SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr J Richard"/1) | (@(roleclean,performerclean) "Mr J Richard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4927 matches on Event Comments, 2569 matches on Performance Comments, 2049 matches on Author, 1313 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The Battle of Hexham

Afterpiece Title: Half an Hour after Supper

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: The Surrender of Calais

Performances

Mainpiece Title: At Kings The Haunted Tower

Afterpiece Title: Cross Purposes

Performances

Mainpiece Title: At Hay The Jealous Wife

Afterpiece Title: Ozmyn and Daraxa

Dance: As17930307

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: The Surrender of Calais

Song: In 2nd piece: Singing-Cooke, Kenrick, Willoughby, Linton, Dorion, Aylmer, Little, Brown, Lyons, Miss DeCamp, Miss Dall, Miss Fontenelle, Mrs Powell, Mrs Masters, Mrs Bramwell, Mrs Hatton

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: Polly Honeycomb

Song: As17930823

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: HEIGHO FOR A HUSBAND

Afterpiece Title: NO SONG NO SUPPER

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: THE SAILORS FESTIVAL or All Alive at Portsmouth

Performance Comment: SCENE I. The Deck of a Man of War. Blow bigh, blow low by Incledon. We be three poor Mariners by Johnstone, Incledon, Linton. Jack at the Windlass by Fawcett. The Mid-Watch, When 'tis Night, by Incledon. The good Subjects of England by Incledon, Richardson, Townsend. SCENE II. A Landscape. The Disconsolate Sailor, When my Money was gone, by Mrs Martyr, in character. When Daisies mead by Miss Barnett. SCENE III. Irish Song by Johnstone. Treble Hornpipe by Byrn, Holland, Mme Rossi. Rule Britannia by Incledon. With a Representation of the Grand Fleet at Anchor in Portsmouth Harbour .

Afterpiece Title: MARIAN

Cast
Role: Pillardoc Actor: Richardson

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: THE LONDON HERMIT

Afterpiece Title: THE LIAR

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The British Recruit

Afterpiece Title: The Follies of a Day

Song: As17950316

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: Peeping Tom

Afterpiece Title: New Hay at the Old Market

Afterpiece Title: The Son in Law

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: Inkle and Yarico

Afterpiece Title: Sylvester Daggerwood

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Guardian

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Shipwreck

Performances

Mainpiece Title: Rosina

Afterpiece Title: A Trip to Scarborough

Afterpiece Title: The Hovel

Song: In: Sweet Echo-Miss Leak; the Echo-Master Welsh

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: The Spanish Barber

Afterpiece Title: Bannian Day

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: The Beggars Opera

Afterpiece Title: Blue Devils

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: The Creation Grand Selection 0

Music: End I: concerto on the clarionet-John Mahon; End II: concerto on the violin-C. Ashley

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: Rosina

Song: End II: a new Musical Address (composed by Horn)-; In course Evening: The Soldier tir'd of War's alarms-Miss Stephens; and an entire New Ballad-Miss Stephens

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Adopted Child

Song: Mainpiece: Vocal Parts-Danby, Fisher, Maddocks, Trueman, Welsh, Master DeCamp, Master Gregson, Annereau, Atkins, Aylmer, Boyce, Bardoleau, Brown, Cook, Denman, Dixon, Dibble, Caulfield Jun., [J.] Fisher, Gallot, Tett, Walker, Willoughby, Miss Leak, Miss DeCamp, Miss Arne, Mrs Boimaison, Mrs Bramwell, Miss Chatterley, Miss Granger, Miss Jackson, Mrs Maddocks, Miss Menage, Miss Mellon, Mrs Butler, Miss Stuart

Event Comment: Richard ye Third. Coriolanus. Andronicus. Julius Ceaser. The Moore of Venice [Othello]. Anthony & Clopatra. Cymbelyne. The Doubtfull Heire [Rosania; or, Love's Victory, by James Shirley]. The Impostor. The Brothers. The Sisters. The Cardinall. The Duke of Lerma. The Duke of Millan. Alphonso. The vnnaturall Cumbat. The Gardian. Aglaura. Arviragus & Philitia 1st pt. Arviragus & Philitia 2d pt. The Spartan Ladyes. The Bashfull Lover. Bussy D'Amboys. Brenoralt [or, The Discountented Colonel]. Country Captaine. The Variety. The Emperour of ye East. The Deserveing ffavorett. The Goblins. The ffatall Dowry. The Lost Lady. The Devell of Edmonton. More Desemblers then Weomen. The Mayor of Quinborough. The Northen Lasse. The Novella. Osmond ye Great Turke [or, The Noble Servant]. The Roman Actor. The Widdow. The Widdows Teares

Performances

Mainpiece Title: Comment Continued

Event Comment: Richard Shore paid #5 for space at Bartholomew Fair. See Rosenfeld, Theatre of the London Fairs, p. 6

Performances

Event Comment: Richard Pope to Thomas Coke, 2 April 1696:...play-house, where there has been two or three intolerable plays acted that had nothing to recommend them but their newness (HMC, 12th Report, Cowper MSS., Voluee II [London, 1888], p. 360)

Performances