SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Follett"/1) | (@(roleclean,performerclean) "Mr Follett")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4236 matches on Event Comments, 1345 matches on Performance Comments, 547 matches on Performance Title, 20 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Life's Vagaries

Performance Comment: Characters by Lewis, Quick, Johnstone, Munden, Fawcett, Bernard, Townsend, Farley, Thompson, Rees, Davenport, Burton, Rock, Follett, Cross, Williamson, Ledger, Wilde, Blurton, Abbot, Miss Wallis, Mrs Lee (1st appearance on this stage), Miss Stuart, Mrs Platt, Mrs Watts, Miss Leserve, Mrs Pope. [Cast from text (T. N. Longman, 1795), and O'Keeffe's Dramatic Works, Vol. I (T. Woodfall, 1798), and playbill of 27 Nov. 1795: Arthur D'Aumerle-Lewis; Dickins-Quick; Timolin-Johnstone; Sir Hans Burgess-Munden; George Burgess-Fawcett; Lord Torrendel-Bernard; Robin Hoofs-Townsend; L'Oeillet-Farley; Coachman-Thompson; Tradesmen-Davenport, Follett, Cross, Williamson; John-Ledger; Constable-Blurton; Robinson-Abbot; Thomas-Simmons; Augusta-Miss Wallis; Fanny-Mrs Lee; Miss Clare-Miss Stuart; Landlady-Mrs Platt; Fruit Woman-Mrs Watts; Martha-Miss Leserve; Lady Torrendel-Mrs Pope; unassigned-Rees, Burton, Rock, Wilde; Prologue-Middleton [This was spoken, as here assigned, at all subsequent performances.; An Address by way of Epilogue [not listed on playbill,-Lewis [(Pocket Magazine, Mar. 1795, p. 195. It was probably intended to introduce Mrs Lee.].(Pocket Magazine, Mar. 1795, p. 195. It was probably intended to introduce Mrs Lee.].

Afterpiece Title: Rosina

Song: In: I can dance and sing-Mrs Lee. [Not listed on playbill, but see BUC, p. 619.

Event Comment: Benefit for Townsend and Follett. 2nd piece [1st time; M. INT 1, author unknown]: The Music entirely new, composed by Reeve. Morning Chronicle, 11 June: Tickets to be had of Townsend, No. 153, Drury-lane; of Jack Follett, at Mrs Chapman's, No. 46, Drury-lane. Receipts: #436 19s. (93.17.6; 4.6.0 Tickets: 338.15.6)

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Frolics of an Hour

Afterpiece Title: Harlequin and Faustus

Cast
Role: Pierrot Actor: Follett

Song: In the course of the EveningOld Towler-Incledon

Entertainment: In the course of the Performances: Imitations of the principal Performers of both Theatres-Townsend

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Oscar and Malvina

Performance Comment: Principal Characters in the Ballet-Byrn, Follett, Farley, Cranfield, Blurton, Mlle St.Amand. Principal Musical Characters-Townsend, Linton, Street, Mrs Mountain, Miss Kirton, Mrs Martyr. Cast from playbill of 16 May 1796: Oscar (the Descendant of Fingal)-Byrn; Carrol (the Scottish Chieftain)-Follett; Morven and Draco (Attendants upon Carrol)-Farley, Cranfield; Fingal-Blurton; Scotch Pedlar-Townsend; Bards-Linton, Street, Miss Kirton; Scotch Lad-Mrs Martyr; Malvina (Daughter to Toscar)-Mlle St.Amand; Scotch Lassie-Mrs Mountain.

Dance: In I: As17950921

Song: As17950921

Music: In afterpiece: the Harp-Weippert [This was played, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Capt. Macheath-Incledon; Peachum-Munden; Lockit-Davenport; Mat o' the Mint-Richardson; Ben Budge-Rees; Crookfinger'd Jack-Williamson; Jemmy Twitcher-Gray; Wat Dreary-Street; Nimming Ned-Follett; Harry Paddington-Linton; Robin of Bagshot-Cross; Jailor-Ledger; Drawer-Farley; Filch-Bernard; Lucy-Mrs Martyr; Mrs Peachum-Mrs Davenport; Jenny Diver-Miss Stuart; Mrs Coaxer-Mrs Follett; Dolly Trull-Mrs Blurton; Mrs Vixen-Miss Kirton; Betty Doxey-Miss G. Walcup; Mrs Slammekin-Miss Leserve; Sukey Tawdry-Miss Ives; Molly Brazen-Miss Walcup; Polly-Mrs Serres.
Cast
Role: Nimming Ned Actor: Follett
Role: Mrs Coaxer Actor: Mrs Follett

Afterpiece Title: Crotchet Lodge

Dance: In III: a Hornpipe-Byrn

Performances

Mainpiece Title: The Ghost

Afterpiece Title: The Widow of Malabar

Cast
Role: Robin Hood Actor: Follett

Afterpiece Title: Merry Sherwood [and see17951221]

Performance Comment: Principal Vocal Characters: First Bowman, Friar Tuck-Bowden; Tinker-Knight; Cryer-Rees; Beggar Man-Townsend; Tanner-Richardson; Allen@o'@Dale-Gray; Martha-Mrs Mountain; Damsel-Mrs Clendining; Witch of Nottingham Well-Mrs Martyr; [Principal Pantomimic Characters: as17951221 Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; [Part I. Scene I. A View in Sherwood Forest; Archers regaling on Venison Song-Follett; [Robin entering, receives a challenge from Marian, the Sheriff of Nottingham's Daughter, to shoot the Deer. The Sheriff and Arthur-o'-Bardley's pursuit of Marian. Harlequin appears as a Beggar Boy-is refused relief from the Sheriff, but receives it from Robin and his Men. Marian forced by the Sheriff from Robin. The Witch of Nottingham rises from the Well, puts Robin in possession of an enchanted Horn to wind when in distress, and appoints Harlequin as his Guide and Protector-the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-; [Scene III. A Hall in the Sheriff's House; Sheriff introduces Marian to Arthur-o'-Bradley, her [sic] intended Bride-Little John disguised, brings on a dead Buck as a present to Arthur-the Buck becomes animated and drives off Arthur, and Little John escapes with Marian. A Leap by Harlequin over the Heads of twelve Soldiers armed With Pikes, Swords. Scene IV. View of the Town Hall in Nottingham. Porter enters with Box-Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight; [seated at a Table, which changes to the Town Stocks in which they are confined-Harlequin's Leap over the Heads of his pursuers, from the Thatch of the Alehouse. Scene VI. The Pinfold of Wakefield Town. The story of the Pindar of Wakefield-the Purseurs inclosed in the Pound. Scene VII. Robin Hood's Bower. Barrel of Ale which changes to the Cedar Tree of Lebanon, with a circular Bench. Scene VIII. View in Plumpton Park. Robin and his pursuers in full chace-the commencement of the Story of the Prince of Arragon, and the Earl of Nottingham's Daughter. The Entree of the Two Giants--the Challenge to Combat. Scene IX. Pollard Wood Song-Mrs Clendining; [imploring Robin Hood's aid to rescue the Princess. Scene X. The Earl of Nottingham, his Daughter, and the Count discovered-Giants, Pigmies-Robin vanquishes the Prince of Arragon-- the Grand Dance of Warriors in the Field of Combat-; [Part II. Scene I. A View in Fountain Dale. Story of the Curtal Fryar Song-Bowden; [Robin's skill in Archery-Arthur-o'-Bradley changed to a Tree-shot at by Robin and his Party-enters transfixed with Arrows. Scene II. Fountain Abbey Wall. Beggar's Ballad-; [Robin procures his Garments to rescue Will Scarlet. Scene III. Nottingham Castle. Scarlet attended by the Sheriff, his Guards, led to Execution. Scene IV. Nottingham Market-Place, Gibbet, Ladder. Robin rescues Will Scarlet. The Sheriff suspended on the Gibbet, Arthur-o'-Bradley by a Lanthorn of Fire-The Priest and Attendants enclosed in the Ladder. Scene V. Barnsdale Church. The Story of Allen o'Dale, Martha and the Old Knight and Martha, attended by the Bridemen and Maids-a Morrice Dance-; [the Marriage of Allen and Martha Martha's song to Allen o'Dale-Mrs Mountain; [Harlequin changes the Scene to Scene VI. A View of the Sea and Scarborough Cliffs, with a Cottage. Harlequin changes the Cottage to a Ship-a French Vessel appears in view, which he changes to a cart-and the Scene to a Plough Field-a piece of Mechanism is introduced representing a Farmer with his Plough and Team of Horses. Scene VII. A Landscape changes to a Stile-Archers to Trees-the Death of Robin by Arthur-o'-Bradley and his Men. Scene VII [sic]. Birksley Monastery. The renovation of Robin by the Witch of Nottingham Well Witches Recitative-Mrs Martyr; [Scene VII [sic]. Clouds with Angels supporting Wreaths-which changes to Scene VIII. Representing the Triumphs of Archery, as17951228. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.

Performances

Mainpiece Title: False Impressions

Performance Comment: Principal Characters by Quick, Holman, Munden, Murray, Whitfield, Davenport, Thompson, Simmons, Follett, Curties, Miss Chapman, Mrs Knight, Mrs Davenport, Mrs Norton, Miss Betterton. [Cast from text (C. Dilly, 1797): Scud-Quick; Algernon-Holman; Simon Single-Munden; Sir Oliver Montrath-Murray; Earling-Whitfield; Farmer Gawdry-Davenport; Frank-Thompson; Jack-Simmons; Isaac-Follett; Peter-Curties [in text: Abbot]; Lady Cypress-Miss Chapman; Jenny Scud-Mrs Knight; Mrs Buckram-Mrs Davenport; Rachel Williams-Mrs Norton; Emily Fitzallan-Miss Betterton; Prologue-Murray; Epilogue-Miss Betterton. [These were spoken, as here assigned, at the 1st 10 performances only (see17971207).]These were spoken, as here assigned, at the 1st 10 performances only (see17971207).]
Cast
Role: Isaac Actor: Follett

Afterpiece Title: The Farmer

Performances

Mainpiece Title: False Impressions

Cast
Role: Isaac Actor: Follett

Afterpiece Title: The Round Tower; or, The Chieftains of Ireland

Performance Comment: Characters of the Ballet: Cobthach (usurper of the Throne)-Bologna; Sitric (a Danish Chief)-Bologna Jun. (Their 1st appearance on this stage); Kildare-Simpson; Danish Soldier-Dyke; Maon-Follett; Child-Master Blackmore; Moriat-Mrs Parker (1st appearance on this stage); [Principal Vocal Characters: Townsend, Linton, Gray, Street, Miss Sims, Mrs Clendining; Text adds: Irish Chiefs-Lee, Abbot, Wilde, Blurton; Danish Chiefs-Goostree, Coombes; Priestesses, Female Peasantry-Mrs Follett, Mrs Norton, Mrs Watts; [and specifies Vocal Characters: Principal Druid-Townsend; Fishermen-Townsend, Linton; Huntsmen-Gray, Linton, Street; Connor-Miss Sims; Saba-Mrs Clendining. [Founded on the following Historical Fact: Cobthach, Usurper of the Throne of Munster, & Murderer of his Sovereign and Brother Laughaire, learns the existence of his Brother's Son Maon, and Moriat, his Wife (who, separated for some time under the Idea of each other's decease, become, the former, the wild Resident of a Gloomy Cavern; the latter, a wandering Fugitive), and employs Sitric, a Danish Chief, adopted as his Heir, to destroy them. Moriat, on consulting a Druid, likewise learns of her Husband's Fate, and dispatches Kildare, a faithful Follower, in pursuit of him. Sitric, by Accident, meets Moriat, is struck with her Beauty and relinquishes his design of Murder, with the Idea of gratifying his Passion. She repulses him, and he is foiled by the sudden appearance of Cobthach. She and her Infant [are] imprisoned in an ancient Round Tower, from which, endeavouring to accelerate her Escape, he is detected and abandoned by Cobthach. In the interim, Kildare finds out Maon, who quits his lurking place, and journeying in pursuit of his Wife, discovers the Place of her Confinement, to which Sitric proffers to lead him by a secret Pass, determining to dispatch him on the road. They enter the Cemetery appertaining to the Roung Tower, where he attempts several times to murder him, but is prevented by the appearance of Laughaire's apparition; at length they reach the Dungeon, time enough to save Moriat; and Sitric, urged by Love and Revenge, stabs Cobthach; but recollecting he destroys one Rival, only to render another happy, accuses Maon of the Murder, and dooms him to Death, which is timely prevented by the intervention of the faithful Kildare, and the Irish Peasantry. Sitric falls by the hands of Maon, who with Moriat, are restored to Happiness and Dominion.Founded on the following Historical Fact: Cobthach, Usurper of the Throne of Munster, & Murderer of his Sovereign and Brother Laughaire, learns the existence of his Brother's Son Maon, and Moriat, his Wife (who, separated for some time under the Idea of each other's decease, become, the former, the wild Resident of a Gloomy Cavern; the latter, a wandering Fugitive), and employs Sitric, a Danish Chief, adopted as his Heir, to destroy them. Moriat, on consulting a Druid, likewise learns of her Husband's Fate, and dispatches Kildare, a faithful Follower, in pursuit of him. Sitric, by Accident, meets Moriat, is struck with her Beauty and relinquishes his design of Murder, with the Idea of gratifying his Passion. She repulses him, and he is foiled by the sudden appearance of Cobthach. She and her Infant [are] imprisoned in an ancient Round Tower, from which, endeavouring to accelerate her Escape, he is detected and abandoned by Cobthach. In the interim, Kildare finds out Maon, who quits his lurking place, and journeying in pursuit of his Wife, discovers the Place of her Confinement, to which Sitric proffers to lead him by a secret Pass, determining to dispatch him on the road. They enter the Cemetery appertaining to the Roung Tower, where he attempts several times to murder him, but is prevented by the appearance of Laughaire's apparition; at length they reach the Dungeon, time enough to save Moriat; and Sitric, urged by Love and Revenge, stabs Cobthach; but recollecting he destroys one Rival, only to render another happy, accuses Maon of the Murder, and dooms him to Death, which is timely prevented by the intervention of the faithful Kildare, and the Irish Peasantry. Sitric falls by the hands of Maon, who with Moriat, are restored to Happiness and Dominion.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Oscar and Malvina; or, The Hall of Fingal

Performance Comment: The Hall of Fingalv. Oscar (the Descendant of Fingal)-Bologna Jun.; Fingal-Bologna; Male Domestics-Blurton, Platt, Wilde, Dyke, T. Cranfield, Gourion, Pitman, Parsloe; Male Bards-Linton, Street, Sawyer, Smith; Malvina-Mrs Parker; Female Domestics-Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cranfield, Miss Burnett, Miss Cox, Miss Crow, Miss Davenett; Female Bards-Mrs Castelle, Mrs Henley, Miss Wheatley, Miss Gray; A View of a Cataractv, with the Descent of the Irish from the Mountains of Ben Lomond. Carrol (the Irish Chieftain)-Follett; Draco (his Captain)-Simpson; Officers-Lee, Abbot, Barnes; Morven (his lieutenant)-Farley; Vocal Charactersv. Scotch Lad-Mrs Martyr; Scotch Pedlar (with I'm a jolly gay Pedlar)-Simmons; Farmer-Gray; Scotch Lassie-Mrs Mountain.

Song: In afterpiece: Come every jovial Fellow-Mrs Martyr, Gray, Mrs Mountain; O ever in my Bosom live-Mrs Martyr, Mrs Mountain

Performances

Mainpiece Title: The Raft

Afterpiece Title: Harlequin's Return

Performance Comment: Principal Pantomime Characters. Harlequin-Bologna Jun.; Sammy Scrip-Simmons; Outre (his Man)-Bologna; Father to Columbine-Hawtin; Clown (his Man)-Follett; The other Pantomime Characters-Goostree Jun., Parsloe, Coombs, Noble; Columbine-Mlle St.Amand; Principal Vocal Characters. Jack Junk-Townsend; Fisherman-Linton; Harlequin's Father-Street; Mimic-Rees; Lawyers-Gray, Abbot, Blurton, Wilde; Country Boy-Miss Sims; Potter's Girl-Mrs Clendining; Milk@maid-Miss Wheatley; Harlequin's Mother-Mrs Henley; Lapland Witch-Mrs Iliff; Other Vocal Characters-Ms Castelle, Ms Watts, Ms Follett, Ms Norton, Ms Lloyd, Ms Burnett, Ms G. Walcup, Ms Bologna, Ms Gray; Sylph-Mrs Martyr; The Pantomime commences with a Sea View-the Father and Mother of Harlequin enter from their Hut and meeting their Friend, a Fisherman, according to Evening custom, deplore the absence of their Son, whom they conceive lost at Sea-a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor; but are dreadfully disappointed on finding that, being wrecked on the Coast of Lapland, a Witch of that Country, for his wishing to re-visit England, had struck him dumb; but to make amends bestowed on him an Enchanted Sword, which has the various qualities of becoming Sable when Danger is near, and being waved in different Directions produces the effect of making Dance, Laugh or Sleep those living objects it is employed upon-Escaped from the Witch, he has to contend with her Power-the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley; The wind blew fresh and fair-Townsend; Inside of Fisherman's Cottage, change to Corn-field. Brave offspring of Ocean-Mrs Martyr; Country Publicans. A Prize in the Lottery and its consequence. Outside of Town Hall. Behold natty Sammy-Simmons, Bologna; Changes to Inside of Ditto. Rustic rejoicings-Harlequin in armour, and Columbine's escape. Rural View. In the spring when the meadows-Miss Sims, Miss Wheatley; Milk pail change to Milk-maids, Garland, and Jack in the Green. Artist's Chamber. You take off good likenesses-Rees; in which a Variety of New Imitations-Rees; Fashionable Rout change to Billingsgate. Catch-Linton, Street, Gray, Abbot, Blurton, Wilde, Dyke, Curties, Mrs Castelle, Mrs Leserve, Mrs Bologna; Garden of Love. Chamber. Harlequin and Columbine in jeopardy-make their Pursuers dance to some tune. Landscape leading to the Pottery. Come buy my earthenware-Mrs Clendining; Inside View of the Pottery, change to Subterraneous Cavern. Rash stripling-Mrs Iliff; Bottle changes to Tarantula-the effects of its bite upon Harlequin, cured by Music. By sweet Music's powerful Note-Mrs Martyr; Cavern of Necromancy. With the entrance to the Fiery Gulph, where the Witch consults her Familiar, guarded by an immense Dragon, whose power is counteracted by that of the Sylph, who after singing the following air, Hither haste the young and gay-Mrs Martyr changes the Scene to The Bower of Constancy; The Lovers are united by their Parents, and the Piece concludes with an appropriate Finale-.

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: A Day at Rome

Performance Comment: Principal Characters by Incledon, Munden, Fawcett, Townsend, Rees, Linton, Gray, Street, Abbot, Blurton, Platt, Dyke, Whitmore, Lee, Mrs Davenport, Miss Wheatley, Miss Leserve, Mrs Follett, Mrs Blurton, Mrs Watts, Mrs Martyr. Cast from text (H. D. Symonds and G. Cawthorn, 1798): Rivers-Incledon; Sir Timothy Hopkins-Munden; Pisani-Fawcett; MacRusty-Townsend; Gioachino-Abbot; Lady Hopkins-Mrs Davenport; Juliana-Miss Wheatley; Mrs Blarney-Mrs Martyr; unAssigned-Rees, Linton, Gray, Street, Blurton, Platt, Dyke, Whitmore, Lee, Miss Leserve, Mrs Follett, Mrs Blurton, Mrs Watts.

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide; or, The Victim of Constancy

Performance Comment: Principal Characters-Incledon, Fawcett, H. Johnston, Betterton, Townsend, Simmons, Miss Webb (1st appearance), Follett; Miss Wheatley, Miss Walcup, Mrs Whitmore, Mrs Johnson. [Cast from Songs (T. Rickaby [1798]): Henrico-Incledon; Jocelin-Fawcett [in Songs: Emery (see17981214)]; Albert-H. Johnson; Rudolph-Betterton; Bertolt-Townsend; Gariga-Simmons; Adolphus-Miss Webb; Rosella-Miss Wheatley; Cicely-Miss Walcup; Algonde-Mrs Whitmore; Adelaide-Mrs Johnson; unassigned-Follett; Chorus of Soldiers and Followers in the Black Forest-Oddwell, Clarke, Sawyer, Curties, Little, Thomas, Everett, J. Linton, Smith, Lee, Powers, Lewiss; Chorus of Guards in the Castle-Linton, Gray, Street, Abbot, Kenrick, Silvester, Jones, Fairclough, Tett, Russel.
Cast
Role: unassigned Actor: Follett

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

Performances

Mainpiece Title: Twelfth Night

Performance Comment: As17711210, but to avoid confusion full cast listed: Malvolio-King; Sebastian-Cautherly; Sir Andrew-Dodd; Orsino-Jefferson; Sir Toby-Love; Clown, with the original Epilogue Song-Vernon; Antonio-Davies; Fabian-Waldron; Captain-Wright; Priest-Griffiths; Valentine-Wheeler; Officers-Wrighten, Follett; Viola-Miss Young; Maria-Mrs Egerton; Olivia with a song-Mrs Abington.
Cast
Role: Officers Actor: Wrighten, Follett

Afterpiece Title: The Witches

Performances

Mainpiece Title: The Commissary

Afterpiece Title: The Cooper

Performance Comment: Martin-Follett, first time; Colin-DuBellamy; Twig-Jacobs; Jarvis-Fearon; Fanny-Mrs Jewell.
Cast
Role: Martin Actor: Follett, first time

Dance: As17730630

Performances

Mainpiece Title: The Devil Upon Two Sticks

Performance Comment: As17730531, but Parts-Aickin, _Davis, +Follett, _Moss.
Cast
Role: Parts Actor:

Afterpiece Title: Damon and Phillida

Performance Comment: As17730618 but Corydon-Follett; Mopsus-Bannister.
Cast
Role: Corydon Actor: Follett

Dance: New Tambourine Dance-Giorgi's scholars

Performances

Mainpiece Title: The Bankrupt

Afterpiece Title: The Mock Doctor

Performance Comment: As17730623 but Harry-Osborne; James-Lamash; Helebore-Hamilton; Sir Jasper-Follett.
Cast
Role: Sir Jasper Actor: Follett.

Dance: End: New Tambourine Dance-Giorgi's scholars

Performances

Mainpiece Title: The Bankrupt

Afterpiece Title: The Apprentice

Performance Comment: As17730628 but Wingate-Follett.
Cast
Role: Wingate Actor: Follett.

Dance: End: The Italian Peasants-

Performances

Mainpiece Title: The Bankrupt

Afterpiece Title: The Contrivances

Performance Comment: Rovewell-DuBellamy; Argus-Follett; Robin-Fearon; Hearty-Lloyd; Taylor-Jacobs; Arethusa-young gentlewoman (first appearance any stage); Betty-Mrs Palmer.
Cast
Role: Argus Actor: Follett

Dance: As17730728 The Haymakers-Giorgi's Scholars

Performances

Mainpiece Title: The Bankrupt

Afterpiece Title: A Trip to Portsmouth

Performance Comment: As17730813, but Simpson-DuBellamy; Follett_; a new Epilogue-Bannister.
Cast
Role: 2nd Sailor Actor: Follett

Performances

Mainpiece Title: The Orators

Performance Comment: Parts-Foote, Davis, Hamilton, LaMash, Fearon, Osborne, Bolton, Lloyd, Follett, Pierce, Francis, Weston.

Afterpiece Title: The Pantheonites

Entertainment: I: A Variety of Imitations-Hutton; II: O What a Charming Thing's a Battle-Bannister; Between Play and Farce: Dancing of The Tambourine-Giorgi's Scholars; End of Interlude: A New Tambourine-Giorgi's Scholars

Monologue: 1773 9 3 Also the Interlude, Piety in Pattens. As 23 Aug

Performances

Mainpiece Title: The Macaroni

Afterpiece Title: The Apprentice

Performance Comment: As17730628 but Wingate-Follett.
Cast
Role: Wingate Actor: Follett.

Song: III: O What a Charming Thing's a Battle-Bannister

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorn-Bannister, first time; Sir William-Follett; Young Meadows-DuBellamy; Eustace-Fearon; Hodge-Hamilton; Justice Woodcock-Weston, first time; Deborah-Miss Platt; Lucinda-Miss Wilde; Rosetta-Mrs Jewell.
Cast
Role: Sir William Actor: Follett

Afterpiece Title: A Trip to Portsmouth

Cast
Role: 2nd Sailor Actor: Follett

Dance: II: As17730914

Entertainment: A Variety ofImitations-Hutton

Performances

Mainpiece Title: The Modish Wife; Or, Love In A Puzzle

Performance Comment: Parts-Cresswick (from York), Follett, Davies, Fearon, Lloyd, Burton, Williams, Mrs Greville (from Theatre Royal in Richmond), a Young Lady, first time; Mrs Roche, Miss Atkins, Mrs Williams; With a Prologue-.

Afterpiece Title: The Irish Widow

Performance Comment: Sir Patrick-Creswick; Old Whittle-Follett; Nephew-Farren; Old Kecksy-Courtney; Bates-Lloyd; Thomas-Williams; Irish Widow (with Epilogue song in character)-Mrs Greville (from Richmond).
Cast
Role: Old Whittle Actor: Follett

Entertainment: End of Play: A Comic Medley-Cresswick; and a Variety of Imitations-Hutton

Performances

Mainpiece Title: Catharine And Petruchio

Performance Comment: Petruchio-Fearon; Grumio-Follett; Biondello-Morris; Catharine-Mrs Nost.
Cast
Role: Grumio Actor: Follett

Performances

Mainpiece Title: The Devil Upon Two Sticks

Performance Comment: Parts-Foote, Aickin, Wilson, Fearon, Palmer, Owenson, Walker, Jacobs, Follett, Jones, Everard, Lloyd, Courtney, Johnson, Pierce, Weston, Mrs Gardner, Mrs Jewell.

Afterpiece Title: The Lying Valet

Dance: As17740516

Monologue: End: Piety in Pattens. As 1 June