SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon "/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14530 matches on Event Comments, 2620 matches on Performance Comments, 638 matches on Performance Title, 35 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Altered into Three Acts. "All the comic part of the play is cut out" (Monthly Mirror, Dec. 1795, p. 123). Afterpiece [1st time; P 2, by William Pearce]: The Incidents principally selected from the legendary Ballads of the 13th Century. The Scenery, Machinery, Music, Dresses and Decorations entirely new, and in correct conformity to the Times. The Pantomime invented by Mr Lonsdale. The Songs written by Mr O'Keeffe. The Overture and the Music (with the exception of a few Antient Ballad Tunes) by Reeve. The Dances invented by Byrn. [The concluding Grand Scene regulated by Thomas Harris (Monthly Mirror, supra).] The Scenery painted by Hodgins, Lupino, Phillips, Thorne, Hollogan, Blackmore, and assistants. The Machinery by Sloper and Goosetree. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. [For a further assignment of the Vocal Characters and for a more detailed synopsis, see 4 Jan. 1796.] Account-Book, 16 Jan. 1796: Paid Goosetree for the Keep and Hire of Horses for the Pantomime #15 13s. Receipts: #321 19s. (318.10; 3.9)

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Pope; Governor-Richardson; Blandford-Macready; Capt. Driver-Davenport; Stanmore-Williamson; Aboan-Harley; Imoinda-Mrs Pope.
Cast
Role: Blandford Actor: Macready

Afterpiece Title: Merry Sherwood or Harlequin Forester

Performance Comment: Principal Vocal Characters-Incledon, Johnstone, Munden, Fawcett, Bowden, Knight, Townsend, Richardson, Haymes, Gray, Street, Linton, Spofforth, Tett, Mrs Serres, Mrs Mountain, Mrs Clendining, Mrs Martyr; Principal Pantomimic Characters: Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-; Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; Part I. Scene I. A View in Sherwood Forest, Robin Hood's Well; Principal Archer (with In Merry Sherwood)-Bowden; Dialogue Ballad-Robin Hood, the Tanner; The Witch of Sherwood-Mrs Martyr; Scene II. A View of the Suburbs of Nottingham; The Bellman's Chaunt-Fawcett; Scene III. A Hall in the Sheriff's House; Scene IV. A View of the Town Hall of Nottingham; Scene V. A Country Alehouse; Tinker's Song-Knight; Scene VI. The Pinfold of Wakefield Town; Scene VII. Robin Hood's Bower; Scene VIII. View in Plumpton Park; Song by Allen o'Dale-Incledon; Scene IX. Pollard Wood; Song by the Damsel-Mrs Clendining; Scene X. Song by the Earl's Daughter-Mrs Serres; The Defeat of the Two Giants. The Princess's Marriage with Will Scarlet. A Grand Dance of Warriors-in the Field of Combat. Part II. Scene I. A View of Fountain Dale; Song by Curtal Fryar-Bowden; Scene II. Fountain Abbey Wall; Scene III. A View of Nottingham Castle; Beggar's Ballad-Townsend; Scene IV. Nottingham Market Place; Robin's rescue of Will Stukely from the Sheriff of Nottingham. Song by Irish Pilgrim-Johnstone; Scene V. View in Barnsdale; Song by Allen o'Dale-Incledon; Scene VI. Barnsdale Church Yard; Song by the Old Knight-Munden; Scene VII, VIII and IX. Scarborough Cliffs; A View at Sea; A Plough Field; Scene X. A Forest View in Yorkshire; Song by Martha-Mrs Mountain; Scene XI. Birksley Monastery; Robin Hood's Death. Epitaph and Revival. Song by the Witch-; The Piece to conclude with a Grand Scene, representing the Triumphs of Archery. Order of the Procession: Banner, "Fabulous Archery." Apollo-Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Children in the Wood

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: The Prize

Cast
Role: Miss Pickle Actor: Mrs Hopkins

Performances

Mainpiece Title: The Author

Afterpiece Title: The Prize or 2

Afterpiece Title: The Village Lawyer

Cast
Role: Beaufort Actor: Trueman
Role: Mrs Scout Actor: Mrs Hopkins.

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: The Prize

Cast
Role: Beaufort Actor: Trueman
Role: Mrs Scout Actor: Mrs Hopkins.

Afterpiece Title: The Children in the Wood

Cast
Role: Beaufort Actor: Trueman
Role: Mrs Scout Actor: Mrs Hopkins.
Role: Lord Alford Actor: Davies
Event Comment: Paid Music to 16th Inst. #26; Properties 16th Inst. 11s.; Chorus Singers #1 5s; Wardrobe #6 4s. 6d.; Supernumeraries #1 11s; Sloper for Scenemen #40 3s. 3d.; Extra Music 17s. 6d. Receipts: #151 16s. 6d. (148.3.6; 3.13.0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Prisoner at Large

Dance: I: a Dance- incident to the Piece

Performances

Mainpiece Title: First Love

Afterpiece Title: The Prisoner

Ballet: The Triumph of Love. As17961001

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Prisoner

Ballet: The Triumph of Love. As17961001

Event Comment: Lewis having a severe Hoarseness, Fortune's Fool [advertised on playbill of 4 Nov.] is deferred till Monday. Afterpiece [1st time: BURL 2. by John O'Keeffe. MS: Larpent MS 1141; not published, except for Airs (T. N. Longman, 1796)]: Partly new, and partly taken from The Golden Pippin [by Kane O'Hara]. The Overture and new Music by Reeve. The Selections from Pergolesi, Rousseau, Mornington, Fisher, Carolan, Rizzio, &c. With new Scenery, Machinery, Dresses and Decorations. The Scenery by Phillips, Blackmore, Hollogan, and assistants. The Dragon, the Car and the Machinery designed and executed by Cresswell. The Dresses by Dick and Mrs Egan. "The beauty of the scenery is only to be equalled by the ingenuity of the machinery. The descents and ascents of the Deities were managed with astonishing regularity and adroitness; and the Flying Cupids hovered in the air in very pleasing attitudes...The Pas de Russe, danced by Delpini, a-la-Parisot [see dl. 1 Oct.], in the character of a fine Lady, with Munden, was irresistibly comic" (Morning Herald, 7 Nov.). Receipts: #191 2s. 6d. (185.10.6; 5.12.0)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Olympus in an Uproar or The Descent of the Deities

Performance Comment: Jupiter-Munden; Mercury-Townsend; Momus-Simmons; Paris-Incledon; Juno-Mrs Addison; Pallas-Mrs Clendining; Erynnis-Mr Delpini (1st appearance these 7 years); Iris-Mrs Castelle; Venus-Mrs Mountain; A Description of Part of the Scenery, Machinery. ACT I. The Palace Garden, and Canal of Tyndarus. The introduction of Leda and the Swan. Leda-Mlle St.Amand. The Hesperean Dragon spouting Fire, pursuing Erynnis to recover the Golden Pippin. A Celestial Palace, with a Magnificent Temple, and the Peacock of Juno in Transparency. ACT II. A Plain in Phoenicia, in which Jupiter descends from the Heavens on an Eagle, and Momus on a Goose. A Procession to a Sacrifice. Jupiter in the form of a Bull, bearing Europa, attended by a train of Priests, Virgins, Nymphs, Shepherds. The Sea, with a distant View of the Isle of Crete. Jupiter bearing Europa across the Sea. A View of Mount Idav The Decree of Paris, and the Ascent and Descent of the Deities: Vulcan, Apollo, Mars, Hercules, Bacchus, Pan, Ceres, Diana, Cybele, Flora, Pomona, Proserpine, Hebe. Mercury descends on a Cloud, and Iris on a Rainbow. Pluto rises from the Infernal Regions in a Chariot drawn by Dragons; Neptune in a watery Car, borne by Sea Horses; and Jupiter descends in a Cloud, attended by Hebe and Ganymede. To conclude with the Re-ascent of Jupiter attended by Flying Cupids.

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: Richard Coeur de Lion

Dance: As17961019

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Shipwreck

Song: In II: a song-Master Welsh

Performances

Mainpiece Title: Wives As They Were And Maids As They Are

Afterpiece Title: The Guardian

Performances

Mainpiece Title: British Fortitude

Afterpiece Title: Wives as they Were and Maids as they Are

Afterpiece Title: The Honest Thieves

Performances

Mainpiece Title: A Mogul Tale

Afterpiece Title: The Prisoner at Large

Afterpiece Title: Bannian Day

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Honest Thieves

Performances

Mainpiece Title: The Will

Afterpiece Title: The Prize or 2 5 3 8

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Honest Thieves

Event Comment: [Miss Humphries, who was from the Private Theatre, Tottenham Court Road, is identified by MS annotation on Kemble playbill. In afterpiece the playbill retains Barrymore as Sir Rowland, and Bannister Jun. as Walter, but "The Public are respectfully informed that Bannister being suddenly afflicted with a Hoarseness, and Barrymore having met with an unfortunate Accident, are both rendered incapable of the honour of appearing before them this Evening. To prevent a disappointment of The Children in the Wood Dowton will perform...Walter, and C. Kemble Sir Rowland, presuming humbly upon the usual kind indulgence experienced upon such emergencies" (printed slip attached to Kemble playbill).] Receipts: #259 18s. (160.0.6; 98.12.6; 1.5.0)

Performances

Mainpiece Title: The Heiress

Performance Comment: Sir Clement Flint-King; Clifford-Wroughton; Lord Gayville-Palmer; Alscrip-Suett; Chignon-Wewitzer; Mr Blandish-Holland; Prompt-R. Palmer; Rightly-Aickin; Chairman-Wentworth; Servant-Webb; Lady Emily-A Young Lady (1st appearance on this stage [Miss Humphries]); Miss Alscrip-Miss Pope; Miss Alton-Mrs Crouch; Mrs Sagely-Mrs Maddocks; Tiffany-Miss Tidswell; Mrs Blandish-Miss Heard.
Cast
Role: Clifford Actor: Wroughton

Afterpiece Title: The Children in the Wood

Cast
Role: Lord Alford Actor: Dignum

Entertainment: Entertainment. Not listed on playbill (see17971016). Morning Herald, 16 Oct.: A representation of the late engagement with the Dutch-; was unexpectedly given after the play. It was followed by some fire@works-, in which was a star, ending after various mutations in a sun, emblematic of British Glory!

Performances

Mainpiece Title: Cheap Living

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: Wives As They Were And Maids As They Are

Afterpiece Title: Englands Glory

Dance: End II: Les Delassemens Militaires, as17971021; End: Cupid and Psyche (composed by Noverre)-Mrs Wild, Mme Rose, Mme Hilligsberg, Didelot, Fialon, The Graces by Mlle St.Amand, Mme D'Egville, Mlle Philips

Event Comment: 2nd piece [1st time; M. INT 1, by Andrew Franklin. It refers to the King's departure from Greenwich on the Royal Charlotte yacht, 30 Oct. 1797, to visit Lord Duncan's fleet at the Nore. The visit was subsequently cancelled because of inclement weather]: With new Scenery, and Machinery. The Music partly new [by William Linley] and partly compiled; with an introductory Full Piece. In the course of the Piece a View of Greenwich Hospital, and an exact Representation of the Departure of the Royal Yatch [sic]. To conclude with a View of the British Fleet, and the Dutch Prizes [taken at Camperdown. 11 Oct.]. [These were included in all subsequent performances.] Books of the Songs to be had in the Theatre. Morning Herald, 16 Nov. 1797: This day is published A Trip to the Nore (1s.). Receipts: #317 5s. 6d. (234.8.6; 76.10.6; 6.6.6)

Performances

Mainpiece Title: The London Merchant Or George Barnwell

Performance Comment: Thoroughgood-Aickin; Barnwell-Maddocks; George Barnwell-C. Kemble; Trueman-Holland; Blunt-Trueman; Maria-Miss Miller; Lucy-Miss Pope; Millwood (for this night only)-Mrs Siddons.

Afterpiece Title: A Trip to the Nore

Afterpiece Title: The Virgin Unmaskd

Dance: In 2nd piece: Dance of Sailors-; Hornpipe-Sga Bossi DelCaro

Event Comment: Mme Mara is prevented by a Severe Hoarseness from appearing this Evening; but will perform in Love in a Village [advertised on playbill of 8 Nov.] on Wednesday next. [2nd piece in place of Catherine and Petruchio, advertised as above.] Receipts: #193 6s. 6d. (185.6.6; 8.0.0)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: As17970927, but Mr Ford-Whitfield; added: Pistol-Davenport; Jack Rugby-_.
Cast
Role: Mr Ford Actor: Whitfield
Role: Mrs Ford Actor: Miss Chapman.

Afterpiece Title: A Divertisement

Afterpiece Title: Englands Glory

Dance: In 2nd piece: Ballet, as17971013; In V 3rd piece: a Triple Hornpipe, as17971018

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Catherine and Petruchio

Dance: End I: The Statute Dance- [performers not listed]

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Honest Thieves

Dance: As17971115

Event Comment: Mainpiece [1st time; MD 5, by Matthew Gregory Lewis; incidental music by Michael Kelly (see 2 Feb. 1798), with one selection from Jomelli. Prologue and Epilogue by the author (Monthly Mirror, Dec. 1797, pp. 357-58)]: With new Dresses, Scenery, and Decorations. The Scenery designed by the late Mr Greenwood [who died on 1 Nov.], and executed by his Son, Pugh, and others. Times, 15 Jan. 1798: This day is published The Castle-Spectre (2s.). "There is a sufficient number of Ghosts, Hobgoblins, Cells and Trap-doors to serve for a pantomimical exhibition of the most extravagant nature, and the whole may, with no breach of propriety, be termed a Speaking Pantomime, of which Kemble is made the Harlequin and Mrs Jordan the Columbine" (Morning Herald, 16 Dec.). Receipts: #316 18s. 6d. (257.6.6; 58.17.0; 0.15.0)

Performances

Mainpiece Title: The Castle spectre

Performance Comment: Characters by Barrymore, Wroughton, Kemble, Palmer, Bannister Jun, Aickin, Dowton, Trueman, Davis, Wentworth, Gibbon, Packer, Wathen, Mrs Jordan, Mrs Walcot. [Cast from text (J. Bell, 1798): Osmond-Barrymore; Reginald-Wroughton; Percy-Kemble; Father Philip-Palmer; Motley-Bannister Jun.; Kenric-Aickin; Hassan-Dowton; Saib-Trueman; Muley-Davis; Alaric-Wentworth; Harold-Gibbon; Allan-Packer; Edric-Wathen; Angela-Mrs Jordan; Alice-Mrs Walcot; Evelina ['s Ghost]-Mrs Powell (see17980521); Prologue-Wroughton; Epilogue-Mrs Jordan. [These were spoken, as here assigned, at the 1st 9 performances only (see17971228), but Epilogue again on 21 May 1798.]These were spoken, as here assigned, at the 1st 9 performances only (see17971228), but Epilogue again on 21 May 1798.]

Afterpiece Title: The Virgin Unmaskd