SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr J Richard"/1) | (@(roleclean,performerclean) "Mr J Richard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4927 matches on Event Comments, 2569 matches on Performance Comments, 2049 matches on Author, 1313 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Miss in Her Teens

Dance: III: New Grand Spanish Dance-; End: A New Ballet, call'd The Pirates-Como, Sga Crespi, Sga Chiringhelli, being her first appearance in England; After I Farce: A Grand Serious Dance-Como, Sga Crespi

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Meeting of the Company

Afterpiece Title: The Wedding Ring

Dance: I: A Dance-Giorgi's Scholars

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Lottery

Performances

Mainpiece Title: The Fatal Interview

Afterpiece Title: The Gentle Shepherd

Related Works
Related Work: The Gentle Shepherd; or, Patie and Roger Author(s): Richard Tickell

Performances

Mainpiece Title: Vortigern

Afterpiece Title: My Grandmother

Song: In: Last Whitsunday they brought me-Miss Leak; She sung whilst from her eye ran down-Mrs Jordan [neither one listed in playbill (see BUC, 622)]

Event Comment: 1st piece [1st time; CO I, by Charles Dibdin, based on Rose et Colas, by Michel Jean Sedaine]. 3rd piece [1st time; CO I, by Charles Dibdin, based on Les Femmes Vengees, by Michel Jean Sedaine]: With new Scenery [Public Advertiser, 19 Sept.: by Richards] and Decorations. Both the Musical Pieces, with new Overtures, composed by Dibdin. Books of the new Musical Pieces to be had at the Theatre. Places for the Boxes to be taken of Brandon (only) at the Stage Door. No Money to be taken at the Stage Door, nor any Money to be returned after the Curtain is drawn up. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:15. To begin at 6:15 [see 21 Sept.]. Public Advertiser, 18 Sept.: This Afternoon at Three will be published Rose and Colin and The Wives Revenged (each 6d.). "At this season of the year the little company upon the Ton, who are in town, seldom rise from the table till after the beginning of the play; in order, therefore, to obviate the disturbance that the fracas in the boxes usually makes towards the close of the first act, or the beginning of the second, this comic opera [Rose and Colin] was prefaced. It at the same time affords these late comers an opportunity of seeing the play [i.e. the mainpiece] complete" (Town and Country Magazine, Sept. 1778, p.453)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: She Woud and She Woud Not

Afterpiece Title: The Wives Revenged

Event Comment: [Mainpiece in place of King Richard the Third, announced on playbill of 11 Feb.] Receipts: #112 5s. (103/9; 8/16)

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The Triumph of Mirth

Event Comment: [Mainpiece in place of The Careless Husband; Afterpiece of Richard Coeur De Lion, both advertised on playbill of 27 Sept.] Receipts: #159 19s. (111.0; 45.15; 3.4)

Performances

Mainpiece Title: At Kings The Inconstant Or The Way To Win Him

Afterpiece Title: The Waterman

Event Comment: Mainpiece [1st time; CO 3, by Henry Bate]: With new Music, Scenes [by Richards, Hodgins, Walmsley (Morning Herald, 24 Feb.)] and Dresses. The Music composed by Shield. The Dances by Byrn. Books of the Songs to be had at the Theatre. Morning Chronicle, 20 Mar. 1794: This Day is published THE TRAVELLERS IN SWITZERLAND (1s. 6d.) The Doors will be opened at 5: 30, and the Performances begin at 6: 30, for the remainder of the Season. Receipts: #292 2s. 6d. (288/9/6; 3/13/0)

Performances

Mainpiece Title: The Travellers In Switzerland

Performance Comment: Principal Characters by Quick, Johnstone, Munden, Blanchard, Fawcett, Townsend, Richardson, Rock, Thompson, Linton, Street, Rees, Abbot, Incledon//Mrs Mattocks, Mrs Martyr, Miss Poole, Miss Hopkins, Mrs Henley, Mrs Castelle, Mrs Clcndining. [Cast from text Q. Debrett, 1794): Daniel-Quick; Dorimond-Johnstone; Mr Sidney-Munden; Robin-Blanchard; Count Friponi-Fawcett; Fisherman-Townsend; Serjeant-Richardson; Sir Leinster M'Loghlin-Rock; Swiss Burgher-Thompson; Landlord-Linton; Miss Somerville's Servant-Street [in text: Blurton]; Freebooters-Rees, Abbot; Dalton-Incledon//Lady Philippa Sidney-Mrs Mattocks; Nerinda-Mrs Martyr; Miss Somerville-Miss Poole; Shepherdess-Miss Hopkins; Margery-Mrs Henley; Lady's Maid-Mrs Castelle [in text: Mrs Blurton]; Julia-Mrs Clendining.] hathi. hathi.
Cast
Role: Serjeant Actor: Richardson

Afterpiece Title: THE DEAF LOVER

Event Comment: Mainpiece [1st time; T 5, by George Edward Ayscough, based on Semiramis, by Voltaire. Prologue by the author. Epilogue by Richard Brinsley Sheridan (see text)]: With New Scenes and Dresses. This Tragedy is a translation from Voltaire by Captain Ayscough. Mrs Yates played finely, and met with the Applause she deserved. Mrs Reddish, alias Mrs Canning, who played the part of Azema, was hissed all through, and must never perform again. Indeed she was very bad. The Play was greatly applauded (Hopkins Diary). Public Advertiser, 24 Dec. 1776: This Day is published Semiramis (1s. 6d.). Receipts: #226 3s. 6d. (224.16.6; 0.0.0; 1.7.0)

Performances

Mainpiece Title: Semiramis

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: The Irish Fair, as17761031

Event Comment: [Mainpiece in place of Tamerlane, announced on playbill of 23 Dec] Afterpiece [1st time; P 2 (?), by Ralph Wewitzer and Frederick Pilon. MS not in Larpent; not published. Synopsis of action in Town and Country Magazine, Supp. 1784, p. 717]: With new Scenery, Music, Dresses and Decorations. The Scenes chiefly designed by Richards, and executed by him, Carver, Hodgins, and assistants. The Overture, Songs, Chorusses and the whole Music of the Pantomime new, and composed by Shield. Nothing under Full Price will be taken. The Words of the Songs, &c to be had at the Theatre. "The performance was such as the first performance of pantomimes generally--machinery and scenery not so perfectly executed as when practice has rendered the movements more familiar to those to whom they belong, which, as the beauty of a pantomime depends on the celerity and adroitness of the scene-men, it seldom is discovered on the first night" (Public Advertiser, 28 Dec)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Magic Cavern or Virtues Triumph

Song: In Act I of mainpiece song by Brett

Event Comment: Benefit for Quick. Public Advertiser, 27 Mar.: Tickets to be had of Quick, Broad court, Bow-street, Covent-garden. [Mainpiece: Epilogue by Richard Brinsley Sheridan.] Afterpiece [1st time; F 2, by John O'Keeffe]: With proper Scenes, Dresses, and Decorations. Receipts: #379 13s. (192.6.6; 4.9.6; tickets: 182.17.0)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Little Hunchback or A Frolick in Bagdad

Dance: End: The Wapping Landlady ; or, Jack in Distress- See17890616

Entertainment: Monologue Preceding: Mother Shipton's Review of the Audience-(with Alterations and Additions) Quick?

Event Comment: Afterpiece [1st time; M. INT 1, by Thomas John Dibdin. Prologue by Richard Cumberland (see text)]: The Overture and Music composed by Attwood, with some favorite Selections from the Works of Dibdin and Mazzinghi. Books of the Songs, including a descriptive Sketch of the Ballet, to be had at the Theatre. Morning Herald, 5 Nov. 1798: This Day is published The Mouth of the Nile (1s.). Receipts: #309 3s. 6d. (303.0.6; 6.3.0)

Performances

Mainpiece Title: Lovers Vows

Afterpiece Title: The Mouth of the Nile

Event Comment: Afterpiece [1st time; CO 2, by Thomas Knight]: With new Music, new Scenes and Dresses. The Music composed by Mazzinghi and Reeve. The Scenes painted by Richards and Phillips. Books of the Songs to be had in the Theatre. Account-Book, 5 Feb. 1800: Paid Knight for Turnpike Gate #125; Reeve and Mazzinghi for music in same #50. Morning Chronicle, 29 Nov. 1799: This day is published The Turnpike Gate (1s. 6d.). Receipts: #288 17s. (281.2.6; 7.14.6)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Turnpike Gate

Event Comment: Mainpiece [1st time; C 5, by Prince Hoare. Prologue by Richard Cumberland; Epilogue by John Taylor (see text)]. Receipts: #220 16s. 6d. (163.9.0; 56.6.6; 1.1.0)

Performances

Mainpiece Title: Indiscretion

Afterpiece Title: The Liar

Song: [not listed on playbill.]In: I rise with the morn-Mrs Jordan; IV: a Glee-Dignum, Trueman, Danby (Dramatic Censor, II, 169, 171)

Performances

Mainpiece Title: The Plain Dealer

Dance: Thurmond Jr, Shaw, Mrs Schoolding

Performances

Mainpiece Title: The Drummer Or The Haunted House

Afterpiece Title: The Magician or Harlequin a Director

Song: The Children on the Ice-

Performances

Mainpiece Title: King Henry Iv Part I With The Humours Of Sir John Falstaff

Afterpiece Title: The Devil to Pay

Dance: II: Comic Dance call'd The Pedlar Trick'd-; End: The Cossacks-Sg Maranesi, Sga Maranesi, her 1st appearance there

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Lethe

Dance: LLes Charboniers, as17601215

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Commissary

Music: II: A Favourite Concerto on the Harpsichord-Hook

Ballet: End Opera: The Wapping Landlady and Double Hornpipe. As17710422

Performances

Mainpiece Title: The Fox

Afterpiece Title: Mother Shipton

Performances

Mainpiece Title: King Arthur

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17721023

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: The Genii

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17730918

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: High Life below Stairs