SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Verbruggen"/1) | (@(roleclean,performerclean) "Mr Verbruggen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4232 matches on Event Comments, 1223 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 7 matches on Roles/Actors.
Event Comment: Rich's Company. There is no certainty as to the date of the first performance, and the play has been sometimes assigned to mid-summer 1697 because the Preface refers to a summer production and the play was printed in 1697. Nevertheless, the presence of Verbruggen in the cast suggests that the summer of 1696 is more likely, as Verbruggen left Drury Lane on 1 Jan. 1696@7 and thereafter appeared at Lincoln's Inn Fields. Preface, Edition of 1697: Amongst a number of New Plays that of late have crowded the Stage.... As it is, it may bear up in the Winter, notwithstanding the little Encouragement it met with at its first Appearance from a thin Town, and the Scarcity of Money. A Comparison Between the Two Stages (1702): Sullen: Unhappy Kindness, the same Author's [as of Mock Marriage], but very word stole. Ramble: The success? Sullen: Damn'd

Performances

Mainpiece Title: The Unhappy Kindness; Or, A Fruitless Revenge

Performance Comment: Edition of 1697: Prologue-Mr Verbruggen; The Epilogue written and-Mr Haynes in the Habit of a Horse Officer, mounted on an Ass; Alphonso, King of Naples-Verbruggen; Frederick-Harland; Valerio-Williams; Sorano-Disney; Pisano-Mills; Petruchio-Hill; Pedro-Newth; Evanthe-Mrs Rogers; Queen Mother-Mrs Powel.
Cast
Role: Prologue Actor: Mr Verbruggen
Role: King of Naples Actor: Verbruggen

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Performance Comment: Edition of 1696: Prologue By a Friend-Mr Verbruggen; Epilogue-Miss Cross who Sung Cupid; Sir Will Wisewoud-Johnson; Loveless-Verbruggen; Sir Novelty Fashion-Cibber; Elder Worthy-Williams; Young Worthy-Horden; Snap-Penkethman; Sly-Bullock; Lawyer-Mills; Amanda-Mrs Rogers; Narcissa-Mrs Verbruggen; Hillaria-Mrs Cibber; Flareit-Mrs Kent; Woman to Amanda-Mrs Lucas.

Performances

Mainpiece Title: Iphigenia

Performance Comment: Edition of 1700: Prologue-Mr Verbruggen as the Genius of England; Epilogue by Coll. Codrington-; Orestes-Betterton; Pilades-Williams; Queen-Mrs Barry; Iphigenia-Mrs Bracegirdle; Euphrosine-Mrs Martin.

Performances

Mainpiece Title: The Rival Sisters; Or, The Violence Of Love

Performance Comment: Edition of 1696: Prologue by Mr D'Urfey-Mr Horden; Epilogue by Mr D'Urfey-Mr Verbruggen who enters laughing; Vilarezo-Dizny; Sebastian-Verbruggen; Antonio-Powel Jr; Alonzo-Williams; Vilander-Horden; Gerardo-Johnson; Diego-Tho. Kent; Catalina-Mrs Knight; Berinthia-Mrs Rogers; Alphanta-Miss Cross; Ansilva-Mrs Verbruggen; Julia-Mrs Seagrove; Clara-Mrs Newman.

Performances

Mainpiece Title: The Innocent Mistress

Performance Comment: Edition of 1697: Sir Charles Beauclair-Betterton; Sir Francis Wildlove-Verbruggen; Searchwell-Knap; Beaumont-Hodgson; Spendall-Bowman; Lyonell-Freeman; Cheatall-Bowen; Gentil-Harris; Flywife-Underhill; Bellinda-Mrs Barry; Mrs Beauclair-Mrs Bracegirdle; Arabella-Mrs Prince; Lady Beauclair-Mrs Lee; Peggy-Mrs Howard; Eugenia-Mrs Lawson; Dresswell-Mrs DuQua; Mrs Flywife-Mrs Lassel; Jenny-Mrs Willis; Prologue by Mr Motteux-Mr Verbruggen; Epilogue by Mr Motteux-Mr Scudamore.

Performances

Mainpiece Title: Measure For Measure; Or, Beauty The Best Advocate

Performance Comment: Edition of 1700: Prologue by Mr Oldmixon-Mr Betterton; Epilogue-; Shakespear's Ghost-Mr Verbruggen; Duke of Savoy-Arnold; Angelo-Betterton; Escalus-Berry; Claudio-Verbrugen; Lucio-Baile; Balthazar-Pack; Provost-Freeman; Isabella-Mrs Bracegirdle; Julietta-Mrs Bowman; Mariana-Mrs Prince.

Performances

Mainpiece Title: The Unnatural Mother

Performance Comment: Edition of 1698: Prologue-Mr Verbruggen; Epilogue-Mr Bowen.
Cast
Role: Prologue Actor: Mr Verbruggen

Performances

Mainpiece Title: Concert

Entertainment: Divine Musick in Praise of Religion and Vertue-; both Vocal and instrumental, with new Anthems compos'd by Mr Blow; an Oration by Mr Collier; Pieces by Mr Tate, her Majesty's Poet Laureat. The edition of 1702 lists: The Introductory Poem Upon the Reformation of Poetry-Mr Tate Poet-Laureat to her Majesty; The First Anthem-, Compos'd by Dr Blow, and Sung in Westminster-Abbey, at Her Majesty's Coronation; The Oration-J. Collier/M.A.; The Second Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem in Praise of Virtue- , Written by Mr Tate

Performances

Mainpiece Title: Concert

Music: A Solo and several Pieces on the French Horn by Mr Charles. And several Songs and Duets by the two Miss Youngs. The German Flute by Mr Pelicour [Balicourt in Daily Advertiser], lately arrived from abroad; Being the first Time of his Performing in England

Performances

Mainpiece Title: Mr Anthony

Performances

Mainpiece Title: Mr Turbulent; Or, The Melanchollicks

Performances

Mainpiece Title: Concert

Music: Mr Abell; having had the Honour lately, to Sing to the Nobility and Gentry of Richmond and the Neighbouring Towns, thinks himself bound in Gratitude...to return his most Humble Thanks with a Performance of New Musick, in English, Latin, Italian, French-Mr Abell; &c....being Honour'd and Accompany'd-the Greatest Masters of Europe

Performances

Mainpiece Title: Concert

Afterpiece Title: Britain's Happiness

Song: Singing in Italian and English-Mrs Tofts

Dance: l'Abbe, duRuel, Cherrier, Mrs Elford, Mrs Campion, Mrs Mayers, Devonshire Girl

Performances

Mainpiece Title: Mad Tom Of Bedlam; Or, The Distress'd Lovers: With The Comical Humours Of squire Numscul

Song: Mr Corse, age 12

Dance: DDutch Skipper-Sandham; Drunken Man-Wilcox; (On 8 Aug. and there after:) Mad Dance, Pierrot-Le Sieur Labisle, from France

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Sheep Shearers, as17640308 II: The Shepherdesses, as17640113; End Opera: Dance, as17640301

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: La Guinquette; or, Harlequin Turned Tapster

Dance: An Entertainment of Mimick Dancing, call'd, La Caprice-Harlequin (in Imitation of Mlle Provost, the Famous Dancer in the Opera at Paris)

Performances

Mainpiece Title: The Connoisseur; Or, Every Man In His Folly

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Hunters, as17640224; The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Performances

Mainpiece Title: The Royal Shepherd

Dance: II: The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Performances

Mainpiece Title: The Royal Shepherd

Afterpiece Title: Miss in Her Teens

Dance: I: The Sheep Shearers-Lauchery, Miss Baker; II: The Faggot Binders, as17640224; End Opera: A Dance, as17640319

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Chaplet

Dance: V: A Comic Dance-Daigville, Sga Vidini

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Polly Honeycomb

Dance: End: The Mountaineers, as17730930 Como, Sga Crespi (2nd appearance)

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Matilda

Afterpiece Title: The Mayor of Garratt