SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr James Todd"/1) | (@(roleclean,performerclean) "Mr James Todd")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4457 matches on Event Comments, 2158 matches on Author, 2127 matches on Performance Comments, 546 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Daily Advertiser, 4 Oct.: Yesterday Morning Mr James Todd, who represented the Miller's Man on Friday Night...and fell in one of the flying Machines from the very top of the Stage by the breaking of the Wires, by which accident his Skull was fractur'd, died in a miserable manner. Susan Warwick, who represented the Miller's Wife, lies at the point of Death at the Infirmary at Hyde-Park Corner: The two other Persons who fell in the same Machine are like to recover, [In London Daily Post and General Advertiser, 2 Oct.: All these unhappy People were Servants belonging to the Theatre, and only Representatives in the different Characters of Mr Lun, Mr Nivelon, Mr Salway, and Mrs Moreau.

Performances

Mainpiece Title: The Relapse

Performance Comment: Foppington-A. Hallam; Loveless-Ryan; Worthy-Delane; Berinthia-Mrs Horton; Amanda-Mrs Hallam; Hoyden-Miss Bincks; Sir Tunbelly-Mullart; Young Fashion-Walker; Coupler-Hippisley; Surgeon-James; Lory-Chapman; Nurse-Mrs Mullart.
Cast
Role: Surgeon Actor: James

Afterpiece Title: The Devil to Pay

Dance: CClown-Nivelon; Misses Scott; Scot's Dance-Glover, Desse, Mrs Ogden, Tench, Mrs Delorme

Event Comment: Benefit Lacy. Afterpiece: A new Satyrical, Allegorical, Political, Philosophical Farce, [Apparently by Lacy.] Daily Advertiser, 30 April: Yesterday I accidentally call'd in at the Theatre in the Hay-Market, and saw the Rehearsal of a new Farce call'd Fame...Which is to be acted there on Wednesday next...for the Benefit of Mr Lacy the Author. As I am neither acquainted with him, nor the Master of the Playhouse, I cannot be accus'd of Partiality, in affirming, that I think this the best Farce this Age has produc'd. It seems to be writ in Imitation of Shakespear, and entirely calculated for the present Taste. The Characters are strong, lively, majestic, and just; the incidents natural and moving; the Conduct regular; the Distresses extremely affecting; the Stile sublime; the Sentiments grand, full of Patriotism; and the Catastrophe so masterly wrought up, that, I am persuaded, no Farce whatsoever, now acting, will draw more Tears than this. But what affected me beyond all, was, the Zeal, the exemplary Zeal of a worthy Magistrate, who so strictly adheres to the very Letter of the Law, as to send a rich and honest Merchant, and Freeholder, to the House of Correction, as a sturdy Beggar, or Loiterer. I could enlarg in its Praise, but fear I may do the Author wrong, in raising your Expectations too high. See it, and I am convinc'd you will entertain the same Sentiments of it, as does Your Humble Servant, James Lacy. Alias Fustian, alias Sour-Wit, alias--But hold:--If I should be arraign'd for the Murder of this Farce, so many Alias's will half condemn me before I am heard

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest

Related Works
Related Work: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest Author(s): James Lacy
Event Comment: Afterpiece by James Miller

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Related Works
Related Work: The Picture; or, Cuckold in Conceit Author(s): James Miller

Afterpiece Title: The Picture; or, Cuckold in Conceit

Related Works
Related Work: The Picture; or, Cuckold in Conceit Author(s): James Miller

Dance: IV: Peasant's Dance-Muilment

Event Comment: Benefit for Bannister. Under the Patronage of His Royal Highness The Prince of Wales. [In mainpiece the playbill retains Mrs Bland as Ariel , but "Ariel was, on account of the sudden indisposition of Mrs Bland, read by Miss Heard" (Diary, 8 May). Miss Heard may also have substituted for Mrs Bland in the afterpiece.] Afterpiece [1st time; F 2, by James Cobb, for whose authorship see Kemble Mem. Larpent MS 982; not published]. Public Advertiser, 2 May: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing Cross. Receipts: #227 8s. (95.17; 7.5; tickets: 124.6) (charge: #90 2s. 6d.)

Performances

Mainpiece Title: At Hay The Tempest

Afterpiece Title: Fortune's Wheel

Related Works
Related Work: Fortune's Wheel Author(s): James Cobb

Song: In: Vocal Parts, as17921213, Sedgwick, _Kelly, Mrs +Crouch; Masque of Neptune and Amphitrite, as17930102 In course of Evening: +The Little Farthing Rushlight-Bannister Jun

Related Works
Related Work: Aurelio and Miranda Author(s): James Boaden
Event Comment: Benefit for Wild. 2nd piece [1st time; F 1, by Robert Woodbridge]. Morning Herald, 4 June 1793: This day is published The Pad (price not listed). 3rd piece [1st time; BALL. P 2 (?), by James Byrn, altered from his The Provocation!]: The Incidents partly new, and partly selected from the much admired Pantomime called Provocation. In the course of the Pantomime a representation of an Engagement between an English and French Man of War; A Ship-wreck; The original Allegoric Scene from Provocation: A View of an English Camp; A Naval and Military Procession. Morning Herald, 9 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #335 1s. 6d

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Pad

Afterpiece Title: The Shipwreck; or, French Ingratitude

Related Works
Related Work: The Shipwreck; or, French Ingratitude Author(s): James Byrne
Related Work: The Shipwreck Author(s): Samuel James Arnold

Song: End: Captivity (Supposed to be sung by an Unfortunate Queen [Marie Antoinette] during her confinement)-; End 2nd piece: Black Eyed Susan-; In 3rd piece: Farewell to old England dear Mary adieu-Incledon

Performances

Mainpiece Title: Concert

Entertainment: Divine Musick in Praise of Religion and Vertue-; both Vocal and instrumental, with new Anthems compos'd by Mr Blow; an Oration by Mr Collier; Pieces by Mr Tate, her Majesty's Poet Laureat. The edition of 1702 lists: The Introductory Poem Upon the Reformation of Poetry-Mr Tate Poet-Laureat to her Majesty; The First Anthem-, Compos'd by Dr Blow, and Sung in Westminster-Abbey, at Her Majesty's Coronation; The Oration-J. Collier/M.A.; The Second Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem in Praise of Virtue- , Written by Mr Tate

Performances

Mainpiece Title: Concert

Music: A Solo and several Pieces on the French Horn by Mr Charles. And several Songs and Duets by the two Miss Youngs. The German Flute by Mr Pelicour [Balicourt in Daily Advertiser], lately arrived from abroad; Being the first Time of his Performing in England

Event Comment: Afterpiece [1st time; P 2 (?), by James Wild. MS: Larpent 1000]: The greatest part entirely new, with a few Select Scenes from the most approv'd Compositions. With new Scenery, Machinery, Dresses and Decorations. The Dresses entirely new. The new Music composed by Shield, the rest selected from Harington, Dr Arne, Eley, Reeve, Pepusch, Galliard, George Ware, Hook, &c. The Scenery and Machinery entirely new painted by Richards, Hodgins, Walmsley, Lupino, Pugh, Phillips and Malton. The Dances entirely new, composed by Byrn. Account-Book, 23 Apr. 1795: Paid James Wild in full for Dr Faustus #40. European Magazine, Jan. 1794, p. 49: Dr Faustus has afforded entertainment to three if not four generations. It was first produced at Drury-lane in 1723, by Mr Thurmond, a dancing-master, and was afterwards succeeded at Lincoln's inn-fields, in the same year, by Mr Rich's more splendid performance [entitled The Necromancer; or, Harlequin Doctor Faustus], which received improvement at different revivals of it. At the latter end of 1766 [at Covent Garden] Mr Woodward made some alterations, and it was revived with great success. It is again brought forward with applause, and recalls to the remembrance of those who formerly saw it with delight, the recollection of the most enchanting period of life. The opening scene of Tartarus . . . was first introduced in the speaking pantomime of The Mirror [at Covent Garden, 30 Nov. 1779). Receipts: #352 13s. 6d. (324/13/6; 28/0/0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: HARLEQUIN AND FAUSTUS; or, The Devil will have his Own

Related Works
Related Work: Harlequin and Faustus; or, The Devil will have His Own Author(s): James Wild

Performances

Mainpiece Title: The Orphan

Afterpiece Title: High Life below Stairs

Related Works
Related Work: High Life Below Stairs Author(s): James Townley

Dance: End: The Irish Lilt, as17630922

Performances

Mainpiece Title: Sethona

Afterpiece Title: High Life below Stairs

Related Works
Related Work: High Life Below Stairs Author(s): James Townley
Event Comment: Afterpiece an Operetta never perform'd before. The Words by Mr Ayre [James Ayres], and the Musick by Mr Lampe. Benefit Sullivan

Performances

Mainpiece Title: The Queen Of Spain

Afterpiece Title: The Kiss Accepted and Returned

Related Works
Related Work: The Kiss Accepted and Returned Author(s): James Ayres

Performances

Mainpiece Title: The Gamester

Related Works
Related Work: The Gamesters Author(s): James Shirley
Related Work: The Gamester Author(s): James Shirley

Performances

Mainpiece Title: The Brothers

Related Works
Related Work: The Brothers Author(s): James Shirley

Afterpiece Title: The Contrivances

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Spring

Related Works
Related Work: The Spring Author(s): James Harris

Dance: II: The Irish Lilt, as17621023

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Queen Mab

Related Works
Related Work: Queen Mab Author(s): James Oswald

Dance: II: The Savage Hunters, as17751118

Performances

Mainpiece Title: Alfred The Great, King Of England

Related Works
Related Work: Alfred the Great, King of England Author(s): James Thomson

Performances

Mainpiece Title: Tancred And Sigismunda

Related Works
Related Work: Tancred and Sigismunda Author(s): James Thomson

Afterpiece Title: Chaplet

Related Works
Related Work: Harlequin's Chaplet Author(s): James Wild

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Hermit

Related Works
Related Work: The Hermit; or, Harlequin at Rhodes Author(s): James Love

Performances

Mainpiece Title: The Gamester

Related Works
Related Work: The Gamesters Author(s): James Shirley
Related Work: The Gamester Author(s): James Shirley

Afterpiece Title: High Life below Stairs

Related Works
Related Work: High Life Below Stairs Author(s): James Townley

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: Queen Mab

Related Works
Related Work: Queen Mab Author(s): James Oswald

Dance: II: The Savage Hunters, as17751020

Performances

Mainpiece Title: Alfred, A Masque

Related Works
Related Work: Alfred, a Masque Author(s): James Thomson
Related Work: Alfred the Great, King of England Author(s): James Thomson

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Queen Mab

Related Works
Related Work: Queen Mab Author(s): James Oswald

Performances

Mainpiece Title: Zara

Afterpiece Title: The Rites of Hecate

Related Works
Related Work: The Rites of Hectate; or, Harlequin from the Moon Author(s): James Love

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Rites of Hecate

Related Works
Related Work: The Rites of Hectate; or, Harlequin from the Moon Author(s): James Love

Performances

Mainpiece Title: Merope

Afterpiece Title: The Hermit; or, Harlequin at Rhodes

Related Works
Related Work: The Hermit; or, Harlequin at Rhodes Author(s): James Love