Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "N Haym"/1) | (@(roleclean,performerclean) "N Haym")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
198 results for: Keyword - N. Haym
We found 93 matches on Event Comments, 58 matches on Performance Comments, 36 matches on Author, 16 matches on Performance Title, and 0 matches on Roles/Actors.

51
25 January 1721 @ King's Theatre

Performances

Mainpiece Title: Radamistus

Related Works
Related Work: Radamistus Author(s): N.F. Haym

52
21 March 1721 @ King's Theatre

Performances

Mainpiece Title: Radamistus

Related Works
Related Work: Radamistus Author(s): N.F. Haym

53
25 March 1721 @ King's Theatre

Performances

Mainpiece Title: Radamistus

Related Works
Related Work: Radamistus Author(s): N.F. Haym

54
25 November 1721 @ King's Theatre

Performances

Mainpiece Title: Radamistus

Related Works
Related Work: Radamistus Author(s): N.F. Haym

55
29 November 1721 @ King's Theatre

Performances

Mainpiece Title: Radamistus

Related Works
Related Work: Radamistus Author(s): N.F. Haym

56
02 December 1721 @ King's Theatre

Performances

Mainpiece Title: Radamistus

Related Works
Related Work: Radamistus Author(s): N.F. Haym

57
06 December 1721 @ King's Theatre

Performances

Mainpiece Title: Radamistus

Related Works
Related Work: Radamistus Author(s): N.F. Haym

58
31 October 1724 @ King's Theatre

Event Comment: [Text by A. Piovene, adapted by N. F. Haym. Music by Handel.] Tickets half a guinea each. And in Regard to the Number of Subscribers, no more than Three Hundred and Forty Tickets will be deliver'd out. N.B. No Tickets will be given out at the Door, nor any Persons whatever admitted for Money. Gallery 5s. At 6 p.m

Performances

Mainpiece Title: Tamerlane

59
29 January 1706 @ Drury Lane Theatre

Performances

Mainpiece Title: The Pilgrim

Dance: As17051218

Song: Singing in Italian and English-Signora Louvicina[, who] being to return very speedily out of England...will (at the desire of several Ladies of Quality) perform for this one day only; accompanied-Haym, Saggion, Gasperini, others[, who will perform several Airs and Italian Sonatas never yet perform d on the English Stage

Performance Comment: ..will (at the desire of several Ladies of Quality) perform for this one day only; accompanied-Haym, Saggion, Gasperini, others[, who will perform several Airs and Italian Sonatas never yet perform d on the English Stage., who will perform several Airs and Italian Sonatas never yet perform d on the English Stage.
Cast
Role: accompanied Actor: Haym, Saggion, Gasperini, others

60
10 December 1712 @ Queen's Theatre

Event Comment: [By Niccola Haym. Apparently never printed.] Colman's Opera Register: A new Pastorall Opera called Dorinda. The musick of this is taken out of Severall Italian operas by Nico Haym. In this Sigra Margarita had no part. The other Singers the same as in the former [The Faithful Shepherd], the Same Scene & Habits also & the same prices. It was performed 4 times on the opera days successively

Performances

Mainpiece Title: Dorinda

61
01 January 1693 @ Whitehall or St. James's

Performances

Mainpiece Title: Concert

62
19 March 1747 @ Drury Lane Theatre

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Dragon of Wantley

Dance: New entertainments-Salomon, Sga Padouana, Salomon's son

63
25 August 1760 @ King's Theatre

Performances

64
28 July 1794 @ Haymarket Theatre

Event Comment: "Spectas, et tu Spectabere is the inscription over the curtain in the Little Haymarket Theatre. I was there on 29th [sic] July 1794: they gave a National opera, N. B. a piece in Scottish costumes. The men were dressed in flesh-coloured breeches, with white and red ribbons twisted round their stockings, a short, brightly-coloured, striped masons' apron, brown coat and waistcoat, over the coat a large, broad ensign's sash in the same style as the apron, and black cap shaped like a shoe and trimmed with ribbons. The women all in white muslin, brightly coloured ribbons in their hair, very broad bands in the same style round their bodies, also for their hats. They perform the same abominable trash as at Sadlers Wells. A fellow yelled an aria so horribly and with such exaggerated grimaces that I began to sweat all over. N. B. He had to repeat the aria. 0 che bestie!" (Haydn, pp. 294-95)

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: AULD ROBIN GRAY

65
26 April 1796 @ Covent Garden

Event Comment: Benefit for Fawcett 1st piece: By permission of G. Colman, Esq. Never performed at that Theatre. As performed at the Theatre Royal, Haymarket, with universal Applause. With new Scenery, Dresses and Decorations. Written by the Author of The Way to Get Married [Thomas Morton]. 2nd piece [1st time; M. INT 1]. Oracle, 8 Apr.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-Court-Road, opposite Howland-street. Receipts: #507 9s. 6d. (185.7.6; 10.0.0; tickets: 312.2.0)

Performances

Mainpiece Title: Zorinski

Afterpiece Title: A Nicknackatory

Afterpiece Title: Lock and Key

Dance: 2nd piece to conclude with: Highland Festivity, as17951125

Song: 1st piece: Vocal Parts-Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Miss Logan, Miss Ives, Miss Leserve, Miss Walcup, Mrs Castelle, Mrs Masters, Mrs Watts

Entertainment: Monologue.End: Monsieur Tonson (Founded on Fact, and recited at Free-Mason's Hall, last Winter, with universal Applause)-Fawcett

66
26 December 1711 @ Queen's Theatre

Event Comment: Admission as 24 Nov., but stage boxes omitted. At 6 p.m. The Spectator, 26 Dec., has a letter from Thomas Clayton, Nicolino Haym, and Charles Dieupart, who state that they have joined together to offer entertainments of music in the future at Clayton's house in York Buildings

Performances

Mainpiece Title: Hydaspes

67
18 January 1712 @ Drury Lane Theatre

Event Comment: At the Request of seveal Persons of Quality. The Spectator, 18 Jan., has a letter from Thomas Clayton, Nicolino Haym, and Charlies Dieupart, who deny the rumor that their purpose in presenting concerts is to destroy opera. Rather they wish to improve the art of music, which they feel is utterly destroyed at the moment; however, there will be no performances at York Buildings until after that of the Subscription

Performances

Mainpiece Title: The Amorous Widow

Entertainment: With several additional Entertainments-

68
26 February 1715 @ King's Theatre

Event Comment: [Composer unknown. Text by Zeno.] By Subscription. By His Royal Highness's Command. Admission to Pit and Boxes by Ticket only. Stage Boxes 15s. Gallery 2s. 6d. The Book of the Opera given out with tickets. At 6:30 p.m. Colman's Opera Register: ye Musick managed by Nic Haym

Performances

Mainpiece Title: Lucius Verus

69
12 January 1723 @ King's Theatre

Event Comment: [Text by Haym. Music by Handel.] Admission as 7 Nov. Daily Journal, 14 Jan.: On Saturday Night, his Majesty was at the Opera...and Signiora Catzoni, newly arrived from Italy, perform'd for the first Time, to the Surprize and admiration of the Audience, which was very numerous. [See also London Journal and British Journal, 12 and 19 Jan.

Performances

Mainpiece Title: Otho

70
19 February 1723 @ King's Theatre

Event Comment: [Music by Ariosti. Text by Haym.] Admission as 7 Nov. 1722

Performances

Mainpiece Title: Coriolanus

71
14 May 1723 @ King's Theatre

Event Comment: [Text by Haym. Music by Handel.] Pit and Boxes at half a guinea. Gallery 5s. By Reason of the shortness of the Opera, to begin exactly at Eight a-Clock

Performances

Mainpiece Title: Flavius

72
14 January 1724 @ King's Theatre

Event Comment: [Text by Haym. Music by Ariosti.] Pit and Boxes half a guinea (not over 340 tickets). Gallery 5s. At 6 p.m

Performances

Mainpiece Title: Vespasian

73
20 February 1724 @ King's Theatre

Event Comment: [Text by Haym. Music by Handel.] Admission as 14 Jan. Daily Journal, 21 Feb.: Last Night his Majesty, the Prince and Princess, with great Numbers of the Nobility, went to see the new Opera

Performances

Mainpiece Title: Julius Caesar

74
18 April 1724 @ King's Theatre

Event Comment: [Text by Haym. Music by Bononcini.

Performances

Mainpiece Title: Calphurnia

75
13 February 1725 @ King's Theatre

Event Comment: [Text by A. Salvi, altered by Haym. Music by Handel.] Admission as 31 Oct. 1724

Performances

Mainpiece Title: Rodelinda