Grace the Duchess of Devonshire)-Mrs Bland; End: A Musical Elegy on the late Mr Palmer- (composed by The Earl of Abingdon; the words from The Stranger); The United Englishmen-Munden; A favourite song-Mrs Hindmarsh; Little Taffline ; or, The silken sash-Mrs Bland

Event Comment: Benefit for Mr and Mrs H. Johnston. 1st piece: Not acted these 2 years. 3rd piece: Not acted here these 10 years [never previously acted at this theatre]. Morning Chronicle, 16 Apr.: Tickets to be had of Mr and Mrs Johnston, No. 24, Bedford-street, Covent Garden. The Doors to be opened at 5:30, and to begin at 6:30, and so continue for the remainder of the Season. Receipts: #380 11s. 6d. (168.5.6; 17.1.0; tickets: 195.5.0)

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-H. Johnston; Lord Randolph-Betterton; Glenalvon-Raymond (By Permission of the Proprietors of the Theatre Royal, Drury-Lane); Officer-Thompson; Old Norval-Murray; Anna-Miss Mills; Lady Randolph-Mrs St.Ledger (Their 1st appearance in those characters).

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: The Deserter of Naples

Entertainment: Vaudeville In course Evening: an entire New Song, The Seaman's Lamentation for the Loss of the Royal Charlotte (The Words by G. S. Carey, and composed by Mazzinghi)-Incledon; Dancing-Mr and Master Michell (from the Theatre Royal, Edinburgh; 1st appearance)

Performance Comment: S. Carey=, and composed by Mazzinghi)-Incledon; Dancing-Mr and Master Michell (from the Theatre Royal, Edinburgh; 1st appearance). 1st appearance).

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Incledon; Hawthorn-Bowden; Hodge-Knight; Sir William Meadows-Powel; Eustace-Townsend; Carter-Follett; Footman-Blurton; Justice Woodcock-Quick; Deborah-Mrs Davenport; Madge-Mrs Martyr; Lucinda-Mrs Mountain; Cook-Mr Simmons; Maid-Mrs Lloyd; Rosetta-Mrs Addison (of the Private Theatre Royal in Dublin; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: The Prisoner at Large

Dance: I: a Dance- incident to the Piece

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Contrivances

Song: Between the acts: Mrs Storer from the Theatre Royal in Dublin

Dance: Salomon, Sga Padouana, Salomon's Son

Event Comment: [Prologue by George Colman, the elder (Colman, Prose, 10,239).] Afterpiece: Written by the Author of The Son-in-Law [John O'Keeffe]. Places for the Boxes to be taken of Rice at the Theatre. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s.] The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. On 24 May Colman inserted the following in Public Advertiser: The Theatre Royal in the Haymarket will open next Saturday. In order to avoid unnecessary' Repetitions during the Season, the Public are desired, once for all, to take Notice that every Performance at this Theatre will be exhibited to most brilliant, crouded and OVERFLOWING audiences; and received with loud and universal Bursts of most UNBOUNDED and UNCOMMON Applause

Performances

Mainpiece Title: The Suicide

Afterpiece Title: The Agreeable Surprise

Performance Comment: Principal Characters by Bannister, Gaudrey (from the Theatre Royal, Dublin; 1st appearance on that stage), Wood, Massey, Egan, Stevens, Painter, Ledger, Edwin; Mrs Webb, Mrs Wells, Mrs Poussin, Mrs Bannister. [Cast adjusted from Songs (T. Cadell, 1782): Compton-Bannister; Sir Felix Friendly-Gaudrey; Eugene-Wood; Chicane-Massey; John-Egan; Thomas-Stevens; Stump-Painter; Cuddcn-Ledger; Lingo-Edwin; Mrs Cheshire-Mrs Webb; Cowslip-Mrs Wells; Fringe-Mrs Poussin; Laura-Mrs Bannister.] hathi. hathi.

Dance: End of Act III of mainpiece Dance by Mr and Miss Byrn

Song: In Act III of mainpiece [Sing] Old Rose and burn the Bellows, and 'Twas you Sir, 'Twas you Sir, both by Bannister, Wood, Burton, Brett, &c

Event Comment: Afterpiece: By permission of the Proprietor of the Theatre Royal, Hay-market. "[Raymond] appears to possess many of those wild beauties, and enthusiastic bursts for which Mossop has been celebrated; which produce an effect upon the audience, like electricity, instantaneous and irresistible" (Monthly Mirror, Oct. 1799, p. 232). Receipts: #304 13s. (213.5.0; 91.5.6; 0.2.6)

Performances

Mainpiece Title: The Castle-spectre

Performance Comment: As17990917, but Osmond-Raymond (from the Theatre Royal, Dublin; 1st appearance on this stage); Allan-Packer.

Afterpiece Title: The Children in the Wood

Event Comment: Kite by Mr Layfield from Dublin (Cross). Last night Mons Devisse perform'd (for the 1st time) at Drury Lane, and was receiv'd with general applause (General Advertiser). Receipts: #80 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-Palmer; Brazen-Woodward; Ballance-Bridges; Kite-Layfield (from the Theatre Royal in Dublin); Worthy-Havard; Bullock-W. Vaughan; Welch Collier-Blakes; Recruits-Shuter, Ray; Melinda-Mrs Mills; Rose-Mrs Green; Lucy-Mrs Bennet; Sylvia-Mrs Pritchard.

Afterpiece Title: A Duke and no Duke

Dance: CCountry Amusements, as17501102; Pigmalion, as17501102

Event Comment: By Authority. At 6 P.M. Boxes 3s. Pit 2s. Gallery 1s. [The opening night of the new theatre in Goodman's Fields. The Prologue and Epilogue were printed in Weekly Journal or British Gazetteer, 8 Nov.

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-Giffard; from the Theatre Royal in Dublin: Balance-W. Giffard; Worthy-Smith; Brazen-Collet; Kite-W. Williams; Bullock-R. Williams; Melinda-Mrs Purden; Sylvia-Mrs Thomas; Rose-Mrs Mountfort; Lucy-Mrs Haughton; With a New Prologue-; Epilogue address'd to the Town-.

Dance:

Event Comment: By Authority of the Lord Chamberlain. Benefit for Lacy, formerly of the Theatre Royal, Drury-Lane. Tickets to be had of Fosbrook, at the Box Office of the Drury Lane Theatre, and Rice, at the Box Office of the Theatre-Royal, Haymarket, where Places for the Boxes may be taken. [Address by John Taylor (Monthly Mirror, Dec. 1798, p. 370). On this night the following appeared both at dl and at the hay: Hollingsworth, Caulfield, Bannister Jun., Suett, Miss Pope, Mrs Bland.

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Lacy; Major Oakly-Wilmot Wells; Charles-Macready; Mrs Oakly-Mrs Abington; And, with Permission of the Proprietors of the Theatre Royal, Drury-Lane: Russet-Hollingsworth; Sir Harry Beagle-R. Palmer; Lord Trinket-Russell; Captain O'Cutter-Caulfield; Paris-Wewitzer; William-Ryder; John-Surmont; Tom-Webb; Lady Freelove-Mrs Sparks; Harriet-Miss Heard; Toilet-Mrs Cuyler.

Afterpiece Title: Between II and III of the above,Sylvester Daggerwood

Afterpiece Title: High Life below Stairs

Dance: In II 3rd piece: A Mock Minuet-R. Palmer, Miss Pope

Song: End I 1st piece: Little Taffline-Mrs Bland

Entertainment: MonologuePrevious 1st piece: Occasional Address-Lacy

Event Comment: Benefit for C. Kemble. Mainpiece: By permission of the Proprietors of the Theatre Royal, Drury Lane. Morning Chronicle, 8 Aug.: Tickets to be had of C. Kemble, No. 126, Great Russel-street, Bloomsbury

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Sir Peter Teazle-King (of the Theatre-Royal, Drury-Lane; for that night only); Sir Oliver Surface-Davenport; Sir Benjamin Backbite-Palmer; Joseph Surface-Barrymore; Charles Surface-C. Kemble; Crabtree-Suett; Careless-J. Palmer; Rowley-Waldron; Moses-Wathen; Snake-Caulfield; Trip-Farley; Lady Teazle-Miss DeCamp; Mrs Candour-Mrs Davenport; Lady Sneerwell-Miss Chapman; Maria-Mrs Mountain.
Cast
Role: of the Theatre Actor: Royal, Drury-Lane

Afterpiece Title: Obi

Song: III: a song-Trueman

Event Comment: Mainpiece: Not acted these 10 years. Afterpiece: By permission of the Proprietor of the Theatre Royal Hay-Market. Receipts: #259 0s. 6d. (181.11.6; 76.18.0; 0.11.0)

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth (with new songs)-Kelly; Sir Harry Sycamore-Suett; Mervin-Trueman; Fairfield-Aickin; Giles-Dignum; Ralph-Biggs (from the Theatre Royal Bath; 1st appearance on this stage); Lady Sycamore-Mrs Walcot; Theodosia-Miss Leak; Patty (with new songs)-Mrs Crouch; Fanny-Mrs Bland.

Afterpiece Title: The Agreeable Surprise

Event Comment: To begin at 6:30 precisely. Boxes 3s. Pit 2s. Gallery 1s. The Proprietors have spared no expence in enlarging and beautifying the Theatre; and as they are determined to preserve the exactest punctuality in the time of beginning, and to make regularity and decorum their chief study, hope they shall render themselves deserving of that favourable encouragement they have before experienced. The House is illuminated with Wax. Subscription tickets may be had by applying to Bailey, at Mr Oldfield's. [Author of Prologue unknown.

Performances

Mainpiece Title: The Wonder: A Woman Keeps A Secret

Afterpiece Title: The Lying Valet

Dance: End: Hornpipe-a Lady [from the Theatre Royal, Covent Garden unidentified]

Event Comment: Benefit for Townsend and Mrs Johnson. 3rd piece [1st time in London; F 1, by William Dunlap]: Performed with distinguished Applause at the John St.? Theatre, New York [on 9 Jan. 1797]; compressed into one act [from two], and adapted for the English Stage by a Gentleman [perhaps the author]. "Commencing at half past eleven o'clock, and after a tiresome variety of other entertainments, the audience thought they had had enough for their money, and demanded the fall of the curtain before the conclusion of [Tell Truth and Shame the Devil]" (Monthly Mirror, June 1799, p. 367). Morning Chronicle, 8 May: Tickets to be had of Townsend, No. 9, Leicester-place. [Mrs Johnson not listed.] Receipts: #442 17s. 6d. (108.1.0; 1.11.0; tickets: 333.5.6, of which Townsend sold 218.2.0; Mrs Johnson 115.3.6)

Performances

Mainpiece Title: The Iron Chest

Performance Comment: As17990423, but Fitzharding-Johnson (from the Park? Theatre, New York; 1st appearance on this stage); Samson (1st time)-Townsend; Helen (for that night only)-Mrs Johnson; Chorus of Robbers-_; Chorus of Servants-_.

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: Tell Truth and Shame the Devil

Song: End: Mad Tom-Betts (1st appearance on the stage); Young William-Incledon; The Golden Days-Munden; The Tight Little Island-Townsend; The Wind blew fresh and fair-Townsend

Music: End I 1st piece: Concerto Clarionet-Orsato (of the Theatre Royal Venice; 1st appearance in this Metropolis); a duetto solo by means of the Pression and Repercussion of the Air-Orsato This his curious Discovery has received the greatest Applause in most of the Courts

Event Comment: [R$Ross this month wrote to Colman (Harvard Theatre Collection A.L.S.) inquiring about an intended new theatre at Bath, and opened his heart as follows: "My present situation is most irksome to me and must be to any gentleman or man of merit in his profession to have such an ignorant and now ill-bred fellow as Beard? presume to conduct the business of a theatre Royal, of which he is totally ignorant, and oblig'd to apply to the great Gibson, who naturally wishes to lower every man to his own standard, while the other despises every degree of merit that is not compris'd in Sol fa and wishes the theatre only to substitute as an Opera house." Ross wanted to be nominated for the manager's postition in the new theatre at Bath. N.B. He had already acted 23 times this season in his best parts.

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Imposter

Afterpiece Title: The Royal Chace

Cast
Role: Chasseur Royal Actor: Squibb.
Role: A Chasseur Royal Actor: Mattocks
Event Comment: By Command of His Royal Highness the Prince of Wales. Receipts: #142 8s. 6d. (Account Book); #110 (Rylands MS.)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Royal Chace; or, Merlin's Cave

Performance Comment: Endymion-Rochetti; Chasseurs-Rheinhold, Roberts; Nymphs-Miss Burgess, Miss Davis; Diana-Mrs Chambers; Merlin-Leveridge; Jupiter-Lun; Pluto (Punch)-Janno; Neptune (Pantaloon)-Dupre; Pan (Scaramouch)-Richardson; Hercules (Brighella)-Delagarde; Apollo (Mezetin)-Villeneuve; Mars (Leander)-Haughton; Mercury-Salway; Doctor-Bencraft; Doctor's Wife-Mrs Kilby; Pierot-Lalauze (who has not performed upon that theatre these three years).

Dance: Desnoyer, Haughton, Signora Barberini

Event Comment: We hear that the Tragedy of Coriolanus, wrote by the late Mr Thompson, has been rehearsed at the Theatre Royal Covent Garden, and will be perform'd there on Friday next

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Royal Chace

Event Comment: Mainpiece: Not acted in 5 years. [See 11 Dec. 1744. For further comment on Dexter, see Genest, IV, p. 341.] One Mr Dexter did Oroonoko , a Gent of Ireland--who never appear'd upon a Stage before--he had ye Greatest applause ever heard & indeed deservedly a Sweet Voice, great feeling--his name was not in ye Bills--only by a Gent (Cross). We hear that a Comedy call'd Eastward Hoe; or, The Prentices, written by Ben Johnson, Chapman, and Marston, is now reviving at the Theatre Royal in Drury Lane, and will be acted the 29th. [A four page double column account of the text of Oroonoko appeared in the Gentleman's Magazine, 1752, pp. 163-67.] Receipts: #130 (Cross)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Anatomist

Event Comment: At Yates's Booth in the George Inn, Smithfield. A new, pleasant and Diverting Droll...interspers'd with several Scenes both Satyrical and Comical, particularly the surprizing Metamorphosis of Jupiter and Mercury; the very remarkable Tryal before Judge Puzzlecause, with many learned arguments on both sides to prove that One can't be Two. Likewise the Humourous Adventures and whimsical Perplexities of Gormandize Simple, the Hungarian Footman; with the wonderful Conversations he had with and the dreadful Drubbings he received from his own Apparition; together with the Intrigues of Dorothy Squeezepurse, the wanton Chambermaid. Concluding with the Distresses of the Jealous Husband or the Innocent Adultress. Yates from Theatre Royal in Drury Lane. Clothes, scenes, machines, flyings, Transparencies and all other Decorations entirely new

Performances

Mainpiece Title: The Descent Of The Heathen Gods, With The loves Of Jupiter And Alcmena; Or, Cuckoldom No Scandal

Dance: TThe Drowsy Cobler-M L'Armand, Mad L'Armand lately arriv'd from Paris; Tit for Tat or the Kiss Return'd-Mr Shawford, Mrs Shawford, M L'Armand, Mme L'Armand; An extraordinary Band of Musick [provided from the Opera and both the Theatres [six instruments named]

Event Comment: [The Afterpiece had been advertised on two previous days to be the Royal Chace; or, Merlin's Cave.

Performances

Mainpiece Title: The Country Lasses

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Performance Comment: Chasseur Royal-Beard; Merlin-Leveridge; Jupiter, in the character of Harlequin-Lun; Pluto (Punch)-Granier; Neptune (Pantaloon)-Dupre; Pan (Scaramouche)-Vandersluys; Hercules (Brighella)-Delagarde; Apollo (Mezzetin)-Villeneuve; Mars (Leander)-Desse; Doctor-Bencraft; Colombine-Mrs Dunstall; Pierot-LaLauze.
Cast
Role: Chasseur Royal Actor: Beard
Event Comment: [W+Winston MS 8 lists Harlequin Skeleton; or, The Royal Chace.] Receipts: #42 6s. (Account Book)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Merlin's Cave; or, The Royal Chase

Performance Comment: Chasseur Royal-Lowe; Aerial Spirits-Granier, Mrs Granier; Jupiter (in the character of Harlequin)-Miles; Doctor-Arthur; Anatomist-Stoppelaer; Colombine-Mrs Dyer; Merlin-Howard; Mercury-Baker; Pierrot-Lalauze.
Cast
Role: Chasseur Royal Actor: Lowe
Event Comment: [Huddart, whose 1st appearance on the stage was at the Crow Street Theatre Dublin, on 14 May 1798, is identified in European Magazine, Oct. 1798, p. 258.] "In the gentle and tender scenes [Huddart] was impressive...but in the impassioned parts he was often too boisterous, and from his too eager exertion, he exhausted himself, in a great measure, before the conclusion of the piece" (Morning Herald, 16 Oct.). [Mrs Pope, as Miss Campion, had 1st appeared as Desdemona at the same theatre, 11 Mar. 1790. Mrs Wybrow was from the Royal Circus. She had appeared at cg on 6 June 1798.] Afterp iece [1st time; BALL. PI, by John Cartwright Cross. Larpent MS 1228. Text (i.e. synopsis of the ballet, and the songs) in his Circusiana (Lackington, Allen & Co., 1890), Vol. 1; it lists the cast for the Royal Circus]: Taken chiefly from the favourtie Piece of the latter Title [1st acted at the Royal Circus, 9 Apr. 1798], with Alterations and Additions by the original Author. The Music by Sanderson, and Scenery by Phillips, Lupino, Hollogan, Blackmore, &c. Receipts: #294 15s. 6d. (290.8.6; 4.7.0)

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-A Young Gentleman (from the Theatre Royal Dublin; 1st appearance on this, and 4th on any stage [Huddart]); Roderigo-Knight; Cassio (1st time)-Betterton; Brabantio-Hull; Lodovico-Whitfield; Duke-Waddy; Gratiano-Powel; Montano-Clarke; Iago-Murray; Emilia (1st time)-Mrs Litchfield; Desdemona-Mrs Pope (1st appearance in that character [in London]).in London]).

Afterpiece Title: The Genoese Pirate; or, Black-Beard

Dance: In afterpiece: Dance of Negroes-

Event Comment: Benefit Pierson, Treasurer. Garrick refused to act. So he got Bridges from Dublin to play for him. (Winston MS. from Dyer MS.). Tickets and places to be had at Pierson's House, the Green Door, the Upper End of Great Queen St., Lincoln's Inn Fields, and of Hobson at the Stage Door

Performances

Mainpiece Title: The Country Wife

Performance Comment: Pinchwife-a Gentleman from Theatre Royal Dublin; Sir Jasper Fidget-Macklin; Sparkish-Neale; Harcourt-Blakes; Mrs Pinchwife-Mrs Clive; Lady Fidget-Mrs Pritchard; Horner-Mills; Dorilant-Cross; Quack-Turbutt; Alithea-Mrs Ridout; Lucy-Mrs Bennet.

Afterpiece Title: The Dragon of Wantley

Song: II: Stella and Flavia-Beard; IV: (By Particular Desire) Bumper Squire Jones-Beard

Music: IV: a Concerto-Piantanida

Dance: III: A Comic Dance-Boromeo, Mlle Bonneval

Event Comment: By Permission of the Lord Chamberlain. Benefit for Griffiths, formerly of Drury-Lane Theatre. The Doors to be opened at 5:00. To begin at 6:00. Tickets delivered by Griffiths for the 27th of February will be taken. Tickets and Places to be had of Griffiths, at the Theatre, every Morning from 10 till 12. Fires are kept to keep the Theatre warm

Performances

Mainpiece Title: Tamerlane The Great

Performance Comment: Tamerlane-Calvert (from the Theatre-Royal [Smock Alley], Dublin); Moneses-Kent (from the Theatre-Royal, Norwich); Axalla-Diamond; Dervise-Nash; Bajazet-A Gentleman (1st appearance in that character); Selima-Mrs Clapham (from the Theatre-Royal, York); Arpasia-Miss Shelbourn (from the Theatre-Royal, Edinburgh) .

Afterpiece Title: The Mayor of Garratt

Dance: After the Imitations, The Dwarf Dance by Powel

Song: Between the acts of mainpiece several Catches and Glees by some of the principal performers in London. imitations. End of mainpiece Imitations, Vocal and Rhetorical, by Decastro