SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Duke and Duchess of York"/1) | (@(roleclean,performerclean) "Duke and Duchess of York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1304 matches on Performance Comments, 1213 matches on Event Comments, 403 matches on Author, 355 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Lady Jane Gray

Performance Comment: Lord Guilford-Havard; Pembroke-Delane; Bishop of Winchester-L. Sparks; Northumberland-Mills; Lady Jane Gray-Mrs Giffard; Duchess of Suffolk-Mrs Cross; Sussex-Mozeen; Suffolk-Winstone; Sir John Gates-Woodburn; Lieutenant-Goodfellow; With the Original Prologue-.
Cast
Role: Northumberland Actor: Mills
Role: Duchess of Suffolk Actor: Mrs Cross

Dance: I: Mlle Mechel; III: Muilment

Song: II: Rise Glory Rise-Lowe; IV: Colin and Phebe-Lowe, Mrs Arne; V: The Subscription-Lowe

Performances

Mainpiece Title: Lady Jane Gray

Performance Comment: Lady Jane-Mrs Woffington; Lord Guilford Dudley-Ryan; Northumberland-Sparks; Pembroke-Lacy; Suffolk-Ridout; Sussex-Anderson; Duchess of Suffolk-Mrs Elmy; Gardiner-Quin.
Cast
Role: Northumberland Actor: Sparks
Role: Sussex Actor: Anderson
Role: Duchess of Suffolk Actor: Mrs Elmy

Afterpiece Title: Perseus and Andromeda

Performance Comment: As17501120, but Amazons-Miss Morrison; full cast, as of 19 Nov. 1750, but concluding Original +Grand Dance-_.

Performances

Mainpiece Title: Lady Jane Gray

Performance Comment: Pembroke-Mossop (1st time); Lord Guilford-Dexter 1st time; Gardiner-Havard; Northumberland-Burton; Suffolk-Winstone; Sussex-Mozeen; Sir John Gates-Simson; Lieut.-Scrase; Captain-Ackman; Duchess of Suffolk-Mrs Mills; Lady Jane Gray-Miss Bellamy (1st time).
Cast
Role: Northumberland Actor: Burton
Role: Duchess of Suffolk Actor: Mrs Mills

Afterpiece Title: The Lying Valet

Dance: GGrand Provincial Dance, as17520204

Performances

Mainpiece Title: Lady Jane Gray

Performance Comment: Lady Jane-Mrs Bland; Dudley-Dyer; Northumberland-Sparks; Suffolk-Bransby; Sussex-Anderson; Duchess of Suffolk-Mrs Elmy; Gardiner-Ridout; Pembroke-Ryan.
Cast
Role: Lady Jane Actor: Mrs Bland
Role: Northumberland Actor: Sparks
Role: Sussex Actor: Anderson
Role: Duchess of Suffolk Actor: Mrs Elmy

Afterpiece Title: The Contrivances

Performances

Mainpiece Title: Lady Jane Gray

Performance Comment: Pembroke-Mossop; Dudley-Dexter; Gardiner-Havard; Lady Jane-Mrs Bellamy; Northumberland-Burton; Suffolk-Winstone; Sussex-Mozeen; Gates-Simpson; Lieutenant-Scrase; Captain-Ackman; Duchess of Suffolk-Mrs Mills.
Cast
Role: Northumberland Actor: Burton
Role: Duchess of Suffolk Actor: Mrs Mills.

Afterpiece Title: The Genii

Performances

Mainpiece Title: Lady Jane Gray

Performance Comment: Lady Jane-Mrs Woffington; Dudley-Dyer; Northumberland-Sparks; Suffolk-Anderson; Sussex-White; Duchess of Suffolk-Mrs Elmy; Gardiner-Ridout; Pembroke-Ryan.
Cast
Role: Northumberland Actor: Sparks
Role: Suffolk Actor: Anderson
Role: Duchess of Suffolk Actor: Mrs Elmy

Afterpiece Title: The King and Miller of Mansfield

Cast
Role: Dick Actor: Anderson

Dance: IItalian Peasants, as17550414

Performances

Mainpiece Title: Lady Jane Gray

Performance Comment: Lady Jane-Mrs Woffington; Dudley-Dyer; Northumberland-Sparks; Suffolk-Anderson; Sussex-White; Duchess of Suffolk-Mrs Elmy; Gardiner-Ridout; Pembroke-Ryan.
Cast
Role: Northumberland Actor: Sparks
Role: Suffolk Actor: Anderson
Role: Duchess of Suffolk Actor: Mrs Elmy

Afterpiece Title: Miss in Her Teens

Performance Comment: Fribble-Cushing; Flash-Costollo; Rhodophil-Anderson; Puff-Dunstall; Tag-Mrs Vincent; Biddy-Mrs Baker.
Cast
Role: Rhodophil Actor: Anderson

Dance: LLes Paisans Gallants, as17551203; also By Desire Fingalian Dance, as17551126

Performances

Mainpiece Title: Lady Jane Gray

Performance Comment: Lord Guilford Dudley-Jackson; Pembroke-Holland, 1st time; Gardiner-Havard; Lady Jane Gray-Mrs Yates, 1st time; Gates-Castle; Lieutenant-Fox; Duchess of Suffolk-Mrs Bennet; Officer-Ackman; Northumberland-Burton; Suffolk-Bransby.
Cast
Role: Pembroke Actor: Holland, 1st time
Role: Duchess of Suffolk Actor: Mrs Bennet
Role: Northumberland Actor: Burton

Afterpiece Title: Fortunatus

Dance: IV: The Sabotiers, as17621013

Event Comment: Benefit for Fox and Owenson. To begin exactly at Half an Hour after Six o'clock. Charges #65 19s. 6d. Deficit to each #9 4s., cover'd by income from tickets: Fox, #101 17s. (Box 118; Pit 349; Gallery 200); Owenson #86 10s. (Box 138; Pit 206; Gallery 211). Receipts: #46 19s. 6d. (Account Book)

Performances

Mainpiece Title: Lady Jane Grey

Performance Comment: Dudley-Smith; Pembroke-Bensley; Northumberland-Hull; Gardiner-Gardner; Suffolk-Owenson; Sussex-Davies; Gates-R. Smith; Lieut.-Fox; Duchess of Suffolk-Mrs P. Green; Lady-Miss Pearce; Lady Jane Grey-Mrs Hartley.
Cast
Role: Northumberland Actor: Hull
Role: Duchess of Suffolk Actor: Mrs P. Green

Afterpiece Title: The Citizen

Dance: End: The Frolick, as17740510; End I Farce: A Double Hornpipe-Mr and Mrs Holloway

Event Comment: Afterpiece [1st time at a public theatre; C 3, by Elizabeth Craven, Baroness Craven, afterwards Margravine of Anspach, 1st acted privately at the Town-Hall, Newbury, 6 Apr. 1780. Text (G. Riley, 1781) assigns no parts. Prologue by Richard Brinsley Sheridan. Epilogue by Joseph Jekyll (see text)]: With new Dresses, &c. "The Prologue [the first 30 lines and the concluding couplet of which were used by Sheridan as the Prologue to Pizarro (see dl, 24 May 1799)] was so much admired that at the request of the Duchess of Devonshire and several other of the nobility it was respoken after the piece; but as King was absent from the theatre, it was delivered by Palmer" (Town and Country Magazine, May 1780, p. 23 ). "The chief singularity was that [Lady Craven] went to it herself the second night, in form; sat in the middle of the front row of the stage-box, much dressed, with a profusion of white bugles and plumes, to receive the public homage due to her sex and loveliness. The Duchess of Richmond, Lady Harcourt,...Mrs Damer, Lord Craven,...and I were with her. It was amazing to see so young a woman entirely possess herself-but there is such an integrity and frankness in her consciousness of her own beauty and talents, that she speaks of them with a naivete as if she had no property in them, but only wore them as gifts of the gods. Lord Craven on the contrary was quite agitated by his fondness for her and with impatience at the bad performance of the actors, which was wretched indeed, yet the address of the plot, which is the chief merit of the piece, and some lively pencilling carried it off very well, though Parsons murdered the Scotch lord, and Mrs Robinson (who is supposed to be the favourite of the Prince of Wales) thought on nothing but her own charms, or him. There is a very good though endless prologue written by Sheridan and spoken in perfection by King, which was encored (an entire novelty) the first night: and an epilogue that I liked still better and which was full as well delivered by Mrs Abington, written by Mr. Jekyl. The audience, though very civil, missed a fair opportunity of being gallant, for in one of those ----logues, I forget which, the noble authoress was mentioned, and they did not applaud as they ought to have done, especially when she condescended to avow her pretty child and was there looking so very pretty...Yet Lady Craven's tranquillity had nothing displeasing;...and it was tempered by her infinite good nature, which made her make excuses for the actors instead of being provoked at them" (Walpole [28 May 1780], XI, 178-80). Public Advertiser, 14 July 1781: This Day at Noon will be published The Miniature Picture (price not listed). Receipts: #144 9s. (94.9; 48.3; 1.17)

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: The Miniature Picture

Performance Comment: Principal Characters by Palmer, Parsons, Brereton, Wrighten, Mrs Davies, Miss Farren, Miss Sherry, Mrs Robinson. [Cast from Town and Country Magazine, May 1780, p.228: Mr Belvil-Palmer; Lord Macgrinnon-Parsons; Mr Camply-Brereton; John-Wrighten; Susan-Mrs Davies; Miss Loveless-Miss Farren; Mrs Arabella Loveless-Miss Sherry; Eliza Camply-Mrs Robinson; Prologue-King; Epilogue-Mrs Abington. [Thses were spoken, as here assigned, at all subsequent performances.]Thses were spoken, as here assigned, at all subsequent performances.]

Dance: II: New Dance, as17791126; End II afterpiece: The Coopers, as17800224

Event Comment: Benefit for D'Auberval. Tickets to be had of D'Auberval, No. 52, Poland-street

Performances

Mainpiece Title: La Bella Pescatrice

Monologue: End Opera: The Deserter (with augmentations, composed by D'Auberval). Skirmish-D'Auberval; Deserter-D'Egville; Simkin-Vigano; Louisa-Mme Theodore D'Auberval; Nieces-Mlle Gervaise Troche, Mlle Menage; Duchess-Mlle Leonore Simonet; Invalid-Mons Fialon; Aunt-Mlle Bithmer

Performance Comment: Skirmish-D'Auberval; Deserter-D'Egville; Simkin-Vigano; Louisa-Mme Theodore D'Auberval; Nieces-Mlle Gervaise Troche, Mlle Menage; Duchess-Mlle Leonore Simonet; Invalid-Mons Fialon; Aunt-Mlle Bithmer.
Cast
Role: Duchess Actor: Mlle Leonore Simonet
Event Comment: Benefit for J. D'Egville. Ballet: As composed by Dauberval, and performed at the king's Theatre in the Hay-Market. To conclude with a Grand Display of the Manual Exercise. Morning Chronicle, 8 May: Tickets to be had of J. D'Egville, No. 29, Litchfield-street, Soho. Receipts: #376 9s. (151.16; 45.10; 6.14; tickets: 172.9) (charge: #247 12s. 9d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Alexander the Great

Cast
Role: Alexander Actor: J. D'Egville
Role: Eumenes Actor: Bland
Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): George Frideric Handel

Ballet: Preceding: The Deserter. Alexis-J. D'Egville; Jean Louis-G. D'Egville; Bertrand-Aumer; Mountauciel-Fialon; Gaoler-Fairbrother; Court@Chemin-Boimaison; The King-Phillimore; Louisa-Mrs Fialon; Margaretta-Miss Heard; Janetta-Miss Menage; Duchess-Miss Collins; Officers, Attendants-

Performance Comment: Alexis-J. D'Egville; Jean Louis-G. D'Egville; Bertrand-Aumer; Mountauciel-Fialon; Gaoler-Fairbrother; Court@Chemin-Boimaison; The King-Phillimore; Louisa-Mrs Fialon; Margaretta-Miss Heard; Janetta-Miss Menage; Duchess-Miss Collins; Officers, Attendants-.
Cast
Role: Bertrand Actor: Aumer
Role: Duchess Actor: Miss Collins

Performances

Mainpiece Title: The Maskd Friend

Cast
Role: Sir Harry Portland Actor: Macready

Afterpiece Title: The Folly of Age or The Accomplished Lady

Afterpiece Title: Barataria

Performance Comment: As17960926, but Duchess-Mrs Watts; Mary the Buxom-Mrs Delpini (1st appearance these 8 years); Taylor-_; Gardener-_; Cryer-_.
Cast
Role: Duchess Actor: Mrs Watts
Role: Duke Actor: Claremont

Afterpiece Title: Harlequins Medley

Performance Comment: Harlequin-Simpson; Pantaloon-Hawtin; Lover-Simmons; Undertaker-Wilde; Anatomist-Abbot; Lover's Servant-Master Webb; Pierrot (1st time these 8 years)-Delpini; Witch-Mrs Castelle; Mother-Mrs Lloyd; Columbine-Mlle St.Amand.
Cast
Role: Columbine Actor: Mlle St.Amand.

Dance: In 2nd piece: A la Parisot, Le Pas Russe-Delpini

Song: In 2nd piece: La Verginella, My dear Molly@oh! what Folly (composed by Carter)-Delpini

Entertainment: Vaudeville. In 4th piece: The Farm Yard- (from The Rape of Proserpine), with the Birth of Harlequin, and his Emancipation from the Egg Shell; The favorite Scene from Aladin of Pantaloon's Death-, and the Whimsical Lamentation of Pierrot; A Jump through a Hogshead of Fire-; and the celebrated Dying and Skeleton Scenes-

Performance Comment: In 4th piece: The Farm Yard- (from The Rape of Proserpine), with the Birth of Harlequin, and his Emancipation from the Egg Shell; The favorite Scene from Aladin of Pantaloon's Death-, and the Whimsical Lamentation of Pierrot; A Jump through a Hogshead of Fire-; and the celebrated Dying and Skeleton Scenes-.

Performances

Mainpiece Title: King Richard The Second

Performance Comment: King-Delane; York-Stephens; Gaunt-Johnson; Bolingbroke-Ryan; Norfolk-Walker; Carlisle-Chapman; Aumerle-Hallam; Salisbury-Lyon; Scroop-Aston; Bushy-Rosco; Bagot-Salway; Green-Arthur; Northumberland-Bridgwater; Piercy-Hale; Ross-Ridout; Willoughby-A. Ryan; Surry-Houghton; Fitzwalter-Stevens; Earl Marshal-Mullart; Queen-Mrs Horton; Dutchess of York-Mrs Hallam; Dutchess of Gloster-Mrs James; but see also Hogan, p. 377. A New Prologue addressed to the Ladies-.
Cast
Role: York Actor: Stephens
Role: Northumberland Actor: Bridgwater
Role: Dutchess of York Actor: Mrs Hallam

Afterpiece Title: The Dragon of Wantley

Dance: BBallet, as17380204

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Goodfellow; Henry IV-Paget; Edward V-Mrs Cushing; York-Master Morgan; Buckingham-Wignell; Stanley-L. Hallam; Lieutenant-Boyce; Catesby-Shuter; Mayor-Dove; Tyrrel-Hallam Sen; Blunt-Baker; Richmond-Cushing; Tressel-Furnival; Lady Ann-Mrs Hallam; Dutchess of York-Mrs Beckham; Queen Elizabeth-Mrs Bambridge.
Cast
Role: York Actor: Master Morgan
Role: Dutchess of York Actor: Mrs Beckham

Dance: As17461124

Event Comment: On this date, L. C. 5@16, p. 101 (Nicoll, Restoration Drama, p. 10n) Nathaniel Lee's The Duke of Guise was banned. John Drummond to Marquis and Duke of Queensberry, 16 July 1682: Ther is a play hear to be acted that maks a great business, for the Duke of Munmuth has complained of it, and they say that notwithstanding it is to be acted sometime nixt weik. They call it the Duke of Guise, but in the play the true story is cheinged to the plott time hear (HMC, Buccleuch-Queensberry MSS., 1903, II 108). Newsletter, 29 July 1682: A play by Mr Dryden, termed the Duke of Guise, wherein the Duke of Monmouth was vilified and great interest being make for the acting thereof, but coming to His Majesty's knowledge is forbid, for though His Majesty be displeased with the Duke yet he will not suffer others to abuse him (HMC, 15th Report, Part VII, 1898, p. 108). Newdigate newsletters, 29 July 1682: A play having been made [by] Mr Dryden termed ye Duke of Guise supposed to Levell att the villifying the Duke of Monmouth & many other protestants & great Interest made for the Acting thereof but bringing to the knowledge of his Matie the same was forbidd for though his Maties pleasure is to be dissatisfyed and angry with the Duke of Monmouth, yet hee is not willing that others should abuse him out of a naturall affection for him (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81)

Performances

Event Comment: On this day a quarrel occurred at lif between Henry Killigrew and George Villiers, Duke of Buckingham, but the play is not named in the various accounts of the affair. For details, see HMC, 12th Report, Part VII, p. 51; and Carl Niemeyer, "Henry Killigrew and the Duke of Buckingham", Review of English Studies, XII (1936), 326-28. Pepys, Diary: 22 July: Creed tells me of the fray between the Duke of Buckingham at the Duke's playhouse the last Saturday (and it is the first day I have heard that they have acted at either the King's or Duke's house this month or six weeks) and Henry Killigrew, whom the Duke of Buckingham did soundly beat and take away his sword, and make a fool of, till the fellow prayed him to spare his life; and I am glad of it; for it seems in this business the Duke of Buckingham did carry nimself very innocently and well

Performances

Event Comment: See 27 Feb. 1668@9. Pepys, Diary: I did meet Sir Jeremy Smith, who did tell me that Sir W. Coventry was just now sent to the Tower, about the business of his challenging the Duke of Buckingham, and so was also Harry Saville to the Gate-house....So, meeting with my Lord Bellassis, he told me the particulars of this matter; that it arises about a quarrel which Sir W. Coventry had with the Duke of Buckingham about a design between the Duke and Sir Robert Howard, to bring him into a play [The Rehearsal] at the King's house, which W. Coventry not enduring, did H. Saville send a letter to the Duke of Buckingham, that he had a desire to speak with him. Upon which, the Duke of Buckingham did bid Holmes, his champion ever since my Lord Shrewsbury's business, go to him to know the business; but H. Saville would not tell it to any but himself, and therefore did go presently to the Duke of Buckingham, and told him that his uncle Coventry was a person of honour, and was sensible of his Grace's liberty taken of abusing him, and that he had a desire of satisfaction, and would fight with him. But that here they were interrupted by my Lord Chamberlain's coming in, who was commanded to go to bid the Duke of Buckingham to come to the King, Holmes having discovered it

Performances

Event Comment: London Gazette, No. 2496, 10-14 Oct. 1689: The Concerts of Musick that were held in Bow-street and in York-Buildings, are now joyn'd together, and will be performed in York-Buildings on Thursday next, being the 17th instant, at Seven of the Clock at night, and will continue there every Monday and Thursday. [But see 11 Nov. 1689.

Performances

Mainpiece Title: Concert

Event Comment: London Gazette, No. 2834, 3-5 Jan. 1692@3: The Italian lady (that is lately come over that is so famous for her singing) [though it] has been reported that she will sing no more in the consort at York-buildings; this is to give notice, that next Tuesday, being the 10th instant, she will sing at the Consort in York Buildings, and so continue during this season

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performance Comment: Every Wednesday for the ensuing Season... Vocal and Instrumental Musick-; consisting of about Thirty Instruments and Voices- ; after the method of the Musick meeting in York Buildings...Each person being to pay for coming in but one shilling, to begin at half after an hour after Two, and no person to be admitted after Three. The first performance was on Wednesday last (Post Boy, 11 May 1697). after the method of the Musick meeting in York Buildings...Each person being to pay for coming in but one shilling, to begin at half after an hour after Two, and no person to be admitted after Three. The first performance was on Wednesday last (Post Boy, 11 May 1697).
Event Comment: London Gazette, No. 3366, 10-14 Feb. 1697@8: An Entertainment of New Musick composed on the Peace by Mr Van Richardson, Organist of Winchester Cathedral, will be performed on Wednesday next, at 8 at night, in York Buildings, being the 16th Instant. Luttrell, A Brief Relation, IV, 343, 12 Feb. 1697@8: The czar...on Wensday will be at a performance of musick in York Buildings

Performances

Mainpiece Title: Concert

Event Comment: [Not Acted these Sixteen Years. Written by Shakespear, and revis'd by the late Mr Betterton

Performances

Mainpiece Title: The Second Part Of The History Of King Henry The Fourth With The Humours Of Sir John Falstaffe Henry Iv Part Ii

Performance Comment: With a new Prologue-; Epilogue-; Prince John-Walker; Gloster-Oates; Clarence-Th. Cibber; Westmoreland-Williams; Lord Chief Justice-Boman; Archbishop of Canterbury-Cory; Bishop of Ely-Rogers; Archbishop of York-Thurmond; Norfolk-W. Mills; Hasting-Watson; Poins-W. Wilks; Falstaff-Mills; Shallow-Cibber; Silence-Miller; Bardolph-Shepard; Pistol -Norris; Davy-Wright; Feeble-Penkethman; Shadow-Ray; Wart-Cole; Mouldy- Wilson; Bullcalf-Wetherilt; Falstaff's Boy-Miss Lindar; Hostess-Mrs Willis; Doll Tearsheet-Miss Willis.
Cast
Role: Westmoreland Actor: Williams
Role: Archbishop of York Actor: Thurmond

Performances

Mainpiece Title: King Richard The Second

Performance Comment: Richard-Ryan; York-Boheme; Aumerle-Quin; Bolingbroke-Leigh; Carlisle-C. Bullock; Northumberland-Ogden; Salisbury-Egleton; Queen-Mrs Seymour; Lady Piercy-Mrs Bullock.
Cast
Role: York Actor: Boheme
Role: Northumberland Actor: Ogden

Performances

Mainpiece Title: King Richard The Third

Performance Comment: As17211007, but Lady Ann-Mrs Bullock; Dutchess of York-Mrs Egleton.