Event Comment: [The Duke's Company. For Harris' role, see Pepys, 11 May 1668. For Angel as Stephano, see An Elegy Upon...Mr Edward Angell, reprinted in A Little Ark, pp. 38-39: @Who shall play Stephano now? your Tempest's gone@To raise new Storms i' th' hearts of every one.@ For Underhill as Trincalo, note his nickname of Prince Trincalo. (For Mary Davis as Ariel and Mrs Long as Hypolito, see J. H. Wilson, All the King's Ladies, pp. 140, 166.) Downes (Roscius Anglicanus, p. 33): The Tempest...Acted in Lincolns-Inn-Fields...alter'd by Sir William Davenant and Mr Dryden before 'twas made into an Opera. Pepys, Diary: At noon resolved with Sir W. Pen to go see The Tempest, an old play of Shakespeare's, acted, I hear, the first day; and so my wife, and girl, and W. Hewer by themselves, and Sir W. Pen and I afterwards by ourselves; and forced to sit in the side balcone over against the musique-room at the Duke's house, close by my Lady Dorset and a great many great ones. The house mighty full; the King and Court there: and the most innocent play that ever I saw; and a curious piece of musique in an echo of half sentences, the echo repeating the former half, while the man goes on the latter, which is mighty pretty. The play [has] no great wit, but yet good, above ordinary plays. Thence home with Sir W. Pen, and there all mightily pleased with the play

Event Comment: London Gazette, No. 923, 21-24 Sept. 1674: At Mr John Banisters house in White-Fryers, called the Musick School, will be several Masters performing Vocal and Instrumental Musick, on Tuesday next, and every evening for the future. Beginning exactly at five of the clock

Event Comment: London Gazette, No. 958, 21-25 Jan. 1674@5: Mr John Bannister that lived in White-Fryers, is removed to Shandois-street, Covent-garden, and there intends to Entertain, as formerly, on Tuesday next, and likewise every Evening for the future, Sundays only excepted

Event Comment: London Gazette, No. 1045, 22-25 Nov. 1675: At Mr John Bannister's house in Chandois-street, Covent-garden, called the Musick-School, will be variety of Musick every Evening, beginning this present Thursday at six of the Clock

Event Comment: London Gazette, No 1356, 18 Nov. 1678: On Thursday [sic] next, the 22 of this instant November, at the Musick School in Essex Buildings, over against St Clement's Church in the Strand, will be continued a Consort of Vocal and Instrumental Musick, beginning at five of the Clock every evening. Composed by Mr John Bannister

Event Comment: London Gazette, No 1358, 21-25 Nov. 1678: This present Monday, at the Musick School in Essex Buildings, over against St Clements Church in the Strand, will be continued a Consort of Vocal and Instrumental Musick, beginning at Five of the Clock every evening. Composed by Mr John Bannister

Event Comment: London Gazette, No 1371, 6-9 Jan. 1678@9: At the Musick School in Essex Buildings near St Clements Church in the Strand, will be continued a Consort of Vocal and Instrumental Musick; beginning at six of the clock every evening. Composed by Mr John Bannister

Event Comment: Post Man, No. 372, 16-18 Sept. 1692: On Monday next the 20th, at the new Wells in Richmond, will be performed an Entertainment of Musick, made for the Birth day of his Highness the Duke of Glocester: The Trumpet part to be performed by Mr John Shore. With variety of other new Musick, both Vocal and Instrumental, to begin at Five

Event Comment: Post Man, 25 Sept. 1697: A Trumpet Song on the King, and a Song made for the Birth day of his Highness the Duke of Gloucester: with two Sonatas by Mr John Shore. And variety of other new Musick...being the last time of performance this Season

Event Comment: On Monday Night last died, at his Lodgings in Richmond, Mr John Ogden, one of the Comedians...in Lincoln's-Inn-Fields. Daily Journal, 5 July

Event Comment: A New English Opera. [Text by Thomas Lediard.] Set to Musick after the Italian Manner by Mr John Frederick Lampe. The Scenes and Cloaths are entirely New. With the Representation of a Transparent Theatre. Curiously Illuminated, and adorn'd with a great Number of Emblems, Mottos, Devices, and Inscriptions; and embellish'd with Machines, in a Manner entirely new. N.B. The Illuminations and other Preparations for this Opera are such, that no Person whatever can be admitted to the Stage. Pit and Boxes put together at 6s. Gallery 3s. 6 p.m. [For a discussion of Lediard and this work, see a series of articles by Ifan Kyrle Fletcher, Sybil Rosenfeld, and Richard Southern in Theatre Notebook, II (1948), 42-54.

Event Comment: In Three Acts. Set to Musick after the Italian Manner by Mr John Frederick Lampe. Daily Advertiser, 8 Nov.: The Arrival of his Highness the Prince of Orange, indeed, prevented many Persons of Quality from being there, who had taken Boxes; but 'tis presum'd it cannot fail of Success and Encouragement notwithstanding

Event Comment: Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat. Daily Advertiser, 18 Dec.: Yesterday at about Six in the Morning died Mr John Mills, a celebrated Comedian, after an Illness of ten or twelve Days: The last Time of his appearing upon the Stage was on Saturday se'nnight last, in the Character of the sick King in the second Part of Henry IV

Event Comment: Afterpiece went off but Indiff' scenes like'd but not the action (Cross). [Full Prices. Ladies asked to send servants at half past three.] N.B. It is hop'd no Gentleman will take it ill that they cannot possibly be admitted behind the Scenes. The Scenes painted by Mr John Oram. [This note occurs on all subsequent bill for Proteus this season.

Event Comment: Benefit for Hull and Miss Hopkins. 2nd piece: Written by [John] Hoole, the elegant Translator of Tasso, Ariosto, &c. Receipts: #208 0s. 6d. (55/2/0; 7/10/0; tickets: 145/8/6)