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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J "/1) | (@(roleclean,performerclean) "J ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2740 results for: Keyword - J
We found 2783 matches on Roles/Actors, 876 matches on Performance Comments, 447 matches on Event Comments, 94 matches on Performance Title, and 12 matches on Author.

651
18 May 1799 @ Covent Garden

Event Comment: Benefit for Townsend and Mrs Johnson. 3rd piece [1st time in London; F 1, by William Dunlap]: Performed with distinguished Applause at the John St.? Theatre, New York [on 9 Jan. 1797]; compressed into one act [from two], and adapted for the English Stage by a Gentleman [perhaps the author]. "Commencing at half past eleven o'clock, and after a tiresome variety of other entertainments, the audience thought they had had enough for their money, and demanded the fall of the curtain before the conclusion of [Tell Truth and Shame the Devil]" (Monthly Mirror, June 1799, p. 367). Morning Chronicle, 8 May: Tickets to be had of Townsend, No. 9, Leicester-place. [Mrs Johnson not listed.] Receipts: #442 17s. 6d. (108.1.0; 1.11.0; tickets: 333.5.6, of which Townsend sold 218.2.0; Mrs Johnson 115.3.6)

Performances

Mainpiece Title: The Iron Chest

Performance Comment: As17990423, but Fitzharding-Johnson (from the Park? Theatre, New York; 1st appearance on this stage); Samson (1st time)-Townsend; Helen (for that night only)-Mrs Johnson; Chorus of Robbers-_; Chorus of Servants-_.

Afterpiece Title: Catherine and Petruchio

Performance Comment: As17990316but Catherine (for that night only)-Mrs Johnson.

Afterpiece Title: Tell Truth and Shame the Devil

Performance Comment: Principal Characters-H. Johnston, Murray, Johnson, Mrs Litchfield. [Probable cast: Tom Holton-H. Johnston; +Whitely-Murray; +Semblance-Johnson (see , Annals of the New York Stage, 1927, I, 429); Susan-Mrs Litchfield. Text $T. and J. Swords">George C. D. Odell, Annals of the New York Stage, 1927, I, 429); Susan-Mrs Litchfield. Text $T. and J. Swords, New York, 1797) lists the American cast.]

Song: End: Mad Tom-Betts (1st appearance on the stage); Young William-Incledon; The Golden Days-Munden; The Tight Little Island-Townsend; The Wind blew fresh and fair-Townsend

Music: End I 1st piece: Concerto Clarionet-Orsato (of the Theatre Royal Venice; 1st appearance in this Metropolis); a duetto solo by means of the Pression and Repercussion of the Air-Orsato This his curious Discovery has received the greatest Applause in most of the Courts

652
20 June 1799 @ Haymarket Theatre

Event Comment: [Mainpiece in place of Family Distress, advertised on playbill of 19 June.

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: Inkle-Johnstone; Sir Christopher Curry-Aickin; Medium-Davenport; Campley-Davies; Mate-Clarke; Waiter-Chippendale; Planters-Usher, J. Palmer, Abbot; Sailors-Ledger, Lyons, Linton; Trudge-Fawcett; Narcissa-Mrs Edward; Wowski-Mrs Bland; Patty-Mrs Gibbs; Yarico-Miss Chapman.

Afterpiece Title: Fortune's Frolick

Performance Comment: Characters by Fawcett, Davenport, Clarke, Chippendale, Abbot, Lyons, Palmer, Mrs Davenport, Mrs Edward, Mrs Gibbs. Cast from text (James Ridgway, 1799): Robin Rough@head-Fawcett; Snacks-Davenport; Mr Frank-Clarke; Clown-Chippendale; Servant-Abbot; Villager-Lyons; Rattle-Palmer; Margery-Mrs Davenport; Miss Nancy-Mrs Edward; Dolly-Mrs Gibbs.

653
25 June 1799 @ Haymarket Theatre

Performances

Mainpiece Title: The Flitch Of Bacon

Performance Comment: Captain Greville-Johnstone; Major Benbow-Davenport; Capt. Wilson-Bannister; Justice Benbow-Usher; Kilderkin-Ledger; Ned-Abbot; Putty-Chippendale; Tipple-Suett; Eliza-Mrs Edward.

Afterpiece Title: Ways and Means

Performance Comment: Sir David Dunder-Fawcett; Young Random-Caulfield; Scruple-Davies; Old Random-Aickin; Roundfee-Suett; Quirk-Wathen; Carney-Abbot; Peery-Waddy; English Waiter-Lyons; French Waiter-Abbot; Passengers-Clarke, J. Palmer, Ledger; Tiptoe-Palmer; Lady Dunder-Mrs Davenport; Harriet-Miss Heard; Mrs Peery-Mrs Hale; Passengers-Ms Jones, Ms Gaudry, Ms Haskey; Kitty-Mrs Gibbs.

Afterpiece Title: Fortune's Frolick

Performance Comment: As17990620.

654
05 August 1799 @ Haymarket Theatre

Event Comment: Benefit for Mrs Gibbs. Afterpiece [1st time; F 2, by Andrew Franklin. Larpent MS 1264; not published; synopsis of plot in Morning Post, 6 Aug.]

Performances

Mainpiece Title: The Heir At Law

Performance Comment: As17990708.

Afterpiece Title: Gander Hall

Performance Comment: Characters-Fawcett, Suett, Palmer, Wathen, Trueman, J. Palmer, Abbot, Chippendale, Mrs Davenport, Miss Menage, Mrs Gibbs. [Larpent MS lists the parts: Bustle, Sir Gregory Gander, Lord Froth, Raymond, Thomas, Waiter, Clown, Servant, Lady Gander, Charlotte, Susan.]Larpent MS lists the parts: Bustle, Sir Gregory Gander, Lord Froth, Raymond, Thomas, Waiter, Clown, Servant, Lady Gander, Charlotte, Susan.]

655
09 December 1799 @ Covent Garden

Event Comment: In I a Grand Masquerade. The Doors to be opened at 5:15. To begin at 6:15 [see 29 Apr. 1800]. Receipts: #180 11s. 6d. (175.8.0; 5.3.6)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17991007, but Romeo-C. J. Macartney (from the Theatre Royal, Edinburgh and Theatre Royal, York; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: A Divertisement

Performance Comment: Speaking Characters-Incledon, Waddy, Townsend, Emery, Simmons, Claremont, Rees, Mrs Martyr, Mrs Mills. Cast adjusted from playbill of 16 Mar. 1799: Thicket-Incledon; Capt. Frederick-Waddy; Clueline-Townsend; Sir Fidget Fearful-Emery; Gregory-Simmons; Flambeau-Claremont; Whim-Rees; Peggy-Mrs Martyr; Sophia-Mrs Mills; Dialogue to introduce following favorite Songs: Peggy Perkins, Let Bards elate-Simmons; Irish Drinking Song, Of the Ancients its speaking-Waddy; Song, I went to Sea-Townsend; Taffy and Griddy, Abergavenny is fine-Mrs Martyr; Duetto, As Hodge got drubb'd-Emery, Rees; Hunting Song, The moment Aurora-Incledon; Song, Young William was a seaman true-Incledon; Song, Come Painter with thy happiest flight-Incledon; Rural Masquerade. Song, Dear Yanco say and true he say-Miss Wheatley; Sea Song, A sailor's life's a life of woe-Mrs Mills; Masquerade Song, Sure an't the World a Masquerade-Waddy, Chorus.

Dance: In afterpiece: Ballet-Blurton, Mrs Watts

Opera: Mainpiece: Solemn Dirge. As17991118

Performance Comment: As17991118.

656
10 February 1800 @ Covent Garden

Event Comment: Afterpiece: The Overture and Music by Reeve. The Ballet composed by Farley. [For synopsis of plot see 16 Mar. 1797.] Receipts: #376 15s. (372.8; 4.7)

Performances

Mainpiece Title: Speed The Plough

Performance Comment: As18000208.

Afterpiece Title: Raymond and Agnes; or, The Castle of Lindenbergh

Performance Comment: Don Raymond-Farley; Robert and Jaques (two Robbers)-Bologna Jun., Blurton; Baptist (their Father)-Delpini; Claud (a Postillion and one of the Banditti)-King; Don Felix (Father to Raymond)-Hawtin; Count of Lindenbergh-Whitmore Sen.; Theodore (Page to Raymond)-Simmons; Antonio (Page to Agnes, with a Song)-Miss Sims; Father Ansellum-Whitmore; Master of Hotel-Atkins; Old Steward (to Felix)-Wilde; Friars and Muleteers-Street, Linton, Thomas, Curties, Little, Oddwell, Everett, Sawyer, Gardner, Denman, J. Linton, Lee, Potts, Smith; Choral Boys-Master Ramage, Master Goodwin, Master Little, Master Slape, Master Bernard, Master Platt, Master Speare, Master Sawyer; Domestics-Platt, L. Bologna, Lewiss, Webb, Abbot, Goostree, Howell, Vials, Letteney; Maugerette (Baptist's mistress)-Mrs Mills; Spectre of the Bleeding Nun (mother of Agnes-Mrs Watts; Countess of Lindenbergh (Step-mother to Agnes)-Mrs Follett; Annette-Mrs Norton; Abbess of St. Claire-Mrs Gilbert; Agnes (Daughter to the Count of Lindenbergh)-Mrs Parker (1st appearance in that character); Nuns of the Convent of St. Claire-Ms Castelle, Ms Iliff, Ms Leserve, Ms Sydney, Ms Lloyd, Ms Norton, Ms Masters, Ms Cox, Ms Bologna, Ms Whitmore.

657
03 July 1800 @ Haymarket Theatre

Event Comment: [1st two pieces in place of The London Hermit, advertised on playbill of 2 July.

Performances

Mainpiece Title: 'tis All A Farce

Performance Comment: As18000616 but J._ Palmer; Chippendale_; Abbot_; Atkins_.

Afterpiece Title: Fortune's Frolick

Performance Comment: See18000621.

Afterpiece Title: Obi

Performance Comment: As18000702 but added: Jonkanoo (Master of the Ceremonies)-Hawtin.

658
11 February 1686 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: Peregrine Bertie to the Countess of Rutland, 11 Feb. 1685@6: To-day was the French opera. The King and Queen were there, the musicke was indeed very fine, but all the dresses the most wretched I ever saw; 'twas acted by none but French. A Saturday the Court goes to another play, to take their leaves of those vanitys till after Lent (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 104). [This performance is on the L. C. list 5@147, p. 125: The King & Queene & a Box for ye Maydes of honor at ye French Opera [the charge for the royal box was increased from #20 to #25 on this occasion]. W. J. Lawrence conjectured that this French opera was Cadmus et Hermione and that Jacques Rousseau, a scene painter of Paris, provided the decor. See W. J. Lawrence, The French opera in London; A Riddle of 1686, TLS, 28 March 1936, p. 268

Performances

Mainpiece Title: Cadmus Et Hermione

Performance Comment: By J. B.? Quinault and John Baptist Lully. By French performers.

659
09 January 1719 @ Lincoln's Inn Fields

Event Comment: Benefit J. and Ch. Rich. Afterpiece: With all the Scenes, Machines, and other Decorations proper. Receipts: #56 8s. 6d

Performances

Mainpiece Title: A Woman's Revenge

Afterpiece Title: Amadis; or, The Loves of Harlequin and Colombine

Performance Comment: Harlequin-Lun [J. Rich]; Clown-Spiller; Colombine-Mrs Moreau; and all the other Parts as originally performed see17180124. and all the other Parts as originally performed see17180124.

Dance: Moreau, Boval, Cook, Pelling, Newhouse, Sandham, Lux, Mrs Bullock, Miss Schoolding, Miss Willis, delaGarde's Two Sons, Dupre

660
05 December 1776 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; MD 3, by Sir George Collier, based on Zemire et Azor, by Jean Francois Marmontel]: The Music [by Thomas Linley Sen., adapted from Gretry], Scenes, Dresses, and Decorations entirely New. The Scenes, &c., designed by DeLoutherbourg. The Words of the Songs, &c. to be had at the Theatre. The Entertainment is splendidly got up--The Music by Thomas Linley Jun. [sic] was very well received (Hopkins Diary). Public Advertiser, 7 Dec. 1776: This Day is published the Songs in Selima and Azor (6d). [Text 1st published by J. Bell, 1784.] Receipts: #218 7s

Performances

Mainpiece Title: Love For Love

Performance Comment: As17761129, but occasional Prologue-_[and thereafter].and thereafter].

Afterpiece Title: Selima and Azor

Performance Comment: Principal Characters by Vernon, Bannister, Dodd, Miss Jarratt, Mrs Scott, Miss Collett, Mrs Baddeley. Cast from Songs (J. Wilkie, 1776): Azor-Vernon; Scander-Bannister; Ali-Dodd; Fairy-Miss Jarratt; Lesbia-Mrs Scott; Fatima-Miss Collett; Selima-Mrs Baddeley.

661
07 February 1789 @ Drury Lane Theatre

Event Comment: Mainpiece [altered by John Philip Kemble; see text (J. Christie, 1789)]. In Act II an Ovation, or Entry of Coriolanus into Rome. In Act V a Procession of Roman Matrons to the Volscian Camp. [These were included in all subsequent performances.] Afterpiece: Regattav, as 13 Sept. 1788. Receipts: #196 13s. 6d. (170.14.0; 24.11.6; 1.8.0)

Performances

Mainpiece Title: Coriolanus; Or, The Roman Matron

Performance Comment: Caius Marcius Coriolanus-Kemble; Menenius-Baddeley; Cominius-Aickin; Tribunes-Barrymore, Whitfield; Citizens-Suett, Burton, Fawcett, Jones; Officers-Phillimore, Benson; Volusius-Williames; Tullus Aufidius-Wroughton; Virgilia-Mrs Farmer; Valeria-Mrs Ward; The Roman Matron [i.e. Volumnia]-Mrs Siddons; Edition of 1789 (J. Christie) adds: Young Marcius-Master Grimaldi; Gentlewoman-Miss Tidswell.

Afterpiece Title: The Waterman

Performance Comment: As17880913.

662
16 April 1799 @ Covent Garden

Event Comment: Benefit for Munden. 2nd Piece [1st time in London; MF 2, by Thomas John Dibdin, 1st acted at Manchester, 15 Mar. 1793. Text (Huddersfield: J. Brook [1795] gives cast for Manchester]: The Music (with a new Waltz Overture, and an accompaniment for the Tamborine & Triangle) composed by Reeve. 3rd piece [1st time; M. INT 1]. Morning Chronicle, 4 Apr.: Tickets to be had of Munden, No. 16, Clement's-inn. Receipts: #630 12s. 6d. (237.13.0; 2.10.0; tickets: 390.9.6)

Performances

Mainpiece Title: Wild Oats

Performance Comment: Rover-Lewis; Harry-Holman; Sir George Thunder-Davenport; Ephraim Smooth-Munden; John Dory-Fawcett; Sim-Knight; Banks-Murray; Midge-Clarke; Gammon-Thompson; Jane-Mrs Martyr; Amelia-Miss Chapman; Lady Amaranth-Mrs Pope.

Afterpiece Title: Sunshine after Rain

Performance Comment: Principal Characters by Incledon, Munden, Fawcett, Knight, Johnstone, Mrs Davenport, Mrs Atkins. Cast from Songs (J. Barker, 1799): Captain Mortimer-Incledon; Squeez'em-Munden; Doctor Scarecrow-Fawcett; Clump-Knight; Terence-Johnstone; Goody Benson-Mrs Davenport; Clarissa-Mrs Atkins.

Afterpiece Title: The Jolly Crew; or, Tars at Anchor

Performance Comment: Principal Characters-Incledon, Johnstone, Munden, Fawcett, Townsend, Linton, Street; In which: Thursday in the Morn-Incledon; Kicking up a Row-Johnstone; Four and Twenty Fidlers-Munden; The Tight [or, Snug] Little Island (written by T. Dibdin)-Townsend; Boxing the Compass-Fawcett; Catches, Glees-Incledon, Johnstone, Townsend.

Song: In Course Evening: a new Comic Song (never sung in London), A Bundle of Proverbs; or, Odds and Ends, in the Character of Ephraim Smooth-Munden; A new Comic Song (never performed), A Touch at Old Times; or, No Days better than our Own-Munden; The Barber's Petition, with a song in character, Wigs, including His Own Wig, the Lover's Wig, Doctor's Wig, Coachman's Wig, Councellor's Wig,-Fawcett

Entertainment: Monologue The Barber's Petition-Fawcett

663
02 May 1799 @ King's Theatre

Event Comment: Benefit for Mrs Rose Didelot. Tickets to be had of Mrs Rose Didelot, No. 8, Haymarket. 2nd ballet: 1st time; composed by J. D'Egville. [In all subsequent performances this was billed as Tarare.] "D'Egville, Laborie, and St.Pierre are excellent dancers and fine manly figures. Laborie possesses more elegance than St. Pierre; but the latter greater animation. D'Egville displays much taste and poetical spirit in the invention of ballets...[which] are far richer in naive situations, and possess a more free poetical spirit than those of Paris" (Goede, 265-66)

Performances

Mainpiece Title: Elfrida

Performance Comment: As17981229.

Dance: End I: Hylas et Temire, as17990418; End Opera: Tarare et Irza-D'Egville, Didelot, Laborie, St.Pierre, Fialon, Mrs Rose Didelot, Mrs Hilligsberg, Mrs Laborie, Mrs D'Egville, Miss J. Hilligsberg

Performance Comment: Pierre, Fialon, Mrs Rose Didelot, Mrs Hilligsberg, Mrs Laborie, Mrs D'Egville, Miss J. Hilligsberg.

664
30 November 1799 @ Covent Garden

Event Comment: Mainpiece [1st time; D 5, by Elizabeth Inchbald, based on Das Schreibepult; oder, Die Gefahren der Jugend, by August Friedrich Ferdinand von Kotzebue. Prologue by Charles Moore (MS annotation by J. P. Kemble in Kemble-Devonshire copy in Huntington Library); Epilogue by John Taylor (see text)]: With New Dresses and Scenes. Morning Chronicle, 17 Dec. 1799: This day is published The Wise Man of the East (price not listed). Receipts: #323 14s. 6d. (321.12.6; 2.2.0)

Performances

Mainpiece Title: The Wise Man Of The East

Performance Comment: Principal Characters by Lewis, Munden, Knight, H. Johnston, Murray, Davenport, Waddy, Thompson, Claremont, Simmons, Atkins, Abbot, Klanert, Curties, Mrs H. Johnston, Miss Murray, Mrs Davenport, Mrs Johnston, Mrs Whitmore, Mrs Mattocks, [Cast from text (G. G. and J. Robinson, 1799): Claransforth-Lewis; Ava Thoanoa-Munden; Timothy Starch-Knight; Ensign Metland-Murray; Bankwell-Davenport; Lawley-Waddy; Sir Richard Chances-Claremont; Quaker Servant-Simmons; Servant to Ava-Abbot; Waitby-Klanert; Servant to Lady Mary-Curties; Ruth Starch-Mrs H. Johnston; Ellen Metland-Miss Murray; Lady Mary Diamond-Mrs Davenport; Mrs Metland-Mrs Johnson; Rachel Starch-Mrs Mattocks; unassigned-Thompson, Atkins, Mrs Whitmore; Prologue-H. Johnston; Epilogue-Mrs H. Johnston. [These were spoken, as here assigned, at the 1st 11 performances only (see17991228).]These were spoken, as here assigned, at the 1st 11 performances only (see17991228).]

Afterpiece Title: The Spoil'd Child

Performance Comment: As17991016.

665
24 April 1723 @ Lincoln's Inn Fields

Event Comment: Receipts: #28 15s. 6d

Performances

Mainpiece Title: The Fatal Legacy

Performance Comment: See17230423.

666
26 April 1723 @ Lincoln's Inn Fields

Event Comment: Benefit the Author. Receipts: money #10 18s. 6d.; tickets #69 15s

Performances

Mainpiece Title: The Fatal Legacy

Performance Comment: See17230423.

667
05 February 1763 @ King's Theatre

Performances

Mainpiece Title: La Calamita Di Cuori

668
07 February 1763 @ King's Theatre

Performances

Mainpiece Title: La Calamita Di Cuori

669
12 February 1763 @ King's Theatre

Performances

Mainpiece Title: La Calamita Di Cuori

670
21 February 1763 @ King's Theatre

Event Comment: [Note in the Public Advertiser to the effect that Crawford never advertises in any Papers but this and the Daily Advertiser.

Performances

Mainpiece Title: La Calamita Di Cuori

671
07 March 1763 @ King's Theatre

Performances

Mainpiece Title: La Calamita Di Cuori

672
21 March 1763 @ King's Theatre

Performances

Mainpiece Title: La Calamita Di Cuori

673
21 April 1763 @ King's Theatre

Event Comment: Only two acts of mainpiece will be performed. Benefit for Gallini. To begin at 7 p.m. (Daily Advertiser)

Performances

Mainpiece Title: La Calamita Di Cuori

Afterpiece Title: La Serva Padrona

Dance: MMinuet-Gallini, Signora DeAmicis by Desire

674
28 June 1715 @ Lincoln's Inn Fields

Event Comment: Benefit the Author. Receipts: #85 3s

Performances

Mainpiece Title: The Boating Lovers

Performance Comment: As17150623.

675
08 October 1715 @ Lincoln's Inn Fields

Event Comment: Raceipts: #49 9s. 6d

Performances

Mainpiece Title: The Wife's Relief

Performance Comment: As17151007.

Song: As17151001

Dance: As17151006