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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "John Duke of Bedford"/1) | (@(roleclean,performerclean) "John Duke of Bedford")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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14775 results for: Keyword - John, Duke of Bedford
We found 11402 matches on Author, 2799 matches on Performance Comments, 2237 matches on Event Comments, 654 matches on Performance Title, and 0 matches on Roles/Actors.

13226
26 October 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: The Adventures Of Five Hours

13227
27 October 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: The Villain

13228
01 November 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: The Town Fop Or Sir Timothy Tawdry

13229
01 November 1676 @ Middle Temple

Event Comment: The Duke's Company acted at the Revels on this day, but the play is not known. See A Calendar of the Middle Temple Records, ed. Hopwood, p.177

Performances

13230
December 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. There is no indication of the first date of performance, but a licensing date of 19 Feb. 1676@7 suggests a December 1676 or January 1677 production.Downes (Roscius Anglicanus, p. 38): Titus and Berenice, Wrote by the same Author [Thomas Otway], consisting of 3 Acts: With the Farce of the Cheats of Scapin at the end: This Play, with the Farce, being perfectly well Acted; had good Success

Performances

Mainpiece Title: Titus And Berenice

Afterpiece Title: The Cheats of Scapin

13231
February 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the premiere is not known, but the fact that play was licensed for printing on 23 Feb. 1676@7 suggests a first performance about this time. The play was entered in the Term Catalogues, May 1677. Langbaine (English Dramatick Poets, p. 36) refers to this play as altered from Richard Brome's The Mad Couple

Performances

Mainpiece Title: The Debauchee Or The Credulous Cuckold

13232
02 February 1677 @ Middle Temple

Event Comment: An unnamed play was acted by the Duke's Company. See A Calendar of the Middle Temple Records, ed. Hopwood, p. 177

Performances

13233
12 February 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81. See also Nicoll, Restoration Drama, p. 348. The play has a musical setting by Jeremiah Clarke. There is no certainty that this date represents the premiere, but a certain performance on 14 Feb. 1676@7 suggests that this performance on 12 Feb. 1676@7 is part of the initial run. Very probably the play was repeated on 13 Feb. 1676@7

Performances

Mainpiece Title: Antony And Cleopatra

13234
14 February 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The Diary of Robert Hooke: Grace and Tom at Play Antony and Cleopatra

Performances

Mainpiece Title: Antony And Cleopatra

13235
24 February 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81. See also Nicoll, Restoration Drama, p. 348

Performances

Mainpiece Title: The Siege Of Rhodes Part Ii

13236
12 May 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81, a last, undated entry in a series of plays acted from 28 May 1675 to 12 May 1677. See also Nicoll, Restoration Drama, p. 348. A performance, dated 12 May 1677, is on the L. C. lists at Harvard; see VanLennep, Plays on the English Stage, 1669-1672, p. 12. Downes (pp. 36-37): All the Musick was set by Mr Banister, and being well Perform'd, it answer'd the Expectation of the Company. Two of the songs, with the music by Bannister, are in Choice Ayres and Songs, The Second Book, 1679. The Songs in Circe, published separately in 1677, bears a licensing date of 7 May 1677. The play was licensed 18 June 1677, and entered in the Stationers' Register, 19 June 1677

Performances

Mainpiece Title: Circe

13237
31 May 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@143, p. 162: At the Fond Husband. See also Nicoll, Restoration Drama, p. 349. Downes (Roscius Anglicanus, p. 36): [This comedy and Otway's The Soldier's Fortune] took extraordinary well, and being perfectly Acted; got the Company great Reputation and Profit. One song, Under the branches of a spreading tree, set by William? Turner, is in Choice Ayres and Songs, The Second Book, 1679. For Nokes and Leigh in this play, see Cibber, Apology, ed. Lowe, I, 149. According to The Guardian, 15 June 1713, Charles II attended three of the first five nights of this play

Performances

Mainpiece Title: A Fond Husband Or The Plotting Sisters

13238
08 June 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@143, p. 162. See also Nicoll, Restoration Drama, p. 349. It is likely that this comedy was played on each acting day from 31 May to 8 June 1677

Performances

Mainpiece Title: A Fond Husband

13239
July 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first production is not known, but the licensing of the play on 13 Aug. 1677 suggests a production not later than July 1677. Dedication to edition of 1678: But having...suffer'd so much through the defects of setting off, when it came on the Stage, it dares not now reject any Accomdation the Press cane give it. For (with the Theatres good leave to speak Truth,) it cannot receive greater Disadvantage in the Reading, than it met in the Presenting, The chief Parts Acted by Women; and, for their Ease, and somewhat of decorum, as was pretended, whole scenes left out, and scarcely any one Speech unmangled and entire. As for Adornments, in Habit, Musick, and Scene-Work it was Vacation-time, and the Company would not venture the Charge

Performances

Mainpiece Title: The Constant Nymph Or The Rambling Shepheard

13240
28 July 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@143, p. 162. See also Nicoll, Restoration Drama, p. 349

Performances

Mainpiece Title: The Sullen Lovers Or The Impertinents

Related Works
Related Work: The Married Beau; or, The Curious Impertinent Author(s): John Crowne

13241
September 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first production is not known. As the play was licensed for printing on 2 Nov. 1677, it may have had its First performance in October rather than September

Performances

Mainpiece Title: The Siege Of Babylon

13242
01 November 1677 @ Middle Temple

Event Comment: The Duke's Company acted an unnamed play on this day. See A Calendar of Middle Temple Records, ed. Hopwood, p. 177. Although the payment is dated 13 Feb., it may be a delayed payment for a play on this date

Performances

13243
05 November 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@145, p. 120: The King at ye Tempest. See also Nicoll, Restoration Drama, p. 349

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Philip Kemble

13244
15 November 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@143, p.162. See also Nicoll, Restoration Drama, p. 349. The Diary of Edward Lake, 16 Nov. 1677: This day the court began to whisper the prince's sullennesse, or clownishnesse, that hee took no notice of his princesse at the playe and balle (Camden Miscellany, 1847, I, 9)

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Philip Kemble

13245
17 November 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The play was not printed. This performance is on the L. C. list, 5@145, p. 120. See also Nicoll, Restoration Drama, p. 349. Andrew Marvell to Sir Edw. Harley, 17 Nov. 1677: To-day is acted the first time Sir Popular Wisdom or the Politician, where my Lord Shaftesbury and all his gang are sufficiently personated. I conceive the King will be there (HMC, 14th Report, Appendix, Part II, 1894, Portland MSS., Volume III, p. 357)

Performances

Mainpiece Title: Sir Popular Wisdom Or The Politician

Related Works
Related Work: The Generous Husband; or, The Coffee House Politician Author(s): Charles Johnson

13246
January 1678 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the premiere is not known, but a licensing date of 18 Feb. 1677@8 suggests a premiere not later than January 1677@8. It is possible, however, that this play followed Sir Patient Fancy (17 Jan. 1677@8), as the licensing date of Timon follows that for Sir Patient Fancy. Part of the music for Timon was composed by Louis Grabu and was published, without the singers' names, in Choice Ayres and Songs, 1679. Downes (Roscius Anglicanus, p. 37): Timon of Athens, alter'd by Mr Shadwell; 'twas very well Acted, and the Musick in't well Perform'd; it wonderfully pleas'd the Court and City; being an Excellent Moral

Performances

Mainpiece Title: The History Of Timon Of Athens The Man hater

13247
17 January 1678 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@145, p. 120. See also Nicoll, Restoration Drama, p. 349. There is no certainty that this is the first performance, but a licensing date of 28 Jan. 1677@8 and Mrs Behn's statement in the Preface that she hurried the play into print suggest a premiere not far from this date. Edition of 1678: To the Reader: I Printed this Play with all the impatient haste one ought to do, who would be vindicated from the most unjust and silly aspersion, Woman could invent to cast on Woman; and which only my being a Woman has procured me, That it was Bawdy, the least and most Excusable fault in the Men Writers, to whose Plays they all crowd, as if they came to no other end then to hear what they condemn in this: but from a Woman it was unnaturall. One song, Sitting by yonder river side, with music by Thomas? Farmer, is in Choice Ayres and Songs, The Second Book, 1679

Performances

Mainpiece Title: Sir Patient Fancy

13248
02 February 1678 @ Middle Temple

Event Comment: Although the records are somewhat ambiguous, the Duke's Company possibly acted an unnamed play on this date. See A Calendar of the Middle Temple Records, ed. Hopwood, p. 177

Performances

13249
21 March 1678 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date for this performance is based upon Lump's remark in Act I: "Upon the one and twentieth of March..." Since the dedication bears a date of 16 Feb. 1678@9, the assumption is that the play was first acted on 21 March 1677@8. References in the Prologue also fit the public events of March 1678. Dedication, Edition of 1679: This Play...met not with that Success from the generality of the Audience, which I hop'd for, and you thought, and still think, it deserved

Performances

Mainpiece Title: A True Widow

13250
05 April 1678 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@143, p. 162. An entry for the same play on L. C. list, 5@144, p. 120, with the date 25 April, is possibly an error. See also Nicoll, Restoration Drama, pp. 348-49. There is no indication that this performance is the premiere, but a licensing date of 31 May 1678 suggests a premiere in April 1678

Performances

Mainpiece Title: Friendship In Fashion