SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Grace Gould"/1) | (@(roleclean,performerclean) "Grace Gould")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 449 matches on Performance Comments, 58 matches on Event Comments, 22 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Fashionable Levities

Performance Comment: Welford-Lewis; Capt. Douglas-Farren; Nicholas-Munden; Mr Ordeal (1st time)-Harley; Cheaterly-Macready; Col. Staff-Evatt; Sir Buzzard Savage-Quick; Clara (with a song in character)-Mrs Esten; Constance-Miss Chapman; Grace-Mrs Harlowe; Lady Flippant Savage-Mrs Pope.
Cast
Role: Grace Actor: Mrs Harlowe

Afterpiece Title: Rosina

Afterpiece Title: The Invasion; or, All Alarm'd at Brighthelmstone

Entertainment: Monologue. Preceding 1st piece: An Eulogium on Money-Quick

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Pope; Manley-Farren; Sir Francis Wronghead-Munden; Squire Richard-Blanchard; Count Basset-Bernard; John Moody-Quick; Lady Grace-Miss Hopkins; Lady Wronghead-Mrs Webb; Miss Jenny-Miss Grist; Myrtilla-Miss Stuart; Mrs Motherly-Mrs Platt; Trusty-Mrs Fawcett; Lady Townly-Mrs Esten.
Cast
Role: Lady Grace Actor: Miss Hopkins

Afterpiece Title: Hartford Bridge

Ballet: End: Dermot and Kathlane. As17931018, but added: Old Kathlane-Miss Smith

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Holman (1st appearance in that character); Manly-Farren; Sir Francis Wronghead-Wilson; Squire Richard (1st time)-Blanchard; John Moody (1st time)-Quick; Count Basset-Bernard; Lady Grace-Mrs Mattocks; Lady Wronghead-Mrs Webb; Miss Jenny (1st time)-Mrs Harlowe; Myrtilla-Mrs Lewis; Mrs Motherly-Mrs Powell; Trusty-Miss Stuart; Lady Townly-Mrs Esten (1st appearance in that character).
Cast
Role: Lady Grace Actor: Mrs Mattocks

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: The Provok'd Husband; Or, The Journey To London

Performance Comment: Lord Townly-Kemble; Mr Manly-Bensley; Sir F. Wrongheard-Hollingsworth; Squire Richard-Suett; John Moody-Moody; Count Basset-Dodd; James-Evans; Poundage-Waldron; Constable-Maddocks; Lady Townly-Mrs Goodall; Lady Grace-Miss Collins; Lady Wronghead-Mrs Hopkins; Miss Jenny-Mrs Gibbs (1st appearance on this stage); Mrs Motherly-Mrs Booth; Myrtilla-Miss Heard.
Cast
Role: Lady Grace Actor: Miss Collins

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Pope; Manley-Farren; Sir Francis Wronghead-Munden; Count Basset-Bernard; Squire Richard-Burton; John Moody-Quick; Lady Grace-Miss Hopkins; Lady Wronghead-Mrs Davenport; Miss Jenny-Miss Cornelys; Myrtilla-Miss Stuart; Mrs Motherly-Mrs Platt; Trusty-Mrs Fawcett; Lady Townly-Miss Wallis.
Cast
Role: Lady Grace Actor: Miss Hopkins

Afterpiece Title: Oscar and Malvina; or, The Hall of Fingal

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Cast
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Role: She implores him to inspire the breast of Hercules Actor: Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

Performance Comment: A Grand Masque, invented and prepared undyr the Immediate Direction of Noverre, representing the Marriage of Peleus and Thetis-; [The Story from the Greek Writers. Peleus-Farley; Ganymede-Byrn; Proteus-Holland; Hymen-Mrs Martyr; Hebe-Mme Rossi; Minerva-Mrs Follett; Thetis-Mme Prevost (1st appearance); Cupid-Mrs Clendining; Terpsichore-Mlle St.Amand; Discord-Mlle Droma (1st appearance.); [The Masque commences with the View of A Grove-;[, sacred to Cupid and Hymen . Woods, Rocks, and Waterfalls form the Borders of the Sea, which terminates by the Horizon; the Genii of the Morn-; [are seen, preceded by Aurora-; [Fame sounding her Trumpet, proclaims to Mortals the Arrival of Thetis ; several splendid Barges appear, from the last of which Thetis disembarks, attended by Hymen, the Graces-; Groups of Cupids-; Zephyrs-; [Peleus enters, accompanied by Cupid and Minerva with her Suite; Thetis resigns herself to the Protection of Minerva, and perceiving Peleus, is struck with Admiration, but not knowing him, is informed by Cupid, he is her intended Husband-Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-; [with the Gods and Goddesses assembled to behold the Nuptials; the Temple of Jupiter- [is seen on one side, that of Cupid on the other; Jupiter-[seated, accompanied by; Juno-; Mars-; Hercules-; Apollo-; Bacchus-; Mercury-; Saturn-; Diana-; Venus-; Ceres-; Victory-; Cybelle-; the Destinies-; Neptune-; [and Amphitrite-; [arise from the Sea in their Watry Car Pluto-; [and Proserpine-; [ascend, together with Rhadamanthus-; Minos-; [and Eacus-; [this is succeeded by A Magnificent Entree, in the following order: Sylvan Dancers-; Instrumental Performers-; Vocal Performers-; Rural Nymphs-; a Magnificent Column- [Richly Decorated, bearing the Emblematical Trophies ff War, Love, the Fine Arts; Rural Swains-; Virgins bearing Baskets of Flowers-; [The Goddess Hebe, attended by Cupids collected in a Picturesque Corbeille de Treillage ; Nymphs and Swains-[, attendants upon Thetis; Terpsichore; Ganymede; Proteus; Minerva borne by Warriors on a Military Trophy; Peleus and Thetis in a Splendid Chariot, drawn by Cupids, and attended by Hymen, Zephyrus : The High Priest; Priests bearing the Altar of Hymen; Tripods with Incense burning, followed by the Virtues, Truth, Justice, Benevolence, Clemency, Glory, Strength and Generosity. After the Procession, Thetis and Peleus being led to the Altar by the High Priest, just as they are receiving the Conjugal Cup, the Goddess Discord appears, enraged at not being invited to the sacred Festival-She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded; Peleus and Thetis are placed on a Magnificent Throne, attended by Hymen, Cupid, and the Grace3; variety of Dances are performed; and Peleus and Thetis are crowned with Wreaths. The Appearance of the Stage then changes to another Emblematical Spectacle. Festoons of Flowers descend-Cupids ascend supporting a Medallion and the Letters G. C. [i.e. George Caroline]-the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a; Grand Chorus-; Dance-Ganymede, Proteus, Hebe, Terpsichore; accompanied on the Harp-Weippert.
Cast
Role: the Graces Actor:

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Pope; Manly-Macready; Sir Francis Wronghead-Munden; Count Basset-Bernard; Squire Richard-Knight; John Moody-Quick; Constable-Thompson; Lord Townly's Servant-Abbot; Manly's Servant-Simmons; Poundage-Rees; Lady Grace-Mrs Townsend; Lady Wronghead-Mrs Davenport; Miss Jenny-Mrs Knight; Myrtilla-Miss Logan; Mrs Motherly-Mrs Platt; Trusty-Miss Stuart; Lady Townly-Miss Wallis.
Cast
Role: Lady Grace Actor: Mrs Townsend

Afterpiece Title: The Midnight Wanderers

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Kemble; Mr Manly-Bensley; Sir Francis Wronghead-Hollingsworth; Squire Richard-Suett; John Moody-Moody; Count Basset-Dodd; James-Evans; Poundage-Burton; Constable-Maddocks; Servant-Trueman; Lady Townly-Miss Farren; Lady Grace-Mrs Goodall; Lady Wronghead-Mrs Hopkins; Miss Jenny-Mrs Gibbs; Mrs Motherly-Mrs Booth; Myrtilla-Miss Tidswell; Mrs Trusty-Mrs Heard.
Cast
Role: Lady Grace Actor: Mrs Goodall

Afterpiece Title: The Son-in-Law

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Kemble; Mr Manly-Whitfield; Sir Francis Wronghead-Dowton (1st appearance in that character); Squire Richard-Suett; John Moody-Hollingsworth; Count Basset-R. Palmer; James-Evans; Poundage-Maddocks; Constable-Phillimore; Servant-Webb; Lady Townly-Miss Farren; Lady Grace-Mrs Goodall; Lady Wronghead-Miss Tidswell; Miss Jenny-Mrs Gibbs; Mrs Motherly-Mrs Booth; Myrtilla-Miss Heard; Mrs Trusty-Mrs Heard.
Cast
Role: Lady Grace Actor: Mrs Goodall

Afterpiece Title: Richard Coeur de Lion

Dance: As17961019

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Pope; Manley-Murray; Sir Francis Wronghead-Munden; Count Basset-Macready; Squire Richard-Knight; John Moody-Quick; Lady Grace-Miss Mansel; Lady Wronghead-Mrs Davenport; Miss Jenny-Mrs Knight; Myrtilla-Miss Logan; Mrs Motherly-Mrs Platt; Trusty-Mrs Fawcett; Lady Townly-Miss Wallis.
Cast
Role: Lady Grace Actor: Miss Mansel

Afterpiece Title: Bantry Bay

Afterpiece Title: The Irish Mimick

Performances

Mainpiece Title: Fashionable Levities

Performance Comment: Welford-Macready; Capt. Douglas (1st time)-Toms; Nicholas-Munden; Mr Ordeal (1st time)-Murray; Cheaterly-?; Col. Staff-Haymes; Sir Buzzard Savage-Quick; Clara (with For tenderness form'd)-Mrs Mountain; Constance-Miss Chapman; Grace-Mrs Gilbert; Lady Flippant Savage-Mrs Mattocks.
Cast
Role: Grace Actor: Mrs Gilbert

Afterpiece Title: Lock and Key

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: Bantry Bay

Performances

Mainpiece Title: She's Eloped

Performance Comment: Characters by Aickin, Palmer, Suett, Wroughton, Dowton, Russell, R. Palmer, Bannister Jun., Maddocks, Webb, Palmer Jun., Chippendale, Fisher, Wentworth, Mrs Powell, Mrs Jordan, Miss Pope, Miss Mellon. Cast from London Chronicle, 21 May: Lord Villeure-Aickin; Sir Charles Hyacinth-Palmer; Major Blenner-Suett; Aylmer-Wroughton; Appesley-Dowton; Jerkin-Russell; Joe Clinckum-R. Palmer; Plodden-Bannister Jun.; Mrs Egerton-Mrs Powell; Miss Villeure-Mrs Jordan; Miss Highbury-Miss Pope; Grace-Miss Mellon; unassigned-Maddocks, Webb, Palmer Jun., Chippendale, Fisher, Wentworth; Prologue-Palmer; Epilogue-Mrs Jordan.
Cast
Role: Grace Actor: Miss Mellon

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Pope; Manley-Murray; Sir Francis Wronghead-Munden; Count Basset-Clarke; Squire Richard-Knight; John Moody-Thompson; James-Abbot; Constable-Whitmore; Poundage-Rees; Lady Grace-Miss Chapman; Lady Wronghead-Mrs Davenport; Miss Jenny-Mrs Gibbs; Mytrilla-Mrs Watts; Mrs Motherly-Mrs Platt; Trusty-Mrs Litchfield; Lady Townly-Mrs Johnson (from the Theatre in America; 1st appearance on this stage). 1st appearance on this stage).
Cast
Role: Lady Grace Actor: Miss Chapman

Afterpiece Title: The Maid of the Mill

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lady Townly-Lady Perrott; Lady Grace-A Young Lady (1st appearance on the stage [unidentified]). The rest of the principal characters by persons of respectable situations in life who have undertaken their several parts from motives of humanity. [No afterpiece] .unidentified]). The rest of the principal characters by persons of respectable situations in life who have undertaken their several parts from motives of humanity. [No afterpiece] .
Cast
Role: Lady Grace Actor: A Young Lady

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Tagg in Tribulation

Afterpiece Title: Poor Vulcan

Performance Comment: Poor Vulcan (1st time)-Munden; Serjeant Pike-Townsend; Joe-Hill; Bacchus-Simmons; Squire (1st time)-Incledon; Grace-Mrs Chapman; Maudlin-Mrs Atkins.
Cast
Role: Grace Actor: Mrs Chapman

Song: End II: song-Incledon; End: Old Towler-Incledon; The Beggar's Song-Townsend

Entertainment: A Variety of Imitations-Rees

Performances

Mainpiece Title: Fashionable Levities

Performance Comment: Welford-Holman; Sir Buzzard Savage-Munden; Captain Douglas-H. Johnston; Cheaterly-Claremont; Colonel Staff-Thompson; Nicholas-Fawcett; Ordeal-Murray; Clara-Miss Murray; Grace-Mrs Mills; Widow Volatile-Mrs Dibdin; Constance-Miss Mills; Lady Flippant Savage-Mrs Glover (Their 1st appearance in those characters).
Cast
Role: Grace Actor: Mrs Mills

Afterpiece Title: A Whitsun Festival

Afterpiece Title: Five Thousand a Year

Performance Comment: George Fervid-Lewis; Frederick Fervid-Pope; Sir Mathew Maxim-Munden; Henry Hastings-H. Johnston; Mr Goulding-Murray; Paragraph-Farley; Truepenny-Waddy; Dick-Simmons; Officer-Wilde; Maria-Mrs Glover; Lady Julia-Mrs Pope; Aurelia-Mrs H. Johnston; Lady Maxim-Mrs Mattocks.
Cast
Role: Mr Goulding Actor: Murray

Afterpiece Title: Don Juan; or, The Libertine Destroyed

Song: End I: the Battle Song-Incledon as18000522

Performances

Mainpiece Title: The Point Of Honour

Afterpiece Title: The Review; or, The Wags of Windsor

Performance Comment: Characters-Suett, Farley, Johnstone, Emery, Fawcett, Trueman, Chippendale, Atkins, Mrs Gibbs, Mrs Mountain, Miss DeCamp, Miss Leserve; Cast from text (J. Cawthorn, 1808): Mr Deputy Bull-Suett; +Capt. Beaugard-Farley; +Looney Mactwolter-Johnstone; +John Lump-Emery; +Caleb Quotem-Fawcett; +Charles Williams-Trueman; +Dubbs-Chippendale; +Serjeant-Atkins; +Grace Gaylove-Mrs Gibbs; +Lucy-Mrs Mountain; +Phoebe Whitethorn-Miss DeCamp; +Martha-Miss Leserve Chorusses-Abbot, Sawyer, Little, Kenrick, Caulfield Jun., Fisher, Dibble, Aylmer, Thomas, Willoughby.
Cast
Role: Grace Gaylove Actor: Mrs Gibbs
Event Comment: Evelyn, Diary: I saw in Southwark at St Margarites faire...we saw also Monkyes & Apes daunce, & do other feates of activity on the high-rope, to admiration: They were galantly clad alamode, went upright, saluted the Company, bowing & pulling-off their hatts: They saluted one another with as good grace as if instructed by a Dauncing Master. They turned heales over head, with a bucket of Eggs in it, without breaking any: also with Candles (lighted) their their hands, & on their head, without extinguishing them, & with vessells of water, without spilling a drop; I also saw an Italian Wench daunce to admiration, & performe all the Tricks of agility on the high rope, all the Court went to see her: (likewise here was her Father) who tooke up a piece of Yron Canon of above 400 pounds weight, with the haires of his head onely

Performances

Mainpiece Title: Entertainments

Event Comment: Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight the King, Queen, Princess, &c. supped at the Duke of Albemarle's, where they had the Silent Woman acted in the cockpit (HMC, 5th Report, 1876, p. 200). The King's Company. Pepys, Diary, 20 Nov. 1660: This morning I found my Lord in bed late, he having been with the King, Queen, and Princess, at the cockpit all night, where General Monk treated them; and after supper a play, where the King did put a great affront upon John? Singleton's musique, he bidding them stop and bade the French musique play, which, my Lord says, do much outdo all ours. The prologue was printed in 1660: The Prologue to His Majesty at the first Play presented at the cock-pit in Whitehall, Being part of that Noble Entertainment which Their Majesties received Novemb. 19. from his Grace the Duke of Albemarle. [The Prologue has been reprinted by Wiley, Rare Prologues and Epilogues, pp. 11-12. Bodleian Wood 398 has a MS note: By Sir Jo. Denham.

Performances

Mainpiece Title: The Silent Woman

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's house, and there saw The Witts again, which likes me better than it did the other day, having much wit in it.... Here were many fine ladies this afternoon at this house as I have at any time seen.... Resolving by the grace of God to see no more plays till Whitsuntide, I having now seen a play every day this week

Performances

Mainpiece Title: The Wits

Event Comment: The Duke's Company. This play is on the L. C. list 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. Gervase Jaquis to the Earl of Huntington, 7 May: Upon monday last the Duchesse of Newcastl's play was Acted in the theater in Lincolns Inne field the King and the Grandees of the Court being present and soe was her grace and the Duke her husband (Hastings MS., Ha 7657, Huntington Library)

Performances

Mainpiece Title: The Humorous Lovers

Event Comment: Pepys, Diary: I took them [Mrs Pepys and Deb.] to the Nursery, where none of us ever were before; where the house is better and the musique better than we looked for, and the acting not much worse, because I expected as bad as could be: and I was not much mistaken, for it was so. However, I was pleased well to see it once, it being worth a man's seeing to discover the different ability and understanding of people, and the different growth of people's abilities by practise. Their play was a bad one, called Jeronimo is Mad Again, a tragedy. Here was some good company by us, who did make mighty sport at the folly of their acting, which I could not neither refrain from sometimes, though I was sorry for it.... I was pretthly served this day at the playhouse-door, where, giving six shillings into the fellow's hand for us three, the fellow by legerdemain did convey one away, and with so much grace faced me down that I did give him but five, that, though I knew the contrary, yet I was overpowered by his so grave and serious demanding the other shilling, that I could not deny him, but was forced by myself to give it him

Performances

Mainpiece Title: Jeronimo Is Mad Again

Event Comment: The Duke's Company. This performance is on the L. C. list at Harvard. See VanLennep, "Plays on the English Stage," p. 13. Diary of Richard Boyle, Earl of Burlington: Heer dined with mee my lord of Canterbury my ld Sandwich and my brother and sister Orrery, and in the afternoone wee all went but his Grace to see my brothers new play cald Tryphon which was much applauded (Volume IV, in the Library at Chatsworth. This excerpt supplied by Kathleen Lynch). Pepys, Diary: My wife tells me of my Lord Orrery's new play "Tryphon," at the Duke of York's house...and [we] went thither, where, with much ado, at half-past one, we got into a blind hole in the 18d. place, above stairs, where we could not hear well, but the house infinite full, but the prologue most silly, and the play, though admirable, yet no pleasure almost in it, because just the very same design, and words, and sense, and plot, as every one of his plays have, any one of which alone would be held admirable, whereas so many of the same design and fancy do but dull one another; and this, I preceive, is the sense of every body else, as well as myself, who therefore showed but little pleasure in it

Performances

Mainpiece Title: Tryphon

Event Comment: See 27 Feb. 1668@9. Pepys, Diary: I did meet Sir Jeremy Smith, who did tell me that Sir W. Coventry was just now sent to the Tower, about the business of his challenging the Duke of Buckingham, and so was also Harry Saville to the Gate-house....So, meeting with my Lord Bellassis, he told me the particulars of this matter; that it arises about a quarrel which Sir W. Coventry had with the Duke of Buckingham about a design between the Duke and Sir Robert Howard, to bring him into a play [The Rehearsal] at the King's house, which W. Coventry not enduring, did H. Saville send a letter to the Duke of Buckingham, that he had a desire to speak with him. Upon which, the Duke of Buckingham did bid Holmes, his champion ever since my Lord Shrewsbury's business, go to him to know the business; but H. Saville would not tell it to any but himself, and therefore did go presently to the Duke of Buckingham, and told him that his uncle Coventry was a person of honour, and was sensible of his Grace's liberty taken of abusing him, and that he had a desire of satisfaction, and would fight with him. But that here they were interrupted by my Lord Chamberlain's coming in, who was commanded to go to bid the Duke of Buckingham to come to the King, Holmes having discovered it

Performances