SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J H Meister"/1) | (@(roleclean,performerclean) "J H Meister")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1146 matches on Performance Comments, 517 matches on Event Comments, 97 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Not acted these 3 years. With new Dresses and Decorations. The Characters dressed in the Habits of the Times. [Palmer Jun. was from the hay.] "It is necessary to remind both Macbeth and his Lady that there is a measured declamation, of which the natural utterance of passion knows nothing, and that words and syllables may be divided and subdivided till the fatigue of the ear overcome every other feeling...Between the first and second acts Ca ira was loudly called for from the pit and gallery. The clamour, after preventing the first part of the second act from being heard, subsided as unaccountably as it rose. The performers, in compliance with an admonition from the pit, began the act again, and proceeded without further interruption" (Morning Chronicle, 20 Feb.). "In Macbeth there was too much that was not Shakespeare, too much bad taste and shabbiness in the costumes of the witches, and all in all too much claptrap. He found it insufferable that Banquo should take the part of his own ghost and felt that the audience should behold the specter only in Macbeth's terror, as was the case with the banquet guests. 'Mr Kemble has desired on several occasions to suppress the ghost,' Meister says, 'but has never had the courage to do so.'" (J. H. Meister quoted in J. A. Kelly, 134). For Kemble's eventual courage in this matter see dl, 21 Apr. 1794.] Receipts: #425 6s. (383.2; 40.4; 2.0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Virgin Unmask'd

Song: In: The original Music by Matthew Locke, with full Chorusses and additional Accompaniments-Bannister, Sedgwick, Dignum, Danby, Maddocks, Caulfield, Cooke, Alfred, Shaw, Lyons, Mrs Bland, Mrs Edwards, Miss Hagley, Miss DeCamp, Mrs Shaw, Mrs Edwin, Mrs Butler, Mrs Bramwell, Mrs Gawdry, Miss Kirton

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Gentleman Gardiner

Dance: J. Granier, J. Granier's sister

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: The Lying Valet

Dance: J. Granier, J. Granier's sister; by Particular Desire the Drunken Peasant-Phillips

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The King and Miller

Dance: J. Granier, J. Granier's Sister; also the Drunken Peasant-Phillips

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Damon and Phillida

Dance: J. Granier, J. Granier's Sister

Performances

Mainpiece Title: The Committee

Afterpiece Title: Damon and Phillida

Dance: J. Granier, J. Granier's Sister

Performances

Mainpiece Title: The Fatal Legacy

Performances

Mainpiece Title: La Calamita Di Cuori

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: Second Thought is Best

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Devil to Pay

Dance: Comic Dancing-Master J. and Miss Granier

Performances

Mainpiece Title: La Frascatana

Dance: End I: A New Divertissement-

Ballet: End Opera: Telemaque (As composed by D'Auberval; under the direction of J. D'Egville; 1st time in London). Telemaque-Didelot; Mentor-D'Egville; Cupid-Master Menage; Calypso-Mme Rose Didelot; Eucharis-Mme Hilligsberg; Venus-Mme Laborie; Elise-Mlle J. Hilligsberg; Zelie-Mme D'Egville

Performances

Mainpiece Title: I Zingari In Fiera

Dance: End I: Le Mariage Mexicain, as18000225; End Opera: a new Ballet (1st time; composed by D'Egville) Hyppomene et Atalante-Deshayes, Laborie, Didelot, D'Egville, Mlle Parisot, Mme Laborie, Mme Hilligsberg, Mlle J. Hilligsberg, Mme Rose Didelot. [Cast from dl playbill of 14 May 1800 (and see18000322 Hyppomenus-Deshayes; +Adrastus-Laborie; +Pelus-Didelot; +Atalante-Mlle Parisot; +Zelie-Mme Laborie; +Clitie-Mme Hilligsberg; +Sererine-Mlle J. Hilligsberg.

Performances

Mainpiece Title: Concert

Music: Several choiceConcertos-the Youth [J. Clegg][, never perform'd in Publick; [particularly, Concert of Vivaldi's called La Temista di Mare-; Solo-Mr Kitch; Solo Song [out of the Opera of Julius Caesar. Song Part-Mr Kitch; Violin-the Youth; [as done by Sig Castrucci in the Opera, Solo [of Sig Germiniani's-the Youth

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Afterpiece Title: The Gentleman Gardiner

Dance: Mr J. Granier, J. Granier's sister

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Phoebe

Song: III: a Ballad call'd Lothario-Miss Norris

Dance: Comic Dance-J. Granier, J. Granier's Sister

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Afterpiece Title: Flora

Dance: I: Comic Dance-J. Granier, J. Granier's Sister

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Afterpiece Title: Phoebe

Song: Between the acts: Miss Young

Dance: I: Comic Dance-J. Granier, J. Granier's Sister

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Colombine Courtezan

Dance: Phillips, J. Granier, J. Granier's Sister, others; particularly (by desire) a Minuet-LaLauze, two of LaLauze's scholars

Performances

Mainpiece Title: The Careless Husband

Song: I: Lothario-Miss Falkner; II: The Truly Happy Man-Leveridge; IV: Mirth Gives Courage-Leveridge

Dance: V: Comic Dance-J. Granier, J. Granier's Sister

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The King and Miller

Song: IV: The Smiling Hours-Roberts

Dance: V: Comic Dance-J. Granier, J. Granier's Sister

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: [Miss in Her Teens

Dance: [I: A Peasant Dance-Master Granier, Miss Granier; III: Comic Dance-J. Granier, J. Granier's Sister

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Afterpiece Title: The Devil to Pay

Dance: III: Villeneuve, Mlle DeLaCointrie her 2nd appearance on English Stage; IV: Comic Dance-J. Granier, J. Granier's Sister; End: Louvre and Minuet-Villeneuve, a Young Lady Scholar of Villenueve

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Dance: I: Comic Dance-J. Granier, J. Granier's sister; II: A New Scotch Dance, in which will be introduced by Particular Desire the Scotch Measure, the Highland Reel-Froment, Mad DeLaCointrie; V: Minuet-Froment, Mad DeLaCointrie

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Damon and Phillida

Song: A Dialogue of Jack and Jenny-Wilder, Miss Falkner

Dance: CComic Dance-J. Granier, J. Granier's Sister

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Damon and Phillida

Dance: Master J. Granier, Master J. Granier's Sister