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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "N Rowe Esq"/1) | (@(roleclean,performerclean) "N Rowe Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1268 results for: Keyword - N. Rowe, Esq
We found 834 matches on Author, 373 matches on Event Comments, 93 matches on Performance Comments, 18 matches on Performance Title, and 0 matches on Roles/Actors.

926
23 October 1747 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Virgin Unmask'd

Dance: DDance-Cooke

927
06 November 1747 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Virgin Unmask'd

928
10 March 1749 @ Haymarket Theatre

Performances

Mainpiece Title: None

929
16 January 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Harlequin Ranger

930
27 November 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Queen Mab

Dance: TThe Hungarian Peasants, as17521125, but A Dutch Dance-_; Comic Dance, as17521125

931
22 November 1755 @ Covent Garden

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Afterpiece Title: Damon and Phillida

Dance: As17551114

932
02 October 1760 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Ranger

933
13 October 1760 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Harlequin's Invasion

934
16 October 1760 @ Covent Garden

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: Harlequin Skeleton

Dance: As17601013

935
31 October 1763 @ Drury Lane Theatre

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Witches

936
04 June 1768 @ Covent Garden

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Midas

Dance: III: The Highland Reel, as17680307

937
07 October 1776 @ China Hall, Lower Road, Rotherhithe

Event Comment: Benefit for Mrs West. Tickets to be had of West, at the Ship, near the Seven Houses, Rotherhithe. Mainpiece: In Act II the triumphal entry of Alexander into Babylonv; In Act IV the grand Banquet where Alexander kills his faithful soldier, old Clytus. [The playbill contains a lengthy synopsis of the plot of the mainpiece; it concludes by noting that "the many flowery passages with which this tragedy abounds does honour to the pen of its author, N. Lee, Esqr., and we may justly say with Mr Pope, 'Such plays alone shou'd please a British ear, as Cato's self had not disdain'd to hear.'"]

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: Marriage a la Mode [i

Song: II: the grand chorus, See the conquering Hero comes-; Between Acts: Singing, as17760925

Entertainment: Monologue.The Painter's Art-[from Taste, by Samuel Foote]; Lady Pentweazle-Master Russell

938
17 July 1779 @ Haymarket Theatre

Performances

Mainpiece Title: A Widow And No Widow

Afterpiece Title: Midas

Dance: As17790610

939
15 July 1780 @ Haymarket Theatre

Performances

Mainpiece Title: A Widow And No Widow

Afterpiece Title: Fire and Water

940
16 March 1782 @ Covent Garden

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Positive Man

941
11 April 1782 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I an entirely new Ballet, composed by Noverre, Adela of Pontbieu (the subject taken from the History of ancient Chivalry), by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Simonet, Sga Crespi, Mlle Baccelli; End of Opera Medea and Jason, as originally composed by Noverre, by Gardel, Mme Simonet, Nivelon, Simonet, Mlle Theodore, Mlle Baccelli

942
29 January 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Vanity

Afterpiece Title: The Gentle Shepherd

943
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

944
25 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a new ballet, composed for the occasion by D'Auberval, Pygmalion (taken from the Mono-drama of that name by Jean-Jacques Rousseau, with the original music composed by that very celebrated writer; the story founded on the fabulous account of Pygmalion animating his statue) by Lepicq, Vcstris (Jun.], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi

945
24 April 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Deaf Lover

Dance: As17840311athi

946
28 March 1787 @ Red-Lion Inn, Lordship Road, Stoke Newington

Performances

Mainpiece Title: Barbarossa; Or, The Freedom Of Algiers

Afterpiece Title: Thomasand Sally

Song: End: Ma chere amie-Wilson

Entertainment: Monologue. A favorite Prologue-Marriot

947
22 May 1788 @ Covent Garden

Performances

Mainpiece Title: Marian

Afterpiece Title: The Maid of the Oaks

Afterpiece Title: Animal Magnetism

Dance: In I 2nd piece: As17880204

948
15 May 1789 @ Covent Garden

Performances

Mainpiece Title: The Dramatist; Or, Stop Him Who Can

Afterpiece Title: The Highland Reel

Entertainment: Imitations. In: Vocal Imitations-Mrs Wells [of Mrs Martyr, Sga Sestini, Kelly, Mrs Crouch (Diary, 16 May)]; End: a Scene from the two Great Tragic Actresses of the Country [Mrs Crawford as Alicia and Mrs Siddons as Jane Shore (Diary)]-Mrs Wells; [with one speech [afterwards pourtraying the different manners of both ["For ever! Oh, for ever!" i.e. the concluding speech of Act IV of Jane Shore (Diary)]-Mrs Wells

949
07 October 1789 @ Covent Garden

Performances

Mainpiece Title: The Dramatist; Or, Stop Him Who Can

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

950
05 November 1791 @ Covent Garden

Performances

Mainpiece Title: Notoriety

Afterpiece Title: Love in a Camp