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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr King"/1) | (@(roleclean,performerclean) "Mr King")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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10439 results for: Keyword - Mr King
We found 5481 matches on Event Comments, 3632 matches on Performance Comments, 3145 matches on Performance Title, 41 matches on Author, and 6 matches on Roles/Actors.

2601
26 November 1774 @ Covent Garden

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Padlock

Dance: End: The Vintage Festival, as17741007

2602
03 October 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Kind Henry-Aickin; Richard III-Smith; Richmond-Palmer; Buckingham-Jefferson; Tressel-Davies; Lord Stanley-Bransby; Norfolk-Hurst; Lord Mayor-Griffith; Catesby-Whitfield; Ratcliff-Wright; Lieutenant-Fawcett; Lady Anne-Mrs Greville; Queen-Mrs Hopkins; Duchess of York-Mrs Johnston; Prince Edward-Mas. Blanchard; Duke of York-Mas. Pulley.
Cast
Role: Buckingham Actor: Jefferson

Afterpiece Title: The Theatrical Candidates

Cast
Role: King Actor: J. Aickin

Afterpiece Title: The Irish Widow

Dance: End I Farce: The Irish Fair-Blurton (first appearance on that stage), Mrs Sutton

2603
09 November 1775 @ Covent Garden

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Henry-Clarke; Wolsey-Lee (first time); Buckingham-Wroughton; Cranmer-Hull; Cromwell-Young; Gardiner-Wilson (first time); Sands-Quick; Anne Bullen-Miss Ambrose; Patience (with song)-Miss Brown; Queen Catherine-Mrs Jackson (first time); In Act I, The Banquet-; with Dancing-Dagueville, Sga Vidini; in Act IV, The Procession from the Abbey at the Coronation of Anne Bullen-.
Cast
Role: Buckingham Actor: Wroughton

Afterpiece Title: The Englishman in Paris

2604
22 February 1776 @ Covent Garden

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Deuce Is in Him

Dance: End: The Frolick, as17760217

2605
23 March 1776 @ Covent Garden

Performances

Mainpiece Title: King Lear

Afterpiece Title: Catherine and Petruchio

Dance: End: The Italian Gamesters, as17760305

2606
21 May 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Deuce Is in Him

Cast
Role: Prattle Actor: King
Role: Emily Actor: Mrs King, first time

2607
17 September 1776 @ Haymarket Theatre

Performances

Mainpiece Title: King Henry Iv, Part I; With The Humours Of Sir John Falstaff

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham

Afterpiece Title: The Irish Widow

Entertainment: End: Bucks Have at Ye All-Palmer

2608
06 October 1777 @ Covent Garden

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Royal Chace

Dance: As17771001

2609
13 October 1777 @ Covent Garden

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Apprentice

Dance: As17771001

2610
10 November 1777 @ Covent Garden

Performances

Mainpiece Title: King Lear

Afterpiece Title: Comus

2611
29 December 1777 @ Covent Garden

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Norwood Gypsies

Dance: Afterpiece: Dancing, as17771125, but _Aldridge, Langrish

2612
05 February 1778 @ Covent Garden

Performances

Mainpiece Title: King Lear

Afterpiece Title: Poor Vulcan

2613
07 December 1778 @ Covent Garden

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Medley

2614
01 January 1779 @ Covent Garden

Performances

Mainpiece Title: King Henry The Fifth

Afterpiece Title: Poor Vulcan

2615
06 March 1786 @ Covent Garden

Event Comment: Mainpiece: Not acted these 2 years. "The violent and the impassioned are [Miss Brunton's] strongholds. The gentle--the modes oflevel speaking--and tenderness never add to her credit, nor receive addition from her form and countenance" (Public Advertiser, 10 Mar.). Paid Hawkes, tallow chandler, on acct. last Season #111. Receipts: #170 7s. (168/5/6; 2/1/6)

Performances

Mainpiece Title: King Lear

Afterpiece Title: Love in a Camp

2616
28 July 1786 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Romp

2617
11 May 1789 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Siddons (the last Night of her Engagement). [She had 1st acted Juliet at Birmingham, 6 Sept. 1776, and 1st recited the Ode, written by Robert Merry (European Magazine, Apr. 1789, pp. 335-38), at the King's on 21 Apr.] Part of the Pit will be laid into the Boxes, To prevent Confusion, Ladies are desired to send their Servants by Half past Four o'Clock. Public Advertiser, 29 Apr.: Tickets to be had of Mrs Siddons, Gower-street, Bedford Square. "The pouting Scene with the old Nurse was the cleverest thing I ever saw--so pretty, so Babyish, so charming" (Thraliana, II, 748). On this and every Evening for the Remainder of the Season the Doors will not be opened till 5:30, and the Performance will commence exactly at 6:30. Receipts: #320 6s. 6d. (112.12.0; 11.12.0; 1.7.6; tickets: 194.15.0) (charge: #112 13s. 7d.)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Toy Shop

Song: As17881117, but Vocal Parts-Miss Hagley, Miss _Collett

Entertainment: Monologue. End afterpiece: An Ode on the Recovery of His Majesty-Mrs Siddons; in the Character of Britannia. Conclude with: God save the King!-

Performance Comment: End afterpiece: An Ode on the Recovery of His Majesty-Mrs Siddons; in the Character of Britannia. Conclude with: God save the King!-.

2618
16 September 1789 @ King's Head Inn, Borough High Street, Southwark

Event Comment: Pit 1s. 6d. Gallery 1s. Upper Gallery 6d. The Doors to be opened at 6:00. To begin precisely at 7:00. Tickets to be had at the Eagle, Ram, White Horse, Antelope and King's Head. Geoghegan, printer, No. 3, Kent-Street, Borough, Southwark

Performances

Mainpiece Title: Inkle And Yarico

Entertainment: Vaudeville End Opera: [The Last new Squeeze for St. Paul's [i.e. British Loyalty]-Tunstall; [to conclude with a grand Chorus of God save the King-; [that sublime Soliloquy of Cato on Life Death and Immortality-Pope; [As a Gentleman lately asserted no Person in England could restore a Fowl to Life after its head should be cut off, it will be attempted by Pope. With several other of his tricks, particularly the Writing and Copying-Pope; [which for the Satisfaction of the Audience shall be explained how they are performed, and make every Person capable of doing the same. The whole to conclude with Divertisement Spanish and Venetian Speculums [consisting of Spanish Bull-baiting, and several other Diversions-Pope[, Venetian Processions and several curious Diversions, in beautiful Transparencies, interspersed with a Variety of Strictures, Satiric, Illustrive and Humourous

Performance Comment: Paul's [i.e. British Loyalty]-Tunstall; [to conclude with a grand Chorus of God save the King-; [that sublime Soliloquy of Cato on Life Death and Immortality-Pope; [As a Gentleman lately asserted no Person in England could restore a Fowl to Life after its head should be cut off, it will be attempted by Pope. With several other of his tricks, particularly the Writing and Copying-Pope; [which for the Satisfaction of the Audience shall be explained how they are performed, and make every Person capable of doing the same. The whole to conclude with Divertisement Spanish and Venetian Speculums [consisting of Spanish Bull-baiting, and several other Diversions-Pope[, Venetian Processions and several curious Diversions, in beautiful Transparencies, interspersed with a Variety of Strictures, Satiric, Illustrive and Humourous., Venetian Processions and several curious Diversions, in beautiful Transparencies, interspersed with a Variety of Strictures, Satiric, Illustrive and Humourous.

2619
11 May 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: True Blue; Or, A Bang At The Dons

Afterpiece Title: King Henry the Fifth

Afterpiece Title: The Follies of a Day

Entertainment: Monologue. End 2nd piece: (for this night only) The Monster Discovered-

2620
28 November 1791 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: King Henry the Fifth

Afterpiece Title: Comus

2621
10 August 1792 @ Haymarket Theatre

Performances

Mainpiece Title: King Henry The Fourth [part I]

Afterpiece Title: The Village Lawyer

2622
30 August 1792 @ Haymarket Theatre

Performances

Mainpiece Title: King Henry The Fourth [part I]

Afterpiece Title: Peeping Tom

2623
12 September 1792 @ Haymarket Theatre

Performances

Mainpiece Title: King Henry The Fourth [part I]

Afterpiece Title: Peeping Tom

2624
26 November 1792 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Silvester. Mainpiece: Written by Congreve. The Doors to be opened at 5:00. To begin at 6:00. Tickets to be had of Silvester, No. 50, Brewer-street, Golden-square, and at No. 25, North Audley-street, Grosvenor-square; of Massey, No. 18, Snow-hill; of Frith, No. 39, King-street, West Smithfield; and of Blandford, Pea-Hen, Bishopsgate-street

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Manuel (King of Granada)-Silvester; Gonzales-Gray; Garcia-Gardner; Heli-Ford; Selim-Guilford; Alonzo-Ryder; Perez-Smith; Osmyn-Wilkinson; Almeria-Mrs Somerville; Leonora-Miss Laudermey; Zara-A Lady (1st appearance on any stage [unidentified]).unidentified]).

Afterpiece Title: The Apprentice

Dance: After 2nd song: A Pas Seul-Mons Symone

Song: End IV: Tippy Bob-C. Stanley; End: Poor Jack in character-Mrs Kennedy

Entertainment: Monologue After Dancing: The Monody on the Death of the late D. Garrick Esq. (Written by R. B. Sheridan, Esq.)-the Lady who performs Zara

2625
22 November 1793 @ Covent Garden

Performances

Mainpiece Title: King Lear

Afterpiece Title: Harlequin's Chaplet