SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Galuppi ; This celebrated composition is performed in the Holy Week in the Hospital of Incurables in Venice This is the Miserere so particularly mentioned by Dr Burney"/1) | (@(roleclean,performerclean) "Galuppi ; This celebrated composition is performed in the Holy Week in the Hospital of Incurables in Venice This is the Miserere so particularly mentioned by Dr Burney")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2889 matches on Event Comments, 2120 matches on Performance Title, 910 matches on Performance Comments, 395 matches on Author, and 0 matches on Roles/Actors.
Event Comment: A solo on the Violincello as 11 March; and Cirri's New Concerto on the Violin as 20 March. Charges: #35 (Account Book)

Performances

Mainpiece Title: Concerto Spirituale

Performance Comment: Part I. An Overture-Sg. Piccini; Milton's Morning Hymn-; The Music selected from the works of the following eminent composers, viz. Piccini, Jomelli, Pergolesi, Carrissime. This Hymn was set many years since by Galliard. Part II. Consisted of Miserere mei Die by This celebrated composition is performed in the Holy Week, in the Hospital of Incurables in Venice. This is the Miserere so particularly mentioned by $Dr Burney">Galuppi-; This celebrated composition is performed in the Holy Week, in the Hospital of Incurables in Venice. This is the Miserere so particularly mentioned by $Dr Burney, in his Account of the Present State of Music in France and Italy lately publish'd. The Melodies of the airs are pleasing, the chorusses Grand, and the composer has shown great taste and invention in the conduct of the whole. Part III. Dixit Dominus. The Music-Sg Pergolesi...a solemn and Grand Performance (Theatrical Review, p. 222).
Event Comment: By Command of Their Majesties. [In Percy A. Scholes, The Great Dr. Burney, 1958, II, 351, the title of the new song (misdated 1799) is given as Song on the Naval Victories.] Receipts: #439 (433.17.6; 5.2.6)

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: The Mouth of the Nile

Song: [not listed on playbill] End: A new Loyal Song and Chorus- which recounts all the recent victories fo our Naval Heroes"Incledon, Johnstone, Townsend, Hill [, the music by Dr Burney (Morning Herald, 8 Nov.)

Event Comment: Benefit for Jewell, treasurer. 2nd piece: Taken from The Devil upon Two Sticks. 3rd piece: Never performed here. Public Advertiser, 8 Aug.: Tickets to be had of Jewell, No. 26, Great Suffolk-street, Hay-market

Performances

Mainpiece Title: Tit For Tat

Related Works
Related Work: Tit for Tat Author(s): George Colman, the elder

Afterpiece Title: Dr Lasts Examination

Performance Comment: Dr Last-Edwin; The Devil-Moss.
Cast
Role: The Devil Actor: Moss.

Afterpiece Title: The Intriguing Chambermaid

Afterpiece Title: The Day

Performance Comment: Morning. Champaign Country The Early Horn-Miss George; How sweet in the Woodlands-Davies, Miss George; Noon. Skirts of a Wood Sweet Echo-Mrs Bannister; Dance Shepherd's Wedding-Byrn, Mrs Goodwin, the two Miss Simonets; Prithee Susan-Meadows, Mrs Forster; Afternoon. A Drawing-Room Time has not thinn'd-Meadows, Mrs Bannister; Where the Bee sucks-Davies, Mathews, Miss George, Mrs Bannister; Night. A Country Church-yard My Lucy alas is no more-Chapman, Mrs Forster, Mrs Edwards; dance Fairies Sporting-young D'Egville, Giorgi's Scholars, Miss DeCamp; Musical Epilogue-Meadows, Chapman, Mathews, Mrs Edwards, Mrs Gaudry, Mrs Forster.
Event Comment: The Duke's Company. This performance is known by the separately printed Prologue and Epilogue: Prologue. By Mr Otway to his Play call'd Venice preserv'd or the Plot discover'd. Acted at His Royal Highness the Duke of Yorks Theatre, the 9th of February, 1681. [These have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 61-66.] Luttrell dated his copy of the Prologue and Epilogue 11 Feb. 1681@2 (Huntington Library). It is not certain that 9 Feb. 1681@2 represents the first performance, but it may well be. For a comment by Downes, Roscius Anglicanus, on Mrs Barry, see The Orphan, February 1679@80

Performances

Mainpiece Title: Venice Preservd Or A Plot Discoverd

Performance Comment: Edition of 1682: Prologue-Mr Smith; Epilogue-Mr Betterton; Duke of Venice-D. Williams; Priuli-Boman; Antonio-Leigh; Jaffeir-Betterton; Pierre-Smith; Renault-Wilshire; Bedamar-Gillo; Spinosa-Percival; Belvidera-Mrs Barry; Aquilina-Mrs Currer.
Cast
Role: Duke of Venice Actor: D. Williams
Event Comment: The King's Opera House in the Haymarket. A new Opera...Dances and other Decorations entirely New. Pit and Boxes to be put together, and no Persons to be admitted without Tickets, which will be deliver'd this Day, at the Office in the Haymarket, at Half a Guinea each. Gallery 5s. By His Majesty's Command, no Persons Whatever to be admitted behind the Scenes. The Gallery will be open'd at Four o'Clock. Pit and Boxes at Five. To begin at Six o'clock. This Day Attendance will be given at the Opera-Office from Nine to One in order to deliver the Silver Tickets to the Subscribers. Each Subscriber is desir'd to send his printed Receipt, it being necessary for the Delivery of the Tickets [customary notice on the bills throughout the season]. BBurney, History of Music, IV, 445: A pasticcio, music mainly composed by Galuppi, now the resident composer for the Opera House. Edition lists libretto by Francesco Vanneschi

Performances

Mainpiece Title: Alexander In Persia

Performance Comment: Burney, History of Music, IV, 446, lists: Angelo Maria Monticelli, Soprano, first man; Andreoni, soprano, second man; (Amorevolli) tenor; Signora Visconti, 1st woman; Signora Panichi, 2nd woman; Signora Tedeschi, 3rd Woman. The part of Amorevoli omitted (Walpole to H. Mann, 2 Nov.). Libretto lists: Monticelli, Signora Visconti, Signora Moscovita, Amorevale; airs by Lampugnani, Pescetti, Leo, Hasse.
Related Works
Related Work: Alexander in Persia Author(s): Baldassare Galuppi
Event Comment: Benefit for LaLauze. Mainpiece: By Particular Desire. Afterpiece: Not performed these four years. Tickets deliver'd for 24 April will be taken

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: The Country Farmer Deceivd or Harlequin Statue

Dance: Dennison, Settree; scholars of Lalauze, being the second time of their performing on that stage. Particularly a Scots Dance-Dennison; a Shepherd's Dance-Settree; the Two Pierrots-Dennison, Settree; Likewise (by Desire) a Minuet-Lalauze, Mrs Woffington

Performance Comment: Particularly a Scots Dance-Dennison; a Shepherd's Dance-Settree; the Two Pierrots-Dennison, Settree; Likewise (by Desire) a Minuet-Lalauze, Mrs Woffington.
Event Comment: Performed after the manner of an Oratorio. With the original Music [to William Macon's play] as composed by the late Dr Arne. To begin at 7:00. Boxes 7s. 6d. Pit 4s. 1st Gallery 3s. 2nd Gallery 2s

Performances

Mainpiece Title: Elfrida

Related Works
Related Work: Elfrida Author(s): George Colman, the elder

Music: End Part I: concerto on the hautboy-LeBrun; End Part II: concerto on the violin-Salomon (1st public performance in this Kingdom)

Entertainment: Monologue.End Oratorio: Collins's Ode on the Passions-Henderson (Public Advertiser, 24 Mar.); , accompanied with new Airs, Chorus-Dr Arnold, under whose direction the whole Music will be conducted

Performance Comment: End Oratorio: Collins's Ode on the Passions-Henderson (Public Advertiser, 24 Mar.); , accompanied with new Airs, Chorus-Dr Arnold, under whose direction the whole Music will be conducted.
Event Comment: Benefit for Thompson, Williamson, Rees & Sloper. In 4th piece a Representation of the Indian Mannerv, &c., as 26 Oct. 1795, but added to Allegoric Scene: With Britannia seated on the Globe of the Earth attended by Fame, and Neptune in his Watery Car, attended by Sea Nymphs. Receipts: #353 3s. 6d. (63.0.6; 4.9.0; tickets: 285.14.0)

Performances

Mainpiece Title: The Way To Get Un married

Cast
Role: The Censor Actor: Richardson

Afterpiece Title: The School for Arrogance

Afterpiece Title: Dr Lasts Examination before the College of Physicians

Afterpiece Title: The Shipwreck

Related Works
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): Lewis Theobald
Related Work: Fatal Curiosity Author(s): George Colman, the elder

Dance: In 4th piece: Dance, as17951026, but Holland; in which dance Bells-Lawrence that inimitable Performer, will introduce accompaniments on his Bells

Song: In: Admiral Benbow-Incledon; In 3rd piece: All on Hobbies-Williamson; In 4th piece: Rule Britannia-Townsend

Entertainment: 3rd piece: a variety of Imitations-Rees

Event Comment: Text-Vanneschi; Music-Galuppi (Burney). A new Opera [Description as before] but the Silver Tickets will be deliver'd to the Subscribers at the Opera-Office, where Attendance will be given from Nine to One for that Purpose. [Not entered as a new piece in the Larpent MS.]

Performances

Mainpiece Title: Enrico

Performance Comment: Singers-Monticelli, Visconti, Amorevole, Signora Frasi, Signora Contini, With Signora Galli singing male parts (Burney, History of Music, IV, 449).
Related Works
Related Work: Enrico Author(s): Baldassare Galuppi

Performances

Mainpiece Title: Holy Week

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Mainpiece Title: Holy Week

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Mainpiece Title: Holy Week

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Mainpiece Title: Holy Week

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Mainpiece Title: Holy Week

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Mainpiece Title: Holy Week

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Mainpiece Title: Holy Week

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Mainpiece Title: Holy Week

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Mainpiece Title: Holy Week

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Mainpiece Title: Holy Week

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Mainpiece Title: Holy Week

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Mainpiece Title: Holy Week

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Mainpiece Title: Holy Week

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Mainpiece Title: Holy Week

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Mainpiece Title: Holy Week

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Mainpiece Title: Holy Week