SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Galuppi ; This celebrated composition is performed in the Holy Week in the Hospital of Incurables in Venice This is the Miserere so particularly mentioned by Dr Burney"/1) | (@(roleclean,performerclean) "Galuppi ; This celebrated composition is performed in the Holy Week in the Hospital of Incurables in Venice This is the Miserere so particularly mentioned by Dr Burney")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2889 matches on Event Comments, 2120 matches on Performance Title, 910 matches on Performance Comments, 395 matches on Author, and 0 matches on Roles/Actors.
Event Comment: To begin at 7 p.m. Last Night of the Subscription. The Subscription tickets will be admitted after this night at each opera that may be performed this month (Public Advertiser)

Performances

Mainpiece Title: La Didone Abbandonata

Related Works
Related Work: La Didone Abbandonata Author(s): Baldassare Galuppi
Event Comment: Being the last time of performing the Opera

Performances

Mainpiece Title: Le Nozze Di Dorina

Related Works
Related Work: Le Nozze Di Dorina Author(s): Baldassare Galuppi
Event Comment: No person can be admitted without tickets which will be ddlivered at the office today. N.B. The last time of Performing this Opera. As a Parcel of Opera Tickets printed upon Cards have been stolen, with an interest to defraud Mr Giardini: this is to acquaint the Public, that no Card Tickets are admitted, but those which are indorsed by him. Any person having Purchased any of those tickets which have been stolen, upon giving information at the office shall have their money returned

Performances

Mainpiece Title: Cleonice

Related Works
Related Work: Cleonice Author(s): Baldassare Galuppi
Event Comment: A new Serious Opera in 3 acts (1st time [in London; 1st performed at Munich, 1771]); the Music entirely new, composed by Rauzzini

Performances

Mainpiece Title: L'eroe Cinese

Related Works
Related Work: L'Eroe Cinese Author(s): Baldassare Galuppi

Dance: End of Act I Divertisement Dance, as17820205; End of Act II New Divertisement Dance, as17820216; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

Event Comment: A new Comic Opera; the Music by Sarti, Storace, Martini. Under the direction of Storace. [on 6 Jan. 1784 this was performed as I Rivali Deluse.] 2nd ballet: [Music by Storace] With Scenery, Machinery and Decorations entirely new, designed and executed by Marinari; the Dresses by Sestini

Performances

Mainpiece Title: Le Nozze Di Dorina

Related Works
Related Work: Le Nozze Di Dorina Author(s): Baldassare Galuppi

Dance: End I: Les Epoux du Tempe, as17930126

Ballet: End Opera: an entire new Heroic Pantomime Ballet Venus and Adonis (composed by Noverre). Cupid-Nivelon; Adonis-Favre Gardel; Mercury-Gentili; Jupiter-D'Egville; Hebe-Mlle Hilligsberg; The Graces-Mlle Bourgeois, Mlle Vedie, Mlle Droma; Venus-Mlle Millerd; Nymphs, Chasseurs-the Corps de Ballet

Performance Comment: Cupid-Nivelon; Adonis-Favre Gardel; Mercury-Gentili; Jupiter-D'Egville; Hebe-Mlle Hilligsberg; The Graces-Mlle Bourgeois, Mlle Vedie, Mlle Droma; Venus-Mlle Millerd; Nymphs, Chasseurs-the Corps de Ballet.
Event Comment: Benefit Ray, Surel, Burney. Afterpiece: By Surel. Never perform'd before

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Cheats of Harlequin; or, The Farmer Outwitted

Dance: new Turkish Dance-Burney, Mrs Walter; A new Pierrot Dance-Burney, Rainton

Event Comment: Benefit Burney, Dancing-Master. At the Desire of several Ladies

Performances

Afterpiece Title: Harlequin's Contrivance; or, The Jealous Yeoman Defeated

Performance Comment: Colombine-Mrs Roberts; Harlequin-Young Woodward; Beau Gamester-Bullock; Dame Gigogne-Miss Wherrit; Genius-Excell; Yeoman-a Gentleman; Pierrot-Burney.
Cast
Role: Pierrot Actor: Burney.

Dance: II: Two Pierrots-John Wade, the only Time of his appearing on this Stage, Burney; III: Sailor's Dance-a Gentleman belonging to the Sea; IV: A new Pastoral Dance-Burney, Miss Wherrit

Related Works
Related Work: Robin Hood Author(s): Charles Burney
Related Work: The Cunning Man Author(s): Charles Burney

Song: I: Bacchanalian Song-Excell

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: See17401114, but Othello-a Gentleman, who never performed on any stage; Desdemona-Mrs Giffard; Iago-Paget; Cassio-Blakes; Roderigo-Yates; Brabantio-Nelson; Gratiano-Julian; Ludovico-Marr; Montano-Crofts; Emilia-Mrs Lamball.

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber
Event Comment: Written by Shakespear. Benefit a Gentleman under misfortunes. Tickets at George's Coffee House, Temple Bar, and at the Stage door

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-the Gentleman who lately performed it in the Haymarket [Foote]; Iago-Giffard[, 1st time; Desdemona-Mrs Giffard; Cassio-Winstone; Roderigo-Neale; Brabantio-Berry; Duke-Taswell; Lodovico-Turbutt; Montano-Woodburn; Emilia-Mrs Bennet.

Afterpiece Title: The Anatomist

Event Comment: FFawkes and Pinchbeck's Great Theatrical Booth, facing the Hospital Gate, West Smithfield. Taken from Shakespear. [Possibly a puppet show.] The occasion is the Retaking the English Standard belonging to Sir Robert Rich's Regiment of Horse by George Darraugh

Performances

Mainpiece Title: Ephesian Duke; Or, Blunder Upon Blunder, Yet All's Right At Last

Performance Comment: The Parts-the best Actors; the Songs-the best Singers; the Dances-the best Dancers, to and from the Theatres-Royal.

Afterpiece Title: The Battle of Dettingen

Dance: WWooden@Shoe Dance-LaPierre, never performed by any but himself; Le Paisans Leger-LaPierre, Mlle Mariette

Song: Blogg, Miss Atherton; The Whole to conclude with a Song made upon that Occasion, set to Musick, and-Mr Blogg

Event Comment: DDelectando pariterque monendo. At Yates's Great Theatrical Booth (from the Theatre Royal in Drury Lane) facing the Hospital Gate. During the short Time of Bartholomew Fair, will be presented an instructing and diverting Droll, call'd The Consequences of Industry and Idleness, or The Apprentice's Guide. To begin at Twelve noon. [Notice repeated 25, 26 27 Aug.

Performances

Mainpiece Title: The Consequences Of Industry And Idleness

Performance Comment: Francis Goodchild the Prentice-Peterson; the Master-Pinner; Thomasthe Idle Prentice-Costollo; Owen Gallows-Lowder; Ben Board'em-Miller; Bransby Bustle-Taswell; Solomon Slender-Singleton; 'Squire Allnight-Casey; Scrawl-Brown; Taylor-Dogget; Jailor-Peters; Miss West-Miss Jones; Mrs Idle-Mrs Graham; Dorothy Slut-Miss Hippisley; Patrick MacMurder an Irish Haymaker-Yates.

Song: Signora Agnetta being the first Time of her Performing since her Arrival. An extraordinary Band of Musick

Event Comment: Benefit for Lewis. Last Night of performing before the Holidays. [See first version of this afterpiece under title What We Must All Come To, 9 Jan. 1764. It was damned then but now met with success. A Comedy by Arthur Murphy. The reviewer for the Westminster Magazine for April stamped the afterpiece with his approval.

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Three Weeks After Marriage

Performance Comment: Parts by Lewis, Lee Lewes, Young, Quick, Mrs Green, Mrs Pitt, Miss Dayes, and Mrs Mattocks. Sir Charles Rackett-Lewis; Woodley-Young; Drugger-Quick; Lovelace-Lee Lewes; Lady Rackett-Mrs Mattocks; Dimity-Mrs Green; Mrs Drugget-Mrs Pitt; Nancy-Miss Dayes (Edition of 1776) the Edition lists Lovelace-$Booth, who took over the part on 11 April.

Entertainment: End: (By Particular Desire) Bucks Have At Ye All, with alterations, spoken-Lewis

Dance: Before Farce: The Merry Sailors, as17760314

Event Comment: Last time of the company's performing this season. The 75th night for the mainpiece; the 15th night for the afterpiece. Doors open half past 5. To begin half past 6 o'clock. [The manager miscounted the number of performances of the afterpiece, which was actually 14.

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Three Weeks after Marriage

Dance: End Opera: The Humours of the New@Market Races, as17760503

Event Comment: Benefit for Reddish [and his last appearance on the stage]. Tickets sold at the Doors will not be admitted. Public Advertiser, 1 May: Tickets to be had of Reddish, No. 14, near the Turnpike, Tottenham Court Road. "Poor Reddish, on the 5th of May, had a benefit, and it was resolved to try whether he could not go through the character of Posthumus. He was now infirm; in common occurrences imbecile, but to be exited by his former profession, or nothing. The late John Ireland gave an affecting detail of this attempt. He met his friend an hour before the performance began. Reddish entered the room with the step of an idiot, his eye wandering, and his whole countenance vacant. Mr Ireland congratulated him, that he was sufficiently recovered to perform his favourite Posthumus. 'Yes', said he, 'and in the garden scene I shall astonish you.' 'The garden scene! I thought you were to play Posthumus?' 'No, Sir, I play Romeo.' His friend assured him that Posthumus was the part he was to act--and he walked to the theatre, reciting Romeo all the way. When dressed for Posthumus, and in the green-room, it was still hard to undeceive him--at length he was pushed upon the stage....The instant he came in sight of the audience his recollection seemed to return; his countenance resumed meaning, his eye became lighted up, he made the modest bow of respect, and played the scene as well as he had ever done. But Romeo again met him in the green-room, and it was only the stage cue that had the power to unsettle this delusion; and that never failed to do it through the whole play. Mr Ireland thought him, on this occasion, less assuming and more natural than he had seemed in the full enjoyment of his reason" (Boaden, Kemble, I, XVI-XVII; Ireland, 58-60)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Three Weeks after Marriage

Dance: As17781024

Song: As17781024

Event Comment: Mainpiece: With new Scenery, Dresses and Decorations. [This was the version, altered probably by Joseph George Holman, in which he appeared in Dublin on 29 July 1794, on which occasion the playbill reads, "Dressed in the Habits of the Times, and with other Alterations, adopted in its Representations 19 [recte 11] Nights last Winter, at the Theatre Royal, Covent Garden." It further states that the part of Ophelia would be performed "without the Airs, and with a considerable Restoration of the Text." No record of what these alterations consisted of has come to light. In III.iv Hamlet's father was represented by a life-sized portrait that hung over the chimney, and the Queen wore a large miniature of Claudius on her arm as a bracelet (London Chronicle, 10 Oct.). The words of the Dirge are printed in European Magazine, Nov. 1793, p. 393; they are stanza X of Shakespeare's Passionate Pilgrim. Miss Poole had appeared as a singer at king's and at Vauxhall in 1787 and at the cg oratories in 1791.] Afterpiece: Not acted these 2 years [and in place of The Prisoner at Large, advertised on playbill of 8 Oct.]. Receipts: #332 4s. (330.3; 2.1)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Three Weeks after Marriage

Song: In V: a Dirge set to music by Shield, the words from Shakespeare; Vocal Parts-Mrs Martyr, Mrs Mountain, Mrs Clendining, Miss Hopkins, Miss Stuart, Miss Barnett, Mrs Watts, Mrs Follett, Mrs Lloyd, Mrs Masters, Miss Paye, Mrs Blurton, Mrs Castelle, Miss Leserve, Williamson, Linton, Street, Gray

Event Comment: At Penkethman-Norris Booth, where it stood last Time. A celebrated Droll

Performances

Mainpiece Title: Jepthah's Rash Vow; Or, The Virgin Sacrifice

Performance Comment: Valiant Capt. Blunderbuss-Penkethman; Dwindle his foolish Brother-Norris; Squib-Norris Jr.

Entertainment: And to give a general Satisfaction to the Town, Mr Penkethman has hir'd Dance after the New French Mode-the Dancing-Dogs lately arriv'd from France, which have been receiv'd both at Hampton-Court and at Richmond, as well as at most Courts of Europe, with wonderful Applause, to perform on his Stage; their Dresses as well as their Dances being entirely after the New French Mode, and only, at the common Prices of the Droll

Event Comment: Afterpiece: Not acted these 7 years. [See 31 Dec. 1744.] The Tragedy of the Siege of Damascus is now in rehearsal at Covent Garden, in which Mr Barry will perform the part of Phocyas , being his first appearance in that character. And a Gentleman who never performed on any stage, will soon appear in the Character of Richard III

Performances

Mainpiece Title: The Drummer; Or, The Haunted House

Afterpiece Title: The Necromancer; or, Harlequin Dr Faustus

Performance Comment: Harlequin-Lun; Infernal Spirit-Legg first appearance on any stage; 5 Furies-Cooke, Villeneuve, Desse, Christian, Gardner; Helen-Mrs Lampe; Shades of Leander, Hero-Baker, Miss Young; Charon-Howard; Miller-LaLauze; Doctor's man-Arthur; Tumblers-Bencraft, Cushing; Miller's Wife-Miss Hillyard; Demons in the following characters- Harlequin, Pierrot, Mezzetin-Villeneuve, Gardner, Desse; Scaramouche-Christian; Harlequin Woman, Pierrot Woman, Mezzetin Woman-Madam Camargo, Dennison, Mrs Gondou; Scaramouche Woman-Miss Batchelor.
Event Comment: A new Opera. [Music by Galuppi, text P. Rolli. See Loewenberg, Annals of Opera, I, 198.

Performances

Mainpiece Title: Penelope

Related Works
Related Work: Penelope Author(s): Baldassare Galuppi
Event Comment: A new Opera. [Music by Galuppi (Nicoll, Early Eighteenth Century Drama, p. 400).

Performances

Mainpiece Title: Il Trionfo Della Continenza

Related Works
Related Work: Il Trionfo della Continenza Author(s): Baldassare Galuppi
Event Comment: A New Opera [a pasticcio with some new music by Galuppi]. 6:30 p.m

Performances

Mainpiece Title: Antigone

Related Works
Related Work: Antigone Author(s): Baldassare Galuppi
Event Comment: Benefit for Sga Marina Giordani. Full Prices (Cross). A new Italian Comic Opera. The Music composed by Balthazar Galuppi. Ladies desired to send servants by Half an Hour after Three. This day publish'd at 1s. La Cameriera Accorta, Opera Comico, per Musica, as it is acted at Covent Garden. With an English Translation. Sold by H. Woodfall

Performances

Mainpiece Title: La Cameriera Accorta

Performance Comment: Odoard-Francesco Lini; Leonora-Signora Marina Giordani; Silvio-Signora Antonia Giordani; Diamantina-Nicolina Giordani; Vanesio-Giuseppe Giordani; Perillox-Francesco Giordani [The Artful Chambermaid, 1754 libretto).].The Artful Chambermaid, 1754 libretto).].
Related Works
Related Work: La Cameriera Accorta Author(s): Baldassare Galuppi

Afterpiece Title: Enterntainment

Dance: [Unspecified.]

Event Comment: Play a New Italian Burletta. The first performance in England. Libertto by Goldoni; Music by Galuppi (Loewenberg, Annals of Opera, p. 107). Books of the Opera will be sold at the theatre. Ladies send servants by half past three. Nothing but full prices will be taken during the performance

Performances

Mainpiece Title: L'arcadia In Brenta

Performance Comment: The printed version 1755 (Larpent MS 114) as acted as Covent Garden gives the following: Fabrizio Fabroni-Sg Francesco Baratti; Giacinto-Gaetano Guadagni; Rosana-Sga Ninetta de Rossennaw; Mlle Lindora-Sga Anna Castelli; Conte Bellezza-Gaetano Quilici; Laura-Sga Eugenia Mellini; Foresto-Christiano Tedeschini Koerbitz.
Related Works
Related Work: L'Arcadia in Brenta Author(s): Baldassare Galuppi
Event Comment: A new Opera.-The Musick composed by Sg Galuppi. New Cloaths, Scenes, and Dances

Performances

Mainpiece Title: Ricimero

Related Works
Related Work: Ricimero Author(s): Baldassare Galuppi
Event Comment: A New Opera. The Musick by Sig Baldassare Galuppi. [Mingotti had been advertising for subscriptions for next season but now Vanneschi announces that he was secured the licence for next year from the Lord Chamberlain and he is the new Director of the operas (Daily Advertiser).

Performances

Mainpiece Title: Euristeo

Related Works
Related Work: Euristeo Author(s): Baldassare Galuppi

Dance: With New dances-

Event Comment: A new opera. [Edition of 1758: Musick by Signor Galuppi and directed by Gioacchino Cocchi.] Pit and Boxes together at half a guinea. Gallery 5s. By His Majesty's Command, No Persons whatsoever to be admitted behind the Scenes. 6:30 p.m. [For an additional five guineas, subscribers may secure 15 pit tickets, good on Tuesday.

Performances

Mainpiece Title: Attalo

Related Works
Related Work: Attalo Author(s): Baldassare Galuppi

Dance: With New Dances-; Edition of 1758: Ballerini-Giovanni Gallini, Sga Rosa Carlini, Giuseppe Forti, Sga Giac. Bonomi