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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "King"/1) | (@(roleclean,performerclean) "King")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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9969 results for: Keyword - King
We found 10005 matches on Roles/Actors, 2634 matches on Performance Title, 2610 matches on Performance Comments, 1593 matches on Event Comments, and 23 matches on Author.

8876
23 November 1762 @ Drury Lane Theatre

Event Comment: With New Habits, Scenes, Decorations and Music. Full Prices. Songs in the Entertainment will be given out at the Theatre. Afterpiece compos'd by Love, perform'd with success (Victor, I, 40). [N.B. In June 1762 the King of the Cherokee Indians arrived with two of his chiefs to pay respects to King George III. On 28 August they appeared at Marylebone Gardens. A dmission Price to see them 6d. (London Chronicle, No 857 & 860).

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: The Witches; or, Harlequin Cherokee

Song: IV: Miss Young

8877
14 April 1764 @ Drury Lane Theatre

Event Comment: DDesdemona-Mrs Davies. $Mrs Havard being ill Mr King play'd Iago (Hopkins). Mrs Yates ill...Mrs Davies Desdemona (Cross Diary). Benefit for Vernon. Tickets for The Roman Father will be taken. Both main and afterpiece, By Particular Desire. Mr King Iago. Mr Havard could not play Mrs Havard being dead (Hopkins Diary-MacMillan). A mistake in the Diary. Mrs Havard died Friday 27th (J. P. Kemble MS Notes-MacMillan). Music A La Mode deferr'd on account of Indisposition of a principal performer. Last time of performing till the Holidays. Charges: #64 4s. (MacMillan)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Lying Valet

Dance: The Faggot Binders, as17640224

8878
24 April 1765 @ King's Theatre

Event Comment: Towards raising a Sum of Money for building a Wing to the Middlesex Hospital. Pit and Boxes at Half a Guinea. Gallery 5s. Upper Gallery 3s. 6d. To begin at 6:30 p.m. After the Opera will be an Assembly, with Coffee, Tea, Orgeat, and Lemonade. At Mr Almack's Great Room in King St., St James, to which every Gentleman or Lady who shall produce a Ticket that will be annexed to the Box Tickets for the Opera, will be admitted without any additional Expense. Box Tickets for this Night will admit only one Person into any part of the House, as the Tickets for the Assembly are annexed thereto. Mr Almack's room will be opened at Nine o'clock, and Ladies are desired to order their Chairs to wait in King Street, and the Coaches in St James's Square

Performances

Mainpiece Title: Ezio

Dance: Between the acts:

8879
28 December 1767 @ Covent Garden

Event Comment: Both pieces By Command. Gave the Yeoman of the Guard #2 2s.; The King's Footmen Xmas Box by Heron #2 2s.; The Queen's Footmen Xmas Box by Shields #2 2s; King's Chairmen Xmas Box by Jupp #2 2s,; Queen's Chairmen Xmas Box by Jones #2 2s. (Account Book). Receipts: #274 4s. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Oxonian in Town

Dance: III: The Dutch Milkmaid, as17671114; IV: The Female Archer, as17671029; End: The Irish Lilt, as17670921

8880
16 March 1768 @ Covent Garden

Performances

Mainpiece Title: Alexander Balus

Performance Comment: Alexander Balus-(King of Syria); Ptolomee-(King of Egypt); Jonathan-(Chief of the Jews); Cleopatra-(Ptolomee's Daughter); Aspasia-(her friend and Companion); Chorus of Israelites-; Chorus of Asiatics-.

Music: As17680219

8881
14 October 1768 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 9 years. [See 7 Feb. 1757.] Mr J. Aickin hissed.--Mr Holland and Mrs Baddeley played well (Hopkins Diary). Mr Garrick had the honour of being with the King of Denmark Tuesday morning last, and conversed with him for near half an hour on the state of the stage in England and France. The King gave him an elegant gold snuff-box studded with diamonds as a small mark of the great regard he had for his extraordinary talents (London Evening Post, 14 Oct.)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Padlock

8882
17 March 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander Balus; Judas Maccabeus

Performance Comment: As17730226 Parts were: Alexander Balus (King of Syria); Ptolomee (King of Egypt); Jonathan (Chief of the Jews); Cleopatra (Ptolomee's daughter); Aspasia (her Friend and Companion); Chorus of Israelites; Chorus of Asiatics.

Music: I: Concerto on Organ-Stanley

8883
30 May 1774 @ Drury Lane Theatre

Event Comment: Rec'd Remainder of Sinking Fund #561 15s.; Mr Bank's 1 yrs rent to Lady Day last #3; Box Office Keeper's cash returned Watson #10; Archeveque #15; Remainder of S. Barry's Bag #75 14s. 2d. (Treasurer's Book). Paid Salary List #525 12s.; half yrs. Cleansing & Lighting to Lady Day last for St Martin's #12 3s.; Mr King's extra salary #3; Manager's gift to the sufferers by fire in King Street not belonging to the theatre (#10 10s., but Mr Kennedy's Bt. under charged #3 12s. deducted) #6 18s.; Mr Millidge, printer 15s.; Mr J. French on acct #5 5s.; half yrs Land and Window Tax for Covent Garden Parish to Lady Day last-#2 18s. 6d.; Church rate for 1 yr ditto 10s. (Treasurer's Book)

Performances

Mainpiece Title: No Performance

8884
12 June 1776 @ Haymarket Theatre

Event Comment: By Command of their Majesties. Afterpiece: A Comedy of two Acts never performed. Dr Thomas Francklin. [According to the Biographia Dramatica, "This is a poor performance, founded on Destouches' L'Amour Use, and met with no success; being nearly condemned, nothwithstanding the King and Royal family were present. Foote told his friends, that, when he lighted the King, to his chair, his Majesty asked who the piece was written by: 'It was written (says the wicked Wit) by one of your Majesty's Chaplains; but it is dull enough to have been written by a Bishop.)'"]

Performances

Mainpiece Title: The Commissary

Afterpiece Title: The Contract

Dance: A Tambourine Dance-

8885
09 October 1777 @ Haymarket Theatre

Performances

Mainpiece Title: The Coquette; Or The Mistakes Of The Heart

Afterpiece Title: The True-Born Irishman; or, The English Sailors and Soldiers in America

Performance Comment: Characters-Jackson, Dowson, Davis, Evans, Alfred, Russell, Williams, Jones, Miss Essex, Miss Walton, [Text (J. Williams, 1767) lists the parts: Indian King, English Captain, Macfinan, Ben, Ned, White Lady, Black Woman.]Text (J. Williams, 1767) lists the parts: Indian King, English Captain, Macfinan, Ben, Ned, White Lady, Black Woman.]

Dance: End IV: a Hornpipe-Miller

Entertainment: ImitationsEnd: Imitations, Vocal and Rhetorical,-Decastro ; several new ones, and those which Foote introduced him in before their Majesties

8886
03 October 1778 @ Drury Lane Theatre

Event Comment: [The ballet had 1st been performed at King's, 7 Dec. 1776. Sg and Sga Zuchelli were from King's.] Receipts: #160 14s. (125.13; 34.5; 0.16)

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: The Lyar

Dance: End: dance (composed by Zuchelli), The Strength of Love The Force of Love-Sg and Sga Zuchelli (1st appearance on this stage), Henry, Sga Crespi. [On 8 Oct. this was entitled The Power of Love, on 13 Oct. and thereafter The Force of Love.

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham

8887
19 April 1780 @ Crown Inn, Lower Street (now Essex Road), Islington

Event Comment: Benefit for Mr and Mrs Jerrold. Afterpiece: Containing the Life and Death of King Chrononhotonthologos, the valiant Exploits of Bombardimian, his general, the unsuccessful Love of Fadladinada, Queen of Queerumania, to the Antipodean King, concluding with the marriage of the aforesaid Queen to her two fortunate Lovers, Aldiborrontiphoscophornio and Rigdum Funnidos. Mr and Mrs Jerrold present their humble respects to the Ladies and Gentlemen, and as through the badness of the weather, and being Assembly-Night on their former Benefit, there was not the Expenses in the House; therefore solicit the Favour of their Company, and Interest in this their second Attempt. To begin precisely at 6:30. Pit 2s. Gallery 1s. Tickets to be had at the Crown, and at the Cock, Well's row

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Jerrold; Strickland-Price; Frankly-Jones; Bellamy-Wilson; Jack Meggot-Davis; Tester-Leach; Simon-Wortley; Buckle-Master Simson; Jacintha-Mrs Kingham; Mrs Strickland-Mrs Weeks; Lucetta-Mrs Robinson; Clarinda-Mrs Jerrold; Prologue-Miss Jerrold (a child of 3 years old).
Cast
Role: Jacintha Actor: Mrs Kingham

Afterpiece Title: Chrononhotonthologos

Dance: A Hornpipe-a Gentleman [unidentified]

Entertainment: Monologues. End: The Examination of Dr Last before the College of Physicians taken from The Devil upon Two Sticks-Jerrold; End afterpiece: The Picture of a Play-House; or, Bucks have at Ye All-

8888
22 November 1781 @ Drury Lane Theatre

Event Comment: [As mainpiece the playbill announces the 8th night of King Arthur and as afterpiece the 8th night of The Divorce, but they were not acted. The substitute plays are listed in the Account-Book. King Arthur, "The Eight Night," was next acted on 11 Dec; The Divorce, "The 8th Night," on 17 Dec] Account-Book, 1 Dec.: Paid Billstickers, Change of Play, 1s. 6d. Receipts: #118 4s. (82/17; 34/12; 0/15)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: All the World's a Stage

Dance: End of mainpiece The Devonshire Minuet, as17810915

8889
12 May 1783 @ Drury Lane Theatre

Event Comment: Benefit for Waldron. Public Advertiser, 9 May: Tickets to be had of Waldron, No. 19, Martlet-court, Bow-street, Covent Garden. Mainpiece [1st time in London; C 5, by Francis Godolphin Waldron, 1st acted at Richmond, Aug. 1782, as The Belle's Stratagem; or, The Female Fortune-Hunters, and again at the HAY in 1794 as Heigho for a Husband! Prologue by the author (MacMillan, Larpent Catalogue, 100). Author of Epilogue unknown. MS: Larpent 599; not published]. Afterpiece: Not acted these 8 years. The Indisposition which prevented King from performing last Friday continuing, Palmer has very kindly undertaken and studied the Character King intended to have appeared in this Evening. Receipts: #126 15s. 6d. (34/5/0; 21/18/6; 2/15/0; tickets: 67/17/0) (charge: #106 9s. 8d.)

Performances

Mainpiece Title: Imitation; Or, The Female Fortune-hunters

Afterpiece Title: The Ladies' Frolick

Dance: After the Epilogue The Butterfly, as17830426; In Act I of afterpiece the Crutch Dance {performers not listed)

Song: In Act II of mainpiece song on the Knights of St. Patrick, &c. (singer not listed)

8890
19 May 1783 @ Covent Garden

Performances

Mainpiece Title: The Winter's Tale

Performance Comment: Leontes (King of Sicily)-Henderson; Polixenes (King of Bithynia)-Aickin (Their 1st appearance in those characters); Camillo-Hull; Old Shepherd-Booth; Clown-Quick; Cleomenes-Fearon; Autolicus (with songs)-Edwin; Florizel (Prince of Bithynia)-Lewis; Perdita (Daughter to Leontes and Hermione; with Come, come, my good shepherds)-Miss Satchell; Paulina-Mrs Hunter; Mopsa-Mrs Martyr; Dorcas-Mrs Morton; Hermione (Queen of Bithynia)-Mrs Yates (Their 1st appearance in any of those characters) .

Afterpiece Title: A Fete

8891
30 March 1784 @ Covent Garden

Event Comment: Benefit for Bannister. Gazetteer, 16 Mar.: Tickets to be had of Bannister, No. 7, Suffolk-street, Hay-market. King Lear [announced on playbill of 29 Mar.] cannot be performed, on account of Henderson's Indisposition. Tickets for King Lear will be admitted. Receipts: #244 9s. 6d. (140/7/6; tickets: 104/2/0) (charge: #105)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Rival Knights

Afterpiece Title: Rosina

Song: End of mainpiece September the Thirteenth proud Bourbon may mourn, from Gretna Green (composed by Dr Arnold) by Bannister

8892
23 May 1787 @ Covent Garden

Event Comment: Benefit for Kennedy and King. Public Advertiser, 9 May: Tickets to be had of Mr and Mrs Kennedy, No. 49, Great Queen-street, Lincoln's-inn-fields; and of King, No. 54, Fleet-street. Receipts: #222 14s. (64.18.6; 4.19.6; tickets: 152.16.0)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Poor Soldier

Dance: End: The Wapping Landlady-[see17870131]

8893
26 October 1787 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5]: Altered from Beaumont and Fletcher, by Dryden [by Thomas King. The original alteration, 1700, was by Sir John Vanbrugh, not by Dryden. The present alteration has been attributed to John Philip Kemble, but in his copy of the play, now in the Huntington Library (K-D 95), he has written "by Thomas King"]. Public Advertiser, 22 Nov. 1787: This Day is published, as now revived with material Additions, The Pilgrim (1s.). Receipts: #85 9s. 6d. (72.5.0; 13.4.6; 0.0.0)

Performances

Mainpiece Title: The Pilgrim

Related Works
Related Work: The Pilgrim Author(s): Thomas King

Afterpiece Title: All the World's a Stage

Dance: End I: a New Dance-Hamoir, Ferrere, the Miss Stageldoirs; End III: The Capricious Lovers, as17870920; End IV: another New Dance-Hamoir, Ferrere, the Miss Stageldoirs

8894
06 March 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: A Prelude

Afterpiece Title: Acis and Galatea; Triumph of Truth 0

Afterpiece Title: A Miscellaneous Concert

Performance Comment: Air on the Recovery of the King-, by Handel Reinhold; Concerto Bassoon-Parkinson; Sweet Bird-[L'Allegro] Mrs Ambrose; accompanied on the violin-Shaw; Sound an Alarm [Judas Maccabaeus]-Kelly; concerto hautboy-W. Parke; Se non avate O Dio![, by Sacchini-Mrs Crouch; Lungi del caro bene [Giulio Sabino, by Sarti-Mrs Ambrose; accompanied on the harp-Mme Krumpholtz; God save Great George our King-; 1st Violin-Shaw.
Cast
Role: Air on the Recovery of the King Actor: , by Handel Reinhold
Role: God save Great George our King Actor:

Music: End I: serenata solo on harp-Mme Krumpholtz (2nd appearance in this Kingdom)

8895
18 March 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption 0; Triumph Of Truth 0

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Performance Comment: Ye Sons of Israel-Chorus; O had I Jubal's Lyre-Mrs Ambrose (Joshua); Jehovah crowned-Miss Lockhart; He comes!-Chorus (Esther); Angels ever bright and fair-Mrs Ambrose (Theodora); Welcome mighty King-Chorus (Saul); March-(Judas Maccabaeus); In sweetest harmony-Mrs Crouch (Saul); Their bodies are buried in peace-Chorus (Funeral Anthem); Dead March-(Saul); Lord remember David-Kelly (Sosarmes); The sword that's drawn-Reinhold (Occasional Oratorio); God save the King-Chorus (Coronation Anthems).
Cast
Role: Welcome mighty King Actor: Chorus
Role: God save the King Actor: Chorus

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger?-Mrs Crouch (Alcina); There beneath a lowly shade-Miss Hagley (Alexander Balus); He was eyes unto the blind-Kelly (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a lamb-Reinhold (Deidamia); He sitteth at the right hand of God-Chorus (Te Deum); Holy Lord God Almighty-Mrs Ambrose (Rodelinda); Glory be to the Father-Chorus (Jubilate); God save Great George our King-.
Cast
Role: God save Great George our King Actor: .

Music: As17890311

8896
19 May 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Toy Shop

Afterpiece Title: Laoeudaimonos; or, A People Made Happy

Performance Comment: Principal Characters-Kelly, Dignum, Sedgwick, Miss Romanzini, Mrs Edwards, Mrs Crouch. [Larpent MS lists the parts: Britannia, Genius of England, Hope, Hygeia, Britons.] SCENE I. Cavern of Despairv. SCENE II. White Cliffs of Albionv. SCENE III. Grove of Hygeiav. SCENE IV. Temple of Gratitudev. In which will be displayed those Superb Transparencies which were exhibited at the Opera House, at the Grand Gala given [on 21 Apr.] in Commemoration of his Majesty's Recovery. The Capitals of the Transparencies will be ornamented with rich Festoons of different coloured Lamps, and the intervening Columns beautifully illuminated with variegated Fire. [There were three transparencies: the 1st representing George I, II and III, the 2nd King William, the 3rd the Prince of Wales and the Duke of Gloucester (World, 22 Apr.).]Larpent MS lists the parts: Britannia, Genius of England, Hope, Hygeia, Britons.] SCENE I. Cavern of Despairv. SCENE II. White Cliffs of Albionv. SCENE III. Grove of Hygeiav. SCENE IV. Temple of Gratitudev. In which will be displayed those Superb Transparencies which were exhibited at the Opera House, at the Grand Gala given [on 21 Apr.] in Commemoration of his Majesty's Recovery. The Capitals of the Transparencies will be ornamented with rich Festoons of different coloured Lamps, and the intervening Columns beautifully illuminated with variegated Fire. [There were three transparencies: the 1st representing George I, II and III, the 2nd King William, the 3rd the Prince of Wales and the Duke of Gloucester (World, 22 Apr.).]

Dance: End II: The Russian Minuet-the young D'Egvilles, Miss DeCamp; End: a new dance, The Irish Bird@Catchers-the young D'Egvilles, Miss Blanchet, Miss DeCamp

8897
16 December 1789 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. To prevent Confusion Ladies and Gentlemen are requested to send their Servants to keep Places by Half past Four o'Clock. God save the King was sung "by the performers and by the audience five times: twice on the entrance of the King and Queen, once after the Play, twice after the Farce" (World, 19 Dec.). And see 23 Apr. 1790. Account-Book: In the Pit of this Night 525 Persons, this is the greatest Number ever remembered to be in at any One Time. R. P. [i.e. Richard Peake, sub-treasurer]. Receipts: #290 11s. 6d. (279.13.0; 9.18.6; 1.0.0)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Who's the Dupe

Dance: As17891204

8898
26 February 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption, A Sacred Oratorio Selected From The Great And Favourite Works Of handel That Were Performed At His Commemoration, In westminster-abbey And At The pantheon On 26 And 27 May 1784 0; Messiah

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Performance Comment: Ye Sons of Israel-Chorus; Oh! Had I Jubal's lyre-Miss Hagley (Joshua); Jehovah crowned-Reinhold; He comes!-Chorus (Esther); Angels ever bright and fair-Sga Storace (Theodora); Welcome mighty King-Chorus (Saul); March (Judas Maccabaeus)-; In sweetest harmony-Mrs Crouch (Saul); Their Bodies are buried in Peace-Chorus (Funeral Anthem); Dead March (Saul)-; Lord remember David-Kelly (Sosarme); The Sword that's drawn-Reinhold (Occasional Oratorio); God save the King-Chorus (Coronation Anthems).
Cast
Role: Welcome mighty King Actor: Chorus
Role: God save the King Actor: Chorus

Afterpiece Title: Redemption 3

Music: As17900219

8899
17 March 1790 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Second Oboe Concerto-; Hark! 'tis the Linnet-Miss Dall (Joshua); Hence loath'd melancholy!, Come come thou Goddess-Saville (L'Allegro); What Passion cannot Music raise?-Miss Mahon (Dryden's Ode); No more to Ammon's God and King-Chorus; Virtue my soul shall still embrace-Harrison (Jephtha); Hear Jacob's God-Chorus (Samson); O magnify the Lord-Miss Cantelo (Chandos? Anthems); Kings shall be thy nursing fathers-Grand Chorus (Coronation? Anthems).
Cast
Role: No more to Ammon's God and King Actor: Chorus
Role: Kings shall be thy nursing fathers Actor: Grand Chorus

Afterpiece Title: Grand Selection 3

Performance Comment: From harmony-Harrison, Chorus (Dryden's Ode); Hush ye pretty warbling choir-Miss Mahon (Acis and Galatea); Like a bright Cherub-Miss Cantelo, Saville, Harrison (Gideon); With thee the unsheltered moor-Miss Cantelo (Solomon); No more ye infidels, Behold ye nations-Saville; Lord of Eternity, O Baal-Chorus (Deborah); Chastity thou cherub bright-Harrison (Susanna); Haste thee Nymph-Saville, Chorus (L'Allegro); God save the King (Coronation Anthems)-.
Cast
Role: God save the King Actor: .

Music: End II: As17900219; End I: Miserere Mei Deus-, composed by Sg Gregorio Allegri, in the Year 1650, from an authentic Copy brought from Italy by Greatorex. A Translation of this Work (the 51st Psalm in English) will be printed in the Books of the Night

8900
23 March 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption, Selected From The Great And Favourite Works Of handel That Were Performed In westminster-abbey And At The pantheon [on 26 And 27 May 1784] 0; Messiah; Grand Selection 0

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Performance Comment: PART II. Ye sons of Israel-Chorus; O had I Jubal's Lyre-Miss Hagley (Joshua); Jehovah crown'd-Reinhold; He comes-Chorus (Esther); Angels ever bright and fair-Miss Davies (Theodora); Welcome mighty king-Chorus (Saul); March (Judas Maccabaeus)-; In sweetest Harmony-Mrs Crouch, Chorus (Saul); Their Bodies are buried in Peace-Chorus (Funeral Anthem); Dead March (Saul)-; Lord remember David-Spence (Sosarme); The Sword that's drawn-Reinhold (Occasional Oratorio); God save the King-Chorus (Coronation Anthems).
Cast
Role: Welcome mighty king Actor: Chorus
Role: God save the King Actor: Chorus

Afterpiece Title: Redemption 3

Music: End: concerto on the hautboy-W. Parke; End II: concerto violin-Master Clement