Event Comment: This Musical Interlude call'd The Election was Written by Mr Andrews & Set by Mr Barthelemon it is a Local piece & met wth great Applause (Hopkins Diary). What nauseous potions will not music wash down the throat of the public (Biographia Dramatica). [Interlude reviewed in the Westminster Magazine, Oct.: We shall dismiss this musical trifle by observing, that if the writer was serious, he has been ridiciulous: if he meant to be jocose, he should have it upon some expedient to discover his intention.--The Member chanting his patriotic promises was highly laughable. It was preceded by a lively overture of Mr Barthelemon's, who composed the rest of the music; in which, however, we observed no peculiar novelty.'] Receipts: #137 15s. (Treasurer's Book)

Event Comment: Afterpiece [1st time; P 2, by John O'Keeffe. MS: Larpent 608; not published. CG playbill of 16 Nov. 1795 has a detailed synopsis of the action]: Intermixed with Songs and Dialogue. With new Music, Scenes, Dresses, Machinery, and Decorations. The new Music composed by Shield. The new Scenes designed by Richards, and executed by Richards, Hodgins, and assistants. To conclude with a Representation of the Lord Mayor's Show on the Water. Books of the Songs to be had at the Theatre. Nothing under Full Price will be taken. "As to the Pantomime it wanted nothing on the first Night but Abbreviations . . . [which should be] omission of the Doctors, the two Women of the Town, and the whole of Edwin's Character" (Public Advertiser, 27 Nov.). Gentleman's Magazine, Jan. 1783, pp. 29-31, contains a detailed synopsis of the procession, and adds, "The personages of this procession were all dressed in the characters of the time in which they lived, and before each of them a label, a scroll, or a pageant was carried, bearing their name, or some allusion of the poets to their occupation. The figures in transparency were all painted as large as the life, and had a most grand and beautiful effect . . . The idea of the paintings was furnished by Mr Richards and Mr Smirk [sic], and all of them executed by the latter in a style of so much taste and excellence that it is a matter of some wonder to us, where an artist of Mr Smirk's abilities has been so long concealed . . . The glee introduced with so much applause is the composition of the late Dr Rogers (who lived in 1600); the other airs in the pantomime and procession arc by Handel, Lord Kelly, Abel, Stamitz and Shield, and have very great merit. The expense of preparing this splendid spectacle must have been very great, and the cost of continuing its representation cannot be inconsiderable, since more than 200 supernumeraries are employed to walk in the procession." Receipts: #215 3s. (206/3; 9/0)

Event Comment: Benefit for Brett. Public Advertiser, 27 Apr.: Tickets to be had of Brett, No. 7, Catherine-street, Strand. [In mainpiece the playbill retains Booth as Peachum, but "Moody in the absence of Wilson [sic] played Peachum" (Public Advertiser, 3 May).] Receipts: #248 13s. (148/12; tickets: 100/1) (charge: #105)

Event Comment: Mainpiece [1st time; C 5, by Elizabeth Inchbald. Author of Prologue unknown]: With new Dresses, Scenery, &c. Morning Herald, 4 Apr. 1797: This Day is published Wives as they Were, and Maids as they Are (2s). "The Manager of Covent Garden Theatre gives Mrs Inchbald #500 for her new Comedy" (True Briton, 13 Mar.). Receipts: #302 13s. 6d. (295.9.0; 7.4.6)

Event Comment: The Duke's Company. On Thursday 10 Dec. 1663, Pepys reported that this play was to be acted the following week, but the date of the first performance is uncertain. But--except for the holidays--it was probably acted on consecutive days until 1 Jan. 1663@4, when Pepys saw it. The play is also in Herbert, Dramatic Records, p. 138, as a "Revived Play." Pepys, Diary: I perceive the King and Duke and the Court was going to the Duke's playhouse to see Henry VIII. acted, which is said to be an admirable play. But, Lord! to see now near I was to have broken my oathe, or run the hazard of 20s. losse, so much my nature was hot to have gone thither; but I did not go. Downes (p.24): King Henry the 8th, This Play, by Order of Sir William Davenant, was all new Cloath'd in proper Habits: The King's was new, all the Lords, the Cardinals, the Bishops, the Doctors, Proctors, Lawyers, Tip-staves, new Scenes: The part of the King was so right and justly done by Mr Betterton, he being Instructed in it by Sir William, who had it from Old Mr Lowen, that had his Instructions from Mr Shakespear himself, that I dare and will aver, none can, or will come near him in this Age, in the performance of that part: Mr Harris's performance of Cardinal Wolsey, was little Inferior to that, he doing it with such just State, Port, and Mein, that I dare affirm, none hitherto has Equall'd him:...Every part by the great Care of Sir William, being exactly perform'd; it being all new Scenes; it continu'd Acting 15 Days together with general Applause

Event Comment: The United Company. This play was in rehearsal before the death of Charles II-see 6 Feb. 1684@5-and was staged shortly after the playhouse reopened. Luttrell's date of acquisition of the separately-printed Prologue and Epilogue is 9 May 1685 (in possession of Pickering and Chatto, Ltd., 1938), and the play may have been first given on that date or during the week preceding Saturday 9 May 1685. For Cibber's account of Mountfort as Sir Courtly, see Cibber, Apology, ed. Lowe, I, 129. The separately-printed Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 228-30. A separately-printed Three New Songs in Sir Courtley Nice (1685) contains three songs, with the music by Samuel Ackroyde and an unknown composer. In addition, two songs, As I grazed unaware and O be kind my dear be kind, both composed by R. King, are in The Theater of Music, Second Book, 1685. Downes (Roscius Anglicanus, pp. 40-41): The first new Comedy after King James came to the Crown, was Sir Courtly Nice, wrote by Mr Crown:...The Comedy being justly Acted, and the Characters in't new, Crown'd it with a general Applause: Sir Courtly was so nicely Perform'd, that not any succeeding, but Mr Cyber has Equall'd him. Note, Mr Griffin so Excell'd in Surly, Sir Edward Belfond, The Plain Dealer, none succeeding in the 2 former have Equall'd him, except his Predecessor Mr Hart in the latter. The Lover's Session; In Imitation of Sir John Suckling's Session of Poets (in Poems on Affairs of State, II [1703], 162): @Montrath was in Foppery conceiv'd another@Of Whitehall true Breed, Sir Nices Twin Brother:@None could tell, so alike all their Follies did seem,@Whether he acted Mumford, or Mumford him.

Event Comment: Written by the late Mr Dryden. Set to Musick by Mr Handel. Pit and Boxes half a Guinea. Galleries 4s. and 2s. 6d. London Daily Post and General Advertiser, 20 Feb.: Last Night his Royal Highness the Duke, and her Royal Highness the Princess Amelia were at. . . Mr Dryden's Ode, set to Musick by Mr Handel. Never was upon the like Occasion so numerous and splendid an Audience at any Theatre in London, there being at least 1300 Persons present; and it is judg'd that the Receipt of the House could not amount to less than 450l. It met with general Applause, tho attended with the Inconvenience of having the Performers placed at too great a distance from the Audience, which we hear will be rectified the next Time of Performance. [Egmont also present.]

Event Comment: WWilliam Hint in letter (Daily Gazetteer, 31 Oct.): Here again we find Mr Delane ill cast for the sake of casting Mr Sheridan?; Still worse, Need I say how much better this play would have been acted had Mr Delane? play'd Pierre, and Mr Garrick? Jaffier

Event Comment: MMaster Leoni's first appearance. Music by Smith. On account of Machinery and music no persons can be admitted behind Scenes or into the Orchestra. Nothing under full prices will be taken. Books of the Entertainment will be sold at the Theatre at 6d. each. The Enchanter, a new Musical Entertainment wrote by Mr Garrick, and set by Mr Smith, very well received.Master Leoni, a Jew, made his first appearance in this piece, and was received with great applause (Hopkins MS Notes)

Event Comment: By Command of their Majesties. Mr Garrick played Lusignan and Lord Chalkstone. It is almost impossible to express how finely he played both characters. The Prologue was called for. Mr Garrick went on directly to speak it--as soon as he appeared a general clap and a loud huzza,--and there was such a noise from the House being so crowded, very few heard anything of the prologue.--As soon as the play began there was a great disturbance in the Gallery, and some called out, Guards Guards! that they could not go on.--Mr Lacy went on the Stage, and looked up to the gallery, and came off again without saying anything.--They soon grew quiet, and the play went on.--Monsr Rousseau sat in Mr Garrick's box (Hopkins Diary). [Account in the Public Advertiser of the original story upon which VanBrugh founded some circumstance in his Provok'd Wife, signed Heartfree. The Gentleman's Magazine, January, in the Historical Chronicle section noted that Jean Jacques Rousseau arrived in England on 13 Jan. and "was at the play on the 23rd, and presented himself in the upper Box fronting his Majesty."

Event Comment: Benefit for Widow Bowers, Percy, Wood and Robinson. Tickets delivered for The Orphan and by Mr Hodges will be taken. Paid Mr Davies on Note #30; Mr Clinch for 5 days at beginning of season not on list #2 1s. 8d.; Mr Cooke's 4 boys 11th inst. #1 10s. (Treasurer's Book). Receipts: #256 12s. 6d. Charges: #84. Profits to Widow Bowers and beneficiaries: #172 12s. 6d. (Treasurer's Book)

Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Man, 8-10 June 1697, suggests a first performance in late May or the beginning of June. Preface: I [Motteux] write the Masque of Hercules, and Mr Eccles, having set it with his usual Success, and yet more masterly than my Mars and Venus, if possible, I prevail'd with the ingenious Mr J. Oldmixon to give me a short Pastoral, while I scribbled over a Farce after the Italian Manner, and an Imitation of part of a diverting French Comedy of one Act (for such Plays are very common in Foreign Parts). Then I wanted nothing but a Tragedy....At last I bethought myself of one already studied, called The Unnatural Brother, written by an ingenious Gentleman and acted 6 Months ago, tho not with the success it deserv'd. Yet the latter Part was extremely applauded: So I was persuaded to make bold with it, as I do....I could easily contract the most moving Part of the Story into the Compass of one Act, with some Additions....All this was done in a very short time, the warm Season threatening me with your Absence....The foregoing Lines were published as a Preface to that Masque, some few copies of which were printed for the use of the Audience, the first day of the Novelty's being Acted. A Comparison Between the Two Stages (1702), p. 20: Every Word stolen, and then Damn'd

Event Comment: Betterton's Company. The date of the first production is not known, but the Songs were advertised in the Flying Post, 6-8 Dec. 1698, and the play in the London Gazette, 19-22 Dec. 1698; hence, the premiere was certainly not later than early December and was probably not later than November. In fact, on 5 Dec. 1698 Dr. William Aglionby wrote Matthew Prior, referring to Dennis, "a poor poet who has made us a fine entertainment of Rinaldo and Armida" (quoted in The Works of John Dennis, II, 489). In a dialogue written by John Oldmixon (Reflections on the Stage [London, 1699], p. 101) Savage, referring to Rinaldo and Armida, states: I have seen it 3 or 4 times already, but the Musick is so fine, and the Play pleases me so well, that I shall not think it a burthen [to see it again] (in The Works of John Dennis, I, 479). The Musical Entertainments in the Tragedy of Rinaldo and Armida (1699) is reprinted, with an introduction by Herbert Davis, in Theatre Miscellany (Luttrell Society Reprints, No 14, Oxford, 1953), pp. 103-15. One song, Ah queen, ah wretched queen, give o'er, sung by Gouge, is in Mercurius Musicus, 1699; and another, Jolly breeze that comes whistling, sung by Gouge, is in Twelve New Songs, 1699. A Comparison between the Two Stages (1702), p. 22: Critick: At last, (as you say) the old Stagers moulded a piece of Pastry work of their own, and made a kind of Lenten Feast with their Rinaldo and Armida; this surpriz'd not only Drury-lane, but indeed all the Town, no body ever dreaming of an Opera there; 'tis true they had heard of Homer's Illiads in a Nut-shel, and Jack in a Box, and what not?...Sullen: Well, with this Vagary they tug'd a while, and The Jolly-Jolly breeze-came whistling thro'-all the Town, and not a Fop but ran to see the Celebrated Virgin in a Machine; there she shin'd in a full Zodiack, the brightest Constellation there; 'twas a pleasant Reflection all this time to see her scituated among the Bulls, Capricorns, Sagittaries, and yet the Virgo still remain itacta....Critick: But this merry Time lasted not always; every thing has an end, and at length down goes Rinaldo's inchanted Mountain; it sunk as a Mole-hill seen on't: What a severity was this? that the Labour of such a gigantick Poet, nay Critick, shou'd give up the Ghost so soon: The renown'd Author thought himself immortal in that Work, and that the World was to last no longer than his Rinaldo; and tho' he stole every thing from the Italian, yet he said, what the Italian did was but Grub-street to his. See also 5 Jan. 1698@9 for a letter written by Mrs Barry, in part concerning Rinaldo and Armida

Event Comment: A new Opera. Written by the late Mr Gay. With New Habits and Scenes. Receipts: #207 11s. 6d. Daily Courant, 12 Feb.: Mr Pultney and Mr Pope were in the Pit....They were in the House before any body else was admitted. Sir William Windham was also present at this Performance; but notwithstanding the Countenance given to it, there was so much Obscenity and Scurrility in it, that it raised a general Abhorrence in the Audience. [See also The Bee, 17 Feb., for a puff concerning this performance and the play in general.

Event Comment: Mainpiece: Not Acted these Thirty Years. All the Characters New Dress'd. Afterpiece: A New Dramatick Pantomime Entertainment. With New Cloaths, Scenes, Machines, and other Decorations. An Exact Representation of the Hermitage, as in the Royal Garden at Richmond. And Entire New Musick, compos'd by Mr Jones. [Author not known. Apparently not published.] Daily Advertiser, 2 Feb.: When one of the Changes [on 1 Feb.] by Chance miscarried, a second Attempt was generally desir'd, which, when executed, was so pleasing, a general Clap continu'd for more than the Space of a Minute

Event Comment: At the particular Desire of several Brethren of the...Masons. Benefit Mr Heath, a Distress'd Brother and Citizen of London, and Mr Kilburne. Mainpiece: Written by the late Mr Farquhar

Event Comment: Mainpiece: Alter'd from Beaumont and Fletcher, by Sir John Vanbrugh and Mr Dryden. Afterpiece: An English Opera, written by the late Mr Addison, and new set to Musick by Mr Arne, reserving two or three Favourite Songs, out of his former Opera

Event Comment: For the Relief of Mr Chetwood, late Prompter at the Theatre-Royal in Drury-Lane, and now a Prisoner in the King's Bench. Receipts: money #219; seals #15 (Account Book); #250 Rylands MS.). [William Shenstone saw Cibber act on 12, 13, or 14 Jan. See Letters of William Shenstone, pp. 14-15.

Event Comment: To the Author of the General Advertiser, Sir: I have frequently observ'd particular Notice has been taken in your paper of particular Merit, I hope therefore you'll allow room for this short Epistle--I am a great Lover of Public Diversions, especially such as can agreeably amuse, or afford the highest Mirth, without offense to Sense of Decency; Of this kind are the two new dances compos'd by Salomon, and perform'd by him, Mr Cook, Mr Muilment, Madem Violette, Sga Padouana, and the young little Salomon, and others. To say they are excellent in their way is barely doing 'em justice; but in these Dances they may be said to have excell'd themselves. The first, tho' a kind of Serious Pastoral Ballet afforded the Audience great Pleasure; and I believe never did three dancers in a Pas Trois, altogether equal the Execution of Sg Salomon, Madem Violette, and Mr Cook; there was an Elegance peculiar to herself that shone thro' her whole performance. The other Entertainment is the representation of a Fair, to which People of all degrees and nations are suppos'd to resort, it may not improperly be stil'd a very High Piece of Low Humour; and caused as much laughter and applause as the strongest Farce ever produc'd, without offending the Modesty of the Ladies. We have had many performers from abroad, but Sg Salamon and Violette so inimitably express their characters in this entertainment, that I think they excel what we have hitherto seen; and very much deserve the Encouragement of the Town, I am, &c

Event Comment: Mainpiece: With Proper Decorations. Dance by Desire. Paid Mr Donell for a Brown velvet coat & Breeches and a blue velvet flower'd waistcoat #4 4s.; to Mr Hughes for a blue velvet suit embroider'd, a Gray cloth coat lac'd with gold, a scarlet velvet waistcoat, an uncut velvet suit & cold straps #55; Paid Blandford (Tallow Chandler) #17 18s. 11d.; Paid Mr Havers five eights share Rent 100 nights #7 5s. 10d.; Paid Mrs Stanhope's 2 shares ditto #28 6s. 8d.; Norton 3 chorus 15s. (Treasurer's Book). Receipts: #200 (Cross); #170 8s. (Treasurer's Book)

Event Comment: Play never acted. 'Tis hoped no gentleman will take it ill that he cannot possibly be admitted behind scenes this night (General Advertiser). This play was wrote by Mr Whitehead Tutor to my Lord Jersey,--it was receiv'd with Extravagant applause--& it was Agreed Mr-(Cross). Paid Mr Ackman for writing voice parts in Don Severio #1 1s.; Salary list #305 6d. Norton 6 chorus #1 10s. (Treasurer's Book). [Of some interest is the fact that a ship plying between London and Dublin was named the Roman Father, perhaps in response to the popularity of this play. See note of its safe arrival in Crookhaven in General Advertiser 25 Oct. 1750.] Receipts: #190 (Cross); #191 7s. 6d. [Treasurer's Book)

Event Comment: [Cast taken from 1st edn. The bill merely lists actors and notes "With proper Music, Scenes, and Decorations. Never acted before." It mentions no Prologue or Epilogue.] This Masque was wrote about eleven years ago, by Mr Malet & Mr Thomson, & play'd in the Garden at Clifden before the P. of Wales &c.--Mr Malet has now alter'd it, & it was play'd with great Applause, only some of the Dances, being too long were dislik'd, & some of the Songs had ye same reception (Cross). Receipts: #180 (Cross)

Event Comment: This Tragedy is taken from ye French by ye Revd Mr Francis. A great Noise before ye play began, occasion'd by ye Music not playing what they lik'd, they being Palted wou'd not come into the Orchestra-a Branch knock'd down, Candles thrown &c.-Mr Garrick went on, order'd ye Music in, & all was quiet-went off with great Applause (Cross). Never acted before. Characters New Dress'd Mr Garrick is intitled to my sincerest Gratitude for his Performance as an Actor, and for his Punctuality as a Manager...his strong good Sence, with that Spirit of Theatrical Criticism, which is his peculiar natural Genius (Prefatory matter by Francis first in ed.). Receipts: 180 (Cross)

Event Comment: DDrury Lane Theatre open'd Sat: Sept 13th. The House new Gilt, Painted & ornamented wth Festoons &c. Mr Mossop left us. Mr Wilder discharg'd. Mrs Mills is gone to end her Days in Wales, wth an Allowance of #20 per An: from the Managers (Cross). Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money returned after the Curtain is up. No Persons to be admitted behind the Scenes. Places for Boxes to be had of Mr Varney at the Stage Door. [Notice customarily repeated and will not be further noted.] Receipts: #109 (Cross)