SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Johann Wolfgang von Goethe"/1) | (@(roleclean,performerclean) "Johann Wolfgang von Goethe")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 188 matches on Author, 29 matches on Event Comments, 9 matches on Performance Comments, 1 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, adapted from Le Complaisant, by Antoine de Feriol comte de Pont-de-Veyle, and from Clavigo, by Johann Wolfgang von Goethe. It has been attributed to John Fenwick (Genest, VII, 360-61; London Chronicle, 14 Feb. 1798). But for Holcroft's acknowledgment of authorship see his Life, ed. Elbridge Colby, 1925, II, 170. Author of Prologue unknown. Epilogue by the author (Knapp, p. 88)]. Times, 12 Apr. 1798: This Day will be published He's Much to Blame (2s.). "Mrs Mattocks has of late habituated herself to a constant titter, which destroys the effect of her best scenes" (Times, 14 Feb.). Receipts: #249 1s. (240.5; 8.16)

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Joan of Arc

Event Comment: Benefit for Pope. 1st piece [1st time; D 4. Larpent MS 1249; not published synopsis of plot in Universal Magazine, Apr. 1799, p. 273]: Translated from [Der Graf von Burgund, by August Friedrich Ferdinand von? Kotzebue (Author of The Stranger, Lover's Vows, &c.) by Miss Anne? Plumptre, and adapted to the English Stage by Alexander? Pope. Morning Chronicle, 25 26 Mar.: Tickets to be had of Pope at his house, No. 5, Half Moon-street, Piccadilly. [This was Mrs Abington's last appearance on the stage.] "The perpetuated evidence of youth was in character with her person and her powers; the slimness of her figure, the fulness of her voice, the freshness of her spirits, the sparkle of her eye, and the elasticity of her limbs, savoured alike of a juvenility that puzzled the mind, whilst it pleased it: of her it was justly said that 'she had been on the stage thirty years; she was one-and-twenty when she came, and one-and-twenty when she went!'" (John Bernard, Retrospections of the Stage, 1830, II, 228-29). Receipts: #334 19s. 6d. (194.1.0; 2.5.0; tickets: 138.13.6)

Performances

Mainpiece Title: The Count Of Burgundy

Performance Comment: Principal Characters by Pope, Munden, Murray, Hull, Clarke, Davenport, Thompson, Claremont, Abbot, Miss Chapman, Mrs Davenport, Mrs Pope. [Cast from Larpent MS: Henry-Pope; Chevalier Walter von Blonay-Munden; Brother Peter-Murray; Chevalier Cuno von Hallwyl-Hull; Count Hugo von Werdenberg-Clarke [in MS: Whitfield]; Bruno-Davenport; Benedict-Thompson; Guido-Claremont [in MS: Gilbert]; Nicholas-Abbot; Matilda-Miss Chapman; Gertrude-Mrs Davenport; Elizabeth-Mrs Pope.
Related Works
Related Work: The Count of Burgundy Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: Netley Abbey

Song: End: Black Ey'd Susan-Incledon; End 2nd piece: The Mid Watch-Incledon

Event Comment: 2nd piece [1st time; MD 5, by George Holman, based on Die Rauber, by Johann Christoph Friedrich von Schiller. Prologue by John Taylor (Poems, I, 65)]: With new Scenery, Dresses and Decorations. The Musick composed by Attwood, and selected from Dr Arnold, Callcott, and Mozart. Books of the Songs to be had at the Theatre. Morning Chronicle, 4 Sept. 1799;: This day is published The Red Cross Knights (2s.). Ibid, 22 Aug.: It was remarked from its extreme length and the frequent fall of the drop scene that it was a play in ten acts instead of five--indeed this method of preparing for a new scene disjoints the business, and of course tends greatly to injure the effect

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Red-Cross Knights

Related Works
Related Work: The Red-Cross Knights Author(s): Johann Christoph Friedrich von Schiller

Afterpiece Title: The Purse

Event Comment: Mainpiece [1st time; C 5, usually ascribed to Thomas Holcroft, but probably by James Marshall; adapted from Trau, Schau, Wem! (later entitled Der Gasthof), by Johann Christian Brandes. Authors of Prelude and Epilogue unknown]. Account-Book, 23 Nov.: Paid Marshall, author, in full, #99 8s. [not the actor, engaged at cg this season, whose Christian name was Thomas]. Diary, 23 Nov. 1790: This Day is published The German Hotel (1s. 6d.). Receipts: #179 14s. (166.4; 13.10)

Performances

Mainpiece Title: The German Hotel

Related Works
Related Work: The German Hotel Author(s): Johann Christian Brandes

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Event Comment: Mainpiece [1st time; C 5, usually ascribed to Thomas Holcroft, but probably by James Marshall; adapted from Trau, Schau, Wem! (later entitled Der Gasthof), by Johann Christian Brandes. Authors of Prelude and Epilogue unknown]. Account-Book, 23 Nov.: Paid Marshall, author, in full, #99 8s. [not the actor, engaged at cg this season, whose Christian name was Thomas]. Diary, 23 Nov. 1790: This Day is published The German Hotel (1s. 6d.). Receipts: #179 14s. (166.4; 13.10)

Performances

Mainpiece Title: The German Hotel

Related Works
Related Work: The German Hotel Author(s): Johann Christian Brandes

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Event Comment: Mainpiece [1st time; D 5, by Benjamin Thompson, altered from Menschenhass und Reue, by August Friedrich Ferdinand von Kotzebue. Prologue by William Linley; Epilogue by Matthew Gregory Lewis (European Magazine, Mar. 1798, p. 260)]: With new Scenes, Dresses, &c. With Musick [by Thomas Shaw]. "Mrs Siddons was succesful in all the impassioned parts; but she cannot sustain a mixed character. She is the Muse of Tragedy herself, and when she descends from her lofty state to the level of familiar dialogue, she instantly ceases to astonish and we to admire" (Monthly Mirror, Apr. 1798, p. 234). "The dialogue must be considerably abridged, as well for the purpose of preserving the interest of the piece, as for shortening the time of representation, which is at least an hour too long, it being half past ten before the curtain dropt" [see 26 Mar.] (Morning Herald, 26 Mar.). Receipts: #420 7s. 6d. (378.11.6; 40.18.0; 1.8.0)

Performances

Mainpiece Title: The Stranger

Related Works
Related Work: The Stranger Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: The Prize

Song: Incidental: Vocal Parts-Mrs Bland, Miss Leak their songs; To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Incidental to mainpiece: Principal Dancer-Sga Bossi DelCaro. [These were the same in all subsequent performances, except on 5 May.

Event Comment: 2nd piece [1st time; C 3, by Thomas John Dibdin, altered from Die Versohnung, by August Friedrich Ferdinand von Kotzebue. Author of Prologue unknown. Epilogue by the author (see text)]: With new Scenery, Dresses, &c. [3rd piece in place of The Old Cloathsman, advertised on playbill of 6 Apr.] Receipts: #180 3s. (177.1; 3.2)

Performances

Mainpiece Title: Fun And Frolic

Afterpiece Title: The Birth Day

Related Works
Related Work: The Birth Day Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: The Magic Oak

Event Comment: Mainpiece [1st time; T 5, by Richard Brinsley Sheridan, adapted from Die Spanier in Peru, by August Friedrich Ferdinand von Kotzebue. Prologue by Richard Brinsley Sheridan (consisting of the 1st 30 lines and the concluding couplet of his Prologue to The Miniature Picture); Epilogue by the Hon. William Lamb (see text). For publication see 1 July]: The Scenery, Dresses, and Decorations entirely new. The Musick, Airs and Chorusses incidental to the Piece composed and selected [from Gluck, Sacchini, &c. (Morning Chronicle, 25 May)] by Kelly. The Symphony preceding the Play, and those between the Acts, composed for the occasion by Dussek. The Scenery designed and executed by Marinari, Greenwood? Jun, Demaria, Banks, Blackmore, &c. [See Theatre Notebook, XX, 30-32, for suggestion that one scene was designed by DeLoutherbourg.] The Machinery, Decorations, and Dresses under the direction of Johnston, and executed by him, Underwood, and Gay. The Female Dresses designed and executed by Miss Rein. Account-Book, 14 May: Paid Miss Anne? Plumtree [i.e. Plumptree] for Spaniards in Peru #25. [It was this translation of Kotzebue's play that Sheridan adapted for the stage as Pizarro. For an account of the relationship between the translation and its adaptation see Marcella Gosch, "'Translators' of Kotzebue in England," Monatshefte fur deutschen Unterricht, XXXI, 178-83.] Paid Johnston [on this and other days] for sundries for Pizarro #135 14s. "It requires certainly more than English patience and spirits to sustain any Play of five hours in length. It is not one of the worst features of Pizarro that it contains a great deal which may be spared, without injury to the piece [see 25, 27 May]" (Morning Chronicle, 25 May). Receipts: #540 3s. 6d. (406.0.6; 17.5.0; 0.4.0; tickets sold by Fosbrook's Office: 116.14.0)

Performances

Mainpiece Title: Pizarro

Related Works
Related Work: Pizarro Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: My Grandmother

Song: Vocal Parts-Kelly, Sedgwick, Dignum, Trueman, Danby, Brown, Cook, Tett, Caulfield Jun., Sawyer, Danby Jun., Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Crouch, Ms DeCamp, Ms Stephens, Ms Leak, Ms Dufour, Ms Arne, Ms Menage, Ms Roffey, Ms Menage Jun., Ms Jackson, Ms Wentworth, Ms Chippendale, Ms Jacobs, Ms Butler, Ms Bowyer, Ms Williams, Ms Saunders, Ms Gaudry, Ms Benson, Mrs Illingworth, Mrs Coates

Performances

Mainpiece Title: The Red-cross Knights

Related Works
Related Work: The Red-Cross Knights Author(s): Johann Christoph Friedrich von Schiller

Afterpiece Title: The Follies of a Day

Performances

Mainpiece Title: The Red-cross Knights

Related Works
Related Work: The Red-Cross Knights Author(s): Johann Christoph Friedrich von Schiller

Afterpiece Title: High Life below Stairs

Dance: In II afterpiece: Mock Minuet-Palmer, Miss DeCamp

Performances

Mainpiece Title: The Red-cross Knights

Related Works
Related Work: The Red-Cross Knights Author(s): Johann Christoph Friedrich von Schiller

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: The Red-cross Knights

Related Works
Related Work: The Red-Cross Knights Author(s): Johann Christoph Friedrich von Schiller

Afterpiece Title: Fortune's Frolick

Performances

Mainpiece Title: The Red-cross Knights

Related Works
Related Work: The Red-Cross Knights Author(s): Johann Christoph Friedrich von Schiller

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: The Red-cross Knights

Related Works
Related Work: The Red-Cross Knights Author(s): Johann Christoph Friedrich von Schiller

Afterpiece Title: My Grandmother

Performances

Mainpiece Title: The Castle Of Sorrento

Afterpiece Title: The Red-Cross Knights

Related Works
Related Work: The Red-Cross Knights Author(s): Johann Christoph Friedrich von Schiller
Event Comment: 2nd piece [1st time; C 5, by Prince Hoare, adapted from Armuth und Edelsinn, by August Friedrich Ferdinand von Kotzebue. Prologue by John Taylor (see text). Epilogue by the author (London Chronicle, 21 Aug. 1799)]. Morning Chronicle, 14 Aug. 1799: This Day is published Sighs (2s.)

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: Sighs; or, The Daughter

Performance Comment: [Characters by Suett, Fawcett, C. Kemble, Barrymore, Chippendale, Palmer, Miss DeCamp, Mrs Gibbs, Mrs Davenport, Mrs Bland. Cast from text (Machell Stace [et al], 1799): Von Snarl-Suett; Tilman Totum-Fawcett; Adelbert-C. Kemble; Leopold-Barrymore; Nicolas-Chippendale; Hans William-Palmer; Josephine-Miss DeCamp; Louisa-Mrs Gibbs; Mrs Rose-Mrs Davenport; Ellen-Mrs Bland; Prologue-C. Kemble; Epilogue-Fawcett, Mrs Gibbs. [These were spoken, as here assigned, at all subsequent performances, except on 14 Aug.]These were spoken, as here assigned, at all subsequent performances, except on 14 Aug.]
Cast
Role: Von Snarl Actor: Suett

Afterpiece Title: The Purse

Song: not listed in playbill; see17990824: In II 2nd piece: 'Twas in the solemn mid@night hour-Mrs Bland

Performances

Mainpiece Title: The German Hotel

Related Works
Related Work: The German Hotel Author(s): Johann Christian Brandes

Afterpiece Title: Robin Hood

Performances

Mainpiece Title: The German Hotel

Related Works
Related Work: The German Hotel Author(s): Johann Christian Brandes

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: The German Hotel

Related Works
Related Work: The German Hotel Author(s): Johann Christian Brandes

Afterpiece Title: Annette and Lubin

Afterpiece Title: The Death of Captain Cook

Performances

Mainpiece Title: The German Hotel

Related Works
Related Work: The German Hotel Author(s): Johann Christian Brandes

Afterpiece Title: Robin Hood

Performances

Mainpiece Title: The German Hotel

Related Works
Related Work: The German Hotel Author(s): Johann Christian Brandes

Afterpiece Title: Cymon

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The German Hotel

Related Works
Related Work: The German Hotel Author(s): Johann Christian Brandes

Afterpiece Title: A Divertisement

Dance: As17901123

Performances

Mainpiece Title: The German Hotel

Related Works
Related Work: The German Hotel Author(s): Johann Christian Brandes

Afterpiece Title: A Divertisement

Dance: As17901123

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The German Hotel

Related Works
Related Work: The German Hotel Author(s): Johann Christian Brandes

Afterpiece Title: The Midnight Hour

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The German Hotel

Related Works
Related Work: The German Hotel Author(s): Johann Christian Brandes

Afterpiece Title: Robin Hood