SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Don John de Nasaquitine"/1) | (@(roleclean,performerclean) "Don John de Nasaquitine")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9938 matches on Author, 2083 matches on Performance Comments, 1315 matches on Performance Title, 1274 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: John Dryden to Jacob Tonson: I have broken off my Studies from The Conquest of China (Letters of John Dryden, p. 97)

Performances

Event Comment: John Dryden to Mrs Steward, 26 Nov. 1699: If you come up next Week, you will be entertaind with a New Tragedy; which the Author of it, one Mr Dennis, cryes up at an Excessive rate, & Colonel Codrington, who has seen it, prepares the world to give it loud Applauses. Tis calld Iphigenia, & Imitated from Eurypides, an old Greek poet. This is to be Acted at Betterton's House, & another play of the same name, is very shortly to come on the stage in Drury Lane (The Letters of John Dryden, p. 129)

Performances

Event Comment: John Vanbrugh to the Earl of Manchester, 25 Dec. 1699: Miss Evans the dancer at the New Playhouse is dead too; a feaver Slew her in eight and forty hours. She's much lamented by the Towne as well as the House, who can't well bare her loss; Matters running very low with 'em this Winter; if Congreve's Play [The Way of the World] don't help 'em they are undone. 'Tis a Comedy and will be play'd about Six weeks hence, nobody has seen it yet. Liveridge is in Ireland, he Owes so much money he dare not come over, so for want of him we han't had one Opera play'd this Winter; tho' Purcell has set one New One and Fingar another. We have got the Woman from the Chesire Cheese upon the Stage, who has the best Voyce for't by much that has been there at any time. We have the Emperors Crooaed Eunuch here, Francisco. They give him a hundred and twenty Guineas for five times. He has sung Once and was well likt. Dogget was here last Week, they gave him thirty pound to act Six times, which he did and fill'd the house every time (The Complete Works of Sir John Vanbrugh [Bloomsbury: Nonesuch Press, 1928], IV, 4)

Performances

Event Comment: John Dryden to Mrs Steward, 11 April 1700: Within this Moneth there will be played for my Profit, an old play of Fletcher s, called the Pilgrim, corrected by my good friend Mr Vanbrook; to which I have added A New Masque, & am to write a New Prologue & Epilogue. Southern s tragedy, called the Revolt of Capoua, will be played At Bettertons House within this fortnight. I am out with that Company, & therefore if I can help it, will not read it before tis Acted; though the Authour much disires I shou'd (The Letters of John Dryden, p. 136)

Performances

Performances

Mainpiece Title: The Libertine Destroy'd

Performance Comment: John-Mills; Jacomo-Johnson; Antonio-Thurmond; Lopez-Bickerstaff; Francisco-Keene; Leonora-Mrs Knight; Maria-Mrs Porter; Octavia-Miss Sherburn; Flavia-Miss Willis; Shepherds-Norris, Leigh, Pack, Burkhead.
Cast
Role: John Actor: Mills
Role: Jacomo Actor: Johnson

Dance: Dutch Skipper and Wife-

Performances

Mainpiece Title: The Libertine Destroy'd

Performance Comment: John-Mills; Maria-Mrs Porter; Jacomo-Johnson.
Cast
Role: John Actor: Mills
Role: Jacomo Actor: Johnson.

Music: With the Shepherds' Musick by the late Mr Henry Purcell-

Performances

Mainpiece Title: Cato

Performance Comment: Cato-Comerford; Portius-Russell; Marcus-Smith; Lucius-Dancer; Sempronius-Johnson; Juba-Stokes; Decius-Mrs Kenny; Syphax-Lewis; Marcia-Miss Taylor; Lucia-Mrs Wilks.
Cast
Role: Sempronius Actor: Johnson
Related Works
Related Work: Cato Author(s): John Ozell

Afterpiece Title: The Election

Performance Comment: John-Kenny; Dick-Comerford; Trusty-Russell; Sally-Mrs Davies; Wife-Mrs Wilks.
Cast
Role: John Actor: Kenny

Afterpiece Title: High Life below Stairs

Performance Comment: Lovel-Russell; Freeman-Johnson; Philip-Lewis; Lord Duke-Comerford; Sir Harry-Smith; Robert-Dancer; Coachman-G. Smith; Tom-Kenny; Kingston (the Black Boy)-Master Russell; Kitty (with song)-Mrs Russell; Lady Charlotte-Miss Taylor; Lady Bab-Mrs Wilks; Cook-Mrs Newby.
Cast
Role: Freeman Actor: Johnson

Song: 2nd piece: With all the original Songs, Chorusses-

Entertainment: Imitations, as17760930

Event Comment: John Lacy's The Old Troop; or, Monsieur Raggou was probably acted by this time. Not published until 1672, it was, however, referred to in the Epilogue to The Vestal Virgin (which was entered in the Stationers' Register, 7 March 1664@5): @If nothing pleases but Variety,@I'll turn Ragou into a Tragedy.@When Lacy, like a whining Lover dies.

Performances

Event Comment: John Evelyn, writing to Viscount Cornbury this day, protested the frequency of theatrical performances during the Lenten "Indiction" after hearing that there was to be "no Lent indicted this year." He wondered if Fridays and Saturdays could not be spared from the licentiousness of plays. (See Diary and Correspondence, ed. Bray III, 150-52.

Performances

Event Comment: John Aubrey to Anthony a Wood, 26 Oct. 1671: I am writing a comedy for Thomas Shadwell, which I have almost finished since I came here, et quorum pars magna sui.... And I shall fit him with another, The Countrey Rebell, both humours untoucht, but of this, mum! for 'tis very satyricall against some of my mischievous enemies which I in my tumbling up and down have collected (Aubrey's Brief Lives, ed. Andrew Clark [Oxford, 1898], I, 52n). See also the season of 1670-71

Performances

Event Comment: John Dryden wrote a Prologue to the University of Oxford and an Epilogue to the University of Oxford in 1674. The Prologue was apparently spoken by Hart, the Epilogue by Mrs Marshall. See also Sybil Rosenfeld, Some Notes on the Players in Oxford, 1661-1713, Review of English Studies, XIX (1943), 368

Performances

Event Comment: John Verney to Sir Ralph Verney, 25 April 1675: The King on Saturday night sent for the keys from the Earl of Clarendon--'tis said the reason is, that last Thursday a play was acted at court, and after orders given that no more should be let in, his lordship came to the door, which the guard refused to open, tho' he told them who he was, on which he broke it open and struck a yeoman of the guard. Some say a chamberlain was never before turned out for beating a yeoman of the guard (HMC, 7th Report, Appendix, [1879], p. 464)

Performances

Event Comment: John Perin paid #1 10s. for a booth at the Fair in 1680. See Rosenfeld, Theatre of the London Fairs, p. 6

Performances

Mainpiece Title: Entertainments

Event Comment: [John Banks's The Island Queens (1684) altered.] And by reason of the extraordinary Charge in the Decoration of it, the Prices will be rais'd, Boxes 5s., Pit 3s., First Gallery 2s., Upper Gallery 1s. At 5:30 p.m

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary, Queen Of Scotland

Related Works
Related Work: The Albion Queens Author(s): John Banks
Related Work: The Island Queens; or, The Death of Mary, Queen of Scotland Author(s): John Banks
Event Comment: John Vanbrugh to Jacob Tonson (Vanbrugh, Works, IV, 125): The Opera will begin about the 10th of March under the Academy of Musick. It will be a very good one this year, and a better the next. They having engag'd the best Singers in Italy, at a great Price. Such as I believe will bring the Expences to about twice as much as the Receipts. But the fund Subscribed being about #20000, may probably Support it, till Musick takes such root, as to Subsist with less aid. The King gives a #1000 a year to it

Performances

Performances

Mainpiece Title: The Injur'd Merchant; Or, The Extravagant Son

Afterpiece Title: The Jew in Distress; or, Harlequin turn'd Sharper

Song: Phillips, Mrs Vaux, Mrs St.John

Performance Comment: John.

Dance: Phillips, Mrs Vaux, Mrs St.John

Performance Comment: John.
Event Comment: [John Baker, Diary, p. 106: "Went apres midi con Uxor in chariot to 'Messiah', could not get seat in Upper Gallery, sat in lower."

Performances

Mainpiece Title: The Messiah

Performances

Mainpiece Title: The Provok'd Husband

Related Works
Related Work: The Provok'd Husband; or, A Journey to London Author(s): John Vanbrugh

Afterpiece Title: The Mock Doctor

Dance: I: Minuet, a new Ragadoon-De Vallois, Madam De Vallois; II: French Peasant-; III: Pierrot and Pierroress-De Vallois and Madam De Vallois; IV: Pastoral-De Vallois and Madam De Vallois; V: Wooden Shoe Dance-De Vallois, Bowford, Pawlet

Event Comment: Benefit for Sga Sestini. Tickets to be had Sga Sestini's, No. 15, Mount-street, Berkley-square, and of Johnson at the Office. Receipts not listed

Performances

Mainpiece Title: Gli Schiavi Per Amore

Cast
Role: Don Berlicco Actor: Calvesi

Dance: End I: a New Dance-; in which will be introduced a Pas de Bernois-Didelot, Mlle Coulon; Pas de Trois-Coulon, the two Miss Simonets; Pas de Deux-Henry, Miss Harvey; a Pas Seul-Chevalier; Pas Seul-Mlle Coulon; the favorite Pas de Russe (composed by Gardel)-Vestris, Mlle Hilligsberg; Hornpipe-Chevalier; Pas de Cinq-the principal Dancers; Pas de Sept-the principal Dancers; conclude with: General Dance-all the Performers

Song: II: a favorite song, Gli affetti mici , composed by Paisiello,-Sga Sestini; violin obligato accompaniment-Cramer

Ballet: End Opera: L'Amour et Psiche. As17880129

Cast
Role: Adonis Actor: Didelot

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: End Opera: Les Offrandes a l'Amour, as17871208; End I: New Dance, as17880221; Pas de Bernois, as17880221; Pas de Trois, as17880221; Pas de Deux, as17880221; Pas Seul, as17880221; Pas de Russe, as17880221; Pas de Cinq, as17880221; Pas de Sept, as17880221; General Dance, as17880221; omitted: Pas Seul by Chevalier, Hornpipe

Performances

Mainpiece Title: La Cameriera Astuta

Performance Comment: Principal Characters by Morelli, Fineschi, Morigi, Calvesi, Sga Sestini, Sga Schinotti, Sga Storace. Cast from libretto (D. Stuart, 1788): Don Pancrazio Garofano-Morelli; Gelsomino-Fineschi; Anselmo Buonvivente-Morigi; Gonzolini-Calvesi; Leonora-Sga Sestini; Dirindina-Sga Schinotti; Violetta-Sga Storace.

Dance: End Opera: Les Fetes de Tempe, as17880301End I: New Dance, as17880226; Pas de Bernois, as17880226; Pas de Trois, as17880226; Pas Seul, as17880226; Pas de Russe, as17880226; Pas de Cinq, as17880226; Pas de Sept, as17880226; General Dance, as17880226

Performances

Mainpiece Title: La Cameriera Astuta

Dance: End Opera: Euthyme et Eucharis, as17880313End I: New Dance, as17880308Pas de Bernois, as17880308_Didelot, Coulon; +Pas de Trois, as17880308a Pas Seul-Chevalier; Pas de Deux, as17880308Pas Seul, as17880308Pas de Russe, as17880308Hornpipe, as17880308Pas de Cinq, as17880308Pas de Sept, as17880308General Dance, as17880308

Performances

Mainpiece Title: Gli Schiavi Per Amore

Cast
Role: Don Berlicco Actor: Calvesi

Song: As17880221

Dance: End Opera: Les Offrandes a l'Amour, as17871208; End I: New Dance, as17880221; Pas de Bernois, as17880221; Pas de Trois, as17880221; a Pas Seul, as17880221; Pas Seul, as17880221; Pas de Russe, as17880221; Pas de Cinq, as17880221; General Dance, as17880221; Pas de Sept, as17880221

Performances

Mainpiece Title: A Favourite Opera

Dance: End I: La Nymphe et le Chasseur, as17890319at king's; in which Minuet of Iphigenia, as17890428 at king's; Pas de Deux Anacreontique, as17890428 at king's; End Opera: Le Tuteur Trompe-see17890615; in which Minuet de la Cour, as17890615at king's; Les Folies d'Espagne-see17890615; Pas de Six de la Rosieu, as17890521 at king's

Performances

Mainpiece Title: Pierot Maitre Valet Et L'opera De Campagne; Ou, La Critique De L'opera De Paris

Related Works
Related Work: Nina Author(s): John Wolcot

Entertainment: Vaulting, Tumbling-