SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mrs Harrison"/1) | (@(roleclean,performerclean) "Mrs Harrison")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23368 matches on Performance Comments, 4258 matches on Event Comments, 4223 matches on Performance Title, 24 matches on Roles/Actors, and 9 matches on Author.
Event Comment: Last Night of the Company's performing this Season. Account-Book: Tickets delivered by Mrs Shotter, Wyatt, Waller, Gawdrey, Ratchford, the Band, Coombes, Page, Wilkins, Robson (door-keeper), Warwhick, Dosel, Paskin, Wells, Ansell, King will be admitted. Receipts: #467 13s. 6d. (67.10.0; 3.14.0; tickets: 396.9.6)

Performances

Mainpiece Title: The Suspicious Husband

Cast
Role: Mrs Town Actor: Mrs Fawcett

Afterpiece Title: The Poor Sailor

Dance: Afterpiece: With a Treble Hornpipe-Ratchford, King, Mrs Ratchford

Event Comment: Mainpiece [1st time; T 5, by William Henry Ireland; incidental music by William Linley. Prologue by Sir James Bland Burges; Epilogue by Robert Merry (see text)]: With new Scenes, Dresses & Decorations. The Scenes designed and excuted by Greenwood and Capon. The Dresses by Johnston, Gay & Miss Rein. Printed slip attached to Kemble playbill: A malevolent and impotent attack on the Shakspeare MSS. [i.e. those forged by W. H. Ireland, of which this play was one] having appeared, on the Eve of representation of Vortigern, evidently intended to injure the interest of the Proprietor of the MSS., Mr Samuel? Ireland [W. H. Ireland's father] feels it impossible, within the short space of time that intervenes between the publishing and the representation, to produce an answer to the most illiberal and unfounded assertions in Mr Malone's enquiry [i.e. Edmond Malone, An Inquiry into the Authenticity of certain Papers attributed to Shakspeare, Queen Elizabeth, and Henry, Earl of Southampton, 1796]. He is therefore induced to request that Vortigern may be heard With that Candour that has ever distinguished a British Audience. The Play is now at the Press, and will in a very few days be laid before the Public. [But it was not issued until 1799 (see below). See also Bernard Grebanier, The Great Shakespeare Forgery, London, 1966.] 4 Apr., states that the first three acts were listened to with patience, but beginning with the fourth act the play was damned, when "one tremendous yell of indignation from the pit burst simultaneously." "At four o'clock the doors of the theatre were besieged; and, a few minutes after they were opened, the pit was crowded solely with gentlemen. Before six not a place was to be found in the boxes, and the passages were filled...The audience betrayed symptoms of impatience early in the representation; but, finding its taste insulted by bloated terms, which heightened the general insipidity, its reason puzzled by discordant images, false ornaments, and abortive efforts to elevate and astonish, pronounced its sentence of condemnation at the conclusion of the play" (Gentleman's Magazine, Apr. 1795, pp. 346-47). "Irelands play of Vortigern I went to. Prologue spoken at 35 minutes past 6 [see 29 Mar.]: Play over at 10. A strong party was evidently made to support it, which clapped without opposition frequently through near 3 acts, when some ridiculous passages caused a laugh, mixed with groans-Kemble requested the audience t o hear the play out abt. the end of 4th act and prevailed.-The Epilogue was spoken by Mrs Jordan who skipped over some lines which claimed the play as Shakespeares. Barrymore attempted to give the Play out for Monday next but was hooted off the stage. Kemble then came on, & after some time, was permitted to say that "School for Scandal would be given," which the House approved by clapping. Sturt of Dorsetshire was in a Stage Box drunk, & exposed himself indecently to support the Play, and when one of the stage attendants attempted to take up the green cloth [i.e. a carpet which, by custom, was laid on the stage during the concluding scene of a tragedy], Sturt seized him roughly by the head. He was slightly pelted with oranges" (Joseph Farington, Diary, 1922, I, 145). Account-Book, 4 Apr.: Paid Ireland his share for the 1st Night of Vortigern #102 13s. 3d. Morning Chronicle, 29 Mar. 1799: This Day is published Vortigern and Henry the Second (4s.). Receipts: #555 6s. 6d. (528.6.0; 26.9.6; 0.11.0)

Performances

Mainpiece Title: Vortigern

Performance Comment: Characters-Bensley, Barrymore, Caulfield, Kemble, Whitfield, Trueman, C. Kemble, Benson, Phillimore, King, Dignum, Packer, Cooke, Banks, Evans, Russell, Wentworth, Maddocks, Webb, Master Gregson, Master DeCamp, Mrs Powell, Mrs Jordan, Miss Miller, Miss Tidswell, Miss Heard, Miss Leak; [Cast from text (J. Barker, 1799): Constantius-Bensley; Aurelius-Barrymore; Uter-Caulfield; Vortigern-Kemble; Wortimerus-Whitfield; Catagrines-Trueman; Pascentius-C. Kemble; Hengist-Benson; Horsus-Phillimore; Fool-King; Page-Master Gregson; Servant-Master DeCamp; Edmunda-Mrs Powell; Flavia-Mrs Jordan; Rowena-Miss Miller; Attendants on Edmunda-Miss Tidswell, Miss Heard, Miss Leak; Dignum, Packer, Cooke, Banks, Evans, Russell, Wentworth, Maddocks, Webb are unassigned.] Prologue [actually, read (Boaden, Jordan, I, 297)]-Whitfield; Epilogue-Mrs Jordan.

Afterpiece Title: My Grandmother

Cast
Role: Mrs Grogram Actor: Mrs Hopkins
Role: Nancy Lovell Actor: Mrs Goodall

Song: In: Last Whitsunday they brought me-Miss Leak; She sung whilst from her eye ran down-Mrs Jordan [neither one listed in playbill (see BUC, 622)]

Event Comment: [as Miss Mahon Mrs Second has sung in the cg oratorios in 1789 and 1790.] Receipts: #189 5s. (187.5.6; 1.19.6)

Performances

Mainpiece Title: The Woodman

Performance Comment: Sir Walter Waring-Quick; Capt. O'Donnel-Johnstone; Fairlop-Bowden; Medley-Townsend; Bob-Haymes; Ralph-Linton; Welford-Incledon; Dolly-Mrs Martyr; Miss Di Clacket-Mrs Davenport; Polly-Miss Gray; Bridget-Mrs Watts; Emily (with additional songs, accompanied on the clarionet by Mahon)-Mrs Second (1st appearance on any stage [i.e. in a speaking part]).i.e. in a speaking part]).
Cast
Role: Dolly Actor: Mrs Martyr
Role: Miss Di Clacket Actor: Mrs Davenport
Role: Bridget Actor: Mrs Watts
Role: Emily Actor: Mrs Second

Afterpiece Title: The Follies of a Day

Performance Comment: Count Almaviva-Lewis; Figaro-Macready; Antonio-Munden; Bazil-Powel; The Page (with a song)-Mrs Martyr; Countess-Miss Chapman; Marcelina-Mrs Gilbert; Agnes-Miss Logan; Susan-Mrs Pope.
Cast
Role: The Page Actor: Mrs Martyr
Role: Marcelina Actor: Mrs Gilbert
Role: Susan Actor: Mrs Pope.

Song: [One of Mrs Second's new songs was Hope thou cheerful ray of light (BUC 643).

Event Comment: Mainpiece: Not acted these 4 years. [In mainpiece the playbill assigns Acasto to Murray, but "An apology was made for Murray, who was prevented by illness from playing Acasto, which, at a short notice, was taken by Hull" (True Briton, 14 Oct.).] "This whole of [Mrs Spencer's] performance was marked by such unaffected simplicity that it was almost impossible to consider it as the mere fiction of the scene. This lady is really a great aquisition to the house" (True Briton, ibid). Receipts: #254 6s. 6d. (244.18.6; 9.8.0)

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Performance Comment: Castalio-Pope; Acasto-Hull; Polydore-Clarke; Chaplain-Powel; Ernesto-Thompson; Page-Master Standen; Chamont-Holman; Serina-Miss Mansel; Florella-Miss Leserve; Monimia-Mrs Spencer (from the Theatre Royal, Dublin; 1st appearance on this stage). 1st appearance on this stage).
Cast
Role: Monimia Actor: Mrs Spencer

Dance: Ballet, as17971002, but Mrs _Watts

Event Comment: By Authority of the Lord Chamberlain. Benefit for Lacy, formerly of the Theatre Royal, Drury-Lane. Tickets to be had of Fosbrook, at the Box Office of the Drury Lane Theatre, and Rice, at the Box Office of the Theatre-Royal, Haymarket, where Places for the Boxes may be taken. [Address by John Taylor (Monthly Mirror, Dec. 1798, p. 370). On this night the following appeared both at dl and at the hay: Hollingsworth, Caulfield, Bannister Jun., Suett, Miss Pope, Mrs Bland.

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Lacy; Major Oakly-Wilmot Wells; Charles-Macready; Mrs Oakly-Mrs Abington; And, with Permission of the Proprietors of the Theatre Royal, Drury-Lane: Russet-Hollingsworth; Sir Harry Beagle-R. Palmer; Lord Trinket-Russell; Captain O'Cutter-Caulfield; Paris-Wewitzer; William-Ryder; John-Surmont; Tom-Webb; Lady Freelove-Mrs Sparks; Harriet-Miss Heard; Toilet-Mrs Cuyler.
Cast
Role: Mrs Oakly Actor: Mrs Abington
Role: Lady Freelove Actor: Mrs Sparks
Role: Toilet Actor: Mrs Cuyler.

Afterpiece Title: Between II and III of the above,Sylvester Daggerwood

Afterpiece Title: High Life below Stairs

Performance Comment: Lovel-Dowton; Freeman-Surmont; Philip-Sparks; Tom-Ryder; Duke's Servant-R. Palmer; Sir Harry's Servant-Russell; Kitty-Miss Pope; Cook-Mrs Coates; Cloe-Mrs Mills; Lady Bab's Maid-Miss Tidswell; Lady Charlotte's Maid-Miss Heard.
Cast
Role: Cook Actor: Mrs Coates
Role: Cloe Actor: Mrs Mills

Dance: In II 3rd piece: A Mock Minuet-R. Palmer, Miss Pope

Song: End I 1st piece: Little Taffline-Mrs Bland

Entertainment: MonologuePrevious 1st piece: Occasional Address-Lacy

Event Comment: By Permission of the Lord Chamberlain. Benefit for an Infant Orphan Family. Tickets to be had at No. 17, Tufton-street, Westminster; of Appleby, Hosier, Parliament-street; Mrs Cleaver, Cannon-row, Parliament-street; Newcomb, Confectioner, Bridge-street, Westminster; Taylor, Linen-draper, Whitehall; Thomas, Butcher, Charing-cross; Medhurst, Pastry Cook, Russel-court, Drury-lane; Rice, at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Portia-Mrs Sumbel (late Mrs Wells; who has generously volunteered her services for that Evening); Nerissa-A Young Lady (1st appearance on the stage [unidentified]). The rest of the characters by Ladies and Gentlemen who, actuated by movies of humanity, have made a voluntary offer of their respective services.unidentified]). The rest of the characters by Ladies and Gentlemen who, actuated by movies of humanity, have made a voluntary offer of their respective services.
Cast
Role: Portia Actor: Mrs Sumbel

Afterpiece Title: The Irishman in London

Entertainment: End: Her much admired Imitations-Mrs Sumbel

Event Comment: [Extra night] Benefit for the General Lying-In Hospital, Bayswater, Under the Patronage of Her Majesty. Tickets to be had at the Hospital; of Longman and Wilkinson, Cheapside; Broderip andCo., Haymarket; and of Brandon at the Theatre, where Places for the Boxes may be taken. Many of the Re-Renters have generously relinquished their Privilege upon this Night. [Faulkner had acted at dl on 21 Dec. 1796, and Mrs Johnstone at cg on 4 Jan. 1798.] Receipts: none listed

Performances

Mainpiece Title: Lover's Vows

Performance Comment: Principal Characters-Faulkner (1st appearance on this stage), Basset, Barry Jun., The Young Gentleman who performed Wilford [on 23 Apr.], Thompson, Abbot, Webb, H. Johnston, Mrs Johnston [recte Mrs Johnstone] (2nd appearance on this stage), Mrs Hunter, Miss Leserve, Mrs H. Johnston [And see17981011.]; Epilogue-Barry Jun.

Afterpiece Title: The Jew and the Doctor

Performance Comment: Principal Characters-Barry Jun., Clarke, Williams, Barrett, Setwell, The Young Gentleman who performed Wilford, Miss Cox, Miss Leserve, Mrs Litchfield [And see17981123].And see17981123].

Song: End II: Hope told a flattering tale-Mrs Ferguson; accompanied on the Pedal Harp-Weippert

Music: End I: Grand Sonata on the Piano Forte, as17990515; End IV: Lesson of Nicolai, as17990515

Entertainment: Monologues Before: [Collins' Ode on the Passions-Master Parker; End III: The Birth Day Ode [by Henry James Pye, 1st performed at St. James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells)

Performance Comment: James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells).
Cast
Role: Imitations Actor: Mrs Sumbel
Event Comment: Oratorio: Written by Milton. Set to Music by Handel. Among the instrumental performers are Messrs Ashley andSons, Patria, Sarjant, Billington, Mahon, Boyce, Mountain, Howard, Lavenu, Simpson, Gwilliam, Purney, Munro, Leander, Kaye, Sharp, Lyon, &c. Double Drums by J. Ashley. The whole under the direction of Harrison and Ashley. At Play-house Prices. No money to be returned. Places for the Boxes to be had of Brandon at the Theatre. The Doors to be opened at 5:30. To begin precisely at 6:30 [same throughout oratorio season]. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Books of the Performance, with the names of the performers to their respective songs, price 6d., may be had at the Theatre, and to prevent imposition in the streets, the Manager's books are printed with the following words at the bottom of each title-page, "Printed by H. Macleish, Duke's court, Drury-Lane.

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso 0

Performance Comment: Principal Vocal Parts-Harrison, Bartleman, Page, Champness, Mrs Second, Mrs Addison, Mrs Billington; Leader of the Band-G. Ashley; Organ-Knyvett.

Afterpiece Title: L'Alegro ed il Pensieroso 1

Performance Comment: First Grand Concerto-; Hence! loathed melancholy-Harrison; Hence! vain deluding joys-Mrs Billington; Come thou Goddess fair and free-Harrison; Come rather Goddess sage and holy-Mrs Billington; Haste thee nymph-Page, Chorus; Come and trip it as you go-Mrs Addison, Chorus; Come pensive nun, Come but keep thy wonted state-Mrs Billington; Join with thee calm peace-Chorus; Mirth admit me of thy crew-Mrs Second; Sweet bird-Mrs Billington; accompanied on the violin-G. Ashley; Mirth admit me of thy crew [repeated]-Bartleman; Oft on a plat of rising ground-Harrison; Let me wander not unseen-Mrs Billington; And young and old-Chorus.

Afterpiece Title: L'Allegro ed il Pensieroso

Performance Comment: Hence vain deluding joys, But O! sad virgin-Mrs Billington; Populous cities please me then-Bartleman, Chorus; There let Hymen oft appear-Mrs Second; Me when the sun, Hide me from day's garish eye-Mrs Billington; I'll to the well@trod stage anon-Page; And ever against eating cares-Mrs Second; As steals the morn upon the night-Mrs Billington, Harrison; These delights if thou canst give-Page, Chorus.

Afterpiece Title: Grand Miscellaneous Act

Performance Comment: Overture-(Ariadne); Wise men flattering-Mrs Addison (Judas Maccabaeus); Rendi il sereno-Harrison (Sosarmes); Nightingale Chorus-(Solomon); Praise the Lord-Mrs Second; accompanied on the organ-Knyvett (Esther); When storms the proud-Bartleman; O Judah! boast his matchless law-Chorus (Athalia); Let the bright seraphim-Mrs Billington; accompanied on the trumpet-Sarjant; Let their celestial concerts all unite-Chorus (Samson).
Event Comment: Benefit Miss Harrison. [Prices 4s., 2s. 6d., 1s. 6d., 1s.

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17451113, but Scrub-Morgan; Bonniface-W. Hallam; Foigard-Julian; Cherry-Miss Haughton; Mrs Sullen-Miss Harrison; her third performance on the stage. Epilogue in the character of a Volunteer-Miss Harrison.

Afterpiece Title: The Devil to Pay

Dance: The two Masters Granier, Miss Granier

Event Comment: Among the Instrumental Performers are Messrs Ashley and Sons, Patria, Sarjant, Billington, Mahon, Boyce, Mountain, J. Mahon, the Leanders, Ware, Kaye, Rawlings, Sharp, Lyon, &c. &c. &c. Double Drums by J. Ashley. The Whole under the Direction of Harrison and Ashley. No Money to be returned. Places for the Boxes to be had of Brandon at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performances, with the Names of the Performers to their respective Songs, to be had at the Theatre, Price Six-pence. And to prevent imposition in the Streets, the Manager's Books are printed with the following Words at the bottom of each Title Page: "Printed by H. Macleish, Duke's-Court, Drury-Lane.

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of Handel

Performance Comment: Principal Vocal Performers-Harrison, Incledon, Griffith, Sale, Miss Poole, Mrs Piele, Mrs Billington; Leader of the Band-G. Ashley; The Organ-Knyvett.

Afterpiece Title: Grand Selection 1

Performance Comment: Part I Coronation Anthem,God save the King-; Overture-(Esther); Shall I in Mamre's fertile Plain-Sale; For all these Mercies-Chorus (Joshua); Rise Jephtha, Happy Iphis-Miss Poole; When his loud voice-Chorus (Jephtha); Total Eclipse-Harrison; O first created Beam-Chorus (Samson); Holy holy Lord-Mrs Billington (Redemption); He gave them Hailstones-Double Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 2

Performance Comment: Part II Fifth Grand Concerto-; Honour and Arms-Griffith; Ye Men of Gaza-Miss Poole; Hear Jacob's God-Chorus; Justly these evils, Why does the God of Israel sleep?-Incledon; Then round about the starry Throne-Chorus (Samson); O come let us worship-Harrison (Coronation Anthems); The Mighty Power-Chorus (Athalia); O worse than Death and Angels ever bright-Mrs Billington (Theodora); Gird on thy Sword-Chorus (Saul).

Afterpiece Title: Grand Selection 3

Performance Comment: Part III Ye Sons of Israel-Chorus (Joshua); Rendi il sereno al Ciglio-Harrison (Sosarme); O Lord in thee have I trusted-Incledon, Chorus (Te Deum); O had I Jubal's Lyre-Miss Poole (Joshua); From the censer-Chorus (Solomon); Ye sacred Priests, Farewell ye limpid springs-Mrs Billington (Jephtha); The Lord shall reign-Chorus; For the Horse of Pharaoh-Harris; The Horse and his Rider-Mrs Billington, Double Chorus (Israel in Egypt).
Event Comment: Benefit for Bannister. This Benefit was given to Mr B. after the Season Clos'd on Account of Some trouble he was in (Hopkins Diary). Mainpiece: By Particular Desire. [June 2 by Treasurer's Book.] Profits to Bannister after all charges #106 6s. 5d. This month was publish'd Theatrical Portraits, epigrammatically delineated, &c. 4to. Price 1s. 6d. (Gentleman's Magazine Catalogue). Receipts: #210 6d. (Treasurer's Book). AFTER SEASON RECEIPTS AND EXPENDITURES (Treasurer's Book). Rec'd: 15 June: Mr Parsonage's (late Williams) Rent 1 yr to Lady day last with 4s. 10d. deducted, #43 10s.; Mr Harrison's Rent 1 yr to ditto with #7 17s. 6d. Land Tax deducted, #38 2s. 6d.; for candles, oil & lampmen on Theatrical Fund Night #3 18s. 6d. 18 June: From Public Advertiser this season #50; from Daily Gazetteer #50; from Mr Pope 1 yrs. rent to Lady Day last with #1 13s. land tax deducted, #28 7s. 23 June: From New Additional Sinking Fund #241 13s.; Patentees' Draft on Mr Clutterbuck #50; Music forfeits this season, Mr D. Richards included, #25 14s. 7d. 25 June: Their Majesties Account 8 nights #80, the Queen's Ladies 2 nights #6. 29 June: Mr Rowland's Rent 1 year to Lady Day last with #2 2s. land tax deducted #40 18s. 30 June: Mr Evans (wardrobe?) sundry forfeips this season #47 8s. Paid: 4 June: Tallow chandler's 9th & last Bill (#37 12s. 9d., but with a discount at 8 on #350 16s. amount of this season's Bills) #9 11s. 6d. Mr Page in full of #25 this season, #1 10s.; Rector & Watch Covent Garden parish 1 year to Lady Day last #1 8s. 4d. 10 June: Two Housekeeper's Bills #11 3s.; half yrs, paving &c. St Martin to Lady Day last #17 13s. 15 June: Messrs Barrow & Co., Oil, #191 14s. 6d.; Messrs Marshall & Co. (plumbers) #55 3s.; Mr Cropley (linen draper) #15 13s. 6d.; Mr Cole (turner) #12 15s.; Mr Dalmaine (embroiderer) #3 13s. 6d.; Mr Landall (Undertaker) #3 4s. Mr Hatsell (mercer) #37 7s.; Mr Carpue (silk dyer)#7 7s. 6d.; Mr Barrett (wax chandler) #27 1s. 6d.; Mrs Vaughan (haberdasher) #7 16s. 6d.; Messrs Sandys & Co. (colourmen) #72 6d.; Mr Carter (scowrer) #20 6s.; Messrs Hewetson & Co. (lacemen) #27 3s.; Mr Stephens (mason) #4 6s.; Mr Cubit (tinman) #12 4s. 6d.; Mr Hopkins & Co. (ironmongers) #10 18s.; Mr Powney (stationer) #4 7s. 16 June: Miss Berkley on note #5 5s.; half yrs rent to Duke of Bedford to Lady Day last #165 2d.; Loss on sale of 330 and 1!2 light Guineas, #17; Mr Pope's Bill for Wigs, &c. #14 2s.; Mr Pope for 69 nights extra dressing this season #6 18s.; Mr J. Johnston's Music Bill, #16 12s. 6d. 23 June: Lowe & Co. (glaziers) #4 7s. 6d.; Scott & Co. (lacemen) #17 11s.; Waller & Co. (hosiers) #7 10s.; Mrs Chitty (coals) #28 10s.; Bibb (sword cutler) #1 5s.; Gardner (shoemaker) #6; Thomson (smith) #23 7s.; Chettell (timber) #40 17s.; Ireland (upholsterer) #35 1s.; Blakes (hatter) #3 1s.; Palmer (spermacetti candles) #124; Dorman (coals) #27 15s.; Dorman for attending practices of dances this season, #10 10s.; A. Johnston's Bill for sundrys #47 11s.; Mrs Garwood (laundress) #12 15s. 29 June: Black Lyon Bills for Wardrobe, Carpenters & Surveyors Dinners #25 14s.; Mr J. French on Acct #9 10s. 30 June: One yrs paving &c. to Covent Garden Parish to Lady Day last #3; Hopkins' Prompter's Bills #30 17s.; Victor's gratuity #30., and extra salary 2 weeks #5; Evans in lieu of Benefit #42, and extra salary 2 weeks #3. Books closed 30 June 1774: @Total Receipts #33,075 1s. 11d.@Total Expense #30,153 15s. 10d.@Profits #2,921 6s. 1d. divided as follows:@To Patentees #1840@To Mr Clutterbuck #1,081 6s. 1d.@*c1774 06 02 dl Benefit for Bannister. This Benefit was given to Mr B. after the Season Clos'd on Account of Some trouble he was in (Hopkins Diary). Mainpiece: By Particular Desire. [June 2 by Treasurer's Book.] Profits to Bannister after all charges #106 6s. 5d. This month was publish'd Theatrical Portraits, epigrammatically delineated, &c. 4to. Price 1s. 6d. (Gentleman's Magazine Catalogue). Receipts: #210 6d. (Treasurer's Book). AFTER SEASON RECEIPTS AND EXPENDITURES (Treasurer's Book). Rec'd: 15 June: Mr Parsonage's (late Williams) Rent 1 yr to Lady day last with 4s. 10d. deducted, #43 10s.; Mr Harrison's Rent 1 yr to ditto with #7 17s. 6d. Land Tax deducted, #38 2s. 6d.; for candles, oil & lampmen on Theatrical Fund Night #3 18s. 6d. 18 June: From Public Advertiser this season #50; from Daily Gazetteer #50; from Mr Pope 1 yrs. rent to Lady Day last with #1 13s. land tax deducted, #28 7s. 23 June: From New Additional Sinking Fund #241 13s.; Patentees' Draft on Mr Clutterbuck #50; Music forfeits this season, Mr D. Richards included, #25 14s. 7d. 25 June: Their Majesties Account 8 nights #80, the Queen's Ladies 2 nights #6. 29 June: Mr Rowland's Rent 1 year to Lady Day last with #2 2s. land tax deducted #40 18s. 30 June: Mr Evans (wardrobe?) sundry forfeips this season #47 8s. Paid: 4 June: Tallow chandler's 9th & last Bill (#37 12s. 9d., but with a discount at 8 on #350 16s. amount of this season's Bills) #9 11s. 6d. Mr Page in full of #25 this season, #1 10s.; Rector & Watch Covent Garden parish 1 year to Lady Day last #1 8s. 4d. 10 June: Two Housekeeper's Bills #11 3s.; half yrs, paving &c. St Martin to Lady Day last #17 13s. 15 June: Messrs Barrow & Co., Oil, #191 14s. 6d.; Messrs Marshall & Co. (plumbers) #55 3s.; Mr Cropley (linen draper) #15 13s. 6d.; Mr Cole (turner) #12 15s.; Mr Dalmaine (embroiderer) #3 13s. 6d.; Mr Landall (Undertaker) #3 4s. Mr Hatsell (mercer) #37 7s.; Mr Carpue (silk dyer)#7 7s. 6d.; Mr Barrett (wax chandler) #27 1s. 6d.; Mrs Vaughan (haberdasher) #7 16s. 6d.; Messrs Sandys & Co. (colourmen) #72 6d.; Mr Carter (scowrer) #20 6s.; Messrs Hewetson & Co. (lacemen) #27 3s.; Mr Stephens (mason) #4 6s.; Mr Cubit (tinman) #12 4s. 6d.; Mr Hopkins & Co. (ironmongers) #10 18s.; Mr Powney (stationer) #4 7s. 16 June: Miss Berkley on note #5 5s.; half yrs rent to Duke of Bedford to Lady Day last #165 2d.; Loss on sale of 330 and 1!2 light Guineas, #17; Mr Pope's Bill for Wigs, &c. #14 2s.; Mr Pope for 69 nights extra dressing this season #6 18s.; Mr J. Johnston's Music Bill, #16 12s. 6d. 23 June: Lowe & Co. (glaziers) #4 7s. 6d.; Scott & Co. (lacemen) #17 11s.; Waller & Co. (hosiers) #7 10s.; Mrs Chitty (coals) #28 10s.; Bibb (sword cutler) #1 5s.; Gardner (shoemaker) #6; Thomson (smith) #23 7s.; Chettell (timber) #40 17s.; Ireland (upholsterer) #35 1s.; Blakes (hatter) #3 1s.; Palmer (spermacetti candles) #124; Dorman (coals) #27 15s.; Dorman for attending practices of dances this season, #10 10s.; A. Johnston's Bill for sundrys #47 11s.; Mrs Garwood (laundress) #12 15s. 29 June: Black Lyon Bills for Wardrobe, Carpenters & Surveyors Dinners #25 14s.; Mr J. French on Acct #9 10s. 30 June: One yrs paving &c. to Covent Garden Parish to Lady Day last #3; Hopkins' Prompter's Bills #30 17s.; Victor's gratuity #30., and extra salary 2 weeks #5; Evans in lieu of Benefit #42, and extra salary 2 weeks #3. Books closed 30 June 1774: @Total Receipts #33,075 1s. 11d.@Total Expense #30,153 15s. 10d.@Profits #2,921 6s. 1d. divided as follows:@To Patentees #1840@To Mr Clutterbuck #1,081 6s. 1d.

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorn-Bannister; Woodcock-Weston; Sir William, first time-J. Aickin; Young Meadows-DuBellamy; Eustace-Owenson; Rosetta-Mrs Smith; Hodge-King; Margery-Miss Pope; Lucinda-Mrs Scott; Deborah Woodcock-Mrs Love; [Mrs Smith and J. Aickin acted their parts for first time.] [In Act I, a Dance [incidental to the opera-.
Cast
Role: Rosetta Actor: Mrs Smith
Role: Lucinda Actor: Mrs Scott
Role: Deborah Woodcock Actor: Mrs Love

Afterpiece Title: The Register Office

Cast
Role: Mrs Doggerel Actor: Miss Pope
Role: Margery Moorpout Actor: Mrs Love

Dance: II: The Haymakers-Giorgi's Scholars; End Opera: Hornpipe-Master Burn

Entertainment: End Opera: Bannister's Imitations-Bannister

Event Comment: By Permission of the Lord Chamberlain. Mainpiece: Written by the celebrated Mrs Eliza Haywood. Not acted these 6 years. Afterpiece [1st time; F 2 (?)]: Written by a Comedian [unidentified. not in Larpent MS; not published]. The above Pieces have been a long Time in Rehearsal, and as no Expense has been spared in procuring respectable Performers from capital Theatres, there is no doubt (as the Comedies have sterling Merit) of their giving Satisfaction to the Audience. The Doors to be opened at 5:15. To begin at 6:15

Performances

Mainpiece Title: A Wife To Be Lett

Performance Comment: Graspall-Barrett (of hay); Captain Gaylove-Turner; Fairman-Stannard; Sneaksby-Digby; Sir Harry Beaumont-Lyon (from the Theatre Royal, Edinburgh); Shamble-Williams; Courtly-Johnson; Tim-Benson; Toywell-Russell (from the Theatre Royal, Norwich); Mrs Graspall-Mrs Harley (1st appearance); Dogwood-Mrs Gardner; Marilla (with a song)-Miss Green (1st appearance); Celemena-Miss Harrison; Widow Stately-Mrs Russell (from the Theatre Royal, Norwich); Amadea (with songs)-Miss Hemet.
Cast
Role: Mrs Graspall Actor: Mrs Harley
Role: Dogwood Actor: Mrs Gardner
Role: Celemena Actor: Miss Harrison
Role: Widow Stately Actor: Mrs Russell

Afterpiece Title: The Sharper's Last Shift

Performance Comment: Principal Characters-Barrett, Turner, Johnson, Benson, Holmes, James, Stannard, Mrs Gardner, Mrs Russell.

Song: End I: Stand to your Guns-Digby

Entertainment: Monologue. End: Bucks have at ye All-Benson

Event Comment: Benefit for Mr and Mrs Wellman. Tickets to be had of Mr and Mrs Wellman, No. 20, and of Williams, Hair-Dresser, Dorville's Row

Performances

Mainpiece Title: The Spanish Fryar; Or, The Comical Discovery

Performance Comment: Father Dominick-Wellman; Lorenzo-Benson; Alphonso-Waldron; Pedro-Kerridge; Soldiers-Payne, Meadow; Gomez-Wright; Duenna-Mrs Monk; Elvira-Mrs Wellman .
Cast
Role: Duenna Actor: Mrs Monk
Role: Elvira Actor: Mrs Wellman

Afterpiece Title: Midas

Performance Comment: Midas-Wellman; Jupiter-Harrison; Sileno-Wright; Pan-Kerridge; Damaetas-Payne; Apollo (for that night only)-Miss Cranford; Nysa-Mrs Benson; Mysis-Mrs Monk; Juno-Miss Bird; Daphne-A Lady (1st appearance on this stage [unidentified]) .unidentified]) .
Cast
Role: Jupiter Actor: Harrison
Role: Nysa Actor: Mrs Benson
Role: Mysis Actor: Mrs Monk

Afterpiece Title: Mother Shipton; or, Harlequin Gladiator

Performance Comment: Harlequin-Wright; Clown-Benson; Pantaloon-Payne; Frenchman-Kerridge; Mother Shipton-Mr Wellman; Colombine-Mrs Wellman .
Cast
Role: Colombine Actor: Mrs Wellman

Song: End of Act II of 1st piece The Pidgeon by Miss Cranford; End of 1st piece Four and Twenty Fidlers all on a Row by Wellman

Monologue: 1785 07 15 End of 2nd song Bucks have at ye all by Benson

Event Comment: Among the Instrumental Performers are G. Ashley (leader of the Band), Sperati, Sarjant, Patria, Reinagle, C. Ashley, Boyce, Mahon, Mountain, Holmes, Lyon, Schram, Kaye, the Leanders, &c. Double Drums by J. Ashley. The Organ on Fridays by Knyvett, and on Wednesdays by Greatorex. The whole conducted by Harrison and Ashley. The Band will consist of 150 Performers. Places for the Boxes to be taken of Brandon, at the Stage Door. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. No Money to be returned. Places may be taken in the Theatrical Orchestra at 5s. each [i.e. at the oratorios the instrumentalists sat on the stage]. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performances, with the names of the performers to their respective songs, to be had at the Theatre. And to prevent imposition in the Streets, the Managers have directed that they should be sold in the Theatre, at 6d. each

Performances

Mainpiece Title: The Messiah, Preceded By god Save The King(coronation Anthems)

Performance Comment: Principal Singers-Harrison, Sale, Griffiths, Champness, Gore, Webb, Reynoldson, Saville, Miss Poole, Miss Mahon, Miss Dall (1st appearance), Miss Cantelo, with the Choristers of His Majesty's Chapel-Royal and Westminster-Abbey.

Music: End II: a concerto on the violin-Mme Gautherot (from Paris)

Event Comment: Mainpiece: Never acted here. [Mrs Armstead is identified in Morning Chronicle, 16 May. Prologue by George Colman elder (Collection...of English Prologues and Epilogues, II, 207).] Afterpiece: Not acted these 20 years. With a new Overture, the Original Prologue [by David Garrick], and a New Scene, in which will be introduced an air. With a Grand Jubilee-Pageant, in Honour of Gulliver. The Music, Dresses, Scenes, Trophies and Decorations entirely new. The Music composed by Dr Arnold. ["Lilliput was altered by Garrick (its author), and a procession of cards introduced in it, Gulliver walking as the Knave of Clubs" (Gilliland, I, 121-22). London Chronicle, 16 May, gives a synopsis of this pageant.] The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken at the Theatre. After this Evening the Entertainments of this Theatre will be discontinued till further Notice, on account of the Performers employed at Drury Lane Theatre [see 28 May]

Performances

Mainpiece Title: The English Merchant

Performance Comment: Principal Parts-Aickin, Palmer, Jackson, Fearon, Massey, Egan, Davies, Mrs Hunter, Mrs Davies, Mrs Poussin, A Gentlewoman [Mrs Armstead]; Partial cast from Morning Chronicle, 16 May, and playbill of 16 July 1779: Freeport-Aickin; +Spatter-Palmer; +Lord Falbridge-Davies; +Lady Alton-Mrs Hunter; +Molly-Mrs Davies; +Mrs Goodman-Mrs Poussin; +Amelia-Mrs Armstead. Edition of 1767 lists the other parts: +Sir William Douglas, Owen, La France, Officer, Servants.] [A New Occasional Prologue-Palmer.
Cast
Role: Principal Parts Actor: Aickin, Palmer, Jackson, Fearon, Massey, Egan, Davies, Mrs Hunter, Mrs Davies, Mrs Poussin, A Gentlewoman
Role: Lady Alton Actor: Mrs Hunter
Role: Molly Actor: Mrs Davies
Role: Mrs Goodman Actor: Mrs Poussin
Role: Amelia Actor: Mrs Armstead. Edition of 1767 lists the other parts: +Sir William Douglas, Owen, La France, Officer, Servants.

Afterpiece Title: Lilliput

Performance Comment: The Lilliputians-Master Edwin, Master Harrison, Miss Morris, Miss P. Farren (see17770718, also Master Hitchcock, Master Pulley, Miss Besford, Miss Francis, Miss Hitchcock (Peake, II, 2).
Event Comment: Mainpiece [1st time; MD 3, by Prince Hoare. Larpent MS 1126; not published; synopsis of plot in Monthly Magazine, May 1796, p. 320]: With new Scenes, Dresses, Decorations, &c. The Musick principally composed by the late Mr Storace [who had died on 19 Mar.], with a few Selections from Paisiello, Haydn and Sarti. [Grove, under Storace, states that the music was completed and prepared for the stage by Kelly and Sga Storace.] The Scenes designed and executed by Marinari and assistants. The Dresses by Johnston, Gay and Miss Rein. Books of the Songs to be had in the Theatre. "It was exceedingly tedious the first night, not being over till eleven o'clock. Since, it has been prudently cut down, and yet has lost nothing. A prologue, written on the very morning of representation, deploring the loss of the composer, was spoken (perfectly) by the last unfortunate Benson [for whom see 9 June. It was written by Hoare (Universal Magazine, May 1796, p. 362), and Was perhaps spoken only on the 1st night; it is not listed on any playbill]" (Monthly Magazine, May 1796, p. 320). "In short, possessing all the science of Harrison, the melody of Incledon, and the pleasing articulation of the late Mrs Kennedy, we have no hesitation in pronouncing [Braham] the first public singer of the present day. He was three times encored. His action is indifferent, and his dialogue scarcely audible" (Morning Herald, 2 May). Receipts: #297 14s. (258.10.6; 38.19.6; 0.4.0)

Performances

Mainpiece Title: Mahmoud; Or, The Prince Of Persia

Performance Comment: [Characters-Aickin, Kemble, Braham (1st appearance on any stage i.e. as an actor, not a singer]), Packer, Suett, Bannister Jun., Kelly, Dignum, Sedgwick, Maddocks, Cooke, Caulfield, Evans, Webb, Trueman, Wentworth, Phillimore, Banks, Master Gregson, Miss Menage, Miss Leak, Miss Miller, Mrs Bland, Sga Storace; Cast from Songs (no pub., 1796): Sultan-Aickin; Mahmoud-Kemble; Noureddin-Braham (whose 1st appearance on the stage was at cg, 21 Apr. 1787); Helim-Packer; Barakka-Suett; Abdoul Cassan-Bannister Jun.; Mossafer-Kelly; Hassan-Dignum; Malek-Sedgwick; Petitioners-Caulfield; Muley-Banks; Aladdin-Miss Menage; Balsora-Miss Leak; Zobeide-Miss Miller; Desra-Mrs Bland; Zelica-Sga Storace; unassigned-Maddocks, Cooke, Evans, Webb, Trueman, Wentworth, Phillimore, Master Gregson; General Chorus-Danby, J. Fisher, Welsh, Master DeCamp, Atkins, Boyce, Brown, Denman, Fisher, Tett, Aylmer, Caulfield Jun., Dibble, Gallot, Willoughby, Annereau, Bardoleau, Cook, Walker, Miss Arne, Mrs Boimaison, Mrs Bramwell, Mrs Butler, Miss Chatterley, Miss Jackson, Mrs Maddocks, Miss Mellon, Miss Stuart, Miss Wentworth. [Prologue, not listed on playbill, spoken by Benson.]Prologue, not listed on playbill, spoken by Benson.]

Afterpiece Title: All the World's a Stage

Event Comment: Last time of company's performing this season. Benefit for Bowers and Widow Veal. Tickets deliver'd by Berrisford, Hodges, and Burroughs will be taken. Thus Ends the Season-63 different plays-36 different Farces-186 Nights in all (Hopkins Diary). Paid Watch, Rector, Cleansing, &c., cg to Lady Day last #5 18s. 4d. (Treasurer's Book). After Season Receipts: 11 June: Box Office Keeper's cash #25; Condill's 3rd and last payment for Fruit Office #20. 16 June: Candles, Oyl and Lampmen of Theatrical Fund Night 2nd inst. #3 18s. 6d. 23 June: Mr Johnston for Candle ends sold to sundry #11 7s. 6d.; Ditto for Lace burnt form the Wardrobe #205 8s. 26 June: Harrison's rent 1 yr to Lady Day last #46 but with #12 5s. in taxes deducted amount rec'd #33 15s.; Williams rent ditto (#48 with #8 6s. 8d. taxes deducted) #39 13s. 4d.; From Public Advertiser this season #50; From Daily Gazetteer #50. 3 July: Remainder of Sinking Fund #160 2s. 6d. 6 July. Mr Rowland 1 yrs rent to Lady Day last with #3 8s. in taxes deducted, #139 12s.; Mr Pope 1 yrs rent to ditto with #3 11s. 2d. taxes deducted #26 8s. 10d. 10 July: Benefit deficiencies cleared and Cash taken up by Evans as per acct. #89 7s. (Treasurer's Book). After Season expenditures: 11 June: Hopkins, Prompters Bill #8 15s.; Miss Hopkins 18 Nights full #2 5s. 13 June: 2 days salary list at #72 6s. 5d. per diem #144 12s. 10d.; S. French 6 days #1 10s. 16 June: Davies on note #7 6s.; Printer's 2 bills #11 14s.; Mas. Thomson 3 nights in full 15s.; Mrs Mann on note #2 2s.; Tallow chandler's 9th bill (#30 14s. 4d. with a discount of #26 15s. 6d. on all bills for season) #3 18s. 10d. 19 June: Miss Berkley on note #5 5s. 3 July: J. Stevens 2 weeks as usual #1 16s; Sandys & Co. for Colours #10 4s. Dorman for Coals #20 10s. and for attending practices of dances, as usual #10 10s.; Cole (turner) #14 3s.; Bibb (sword cutler) #3 12s.; Barret (wax chandler) #20 6s. 6d.; Blakes, (hatter), #5 12s.; Lowe and Co (glaziers) #16 6d.; Cropley, (linen draper) #14 7s. 6d.; Chamberlain & Co. (ironmongers), #25; Carter (scowerer) #14 12s.; Jennings (glover and furrier) #18 6d.; Scott (copper laceman), #51 19s.; Carpue, (silk dyer) #9 1s. 6d.; Mrs Chitty (coals) #28; Carver's bill #2 1s.; Chettell (timber) #14 9s.; Cubitt (Tinman) #18 2s. 6d.; Waller (hosier) #24 19s. 6d.; Barrow & Co. (only) #118; Vaughan (haberdasher) #3 6s.; Hatsell (mercer) #28 2s.; Thomson (smith) #10 15s. 6 July: B. Lyon, Wardrobe & Carp Bills #10 10s. 6d.; Stephens (manson) #6 4s.; Pope (peruke maker) #29 6s. and #3 16s. for 38 extra nights dressing &c.; Mrs Slaughter's Bill #9 2s. 6d.; Roberts (shoemaker) #3 12s. 6d.; D. Richards, 30 weeks 5 days extra salary in full for this season #30 16s. 8d.; Hewetson (laceman) #17 6s.; Mr Page in full of #25 this season #1 17s. 6d. 8 July: J. Johnston's Music Bill #37 13s. 6d.; Powney & Co., (stationers) #3 14s.; Landall for Mrs Cape's Funeral per order #4 7s. 6d.; Kirkman, (harpsichord maker) #18 14s.; John French, painter's bill #5 3s. 10 July: Palmer for Spermacetti Candles #255 8s.; Miss Collett's schooling #2 8s. 10d.; Stafford (glassman) #4 19s.; A. Johnston's bill for feathers &c. #15 6s. 6d.; Ditto four Housekeeping Bills #10 1s. 4d.; Chapman (Jubilee horsekeeping) #3 13s. 6d.; Victor 2 weeks salary as usual #5; Victor gratuity as usual #30; Evans 2 weeks salary as usual #3 and #42 in lieu of a Benefit. Books Closed 10 July. Total income #32,538 6s. 1d. Total outgo #26,410 8s. 8d. Profit #6,127 17s. 5d. paid To Managers #5,040 To Clutterbuck #1,087 17s. 5d

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Capt. O'Cutter-Moody; Lady Freelove-Mrs Reddish; Harriet-Miss Rogers; Oakly-Reddish; Major Oakly-Love; Charles-Cautherley; Lord Trinket-Dodd; Sir Harry Beagle-Palmer; Russet-Bransby; Tom-Ackman; Paris-Baddeley; William-Wheeler; Mrs Oakly-Mrs Abington.
Cast
Role: Lady Freelove Actor: Mrs Reddish
Role: Mrs Oakly Actor: Mrs Abington.

Afterpiece Title: Miss in Her Teens

Cast
Role: Tag Actor: Mrs Love

Dance: End: Hornpipe-Walker

Event Comment: Benefit for Harrison and Thompson

Performances

Mainpiece Title: King Richard Iii

Performance Comment: King Richard-A Gentleman (1st appearance on any stage [unidentified]); King Henry-Comerford; Duke of Buckingham-Russell; Lord Stanley-Lewis; Oxford-Thomas; Ractliff-Johnson; Catesby-Smith; Tressel-The Gentleman who performed King Lear [at this theatre, 16 Sept. 1776; unidentified]; Lord Mayor-Massey; Prince of Wales-Mrs Wilks; Duke of York-Master Russell; Lieutenant of the Tower-Smith; Tyrell-Dancer; Earl of Richmond-West; Queen-Mrs Massey; Duchess of York-Mrs Ross; Lady Ann-Miss Taylor; Prologue-Morgan (in character of a Jew).
Cast
Role: Prince of Wales Actor: Mrs Wilks
Role: Queen Actor: Mrs Massey
Role: Duchess of York Actor: Mrs Ross

Afterpiece Title: The Honest Yorkshireman

Performance Comment: Gaylove-Kenny; Sapskull-Russell; Blunder-Massey; Slango-Dancer; Muckworm-Lewis; Combrush-Mrs Russell; Arabella-Mrs West.
Cast
Role: Combrush Actor: Mrs Russell
Role: Arabella Actor: Mrs West.

Song: As17760925

Entertainment: Imitations.As17760930

Event Comment: Mainpiece [1st time; co 3, by George Colman, the younger. Prologue by George Colman, the elder (Colman, Prose, III, 252)]: The new Airs, and a New Overture by Dr Arnold. Books of the Songs to be had at the Theatre. [One of the songs, beginning "Adzooks, old Crusty," sung by Edwin, is set to the tune of Yankee Doodle, and in the musical score (Harrison, 1784) it is so entitled. This is believed to be the first time this song, as it is now sung, appeared in print.]

Performances

Mainpiece Title: Two To One

Performance Comment: Principal Characters by Palmer, Bannister, Wilson, Bannister Jun., Barrett, Swords, Baddeley, Davies, Edwin; Miss George, Mrs Bannister. [Cast from text (T. Cadell, 1784): Young Townly-Palmer; Captain Dupely-Bannister; Dupely-Wilson; Beaufort-Bannister Jun.; Postboy-Barrett; Waiter-Swords; Sir ThomasTownly-Baddeley; Crape-Davies; Dicky Ditto-Edwin; Servant-Ledger; Tippet-Miss George; Charlotte-Mrs Bannister.] New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances, except on 25 Aug.] hathi. New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances, except on 25 Aug.] hathi.
Cast
Role: Charlotte Actor: Mrs Bannister.

Afterpiece Title: The Tobacconist

Event Comment: Benefit Harrison and Mines. Receipts: money #5 7s.; tickets #143 9s

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: As17210208, but Kite-Hall; Recruits-Morgan, H. Bullock; Sylvia-Mrs Seymour; Worthy-_; Brazen-_; Melinda-_; Lucy-_.
Cast
Role: Sylvia Actor: Mrs Seymour
Role: Silvia Actor: Mrs Cross
Role: Lucy Actor: Mrs Giffard

Dance: As17210221

Event Comment: Benefit Harrison. Receipts: money #10 1s. 6d.; tickets #112 9s

Performances

Mainpiece Title: The True And Ancient History Of King Lear And His Three Daughters

Performance Comment: As17221220, but Cordelia-Mrs Boheme.
Cast
Role: Cordelia Actor: Mrs Boheme.

Dance:

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text: T. N. Longman and O. Rees, 1800. Miss Waters is identified in the Songs]: The Scenes, Music, Machinery, Dresses, and Decorations are all entirely new. The Music composed by Mazzinghi and Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, Backmore, &c. [based on drawings of Indian scenery by Thomas Daniell]. The Machinery and Decorations by Cresswell, Sloper, Goostree, &c. The Dresses by Dick and Mrs Egan. Books of the Songs, also describing the Scenes and Spectacle of the Return from the Tiger Hunt, to be had at the Theatre, price six pence. "The whole [forms] an exhibition of the utmost grandeur...The expense attending the decoration must have been immense...The dailogue is certainly not of the first description of writing, but it forms, on the whole, a very safe vehicle for some of the best music the English stage has for some time been able to boast"(Morning Herald, 13 Nov.). Account-Book, 27 Dec.: Paid Cuthbert for Wheels, &c. for the Elephants #13 18s. Receipts: #364 7s. 6d. (363.19.6; 0.8.0)

Performances

Mainpiece Title: Ramah Droog; Or, Wine Does Wonders

Performance Comment: Europeans- Incledon, Johnstone, Bologna Jun., Claremont, Clarke, Wilde, Gray, Curties, Whitmore, Blurton, Silvester,Little, Fairclough, Linton Jun., Smith, Hitchcock, Sawyer, Master Little, Master Ramage, Master Bernard, Master Platt [Miss Mitchell, Mrs Mills; Indians- [H. Johnson, Munden, Townsend, Emery, Hill, Farley, Klanert, Abbot, Thompson, Street, Russel, Tett, Linton, Everett, Oddwell, ThomasKenrick, Master Sawyer, Master Speare, Master Slape, Master Goodwin, Master Standen [Mrs Chapman, Miss Sims, Miss Gray, Miss Wheatley, Miss Walcup, Mrs Wybrow, Mrs Watts, Mrs Bologna, Mrs Iliff, Mrs Castelle, Miss Leserve, Mrs Masters, Mrs Norton, Mrs Gilbert, Mrs Whitmore, Mrs Lloyd, Miss Burnett, Mrs Blurton, A Young Lady (1st appearance on any stage [Miss Waters]); [Cast from Songs (T. Rickaby, 1798), and playbill of 24 Oct. 1799: [Europeans. Sidney-Incledon; Liffey-Johnstone; Officers-Bologna Jun., Clarke, Curties, Whitmore, Blurton, Silvester; English Prisoners-Claremont, Wilde, Gray; Eliza-Miss Mitchell; Margaret-Mrs Mills; [Indians. Zemaun-H. Johnston; Chellingoe-Munden; Holkar-Townsend; Rajah-Emery; Govinda-Hill; Officer-Farley; Guards and Attendants-Klanert, Abbot, Thompson; Soldiers-Street, Russel, Tett, Everett, Oddwell, Thomas; Indian Officer-Linton; Alminah-Mrs Chapman; Agra-Miss Sims; Orsana-Miss Gray; Women of the Zenana-Miss Wheatley, Miss Walcup, Mrs Wybrow, Mrs Watts, Mrs Bologna, Mrs Iliff, Mrs Castelle, Miss Leserve, Mrs Masters, Mrs Norton, Mrs Gilbert, Mrs Whitmore, Mrs Lloyd, Miss Burnett, Mrs Blurton; Zelma-Miss Waters. [Little-Master Platt, Kenrick-Master Standen are unassigned.]

Afterpiece Title: The Ghost

Entertainment: Procession. End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

Event Comment: Mainpiece: 32nd Night [i.e. in continuation, erroneously, of the reckoning for the preceding season, when it was acted 28 times]. With new Music, Scenes, Dresses, and Decorations. The Music (with a few Exceptions) composed entirely new by Shield. And new Scenery designed and chiefly executed by Richards. Books of the Songs to be had at the Theatre. "Covent-garden is the National Theatre. I was there on 10th Dec. and saw an opera called The Woodman. It was the very day on which the life story of Madam Billington, both from the good as well as from the bad sides was announced [i.e. Memoirs of Mrs Billington, and An Answer to the Memoirs of Mrs Billington, both anonymous, both predated 1792]...She sang rather timidly this evening, but very well all the same. The first tenor [Incledon] has a good voice and quite a good style, but he uses the falsetto to excess. He sang a trill on high C and ran up to G. The 2nd tenor [Johnstone] tries to imitate him, but could not make the change from the falsetto to the natural voice, and apart from that is most unmusical...But the cast is entirely used to him. The leader is Herr Baumgartner [sic], a German who, however, has almost forgotten his mother-tongue. The Theatre is very dark and dirty, and is almost as large as the Vienna Court Theatre. The common people in the galleries of all the theatres are very impertinent; they set the fashion with all their unrestrained impetuosity, and whether something is repeated or not is determined by their yells. The parterre and all the boxes sometimes have to applaud a great deal to have something good repeated. That was just what happened this evening, with the Duet in the 3rd Act, which was very beautiful; and the pro's and contra's went on for nearly a quarter of an hour, till finally the parterre and the boxes won, and they repeated the Duet. Both the performers stood on the stage quite terrified, first retiring, then again coming forward. The orchestra is sleepy" (Haydn, 273-74). Receipts: #194 11s. (191.8; 3.3)

Performances

Mainpiece Title: The Woodman

Performance Comment: [Principal Characters-Quick, Johnstone, Darley, Blanchard, Incledon, Gray, Cross, Mrs Martyr, Mrs Webb, Miss Barnett, Mrs Billington (with additional music)Together let us range the fields (Crouch, II, 129), a duet with Incledon; Se ti perdo (see17920522); Court me not to scenes of pleasure (BUC, 1089)]; (1st appearance in this opera); Rest of the Vocal Parts-Mrs Mountain, Miss Broadhurst, Mrs Harlowe, Miss Stuart, Mrs Watts, Miss Francis, Mrs Arnold, Mrs Davenett, Mrs Bock, Mrs Cross, Mrs Powell, Mrs Gray, Mrs Masters, Mrs Platt, Mrs Ratchford, Mrs Byrne, Miss Leserve. [Cast adjusted from text (T. Cadell, 1791): Sir Walter Waring-Quick; Capt. O'Donnel-Johnstone; Fairlop-Darley; Medley-Blanchard; Wilford-Incledon; Bob-Gray; Filbert-Cross; Dolly-Mrs Martyr; Miss Di Clackit-Mrs Webb; Polly-Miss Barnett; Emily-Mrs Billington; Kitty Maple-Miss Stuart; Bridget-Mrs Cross.

Afterpiece Title: Modern Antiques

Cast
Role: Mrs Camomile Actor: Miss Chapman
Role: Belinda Actor: Mrs Harlowe
Role: Flounce Actor: Mrs Rock
Role: Nan Actor: Mrs Cross
Role: Mrs Cockletop Actor: Mrs Mattocks.
Event Comment: Afterpiece [1st time; P 2, by Thomas John Dibdin; pantomime by Charles Farley]: With new Scenery, Machinery, Tricks, Dresses, and Decorations. The Overture, Airs and Chorusses by Attwood. The Pantomime Music by Attwood, Mountain, and Ealy [recte Eley]. The Scenery by Phillips, Lupino, Hollogan, Blackmore, Thorne, Wilkins, &c. The Machinery and Tricks by Cresswell, Sloper and Goostree. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #364 (353.12; 10.8)

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Magic Oak; or, Harlequin Woodcutter

Performance Comment: [Principal Characters by Bologna Jun., Bologna, Simpson, Simmons, Whitmore, Hawtin, Dyke, Wilde, Blurton, Claremont, Klanert, the Master Blackmores, Platt, Abbot, T. Cranfield, Powers, Lewiss, Davies, L. Bologna, Letteney, Lee, Delahoy, Wilkins, Farley, Miss Lupino, Miss Cranfield, Miss Denny, Mrs Watts, Mrs Bologna, Mrs Whitmore, Mrs Gilbert, Miss Gray, Miss Leserve, Mrs Norton, Mrs Masters, Mrs Lloyd, Miss Burnett, Miss Walcup, Mrs Blurton, Miss Bologna, Miss Cox, Mrs Crow, Miss Davenett recte Dibdin], Mrs Ward, Miss Coombes, Miss Standen, Mrs Wybrow. Vocal Characters-Townsend, Hill, Emery, Street, Gray, Linton, Thomas, Russel, Curties, J. Linton, Oddwell, Little, Tett, Master Ramage, Master Goodwin, Mrs Chapman; [Cast from Songs (J. Barker, 1799): Harlequin Woodcutter-Bologna Jun.; Lout-Bologna; Tasner-Simpson; Phisgig-Simmons; Pantaloon-Whitmore; Landlord-Hawtin; Haymakers-Wilde, Blurton, Platt, T. Cranfield, Powers, Lewiss, L. Bologna; Dutch Lover-Klanert; Beadle-Abbot; Dutch Servant-Davies; Man Milliner-Lee; Brisk-Farley; Sailor-Townsend; Officer of Volunteers-Hill; Recruits-Street, Gray, Linton, Thomas, Russel, Curties; Haymakers-Mrs Watts, Mrs Bologna, Miss Burnett, Miss Bologna, Miss Cox, Mrs Crow; Harlequin's Mother-Mrs Whitmore; Landlady-Mrs Gilbert; Market Women-Miss Leserve, Mrs Norton, Mrs Blurton; Old Maid-Mrs Lloyd; Columbine-Mrs Wybrow; unassigned-Dyke, Claremont, the Master Blackmores, Letteney, Delahoy, Wilkins, Emery, J. Linton, Master Goodwin, Miss Lupino, Miss Cranfield, Miss Denny, Miss Gray, Mrs Masters, Miss Walcup, Miss Dibdin, Miss Standen, Mrs Chapman.

Music: End I afterpiece: A Medley Overture on the Union Pipes and Pedal Harp-Murphy, Weippert

Event Comment: [Mainpiece in place of The Merry Wives of Windsor, advertised on playbill of 10 Feb.] Afterpiece [1st time; BALL. P 1 (?), by John Cartwright Cross. Airs (T. Woodfall, 1798)]: The Scenery, Machinery, Dresses and Decorations entirely new. The Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #294 0s. 6d. (270.16.6; 23.4.0)

Performances

Mainpiece Title: The Busy Body

Cast
Role: Isabinda Actor: Mrs Mountain
Role: Patch Actor: Mrs Mattocks
Role: Scentwell Actor: Mrs Platt

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .