Event Comment: Taken from a Midsummer Night's Dream written by Shakespear. The Songs from Shakespear, Milton, Waller, Dryden, Lansdown, Hammond. Music-Smith. [First edition Text by John Christopher Smith; see Garrick to James Murphey French, Dec. 1756; H. Walpole to R. Bentley 23 Feb. 1755.] Besides our own Singers, we had Sg Guadagni, Sga Passerini, Miss Potier [i.e., Mrs Vernon], and Savage's Boys. Very great Applause; Sabatini danced after it and fell down, not hurt (Cross). [See A Midsummer Night's Dream in the Hands of Garrick and Colman, G. W. Stone Jr, PMLA (June 1939).] Receipts: #200 (Cross)

Event Comment: Mainpiece: A Tragedy [by John Moncrieff] never acted before. [The Biographia Dramatica states it was brought on by Moncrieff's friend Sheridan, who altered it to suit his purposes and lopped off the whole fifth act.

Event Comment: Receipts: #130 18s. Paid John Rich #500

Event Comment: TThe Jovial Crew deferred because of Indisposition of Miss Brent. Receipts: #135 16s. Paid Kemp for Lamps #6 8s. Dall returned to salary list at #1 10s. Paid John Rich #500

Event Comment: Benefit for Wilford, Ross, (pit door-keepers); Slater; and Trott, (lobby door-keeper). Mainpiece: Acted but once these 10 years. [See 15 Jan. 1753.] Tickets deliver'd by Besford, Clark, Darby, Toten, Dimmock, &c. will be taken. [Besford a mistake for Joseph Besworth (porter).] Receipts: #15 15s. plus #100 14s. 2d. as 1!2 value of the tickets deliver'd. @Names Bow Pit Gallery Balue 1!2 Value@Wilford 2 62 18 #11 12s. #5 16s.@Ross 5 162 83 #33 17s. #16 18s. 6d.@Trott 144 53 .. #43 19s. #18 12s. 9d.@Slater 2 57 110 #20 1s. #10 6d.@Derby 4 79 105 #23 7s. #11 13s. 6d.@Toten .. 32 43 #9 2s. #4 11s.@Clingo .. 55 47 #12 19s. #6 9s. 6d.@Clarke .. 40 44 #10 8s. #5 4s.@Besworth .. 24 20 #5 12s. #2 16s.@Dymuck .. 12 53 #7 2s. #3 11s.@Jos. Smith 8 29 25 #8 17s. #4 8s. 6d.@Cole 4 61 83 #18 9s. #9 4s. 6d.@S. Griffiths .. 11 12 #2 17s. #1 8s. 6d.@Total 169 677 643 #208 2s. #100 14s. 2d. [1!2 of #208 2s. would seem to be #104 1s.]@ Rec'd of John Crane for the ends of the wax candles sold last season #6 4s., and for those sold this season #23 19s. 4d. (Account Book)

Event Comment: Benefit for Mrs Bellamy. Mainpiece: Reviv'd Tragedy [John Banks]

Event Comment: Benefit for Yates. Part of Pit laid into Boxes. Last time of performing till Easter Holidays. Afterpiece: Never Performed There (playbill). Charges #64 5s. Balance to Mrs Yates #90 7s. 6d. plus #112 15s. in tickets (Box 406; Pit 75). Paid John Doe for sticking Black Bills #4 10s. (Account Book). Receipts: #154 12s. 6d. (Account Book)

Event Comment: Benefit for Mrs Ward. Afterpiece: Never acted there before. Mainpiece: Not acted this season. Mrs Ward having been defrauded of a number of Tickets for the above play, those sold at the door will not be admitted. [Afterpiece is John Lee's alteration of Wycherley's play into two acts. See dl 26 April 1765.] @Receipts #74 2s. 6d.@House charges #63@Candles #1 5s.@Extra: Kettle drum 5s.@Side Drum 2s.@Wardrobe #1 9s.@Total #66 1s.@Balance due Mrs Ward #8 1s. 6d.@Tickets 115 129 179 #66@Money #74 2s. 6d.@Total value of House #140 2s. 6d. (Account Book). [Mrs Ward seems to have profited only to the extent of #74 1s. 6d.

Event Comment: Mainpiece: A New Tragedy [by John Home]. New Scenes and Dresses

Event Comment: Mainpiece: A tragedy [by John Hoole] never performed. Paid Williams for performing the Bells 3 nights #1 2s. 6d.; Paid Gard and Singleton each 7s. 6d. for performing 3 nights in the Lyon (Account Book). [Mainpiece reviewed in the Freeholder's Magazine, March.] Receipts: #227 6s. 6d

Event Comment: Mainpiece: By Particular Desire. Paid Doe, Claridge and John Smith each 15s. for performing 6 nights in the Ass and Hog [Mother Shipton] to the 18th inst. (Account Book). Receipts: #32 3s. 6d. (Account Book)

Event Comment: Benefit for Miss Pope. Afterpiece: Alter'd from Sir John VanBrugh. Not acted in 5 years. [See 24 March 1768.] Miss Jarratt hiss'd in Harriet (Hopkins Diary). Receipts: #162 2s. Charges: #65 2s. Profits to Miss Pope #97 (Treasurer's Book)

Event Comment: Benefit for Mrs Lessingham. Mainpiece: Not acted these 5 years. [See 29 Dec. 1766.] Afterpiece: A Comedy of two acts taken from Vanbrugh's Relapse [by John Lee?]. Tickets by Mas. Harris will be taken. Charges #65 18s.; Profit to Mrs Lessingham #39 18s. 6d., plus #79 13s. from tickets (Box 166; Pit 131; Gallery 185) (Account Book). [The Gentleman who played King Henry was George Savile Carey (Hogan).] Receipts: #105 16s. 6d

Event Comment: [Lucy identified as Miss Dayes by Kemble note on playbill and by Winston MS 10.] At the opening of this season Justice Sir John Fielding wrote to Garrick not to play the Beggar's Opera fearing it had a bad influence on the minds of the young. But both Garrick and Colman continued to play it (Winston MS 10). Receipts. #183 13s. (Account Book)

Event Comment: Mainpiece: A New Tragedy [by John Hoole] never perform'd. [The author in his Advertisement to the 1775 Edition express "singular obligations to Mrs Hartley, who most readily undertook the part of Cleonice, which she has continued to support, with unremitted assiduity and friendly alacrity, amidst the repeated attacks of severe indisposition." Reviewed, but without praise in the Westminster Magazine, March.

Event Comment: Mainpiece [by John Jackson]: Never performed

Event Comment: Benefit for Mrs Barry. By Particular Desire. Mainpiece: A Tragedy by the author of Douglas [John Home], never acted there. Part of Pit laid into boxes. Ladies send servants by 4 o'clock, and come as early as possible to avoid Confusion and Trouble

Event Comment: Mainpiece [1st time; T 5, by John Home. Prologue by the author (London Chronicle, 16 Feb.). Epilogue by David Garrick (ibid.)]: New Scenes, Dresses, &c. Account-Book, 26 Jan.: Paid Wild for [obtaining] license for Alfred #2 2s. Public Advertiser, 14 Feb. 1778: This Day is published Alfred (1s. 6d.). Receipts: #246 (241.17.6; 4.2.6)

Event Comment: Benefit for Quick. Afterpiece 1st time; F 2, by Ursula Agnes Booth, based on the same, by John Fletcher and Philip Massinger. The playbill lists Death in place of Lee Lewes, but he 'Was not to be found...Hull begged permission for Lee Lewes to read Death's part in his own undress, which [was] granted" (London Chronicle, 28 Apr.).]. Books of the Entertainment to be had at the Theatre. Public Advertiser, 30 Mar.: Tickets to be had of Quick, No. 15, Drury-lane. Receipts: #262 2s. (157.2; tickets: 105.0) (charge: #64 10s.)

Event Comment: Benefit for Mrs Jackson. Mainpiece [1st time in London; T 5, by John Jackson, 1st acted at Crow Street Theatre, Dublin, 13 Jan. 1777, as Gerilda. Larpent MS 448, which also lists the following unassigned parts: Halard, Bragances, Setoc, Bruno, Grindal, Clara. Authors of Prologue and Epilogue unknown]. [Robinson, who is identified in Morning Chronicle, 6 May, was from the Smock Alley Theatre, Dublin.] Account-Book, 4 May: Paid Hull in lieu of a Benefit #100. Public Advertiser, 18 Apr.: Tickets to be had of Mrs Jackson, Great Piazza, Covent Garden. Receipts: #188 15s. 6d. (99.19.6; tickets: 88.16.0) (charge: #105)

Event Comment: Mainpiece: Not acted these 2 years. With a Procession and Sacrificev. [These were included in both subsequent performances.] Afterpiece [1st time; F 2, by Thomas Sheridan. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 21 Dec.]: Taken from the comedy of that name by Sir John Vanburghi [sic]. Receipts: #151 2s. 6d. (115.4.0; 35.16.0; 0.2.6)

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Massey. Afterpiece: Never performed in London, written by the author of The Son-In-Law [John O'Keeffe; 1st acted at Smock Alley Theatre, Dublin, 14 Jan. 1767. See also cg, 16 Mar. 1782, when it was acted as The Positive Man]. To begin at 7:00. Tickets delivered for the 4th instant will be taken. Tickets and places for the Boxes to be had of Rice at the Theatre, and of Massey, No.4, St. Martin's-street, Leicester-Fields

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Davis. 1st piece: Altered from [The Soldier's Fortune, by] Otway, by John Brownsmith. [not in Larpent MS; not published.] 2nd piece: A Poetical Interlude altered from Prior's Nut-brown Maid. 3rd piece: Altered to 3 acts. [Prologue by Shatford Jones. Author of Epilogue unknown. For authorship of 1st piece and prologue see Morning Chronicle, 25 Oct.] Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered for Davis and Wright will be admitted

Event Comment: Benefit for Lewis. Morning Chronicle, 15 Mar.: Tickets to be had of Lewis at his house, Broad-Court. Mainpiece: Not acted these 20 years [not acted since 2 May 1758]. 2nd piece [1st time in London; INT I: ascribed to John Philip Kemble, 1st acted at York, 27 Mar. 1779]. Receipts: #230 5s. (192.9; tickets: 37.16) (charge: #105)