SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr and Miss Hamoir"/1) | (@(roleclean,performerclean) "Mr and Miss Hamoir")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14277 matches on Performance Comments, 5655 matches on Event Comments, 4862 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Cato

Event Comment: The Article in the Daily Advertiser of Wednesday last, which mentions Mr Odell's intending to decline concerning himself any longer with the management of Goodman's-fields Playhouse, is a false and scandalous Libel

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Biter Bit

Event Comment: Benefit Lacy. Afterpiece: A new Satyrical, Allegorical, Political, Philosophical Farce, [Apparently by Lacy.] Daily Advertiser, 30 April: Yesterday I accidentally call'd in at the Theatre in the Hay-Market, and saw the Rehearsal of a new Farce call'd Fame...Which is to be acted there on Wednesday next...for the Benefit of Mr Lacy the Author. As I am neither acquainted with him, nor the Master of the Playhouse, I cannot be accus'd of Partiality, in affirming, that I think this the best Farce this Age has produc'd. It seems to be writ in Imitation of Shakespear, and entirely calculated for the present Taste. The Characters are strong, lively, majestic, and just; the incidents natural and moving; the Conduct regular; the Distresses extremely affecting; the Stile sublime; the Sentiments grand, full of Patriotism; and the Catastrophe so masterly wrought up, that, I am persuaded, no Farce whatsoever, now acting, will draw more Tears than this. But what affected me beyond all, was, the Zeal, the exemplary Zeal of a worthy Magistrate, who so strictly adheres to the very Letter of the Law, as to send a rich and honest Merchant, and Freeholder, to the House of Correction, as a sturdy Beggar, or Loiterer. I could enlarg in its Praise, but fear I may do the Author wrong, in raising your Expectations too high. See it, and I am convinc'd you will entertain the same Sentiments of it, as does Your Humble Servant, James Lacy. Alias Fustian, alias Sour-Wit, alias--But hold:--If I should be arraign'd for the Murder of this Farce, so many Alias's will half condemn me before I am heard

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest

Performance Comment: The Characters are, Sir Hardheart Pelf, an Usurer, and Justice of the Peace-; Counsellor Pleadwell, a Man of Honour-; in love with Charlotte, the Miser's Daughter-; Counsellor Neverplead, of Brick-Court in the Temple, an Original-; Fustian turn'd Auctioneer, preparatory to a Presbyterian Parson-; Mr Jamaica, an honest Merchant, sent as a Vagrant to the House of Correction-; Mr Quidnunc, a very deep-headed Man-; a Pack of fashionable Ladies and Beaux-; Famine, the Usurer's Servant-; George, Counsellor Neverplead's chief Clerk-.
Event Comment: For the Relief of Mr Chetwood, late Prompter at the Theatre-Royal in Drury-Lane, and now a Prisoner in the King's Bench. Receipts: money #219; seals #15 (Account Book); #250 Rylands MS.). [William Shenstone saw Cibber act on 12, 13, or 14 Jan. See Letters of William Shenstone, pp. 14-15.

Performances

Mainpiece Title: The Old Batchelor

Dance: Mechel, Mlle Mechel

Event Comment: This comedy was wrote by Mr Moor, & except ye part of Faddle meet with Universal Applause (ye Author's first play) (Cross). New Scenes and Cloaths (General Advertiser). This C. was written by Moore--it is a good play--it was acted 11 times successively--Garrick's peculiar qualifications and happy use of them, added amazing spirit to the piece, and gave more consequence to Young Belmont than can well be imagined--Macklin, who never had in voice, figure or features much capacity for the fop cast, yet struck out some things in Faddle, that have not been since equalled, particularly in marking the obsequious knave throughout--Barry in the fourth act supported his character with emphatic dignity and in the last with melting tenderness--the part of Rosetta was undoubtedly conceived for Mrs Woffington, and she did it particular justice--the elegance, the notions of love, and the vanity of admiration, which are united in Rosetta, were natural to Mrs Woffington, so that she had the advantage of looking and speaking in her own character--the softness and pathos, which distinguished Fidelia sat with much ease on Mrs Cibber (Dramatic Censor, II, 206). [For contemporary account of plot and discussion of the play, see Gentleman's Magazine Feb. 1748, pp. 51-54; March 1748, pp. 114-17; May 1748, pp. 207-9; June 1748, pp. 257-59. See also G. Stayley, An Answer to an unjust criticism on the Foundling, listed in Register of Books, Gentleman's Magazine, May 1748, p. 240; A Criticism of the Foundling, in a letter to the author, listed in Register of Books, Gentleman's Magazine, March 1748, p. 144. The Larpent MS indicates many revisions. The substitution of Rake for Whoremaster, &c. Some Suggestive passages marked for excision. "The Disapprobation, which the Character of Faddle met with the first Night, made it necessary for me to shorten it in almost every Scene" (Dedication to 1st Edition).] Receipts: #200 (Cross); #200 5s. (Powel)

Performances

Mainpiece Title: The Foundling

Performance Comment: Garrick, Barry, Macklin, Havard, Yates, Sparks, Mrs Woffington, Mrs Cibber. Young Belmont-Garrick; Sir Charles Raymond-Barry; Faddle-Macklin; Col. Raymond-Havard; Sir Roger Belmont-Yates; Villiard-Sparks; Rosetta-Mrs Woffington; Fidelia-Mrs Cibber; Prologue [by Mr Brooke-Mrs Pritchard; Epilogue [by Garrick-Mrs Cibber [(edition of 1748, but listed in the order in which the actors' names appear in General Advertiser; General Advertiser omits notice of Prologue and Epilogue).](edition of 1748, but listed in the order in which the actors' names appear in General Advertiser; General Advertiser omits notice of Prologue and Epilogue).]

Performances

Mainpiece Title: The Fatal Curiosity

Performance Comment: Original Prologue-Mr Cibber; and the part of Mrs Wilmot-Mrs Charke who originally performed it.

Afterpiece Title: The Tragedy of Tragedies

Dance: A Hornpipe-Mrs Walker

Event Comment: The ballance Weight of the Candles of the Branches fell from ye top of the house upon ye Stage, & broke a great piece in the Stage, the Weight was 200 lb. Mr Woodward had just mov'd from the Spot where it fell (Cross). Receipts: #210 (Cross)

Performances

Mainpiece Title: The Wonder

Cast
Role: Violante Actor: Miss Macklin
Role: Inis Actor: Miss Minors.

Afterpiece Title: The Lottery

Event Comment: At Cibber's Histrionic Academy on the Bowling Green, A Public Rehearsal, gratis. With out Gain, Hire or Reward. The Rehearsal must begin punctually at 6 p.m. No Money will be taken, nor any Persons admitted without Pass Tickets, which will be given by Mr Cibber to particular Patrons, Friends and Customers. The Cephalick Snuff is to be had at the Above Academy, at the following Prices, viz., First sort 3s., second sort 2s., third sort 1s., none sold under. [Play not given. See Public Advertiser, 14 Dec. "Southwark. Some sudden Disappointments (as unexpected as unforeseen) compel me to defer opening my Histrionic Academy." Advance advertisement had also appeared in the Daily Advertiser, 6 Dec.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Mock Doctor

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Cast
Role: Lady Restless Actor: Miss Haughton

Dance: As17610616

Event Comment: [In afterpiece the playbill retains Powel as Mr Pickle, but "Last night, after the performance of Lover's Vows, an apology was made by Murray for Powel who, notwithstanding he performed in the play in apparent good health and spirits, was of a sudden taken so ill that his life is despaired of by his physicians. His part in The Spoiled Child was in consequence...undertaken by Dibdin Jun., which he performed with much humour and discrimination" (Morning Herald, 20 Oct.). Powel died the following morning.] Receipts: #367 4s. (360.7; 6.17)

Performances

Mainpiece Title: Lover's Vows

Cast
Role: Landlord Actor: Thompson
Role: Country Girl Actor: Miss Leserve
Related Works
Related Work: Lovers' Vows Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: The Spoil'd Child

Cast
Role: Maria Actor: Miss Sims
Role: Susan Actor: Miss Leserve
Event Comment: Taken from Plautus and Moliere by the late Mr Dryden. Daily Advertiser, 12 Dec: We hear the Company ... are now rehearsing the three celebrated Plays of Ben Johnson, viz. the Fox, the Alchymist, and the Silent Woman

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Music: Select Pieces

Dance: Scaramouch by Janno. Tambourine by Miss Robinson. Harlequin by Nivelon

Performance Comment: Tambourine by Miss Robinson. Harlequin by Nivelon .

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Devil to Pay

Dance: Clown by Nivelon. Watteau by Miss Robinson. English Maggot by Lally and Mrs Walter. Revellers, as17340319

Performance Comment: Watteau by Miss Robinson. English Maggot by Lally and Mrs Walter. Revellers, as17340319.

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Intriguing Chambermaid

Dance: I: Drunken Peasant by Le Brun. II: Dutchman and his Frow by Le Brun and Miss Brett. V: Revellers, as17341116

Performance Comment: II: Dutchman and his Frow by Le Brun and Miss Brett. V: Revellers, as17341116.
Event Comment: Mainpiece: Taken from Plautus and Moliere by Mr Fielding

Performances

Mainpiece Title: The Miser

Cast
Role: Mariana Actor: Miss Hollyday
Role: Wheedle Actor: Miss Mann

Afterpiece Title: Colombine Courtezan

Dance: English Maggot by Villeneuve and Mrs Walter. Black Joak by Nivelon and Miss Mann. Polonese by Essex and Mrs Walter

Performance Comment: Black Joak by Nivelon and Miss Mann. Polonese by Essex and Mrs Walter .

Performances

Mainpiece Title: Love For Love

Cast
Role: Scandal Actor: W. Mills
Role: Trapland Actor: Griffin
Role: Mrs Foresight Actor: Miss Hollyday

Afterpiece Title: Colombine Courtezan

Dance: Grand Polish Ballet by Essex and Mrs Walter. Black Joak by Nivelon and Miss Mann. Grand Comic Ballet: French Peasants by Poitier and Mlle Roland

Performance Comment: Black Joak by Nivelon and Miss Mann. Grand Comic Ballet: French Peasants by Poitier and Mlle Roland .

Performances

Mainpiece Title: The Way Of The World

Cast
Role: Foible Actor: Miss Mann

Afterpiece Title: The Devil to Pay

Dance: Drunken Peasant by Le Brun. A new Comic Dance called Tit for Tat by Denoyer, Nivelon, Mrs Walter, Miss Anderson

Performance Comment: A new Comic Dance called Tit for Tat by Denoyer, Nivelon, Mrs Walter, Miss Anderson .

Performances

Mainpiece Title: Love And A Bottle

Music: By Desire, a Concerto of Vivaldi's The Cuckow, attempted on the Violin by Master Oates

Dance: II: Scottish Dance. rv: Irish Trot. V: French Peasant Dance. All by Master and Miss Oates

Performance Comment: rv: Irish Trot. V: French Peasant Dance. All by Master and Miss Oates .

Performances

Mainpiece Title: The Distrest Mother

Performance Comment: Andromache-Mrs Cibber; Pyrrhus-W. Mills; Orestes-Cibber; Hermione-Mrs Butler; Pylades-Berry; Phoenix-Boman; Cephisa-Mrs Pritchard; Cleone-Mrs Cross. With the Original Epilogue, by Desire, to be spoken by Mrs Cibber .
Cast
Role: Andromache Actor: Mrs Cibber

Afterpiece Title: The Lottery

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: Drunken Peasant by Le Brun. III: Le Ballet d'Amour by Denoyer, Mlle Anne Roland, &c. IV: Rover by Essex, Mrs Walter, Miss Mann, &c. V: French Peasants by Poitier, Mlle Roland, &c

Performance Comment: II: Drunken Peasant by Le Brun. III: Le Ballet d'Amour by Denoyer, Mlle Anne Roland, &c. IV: Rover by Essex, Mrs Walter, Miss Mann, &c. V: French Peasants by Poitier, Mlle Roland, &c .
Event Comment: Benefit for Delane. To Mr H-. Sir: A Number of your Friends have wished to see performed the Oratorio of Joshua, which, if you would direct to be performed this season, would be much gratified, and in particular, Your Humble Servant, A Virtuoso (General Advertiser)

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17490207, but Belmour-Gibson; Ratcliff-Bencraft; Catesby-Anderson.
Cast
Role: Catesby Actor: Anderson.

Afterpiece Title: The Devil to Pay

Cast
Role: Lady Loverule Actor: Miss Haughton

Dance: Comic Dancing-Master J. and Miss Granier

Performance Comment: and Miss Granier.

Performances

Mainpiece Title: Drummer

Cast
Role: Fantome Actor: Anderson

Afterpiece Title: Harlequin Sorcerer; with the Loves of Pluto and Proserpine With Alterations

Performance Comment: Pluto-Howard; Ascalax-Baker; Proserpine-Mrs Storer; Witches-Legge; Mrs Lampe, Mrs Arne, Miss Young; Harlequin- (1752 ed.).
Event Comment: Never Acted before. A Tragedy [By John Home]. I went to my Office and then slept [?] in at Drury Lane w here I see Mr and Miss Hayes, Lady Lindores who I see into a coach, I slept in at Covent Garden Gallery before the play, but see nobody I knew so I would not stay, otherwise I would have went out as I had set my mind on the Beggar's Opera for once more, but waived it all & went to my Office (Hailey Brietzcke Diary, Vol. 197, p. 72)

Performances

Mainpiece Title: The Siege Of Aquileia

Performance Comment: Actor's names only in bills, but edition of 1760 lists: Aemilius-Garrick; Titus-Holland; Paulus-Austin; Varus-Davies; Priest of Jupiter-Burton; Dumnorix-Bransby; Lucius-Packer; Gartha-Scrase; Officer-Ackman; Cornelia-Mrs Cibber; Prologue-; Epilogue-.
Cast
Role: Titus Actor: Holland

Performances

Mainpiece Title: Venice Preserved

Dance: End: A New Comic Dance call'd The Dutch Milkmaid-Mas. Blurton, Miss Ford

Performance Comment: Blurton, Miss Ford.
Event Comment: Benefit for Legg, Mrs Lampe, Mrs Jones, Miss Besford

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Harlequin Dr Faustus

Cast
Role: Furies Actor: Hamoir
Role: Miller's Wife Actor: Miss Twist
Role: The Dances Actor: Hamoir, Miss Valois.

Dance: II: Double Hornpipe-Mas. Blurton, Miss Besford; V: The Fingalian Dance-Miss Besford. [See17591102.

Performance Comment: Blurton, Miss Besford; V: The Fingalian Dance-Miss Besford. [See17591102.]See17591102.]

Music: III: Concerto on Trumpet-Mas. Green (Scholar to Mr Jones)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: A Peep behind the Curtain

Cast
Role: Miss Fuz Actor: Mrs Davies

Dance: V: Comic Dance-Daigville, Mas. Holland, Miss Armstrong, his scholars

Performance Comment: Holland, Miss Armstrong, his scholars.
Related Works
Related Work: L'Usurier Gentilehomme Author(s): M.A. Le Grand
Related Work: Agnes de Challiot Author(s): M.A. Le Grand
Related Work: L'Epreuve Réciproque Author(s): M.A. Le Grand

Entertainment: End Dance: , for second time, and by way of Epilogue will deliver The Wishing Cap-King. [See17730323]

Event Comment: Mainpiece: A New Comedy (never performed) [by George Colman]. Paid Miller for performing 11 nights in The Sylphs #2 15s. Paid Mr Anderson for 2 suits of women's cloaths #21 (Account Book). [The mainpiece received a scourging review in the Westminster Magazine for Feb. 1774. Gibbon attended, "We dined at the Shakespeare and went in a body to support it....Though we got a verdict for our client his cause was but a bad one. It is a very confused miscellany of several plays and tales" (John Hampden@Journal, p. 18).] Receipts: #258 3s. (Account Book)

Performances

Mainpiece Title: The Man Of Business

Performance Comment: Principal parts by Woodward, Shuter, Lewis, Kniveton, Davis, Owenson, Fox, Bensley, Lewes, Dyer, Quick, Cushing, Gardner, Thompson, Hamilton, Mrs Bulkley, Mrs Pitt, Miss Helme, and Mrs Green. With a Prologue and an Epilogue. Tropic-Woodward; Golding-Shuter; Beverly-Lewis; Capias-Kniveton; Lord Riot-Davis; Col. Rakish-Owenson; Sir Helter Skelter-Fox; Fable-Bensley; Denier-Lewes; Handy-Dyer; Check-Quick; Hazard-Cushing; Scanty-Gardner; Snap-Thompson; Cash-Hamilton; Lydia-Mrs Bulkley; Mrs Carlton-Mrs Pitt; Mrs Flounce-Mrs Helme; Mrs Golding-Mrs Green; With a Prologue-Woodward; Epilogue-Mrs Bulkley (Edition of 1774).
Cast
Role: Handy Actor: Dyer

Afterpiece Title: The Chaplet