Event Comment: Mainpiece [1st time; C 5, usually ascribed to Thomas Holcroft, but probably by James Marshall; adapted from Trau, Schau, Wem! (later entitled Der Gasthof), by Johann Christian Brandes. Authors of Prelude and Epilogue unknown]. Account-Book, 23 Nov.: Paid Marshall, author, in full, #99 8s. [not the actor, engaged at cg this season, whose Christian name was Thomas]. Diary, 23 Nov. 1790: This Day is published The German Hotel (1s. 6d.). Receipts: #179 14s. (166.4; 13.10)

Event Comment: Mainpiece [1st time; MD 5, by James Boaden. Prologue and Epilogue by the author (see text). In 1796 acted at CG reduced by the author to 4 acts]: With new Scenes and Dresses. Morning Herald, 14 Apr. 1794: This Day is published FONTAINVILLE FOREST (1s. 6d.). [Afterpiece in place of THE HIGHLAND REEL, advertised on playbill of 24 Mar.] Receipts: #263 19s. 6d. (251/5/6; 12/14/0)

Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Event Comment: Afterpiece [1st time; BALL. P 2, by James Byrn. Synopsis of action, somewhat enlarged from that on playbill (H. Macleish, 1794)]: The Music partly new by Shield, and partly selected from Haydn, Mazzinghi, Gluck, Baumgarten, Gretry, Martin? y Soler, Dezede, Eley. With a new Overture for a Double Orchestra composed by Reeve. The Scenery, Machinery, Dresses and Decorations are entirely New. The Scenery painted by Hodgins, Walmsley, Phillips and Lupino Jun., assisted by Hollogan, Byrn, &c. The Dresses chiefly designed by Lupino Sen., and executed under the direction of Dick. "This ballet [is] the most magnificent exhibited on the English stage for many years" (Universal Magazine, Nov. 1794, p. 378). Receipts: #136 13s. 6d. (123.12.6; 13.1.0)

Event Comment: Mainpiece [1st time; CO 3, by James Hook Jun. Larpent MS 1065; not published; synopsis of plot in Pocket Magazine, May 1795, p. 334]: The Musick composed by Hook? Sen. The Scenes, Dresses, Decorations and Machinery are entirely new. The Scenery of the Opera designed and painted by Greenwood and Capon. The Masque and Decorations by Marinari. The Machinery by Cabanel and Jacobs.The Dresses by Johnston and Miss Rein. Books of the Songs to be had in the Theatre. [Afterpiece in place of The Adopted Child, advertised on playbill of 5 May.] Receipts: #269 8s. (213.0.6; 53.16.0; 2.11.6)

Event Comment: Afterpiece [1st time; BALL. P 1, by James Byrn. Performed in place of Windsor Castle, advertised on playbill of 11 May]: The Overture and new Music composed, and the rest compiled, by W. Parke. "It being thought, by some, intended to treat the Clergy with disrespect, produced much disapprobation. The next night [20 May], when given only as an Interlude, it met with better success" (Oulton, 1796, II, 177). Receipts: #158 12s. (152.8. 6.4)

Event Comment: 1st piece [1st time; MD 5, by James Boaden, based on Herman von Unna, by Anders Fredrik, Count Skjoldebrand. Prologue by John Litchfield. Epilogue by the author (see text)]: In the course of the Play, the Customs of the Tribunal in the Citation of the Offender-the Leading away to Judgement-the Habits and mysterious Signs of the Ministers of Vengeance, will be given with Accuracy. In the last Act, the awful Assembly of the Free Judges at Midnight, with the Ceremonies of the Trial-elucidating an Institution, which, by Secrecy and Certainty of its Judgements, produced many alarming Events in the 15th Century, throughout the Germanic Empire. Morning Herald, 20 June 1795: This Day is published The Secret Tribunal (2s.). Receipts: #93 11s. (82.19; 10.12)

Event Comment: 1st piece: In one Act [i.e. reduced from the original two]. 2nd piece: Compressed into four Acts by the Author [James Boaden]. Receipts: #217 0s. 6d. (210.19.6; 6.1.0)

Event Comment: [First two pieces in place of The Regent, advertised on playbill of 18 Feb.] The Publick are most repectfully informed that on account of Mrs Siddons's illness The Regent cannot be acted this evening, and that the Performances will be [as above]. 3rd piece [1st time; MF 2, by James Cobb. Larpent MS 1111; not published]: Books of the Songs to be had in the Theatre. Receipts: #398 8s. 6d. (275.5.6; 115.14.6; 7.8.6)

Event Comment: Mainpiece: Not acted these 6 years [acted 7 Oct. 1791]. Middleton, after performing the first scene of Nerestan, retired abruptly into the wardrobe, pulled off his coat, and telling the dresser he should be back in ten minutes, left the theatre; he did not return, however, according to his appointment, and Davenport read the remainder of the character: a fit of insanity is supposed to have seized him" (Monthly Mirror, Jan. 1797, p. 55). [Middleton did not appear on the stage again until 27 Feb. 1797.] Afterpiece [1st time: P 2 (?), by James Wild and John Follett. MS of Songs only: Larpent MS 1148; synopsis of action in Pocket Magazine, Dec. 1796, p. 412]: With entire new Scenery, Machinery, Music, Dresses. The Overture and Music by Reeve. The Scenery painted by Phillips, Blackmore, Hollogan, Thorne, Byrn. The Machinery, Trick and Changes of Scenery invented and executed by Cresswell and Sloper. The Dresses by Dick, Mrs Egan. Books of the Songs to be had at the Theatre. "Among the changes are a trunk into a gingerbread nut-man's wheel-barrow--a poor man's hut into an old oak, with a group of Gypsies boiling their kettle under it--one of the clowns into a thick candle, and the candle afterwards into a green-house tub, with a large shrub in it" (Oracle, 20 Dec.). Receipts: #193 5s. 6d. (183.4.6; 10.1.0)

Event Comment: 2nd piece [1st time; MD 3, by James Boaden]: With new Musick, Scenery, Dresses, and Decorations. The Overture and Musick by Dr Arnold. The Scenery by Marinari, Rooker, &c. Morning Herald, 26 Aug. 1797: This Day is published The Italian Monk (2s.)

Event Comment: Afterpiece [1st time; F 2, by Samuel Birch, based on James Powell's unacted play, The Narcotic, 1787; incidental music by Thomas Attwood (see 28 Nov.). Larpent MS 1182; not published; synopsis of plot in Morning Chronicle, 30 Oct.]. Receipts: #309 19s. 6d. (222.7.6; 86.1.0; 1.11.0)

Event Comment: 2nd piece [1st time; MD 3, by James Boaden; some of the songs written by George Colman, ynger]: With new Musick, Scenes, Dresses, and Decorations. The new Musick by Dr Arnold. With an appropriate Overture, accompanied by two Pedal Harps and the Union Pipes, by Weippert, C. Jones, and Murphy. The Scenery by Marinari. The Dresses and Decorations designed by A. Johnston, and executed by him and Mrs Egan. Books of the Songs to be had at the Theatre. "Any exertion of impartial criticism to check the prevalent taste for the marvellous and the horrific which so wantonly conjures up the spirit (it was once thought had been for ever laid) of gross superstition and Gothic barbarism must, we fear, prove at present unavailing" (Times, 23 July). Morning Chronicle, 30 July 1798: This Day is published Cambro-Britons (2s.)

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text: T. N. Longman and O. Rees, 1800. Miss Waters is identified in the Songs]: The Scenes, Music, Machinery, Dresses, and Decorations are all entirely new. The Music composed by Mazzinghi and Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, Backmore, &c. [based on drawings of Indian scenery by Thomas Daniell]. The Machinery and Decorations by Cresswell, Sloper, Goostree, &c. The Dresses by Dick and Mrs Egan. Books of the Songs, also describing the Scenes and Spectacle of the Return from the Tiger Hunt, to be had at the Theatre, price six pence. "The whole [forms] an exhibition of the utmost grandeur...The expense attending the decoration must have been immense...The dailogue is certainly not of the first description of writing, but it forms, on the whole, a very safe vehicle for some of the best music the English stage has for some time been able to boast"(Morning Herald, 13 Nov.). Account-Book, 27 Dec.: Paid Cuthbert for Wheels, &c. for the Elephants #13 18s. Receipts: #364 7s. 6d. (363.19.6; 0.8.0)

Event Comment: Mainpiece [1st time: MD 5, by James Boaden]: With new Musick [by Michael Kelly], Dresses, and Decorations. [Scenery by Capon (Theatre Notebook, XIX, 14).] Morning Chronicle, 16 Jan. 1799: This Day is published Aurelio and Miranda (2s.). Receipts: #271 16s. (218.15.0; 51.19.6; 1.1.6)

Event Comment: Mainpiece [1st time; T 5, by Henry James Pye. Prologue by William Sotheby; Epilogue by John Taylor (see text)]: With new Dresses and Decorations. "From the first drawing up of the curtain, till its final fall, we could not discover one single flight of fancy, one solitary scene of woe...It is but justice to add that for a first night the performers, with the exception of Barrymore, were very perfect in their respective parts [and see 27 Jan.]" (Dramatic Censor, I, 175, 181). Receipts: #309 13s. (246.4.6; 61.0.6; 2.8.0)

Event Comment: 2nd piece [1st time; MF 2, by James Cobb. Text (unauthorized), Dublin: P. Byrne [1800]; synopsis of plot in Dramatic Censor, II, 135-36]: With new Scenes, Dresses and Decorations. The Overture composed by Mazzinghi, and the Music by Mazzinghi and Reeve. The Scenes painted by Phillips, Lupino, Hollogan, Hodgins, &c. Books of the Songs to be had in the Theatre. Receipts: #132 17s. (128.7.6; 4.9.6)

Event Comment: 2nd ballet: With entire new Scenes, Dresses and Decorations, the Scenes designed by Marinari, and executed by himself and others under his direction; the Dresses by Sestini; the Stage Decorations by Johnston of the Theatre-Royal, Drury-lane. "Telemaque is the same as that produced by Dauberval at Bordeaux, as to the management of the story the story on the stage; but the Dances are the composition of Degville. The music is [compiled by D'Egville and Bossi] from Haydn, Pleyel, Sacchini, Gluck, Schulz, Moreau" (Morning Chronicle, 27 Mar.). [Synopsis of action in London Chronicle, 27 Mar.

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Larpent MS 961; not published; synopsis of plot in Universal Magazine, Nov. 1792, p. 393]: The Scenes entirely new, designed and executed by Greenwood. With new Dresses and Decorations. The Music composed principally by Storace, with a few Pieces selected from Anfossi, Bianchi and [La Bella Pescatrice, by] Guglielmi. Books of the Songs to be had at the Theatre. The Doors to be opened at 5:15. To begin at 6:15 [see 15 Apr. 1793]. "The dialogue of operas now a days is thought of little consequence, and in this instance, the author has certainly strictly adhered to that opinion; however, by the aid of Painter, Composer, Taylor and Performers [The Pirates] will certainly long continue to attract admiration" (Thespian Magazine, Jan. 1793, p. 169). Receipts: #359 10s. 6d. (336.6.6; 23.0.0; 0.4.0)

Event Comment: Benefit for the late Ray, G: Burton, Harvey, Harrison. No building on stage. Tickets deliver'd out by the Late Mr Ray will be taken. Receipts: #140 (Cross)

Event Comment: Benefit for Lacey and Wilder. Tickets deliver'd out by Ward, Harvey, and Mrs Addison will be taken. Receipts: #170 (Cross)