SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the New York "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the New York ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5306 matches on Author, 4658 matches on Event Comments, 3015 matches on Performance Comments, 2961 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Hamlet [announced on playbill of 18 Feb.] is obliged to be deferred on account of the Indisposition of a principal Performer. Afterpiece [1st time; CO 3, by Abraham Portal. Larpent MS 445; not published]: The Overture and Music [by Thomas Linley Jun.] entirely new. With New Scenes, Dresses and Decorations. Words of the Songs, Chorusses, &c. to be had at the Theatre. Public Advertiser, 19 Feb. 1778: This Day at Three will be published the Songs in The Cady of Bagdad (6d.). Receipts: #180 0s. 6d. (130.9.0; 49.7.6; 0.4.0)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Cady of Bagdad

Dance: In II: Masquerade Scene Dancing-Blurton, Henry; End III: The Provincalle, as17780128

Song: Masquerade Scene As17771031

Event Comment: Opera [1st time; Past 3, author unknown]. The music [to Part I] composed by Giovanni Battista? Bianchi, [to Part II by] Rauzzini, [to Part III by] Giordani. With Grand Chorusses. With new Decorations devised and painted by Novosielski, and new Dresses. The Side-boards, with a cold Collation and all sorts of Wines, at 12 o'clock. The Performance under the direction of Vestris Sen., and to conclude with a Ball. Tickets, at 2 Guineas each, are ready to be delivered at the Office in Union-court, where Boxes may be taken. No Masks will be admitted. The Doors will be opened at 9:00, and the Performance to begin at 10:00. Books of the Performance will be given out (gratis) at the Theatre. Morning Herald, 7 June: The Omaggio, or homage paid by the vassals and tenants to their Lord, is naturally calculated to give free scope to lively, and sentimental music. In the former stile Bianchi and Giardini [sic] were equally succesful; and in the latter Rauzzini was surprisingly great, both as composer and performer...Slingsby would, in our opinion, have come out with as great a share of applause as the best of them, having to go through an English dance in his own stile, but by some unaccountable accident...the music-band stopped short when he was in the very climax of his exertions. The scenes are in the rural stile, with the addition of natural trees, flowering shrubs, &c., set in the neatest order...The company did not begin to move till about four, and by five the rooms were cleared. Public Advertiser, 7 June: The Vestris' gave incontrovertible proof of the variety of their powers...They did more, they shewed what this country had never seen-the possibility of presenting to the eye a large and extensive stage filled with dancers all in motion at the same time

Performances

Mainpiece Title: Lomaggio

Performance Comment: Principal Parts-Roncaglia, Trebbi, Gherardi, Sampieri, Micheli, Rauzzini, Sga Sestini, Sga Lorenzini, Sga Pollone, Sga Romanzini, Sga Prudom. [Libretto (E. Cox, 1781) lists the parts: Giannino, Berto, Il Conte, Fabrizio, Fileno, Nice, Silvio, Damone, Lisetta, Contessa, Corilla, Giannina, Rosalba. Larpent MS 561 lists the same, and adds: Farnace, Oronte, Mitridate, Fabio, Almira, Irene.]Libretto (E. Cox, 1781) lists the parts: Giannino, Berto, Il Conte, Fabrizio, Fileno, Nice, Silvio, Damone, Lisetta, Contessa, Corilla, Giannina, Rosalba. Larpent MS 561 lists the same, and adds: Farnace, Oronte, Mitridate, Fabio, Almira, Irene.]

Dance: Incident to the piece: Ballets by Vestris Sen.-Vestris Sen., Vestris Jun., Simonet, Slingsby, Traffieri, Zuchelli, Henry, Mme Simonet, Mlle Baccelli, Sga Crespi, Sga Zuchelli, Miss Stageldoir, Miss Armstrong

Event Comment: Afterpiece [1st time; MF 2, by John O'Keeffe. Text (ist authorized) in Cumberland's British Theatre, Vol. xxxi]: Written by the Author of The Agreeable Surprise, Son-in-Law, &c. The Overture and new Airs composed by Dr Arnold. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: Lord Russel

Afterpiece Title: Peeping Tom

Event Comment: Mainpiece [1st time; CO 3]: Written by [John] O'Keeffe. The Music by Shield. With a new French Medley Overture, new Dresses, &c. The Words of the Songs to be had at the Theatre. [Mrs T. Kennedy was from the Newcastle theatre.]

Performances

Mainpiece Title: Fontainbleau Or Our Way In France

Afterpiece Title: The Citizen

Dance: End of mainpiece The Belle of the Village, as17840917

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text 1st published (unauthorized), Dublin [1790]. Sga Storace had 1st appeared in concerts from 1774 to 1778, and at king's on 24 Apr. 1787 and thereafter]: With new Scenes, Dresses and Decorations. The new Music composed by Storace, the rest compiled from Linley? Sen., Purcell, Sarti, Paisiello, Martin y Soler?, Pleyel, &c. The Scenes designed and executed by Greenwood. Books of the Songs to be had at the Theatre. "In her own particular line on the stage [Sga Storace] was unrivalled, being an excellent actress, as well as a masterly singer. She settled entirely in England, and after quitting the opera (to which she was frequently recalled in times of distress, as was too often the case), she engaged at Drury Lane, where the English opera was raised to an excellence not known before, by her singing, with that of Mrs Crouch, Mrs Bland, Kelly, and Bannister, and under the direction of her brother Stephen Storace, who composed, or rather compiled, several very pretty operas, of which the Haunted Tower, and the Siege of Belgrade still remain favorites, and are frequently performed" (Mount-Edgcumbe, 65). Account-Book, 4 Jan. 1790: Paid Cobb on Acct. of the Purchase of the Copyright of the Haunted Tower #157 10s.; 27 Feb. 1790: Paid Cobb in full for Copyright #52 10s. Receipts: #219 9s. 6d. (200.13.0; 17.14.6; 1.2.0)

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: [Characters-Kelly, Baddeley, Moody, Suett, Dignum, Sedgwick, Whitfield, Williames, Bannister Jun.; Sga Storace (1st appearance on the English stage i.e. in a speaking part]), Miss Romanzini, Mrs Booth, Mrs Crouch. [Cast from Songs (J. Jarvis, 1789): Lord William-Kelly; Baron of Oakland-Baddeley; Hugo-Moody; Lewis-Suett; Robert-Dignum; Charles-Sedgwick; De Courcy-Whitfield; Martin-Williames; Edward-Bannister Jun.; Hubert-Webb; Servant-Lyons; Adela-Sga Storace; Cicely-Miss Romanzini; Maud-Mrs Booth; Lady Elinor-Mrs Crouch.

Afterpiece Title: The Miller of Mansfield

Performance Comment: The King-Whitfield; Richard-R. Palmer; Joe (with a song)-Williames; Lord Lurewell-Benson; The Miller-Moody; Kate-Mrs Wilson; Peggy-Miss Collins; Margery-Mrs Hopkins [Public Advertiser: Mrs Booth].Public Advertiser: Mrs Booth].
Cast
Role: The King Actor: Whitfield
Role: The Miller Actor: Moody
Event Comment: Mainpiece [1st time; C 5, by Miles Peter Andrews and Frederick Reynolds; based on Le Dissipateur; ou, L'Honnete Friponne, by Philippe Nericault, dit Destouches. Prologue by the Duke of Leeds; Epilogue by Miles Peter Andrews (see text)]: With new Scenes, Dresses and Decorations. The Scenery designed and executed by Greenwood. Gazetteer, 18 Nov.: At the rehearsal of the new comedy on Tuesday the Duke of Leeds, Major Scott, Mr Angerstein [the banker] and Mr Boswell were in the boxes. Mr Boswell said an epigrammatic thought had struck him...and he brought the following Impromptu into life: Andrews, your play is safe enough; For noble Leeds endures it; Boswell and Scott are pledged to puff, And Angerstein ensures it. World, 13 Dec. 1790: To-morrow will be published Better Late than Never (1s. 6d.). Receipts: #240 14s. (206.7; 32.6; 2.1)

Performances

Mainpiece Title: Better Late Than Never

Performance Comment: Characters by Kemble, Dodd, Palmer, Baddeley, Bannister Jun., R. Palmer, Maddocks, Lyons, Webb, Mrs Jordan, Mrs Goodall, Miss Pope. [Cast from text (J. Ridgway, 1790): Saville-Kemble; Flurry-Dodd; Sir Charles Chouse-Palmer; Grump-Baddeley; Litigamus-Bannister Jun.; Pallet-R. Palmer; Lawyer's Clerk-Maddocks; Servant to Saville-Lyons; Servant to Flurry-Webb; Augusta-Mrs Jordan; Mrs Flurry-Mrs Goodall; Diary-Miss Pope; Prologue-Bannister Jun; Epilogue-Mrs Jordan. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Don Juan

Cast
Role: Masaniello Actor: Fairbrother
Role: Waiter Actor: Fairbrother

Dance: As17901026

Event Comment: By Command of Their Majesties. 2nd Ballet: With entire new Scenes, Dresses, Machinery, &c. [Synopsis of action (H. Reynell, 1791); music by Mazzinghi.] "The machinery in this Ballet is highly deserving of praise. Calypso's Grottov, which is formed by the wings and a flat scene rising suddenly from the earth, had a surprising effect. The Mechanism by which this change is produced, we apprehend, is wholly new in this country" (Morning Post, 21 Mar.)

Performances

Mainpiece Title: La Bella Pescatrice

Dance: End I: Divertisement, as17910217; End II: a Grand Heroic Ballet in 3 acts (1st time), Telemachus in the Island of Calypso (composed by D'Auberval)-Didelot, D'Egville, Mlle Theodore, Mlle Gervaise Troche, Mlle Deligny, Mlle L. Simonet, Mlle R. Simonet, Mlle Menage. For assignment of parts see17910322

Event Comment: Mainpiece [1st time; MD 3, by the Hon. Francis North. Johnstone was from cg]: The Music partly new by Gyrowetz, and partly compiled [by Miss Monck, or Monckton] from Paisiello, Sacchini, and Guglielmi. With new Dresses, Decorations, &c. Books of the Songs to be had at the Theatre. Oracle, 27 June: The chief excellence of this piece is the preservation of costume. Gazetteer, 27 June: Bensley disgraced a performance otherwise good by concluding his sentences with a rant, and a look at the gallery. Times, 9 July 1791: This day is published The Kentish Barons (1s. 6d.)

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Kentish Barons

Event Comment: Mainpiece [1st time; C 5, by Catherine? Cuthbertson. Authors of Prologue and Epilogue unknown. Larpent MS 969; not published]: With new Dresses and Decorations. "The [new] piece possessing nothing like a plot, and being perfectly uninteresting, was much disapproved of...Palmer contributed to its bad reception by being absent when he was most wanted on the stage, and occasioning thereby an aukward chasm, which put the audience out of humour. He was otherwise highly reprehensible for his imperfections in his part" (Public Advertiser, 26 Feb.). Receipts: #375 16s. 6d. (342.13.6; 31.7.0; 1.16.0)

Performances

Mainpiece Title: At kings Anna

Afterpiece Title: The Deaf Lover

Event Comment: Mainpiece [1st time; CO 3, by Richard Cumberland; music ascribed to Capt. Warner. Larpent MS 976; not published]: With entire new Music, new Scenes and Dresses. Books of the Songs [C. Dilly,1793] to be had at the Theatre. Receipts: #224 0s. 6d

Performances

Mainpiece Title: The Armourer

Performance Comment: Principal Characters by Quick, Johnstone, Munden, Incledon, Blanchard, Fawcett, Harley, Cubitt, Powel, Gray, Thompson, Rock, Evatt, Rees, Linton, Mrs Martyr, Mrs Harlowe, Miss Barnett, Mrs Clendining. Cast from European Magazine, Apr. 1793, p. 308: Diggory-Quick; Harry Furnace-Johnstone; Friar Dominic-Munden; Earl Fitzallan-Incledon; Simon Sapling-Blanchard; Town Cryer of Rumford-Fawcett; Sir Theodore De Courcy-Harley; Bluster-Cubitt; Kate-Mrs Martyr; Margery-Mrs Harlowe; Rosamund-Mrs Clendining; unassigned-Powel, Gray, Thompson, Rock, Evatt, Rees, Linton, Miss Barnett.

Afterpiece Title: Lovers Quarrels

Event Comment: 2nd ballet: With entirely new Scenery, Machinery, Dresses and Decorations. The Music entirely new, composed by Millerd, composer for the ballets at the Opera at Paris. In the course of the performance the Grand Procession of Iphiginia into Aulide. The Scenery, Machinery, &c. designed by Marinari, and executed by him and his assistants. The decorations by Johnston, the dresses by Sestini. [Scenario published by J. Hammond [1793].] The Managers beg leave particularly to request that no Gentleman will come behind the Scenes, as the number of people engaged in the ballet, and the variety of scenery and machinery, render such admission highly inconvenient. Morning Herald, 24 Apr,: The story [of the ballet] is perhaps not very intelligibly told; but the shew and the dance are admirable. It begins and concludes with magnificent processions, the last of which brings Iphiginia to the altar, where she is saved just as the holy knife is raised for the sacrifice. At this instant the chariot of the Sun, the brilliancy of which is much beyond any former representation of the sort, passes over the stage, and is, for some time, suspended over the altar, while the whole corps de ballet offer their adorations

Performances

Mainpiece Title: Le Nozze Di Dorina

Dance: End I: Les Epoux du Tempe- [See17930205]

Ballet: End Opera: the Grand Historical Ballet in 4 Parts, which has been so long in preparation, Iphiginia in Aulide; or, The Sacrifice of Iphiginia composed by Noverre. Iphiginia-Mlle Hilligsberg; Clytemnestra-Mlle Millerd; Agamemnon-D'Egville; Achilles-Nivelon; Egisthus-Favre Gardel; Young Orestes-Mlle Menage; Lesbian-Gentili; Warriors, Lesbian Slaves, High Priests, Priests, Priestesses-the Corps de Ballet

Performance Comment: Iphiginia-Mlle Hilligsberg; Clytemnestra-Mlle Millerd; Agamemnon-D'Egville; Achilles-Nivelon; Egisthus-Favre Gardel; Young Orestes-Mlle Menage; Lesbian-Gentili; Warriors, Lesbian Slaves, High Priests, Priests, Priestesses-the Corps de Ballet.
Event Comment: Afterpiece [1st time; F 2, by Mary Robinson. Prologue and Epilogue by the author (London Chronicle, 1 Dec.). MS: Larpent 1046; not published]: With new Dresses, &c. "The dissatisfaction to the Piece being so great [Mrs Jordan] was so much agitated as to be unable to repeat above one half of the Epilogue, which, from the Opposition of Hisses and Applauses, not scarely three lines of that could be distinctly heard" (Powell). Powell: New Ballet rehearsed at 10; Nobody at 12. Receipts: #334 2s. 6d. (222.13.6; 107.10.6; 3.18.6)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Nobody

Performance Comment: Characters-Barrymore, Bensley, Bannister Jun., Maddocks, Trueman, Evans, Mrs Goodall, Miss Pope, Miss Collins, Miss Heard, Miss DeCamp, Mrs Booth, Mrs Jordan; [Larpent MS 1046 lists the parts: Sir Henry Rightly, Sharply, Lord Courtland, Thomas, Servants, Nelly Primrose, Lady Languid, Lady Rouleau, Lady Farrow, Lady Squander, Miss Cassino, Mrs Goodly.] Prologue-Barrymore; Epilogue-Mrs Jordan.
Event Comment: Afterpiece [1st time; P 2 (?), by William Linley. Also attributed to Cordal Powel, librarian to the Prince of Wales (London Chronicle, 19 Jan. 1796). Larpent MS 1106; not published, except for Airs (C. Lowndes, 1796). Synopsis of action in Pocket Magazine, Jan. 1796, p. 59]. The Musick composed by W. Linley. The Scenes [for a description of which see Theatre Notebook, 1965, XIX, p. 58] entirely new, and painted by Greenwood. The Machinery and Decorations by Cabanel, Johnston and Jacobs. The Dresses by Johnston and Miss Rein. Nothing under Full Prince will be taken. Account-Book, 22 Jan.: Paid Wm. Linley for music of new pantomime #25. Receipts: #619 3s. (608.9; 10.14)

Performances

Mainpiece Title: Douglas

Afterpiece Title: Harlequin Captive or The Magick Fire

Performance Comment: Characters by Caulfield, Banks, Boimaison, Master Welsh, Dubois, Fairbrother, Wathen, Russell, Benson, Hollingsworth, Burton, Phillimore, Maddocks, Jones, Webb, Fisher, Wentworth, Evans, Roffey, Keys, Whitmell, Wells, Butler, W. Banks, Nicolini, Garman, Master Gregson, Master DeCamp; Miss DeCamp, Miss Mellon, Mrs Boimaison, Miss Heard, Mrs Cuyler, Mrs Booth, Miss Tidswell, Mrs Maddocks, Mrs Hedges, Mrs Heard, Mrs Butler, Mrs Brooker, Miss Chatterley, Mrs Jones, Mrs Mills, Mrs Brigg, Mrs Haskey, Mrs Barrett. Chorus of Knights and Ladies (Vocal Parts)-Sedgwick, Dignum, Trueman, Danby, Cooke, Welsh, Mrs Bland, Miss Leak, Miss Arne, Mrs Bramwell, Miss Granger, Miss Jackson, Miss Menage, Miss Stuart, Miss Wentworth; Cast adjusted from playbill of 9 Nov. 1796: Ormandine-Caulfield; Harlequin-Banks; Ormandine's Servant-Boimaison; Ariel-Master Welsh; Clown-Dubois; Sailor-Fairbrother; Sir Epicure-Hollingsworth; Crop-Burton; Landlord-Phillimore; Countrymen-Maddocks, Jones; Constable-Webb; Prigg-Fisher; Gipsies-Evans, Garman, Mrs Butler, Mrs Jones, Mrs Mills, Mrs Brigg; Furies-Roffey, Wells, Master Gregson; Gardener-Whitmell; Waiter-Butler; Cheesemonger-Nicolini; Postboy-Master DeCamp; Colombine-Miss DeCamp; Minerva-Miss Mellon; Spirit-Miss Heard; Landlady-Mrs Booth; Lady-Miss Tidswell; Countrywomen-Mrs Maddocks, Mrs Heard; Cook-Mrs Brooker; Chambermaid-Miss Chatterley; unassigned-Wathen, Russell, Benson, Wentworth, Keys, W. Banks, Mrs Boimaison, Mrs Cuyler, Mrs Hedges, Mrs Haskey, Mrs Barrett.
Event Comment: Mainpiece [1st time; C 5, by Thomas Morton; with incidental music by John Moorehead. Prologue by William Thomas Fitzgerald; Epilogue by Miles Peter Andrews (see text)]: With New Scenes [by Richards (Universal Magazine, Feb. 1800, p. 157)] and new Dresses. Morning Chronicle, 8 July 1800: This day is published Speed the Plough (2s.). Receipts: #256 7s. (253.4.6; 3.2.6)

Performances

Mainpiece Title: Speed The Plough

Performance Comment: Principal Characters by Pope, Munden, Fawcett, Knight, H. Johnston, Murray, Davenport, Waddy, Atkins, Street, Abbot, Curties, Klanert, Miss Murray, Mrs Davenport, Mrs Dibdin, Mrs H. Johnston. [Cast from text (T. N. Longman and O. Rees, 1800): Sir Philip Blandford-Pope; Sir Abel Handy-Munden; Bob Handy-Fawcett; Farmer Ashfield-Knight; Henry-H. Johnston; Morrington-Murray; Evergreen-Davenport; Gerald-Waddy; Peter-Atkins; Postillion-Abbot; Young Handy's Servant-Klanert; Susan Ashfield-Miss Murray; Dame Ashfield-Mrs Davenport; Lady Handy-Mrs Dibdin; Miss Blandford-Mrs H. Johnston; unassigned-Street, Curties; Prologue-Betterton; [This was spoken, as here assigned, at the 1st 9 performances only (see18000219).] Epilogue-Fawcett. [This was spoken, as here assigned, at the 1st 19 performances only (see18000306] .This was spoken, as here assigned, at the 1st 19 performances only (see18000306] .

Afterpiece Title: Rosina

Performances

Mainpiece Title: The Pretenders Or Kensington Gardens

Performance Comment: Edition of 1720 lists: Lord George Belmour-Leigh; Colonel Lovely-Ryan; Sir Vanity Halfwit-Pack; Sir Politick Noodle-Bullock Sr; Varnish-Egleton; Grogram-Harper; Captain Hackit-Spiller; Bardach-C. Bullock; Lucinda-Mrs Bullock; Lady Jane-Miss Stone; Melissa-Mrs Spiller; Spleen-Mrs Giffard; Vapours-Mrs Robertson; Betty-Mrs Gulick; Prologue-Ryan; Epilogue-Mrs Bullock.
Cast
Role: Lord George Belmour Actor: Leigh
Event Comment: Inkle and Yarico [advertised on playbill of 22 Jan.] is obliged to be deferred on account of the Indisposition of a principal Performer. Receipts: #209 7s. (203.2.6; 6.4.6)

Performances

Mainpiece Title: The Belles Stratagem

Performance Comment: Doricourt-Lewis; Sir George Touchwood-Farren; Saville-Aickin; Flutter-Bernard; Villers-Hull; Courtall-Davies; French Valet-C. Powell; Porter-Powel; Hardy-Quick; Mrs Racket-Mrs Mattocks; Lady Touchwood-Mrs Wells; Miss Ogle-Mrs Lewis; Kitty Willis-Miss Stuart; Letitia Hardy-Mrs Pope.
Cast
Role: Sir George Touchwood Actor: Farren

Afterpiece Title: Harlequins Chaplet

Dance: As17891231

Performances

Mainpiece Title: The Belles Stratagem

Performance Comment: Doricourt-Lewis; Sir George Touchwood-Farren; Saville-Aickin; Flutter-Bernard; Villers-Hull; Courtall-Davies; French Valet-C. Powell; Porter-Powel; Hardy-Quick; Mrs Racket-Mrs Mattocks; Lady Touchwood-Miss Chapman; Miss Ogle-Mrs Lewis; Kitty Willis-Miss Stuart; Letitia Hardy-Mrs Pope.
Cast
Role: Sir George Touchwood Actor: Farren

Afterpiece Title: The Deserter

Event Comment: By command of Their Majesties. Receipts: #369 15s. (368.3; 1.12)

Performances

Mainpiece Title: The Belles Stratagem

Performance Comment: Doricourt-Lewis; Sir George Touchwood-Farren; Saville-Aickin; Flutter-Fawcett; Villers-Macready; Courtall-Davies; French Valet-C. Powell; Porter-Powel; Hardy-Quick; Mrs Racket-Mrs Mattocks; Lady Touchwood-Miss Chapman; Miss Ogle-Mrs Harlowe; Kitty Willis-Miss Stuart; Letitia Hardy-Mrs Pope.
Cast
Role: Sir George Touchwood Actor: Farren

Afterpiece Title: Blue Beard

Cast
Role: 2nd Brother Actor: Letteney.
Role: Brothers to Colombine Actor: Farley, King
Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger
Event Comment: Afterpiece: Not acted these 4 years [not acted since 15 June 1787). Receipts: #238 15s. (226/11; 12/4)

Performances

Mainpiece Title: The World In A Village

Afterpiece Title: NINA

Performance Comment: Germueil-Incledon; Count-Hull; George-Richardson//Eliza-Mrs Mountain; Nina-Miss Poole (1st appearance in that character). Villagers-Linton, Tett, Kendrick, Sawyer, Little, Spofforth, Street, Speechly, &c.//Miss Stuart, Mrs Bayzand, Miss Kirton, Miss Leserve, Mrs Castelle, Mrs Follett, Mrs Watts, Mrs Lloyd, &c .
Event Comment: [Miss Goddard was from the Margate theatre.] Receipts: #295 4s. (199.16.6; 91.12.0; 3.15.6)

Performances

Mainpiece Title: The Belles Stratagem

Performance Comment: Doricourt-Palmer; Hardy-Hollingsworth; Sir George Touchwood-Wroughton; Flutter-Bannister Jun.; Saville-C. Kemble; Villers-Caulfield; Courtall-Russell; Letitia Hardy-Miss Goddard (1st appearance on this stage); Mrs Racket-Miss Pope; Lady Touchwood-Miss Miller; Miss Ogle-Miss Heard; Kitty Willis-Miss Tidswell.

Afterpiece Title: A Trip to the Nore

Performance Comment: As17971109, but added to Bannister Jun.: (With a new song, A Salt Eel for Mynheer-Bannister, by permission of Dibdin).

Afterpiece Title: My Grandmother

Cast
Role: Sir Matthew Medley Actor: Maddocks

Dance: In 2nd piece: As17971109; IV: a Masquerade Scene-; a Minuet-D'Egville, Miss Goddard

Performances

Mainpiece Title: The Belles Stratagem

Performance Comment: Doricourt-Barrymore; Hardy-Hollingsworth; Sir George Touchwood-Powell; Flutter-Russell; Saville-C. Kemble; Villars-Caulfield; Courtall-R. Palmer; Silvertongue-Maddocks; Gentlemen-Webb, Trueman, Wentworth; Letitia Hardy-Miss Biggs; Mrs Racket-Miss Pope; Lady Touchwood-Miss Miller; Miss Ogle-Miss Heard; Kitty Willis-Miss Tidswell.
Cast
Role: Sir George Touchwood Actor: Powell

Afterpiece Title: The Humourist

Related Works
Related Work: The Humourists Author(s): Theophilus Cibber

Performances

Mainpiece Title: The Belles Stratagem

Performance Comment: Doricourt-Barrymore; Hardy-Hollingsworth; Sir George Touchwood-Powell; Flutter-Palmer; Saville-C. Kemble; Villers-Caulfield; Courtal-Holland; Silvertongue-Maddocks; Letitia Hardy-Miss Biggs; Mrs Racket-Miss Pope; Lady Touchwood-Miss Campbell; Miss Ogle-Miss Heard; Kitty Willis-Miss Tidswell.
Cast
Role: Sir George Touchwood Actor: Powell

Afterpiece Title: Blue Beard

Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger
Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Larpent MS 779; not published; synopsis of plot in Universal Magazine, Aug. 1787, p. 100. Prologue by the author; Epilogue by George Colman elder (European Magazine, July 1787, pp. 63-64). In 1789 altered as The School for Widows]

Performances

Mainpiece Title: The Country Attorney

Performance Comment: Principal Characters by Bensley, Aickin, Kemble, Browne, R. Palmer, Johnson, Lyons, Ledger, Bannister Jun., Mrs Bulkley, Miss Woollery, Mrs Cuyler, Miss Brangin, Miss Farren. [Cast from European Magazine, July 1787, pp. 63-64, and Crouch, II, 25: Sterling-Bensley; Worldly-Aickin; Sir Wilful Wayward-Kemble; Frederick Wayward-Browne; Lord Millamour-R. Palmer; Gayless-Johnson; Jack Volatile-Bannister Jun.; Mrs Worldly-Mrs Bulkley; Arabella Grenville-Miss Woollery; Mrs Gayless-Mrs Cuyler; Lucy-Miss Brangin; Lady Rustic-Miss Farren; unassigned-Lyons, Ledger; Prologue-Bensley; Epilogue-Miss Farren. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Harvest Home

Cast
Role: Muzzy Actor: Mathews
Role: Unah Actor: Miss George
Event Comment: The Duke's Company. The Prologue to the Queen of Arragon Acted before the Duke of York, Upon his Birthday, and Epilogue to the Same To the Duchess, by Samuel Butler, are in The Poetical Works of Samuel Butler, ed. R. B. Johnson (London, 1893), II, 175-77. Newsletter, 12 Oct. 1668: The Duke of York's birthday will be celebrated with the usual solemnities, a play being prepared for the entertainment of the ladies. The piece chosen is The Queen of Arragon. It will be acted in the Guard Chamber at St James's (HMC, Fleming MSS., 12th Report, Appendix, Part VII, p. 59). Pepys, Diary: But the Duke of York being gone out, and to-night being a play there, and a great festival, we would not stay

Performances

Mainpiece Title: The Queen Of Arragon

Event Comment: London Gazette, No. 2496, 10-14 Oct. 1689: The Concerts of Musick that were held in Bow-street and in York-Buildings, are now joyn'd together, and will be performed in York-Buildings on Thursday next, being the 17th instant, at Seven of the Clock at night, and will continue there every Monday and Thursday. [But see 11 Nov. 1689.

Performances

Mainpiece Title: Concert