SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Old Cole"/1) | (@(roleclean,performerclean) "Old Cole")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1853 matches on Performance Comments, 987 matches on Performance Title, 355 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; T 5, by William Shirley. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 19 Dec. Prologue by the author (London Chronicle, 23 Dec.). Epilogue by Richard Cumberland (Collection...of English Prologues and Epilogues, IV, 194]: With New Scenes and Dresses. "I have been at another new play, The Roman Sacrifice. It is the old story of Junius Brutus, without a tolerable line. I went to see it, as I had never seen Henderson, and thought I could Judge him better in a new part; but either the part was so bad, or he wants to copy, that I should not have found out he was at all superior to all other actors" (Walpole [23 Dec. 1777], X 170). Receipts: #2223s. 6d. (207.8.0; 13.13.6; 1.2.0)

Performances

Mainpiece Title: The Roman Sacrifice

Afterpiece Title: Daphne and Amintor

Event Comment: [Mainpiece in place of The Old Batchelor, announced on playbill of 19 Nov.] Receipts: #127 8s. (102.11; 24.13; 0.4)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Camp

Event Comment: Benefit for the City of London Lying-in Hospital. [Author of Prologue unknown.] Paid Heele for Insurance #125 4s. Public Advertiser, 5 Dec.: Tickets to be had at the Hospital, Old Street Road. Receipts: #281 16s. (91.10; 9.9; 0.1; tickets: 180.16) (charge: #105)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Deserter

Event Comment: [Henry is identified in playbill of 15 Nov. He had been acting in America since 1767 (Dictionary of American Biography); and see 18 Apr. 1780.] "We cannot but object to [his] calling handkerchief hand-kercher, according to the old Saxon termination. Perhaps he may be justifiable [sic] on the strict rules of etymology, but singularity always looks like affectation" (Morning Chronicle, 18 Oct.). Receipts: #109 2s. 6d. (91.15.0; 17.2.0; 0.5.6)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Elopement

Event Comment: The Old Batchelor [announced on playbill of 17 Feb.] is obliged to be deferr'd on account of King's illness. Receipts: #161 7s. (107.3; 53.9; 0.15)

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: The Camp

Event Comment: [Mainpiece in place of The Old Batchelor, announced on playbill of 24 Feb.] Paid the Guardians of the Duke of Bedford rent to Michaelmas 1778, land tax deducted, #160 16s. 4d. Receipts: #128 16s. 6d. (88.5.0; 38.11.0; 2.0.6)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Camp

Dance: As17800107

Event Comment: Benefit for Mr and Mrs Jerrold. Afterpiece: Containing the Life and Death of King Chrononhotonthologos, the valiant Exploits of Bombardimian, his general, the unsuccessful Love of Fadladinada, Queen of Queerumania, to the Antipodean King, concluding with the marriage of the aforesaid Queen to her two fortunate Lovers, Aldiborrontiphoscophornio and Rigdum Funnidos. Mr and Mrs Jerrold present their humble respects to the Ladies and Gentlemen, and as through the badness of the weather, and being Assembly-Night on their former Benefit, there was not the Expenses in the House; therefore solicit the Favour of their Company, and Interest in this their second Attempt. To begin precisely at 6:30. Pit 2s. Gallery 1s. Tickets to be had at the Crown, and at the Cock, Well's row

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Jerrold; Strickland-Price; Frankly-Jones; Bellamy-Wilson; Jack Meggot-Davis; Tester-Leach; Simon-Wortley; Buckle-Master Simson; Jacintha-Mrs Kingham; Mrs Strickland-Mrs Weeks; Lucetta-Mrs Robinson; Clarinda-Mrs Jerrold; Prologue-Miss Jerrold (a child of 3 years old).
Cast
Role: Ranger Actor: Jerrold
Role: Clarinda Actor: Mrs Jerrold
Role: Prologue Actor: Miss Jerrold

Afterpiece Title: Chrononhotonthologos

Dance: A Hornpipe-a Gentleman [unidentified]

Entertainment: Monologues. End: The Examination of Dr Last before the College of Physicians taken from The Devil upon Two Sticks-Jerrold; End afterpiece: The Picture of a Play-House; or, Bucks have at Ye All-

Performance Comment: End: The Examination of Dr Last before the College of Physicians taken from The Devil upon Two Sticks-Jerrold; End afterpiece: The Picture of a Play-House; or, Bucks have at Ye All-.
Event Comment: "I have been for two days in town, and seen Mrs Siddons . . . She is a good figure, handsome enough, though neither nose nor chin according to the Greek standard, beyond which both advance a good deal. Her hair is either red, or she has no objection to its being thought so, and had used red powder. Her voice is clear and good; but I thought she did not vary its modulations enough, nor ever approach enough to the familiar--but this may come when more habituated to the awe of the audience of the capital. Her action is proper, but with little variety; when without motion, her arms are not genteel ... I treated my eyes, not only with Mrs Siddons but a harlequin farce. But there again my ancient prejudices operated: how unlike the pantomimes of Rich, which were full of wit, and coherent, and carried on a story! What I now saw was Robinson Crusoe: how Aristotle and Bossu, had they ever written on pantomimes, would swear! It was a heap of contradictions and violations of the costume. Friday is turned into Harlequin, and falls down at an old man's feet that I took for Pantaloon, but they told me it was Friday's father. I said, 'Then it must be Thursday'" (Walpole [3 Nov. 1782], XII, 356-57, 359). Receipts: #241 6s. (222/4/0; 18/15/6; 0/6/6)

Performances

Mainpiece Title: Isabella

Afterpiece Title: Robinson Crusoe

Dance: As17820921

Event Comment: Benefit for the City of London Lying-in Hospital [in Old-Street, City Road. Author of Epilogue unknown]. Receipts: #270 8s. 6d. (62/14/0; 13/4/6; 0/14/0; tickets: 193/16/0) (charge: #105)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Too Civil by Half

Song: In Act II of mainpiece song by Miss Phillips

Event Comment: "The after-piece-that old obsolete Trash, the Country Madcap, by the aid of Quick and Mrs Mattocks' good Acting, was endured. Reinhold's imitation of Italian Singing . . . got three Peals of Applause" (Public Advertiser, 13 Oct.). Receipts: #150 4s. 6d. (147/1/6; 3/3/0)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Rival Knights

Afterpiece Title: The Country Mad-Cap

Event Comment: Grimaldi being extremely ill, and it being uncertain when he may be able to perform, Wright has undertaken to supply his Character of the Clown, and Hamoir that of the Old Harlequin, and hope the Public will accept them with their usual kind Indulgence. In afterpiece: Repulse of the Spaniards, as 7 Jan. Receipts: #219 16s. (213/17; 5/4; tickets not come in: 0/15)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Harlequin Junior

Event Comment: By Permission of the Lord Chamberlain. By Desire of the Ancient and Honourable Fraternity of Free and Accepted Masons, who on this occasion will attend in proper cloathing, and the different Regalias of their Order. Afterpiece [1st time; F 2, author unknown. MS: Larpent 685; not published. Author of Prologue unknown]. The Doors to be opened at 5:00. To begin at 6:30. Tickets to be had at the Globe in Pall-mall; the Black Horse, Coventry-street; the Castle, in Castle-Court, Cornhill; the Rose Coffee-house in the Old Bailey; the Half Moon Tavern, Cheapside; and at the Theatre, where places for the boxes may be taken. Great care will be taken to have the House well aired

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: The Talisman

Song: End of mainpiece a song by Brett

Monologue: 1784 01 21 End of Act III of mainpiece a Masonic Address by a Brother [unidentified]

Event Comment: Afterpiece: Not acted these 7 years [not acted since 17 May 1774]. "Bensley, whose Sense and Sensibility are always apparent, though not perhaps always successful, fell far short of Henderson in Old Norval" (Public Advertiser, 13 Feb.). Receipts: #274 15s. (258/5/0; 15/8/6; 1/1/6)

Performances

Mainpiece Title: Douglas

Afterpiece Title: Neck or Nothing

Dance: As17831213

Event Comment: "[Mrs Siddons's] Impatience, her impassioned Gestures, during the Narrative of Old Norval--the Towering of her Transports after it--the Transports of Tenderness maternal... were given with an enthusiastic Grace of Truth" (Public Advertiser, 7 May). Receipts: #242 17s. (225/5; 16/13; 0/9; tickets not come in: 0/10)

Performances

Mainpiece Title: Douglas

Afterpiece Title: Too Civil by Half

Dance: As17840311athi

Event Comment: Benefit for Staunton and Mrs Hedges. Gazetteer, 8 May: Tickets to be had of Staunton, No. 9, St. Martin's-street, Leicester-fields; of Mrs Hedges, opposite Old Bond-street, Piccadilly. Receipts: #208 1s. 6d. (15/13/0; 19/15/6; 0/16/0; tickets: 171/17/0) (charge: #106 0s. 11d

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: A Musical Oglio

Afterpiece Title: The Double Disguise

Event Comment: Mainpiece [1st time; co 3, by George Colman, the younger. Prologue by George Colman, the elder (Colman, Prose, III, 252)]: The new Airs, and a New Overture by Dr Arnold. Books of the Songs to be had at the Theatre. [One of the songs, beginning "Adzooks, old Crusty," sung by Edwin, is set to the tune of Yankee Doodle, and in the musical score (Harrison, 1784) it is so entitled. This is believed to be the first time this song, as it is now sung, appeared in print.]

Performances

Mainpiece Title: Two To One

Related Works
Related Work: Two to One Author(s): Samuel Arnold

Afterpiece Title: The Tobacconist

Event Comment: Afterpiece [1st time; P 2 (?), author unknown. MS not in Larpent; not published]: The Scenery, &c., partly new and partly selected from old and approved Pantomimes. Receipts: #205 7s. (156/6/0; 46/16/6; 2/4/6)

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Caldron; or, Pantomimical Olio

Dance: In afterpiece, by Mr and Miss Hamoir, Mills, Miss Stageldoir. [The dances were included, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Omai [and see17851220]

Performance Comment: Towha, the Guardian Genius of Omai's Ancestors-Mrs Rivers; Otoo, Father of Omai-Darley; Omai-Blurton; Harlequin, Servant to Omai-Kennedy; Oediddee, Pretender to the Throne-Mrs Kennedy; Oberea, an Enchantress-Mrs Martyr; Britannia-Mrs Inchbald; Don Struttolando, Rival to Omai-Palmer; Clown, his Servant, and Rival to Harlequin-Delpini; Father of Londina-Thompson; Mother-Mrs Davenett; Londina, the Consort destined to Omai-Miss Cranfield; Colombine, Maid to Londina-Miss Rowson; Old Fairy, Friend to Harlequin-Wewitzer; English Captain-Brett; Justice-Davies; A Travelled Otaheitean (with songs)-Edwin. [Songs (T. Cadell, 1785) adds: Constables-Doyle, Meadows, Swords.] hathi. hathi.
Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. "The Captives were set at liberty last night, amidst roars of laughter. I see the doctor [i.e. the author] publishes it this week . . . Cadell bought this sublime piece before it appeared, for fifty pounds, agreeing to make it a hundred on its third representation. It has been played three times, and I dare say old Sanctimony will have no remorse in taking the other fifty." J. P. Kemble to Edmond Malone (Life of Edmond Malone, by Sir James Prior, i860, p. 126). Receipts: #138 13s. 6d. (91/19/0; 40/18/0; 5/16/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Captives

Afterpiece Title: The Gentle Shepherd

Dance: As17860223

Song: As17860309athi

Event Comment: Benefit for Mrs Wells. Afterpiece [1st time; F 2, by Edward Topham, with incidental music by Shield. MS not in Larpent; not published. Prologue by George Colman, the younger (European Magazine, May 1786, p. 370)]. "An old and established rule among the youth of Westminster [School will] not permit any exhibition on the stage reflecting upon their body ... In the second act Mrs Wells made her appearance in the dress of a Westminster scholar, when a general uproar [instigated by the scholars] took place, and the [rest of the] piece was prevented from being heard" (Town and Country Magazine, May 1786, p. 235). Public Advertiser, 8 May: Tickets to be had of Mrs Wells, No. 188, Oxford-street. Receipts: #282 17s. (166/0/6; 21/19/6; tickets: 94/17/0) (charge: #105)

Performances

Mainpiece Title: The Bird In A Cage

Afterpiece Title: Small Talk; or, The Westminster Boy

Dance: In Act III of mainpiece a Grand Dance, as17860424; End of Act I of afterpiece Leap Year, as17860227

Event Comment: Benefit for Mrs Webb. Morning Chronicle, 17 July: Tickets to be had of Mrs Webb, No. 22, corner of Broad Court, Bow-street, Covent Garden. "Old Jack, instead of appearing with all that easy, flowing, negligent facetiousness which the poet has so inimitably pourtrayed, assumed the part of moral solemnity, and every joke was delivered with a sort of sententious dignity that destroyed its natural impression" (General Advertiser, 22 July)

Performances

Mainpiece Title: The First Part Of King Henry Iv, With The Humours Of Sir John Falstaff

Afterpiece Title: Gretna Green

Related Works
Related Work: Gretna Green Author(s): Samuel Arnold

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Let me wander not unseen-Miss Mahon; And young and old-Chorus (L'Allegro); Music spread thy voice around-Harrison, Chorus (Solomon); O magnify the Lord-Miss Cantelo (Chandos? Athems); May no rash intruder, [the] Nightingale Chorus-(Solomon); Gentle Airs-Harrison (Athalia); O God who in thy heavenly band-Chorus (Joseph); The Prince unable to conceal his Pain-Sga Storace (Alexander's Feast); The King shall rejoice-.
Cast
Role: And young and old Actor: Chorus

Afterpiece Title: Grand Selection 3

Music: End II: As17890227; End Part I: Concerto by Handel on organ-Greatorex

Event Comment: Benefit for Mrs Siddons (the last Night of her Engagement). [She had 1st acted Juliet at Birmingham, 6 Sept. 1776, and 1st recited the Ode, written by Robert Merry (European Magazine, Apr. 1789, pp. 335-38), at the King's on 21 Apr.] Part of the Pit will be laid into the Boxes, To prevent Confusion, Ladies are desired to send their Servants by Half past Four o'Clock. Public Advertiser, 29 Apr.: Tickets to be had of Mrs Siddons, Gower-street, Bedford Square. "The pouting Scene with the old Nurse was the cleverest thing I ever saw--so pretty, so Babyish, so charming" (Thraliana, II, 748). On this and every Evening for the Remainder of the Season the Doors will not be opened till 5:30, and the Performance will commence exactly at 6:30. Receipts: #320 6s. 6d. (112.12.0; 11.12.0; 1.7.6; tickets: 194.15.0) (charge: #112 13s. 7d.)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Toy Shop

Song: As17881117, but Vocal Parts-Miss Hagley, Miss _Collett

Entertainment: Monologue. End afterpiece: An Ode on the Recovery of His Majesty-Mrs Siddons; in the Character of Britannia. Conclude with: God save the King!-

Performances

Mainpiece Title: The Foundling; Or, Virtue Rewarded

Afterpiece Title: The Deuce is in Him

Afterpiece Title: The Shipwreck; or, Walking Statue

Related Works
Related Work: The Shipwreck Author(s): Samuel James ArnoldSamuel Arnold

Dance: End: a comic dance, The Affrighted Dwarf; or, Whimsical Transformation into Mad Moll-Blandford

Entertainment: Monologues. End I: Epilogue-Somebody in the Character of Nobody; End II: British Loyalty; or, A Squeeze for St. Paul's, will be introduced the characters of a Fide Lady? a Beau, an Irishman, a Scotchman, a Welshman, a Jew, an Old Man, and a British Sailor-Randall

Performance Comment: End I: Epilogue-Somebody in the Character of Nobody; End II: British Loyalty; or, A Squeeze for St. Paul's, will be introduced the characters of a Fide Lady? a Beau, an Irishman, a Scotchman, a Welshman, a Jew, an Old Man, and a British Sailor-Randall.
Event Comment: "Harley's youth and vigour so repeatedly got the better of his endeavours to conceal them under the veil of assumed debility that it was rather the grandson of Lear, who was rehearsing the part of that injured Prince and parent, than the good old King himself" (Diary, 5 Jan.). Receipts: #269 8s. 6d. (266.13.0; 2.15.6)

Performances

Mainpiece Title: King Lear

Afterpiece Title: Harlequin's Chaplet

Dance: As17891231