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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Cross jun"/1) | (@(roleclean,performerclean) "Cross jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5302 results for: Keyword - Cross jun
We found 2851 matches on Event Comments, 2708 matches on Performance Comments, 328 matches on Performance Title, 110 matches on Author, and 0 matches on Roles/Actors.

501
03 June 1767 @ Drury Lane Theatre

Event Comment: Benefit for Theatrical Fund. Doors open at 5 o'clock. Play to begin at half past 6. Last night of season. Cash in the Galleries #88, from Mr Johnston #211 18s. Total #299 19s. Paid in sundries (Rent #8; Soldiers 14s.; Properties 2s.; Bill Stickers 18s.; Candles, Oyl, Lampmen #3 18s. 6d.; Printer #2 13s. 6d.; Total #16 5s. 6d.; Box tickets 680 #170). Ladies and Gentlemen who have taken tickets for the Pit and Boxes are requested to be early at the Theatre, to prevent their being incommoded in getting to their Place. [N.B. 27 June 1767 the Gentleman's Magazine reports that Sg Tenducci "renounced the errors of popery, and embraced the protestant religion in Dublin."] Receipts: #299 19s. (Treasurer's Book). Instead of going to dinner put The Suspicious Husband in my pocket and read Ranger's part at the Somerset Coffee House. Dressed and at half past 5 went into the Front Boxes at Drury Lane to see The Suspicious Husband for the Fund for the Relief of Decayed Actors, being the last time of performing this season. The Pit and Boxes were laid together. Mr Garrick spoke an occasional Prologue and played Ranger. Though in the back row I saw him very well by the help of my glass...Before the Dance Mr Garrick saying that he would not have been able to do it after, in the name of the company and managers thanked the public for the favors received this season. Mr @@ asked me to go to Vauxhall after ye Play, but I chose rather to see Daphne and Amintor ye characters as usual (Neville MS Diary)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Daphne and Amintor

Music: I: Concerto on Harpsichord-Burney Jun

502
14 February 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: The Coronation Anthems

Music: End Part I: concerto on the organ-Stanley; End Part II: concerto on the violin-Linley Jun

503
06 March 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: Principal Vocal Parts-Norris, Webster, Miss Linley, Miss M. Linley, Mrs Farrell, Miss Draper; 1st Violin-Linley Jun.
Cast
Role: 1st Violin Actor: Linley Jun.

Afterpiece Title: Dryden's Ode

Song: Between: As there are very few songs in Acis and Galatea that can be adapted for Mrs Farrell's voice, she will sing a cantata The rosy morn with crimson dye=-Mrs Farrell

Music: End Part I: concerto on the organ-Stanley; End Part II: concerto on the violin-probably Linley Jun

504
07 May 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Padlock

Song: As17790503

Entertainment: End: Imitations-Bannister Jun

505
13 March 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I an entirely new Divertissement, composed by Lepicq, li Riposo del Campo; or, The Recreations of the Camp, in which a Pas de Deux, La Recrue par Force; or, The Kidnappers, by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore; End of Opera a new Ballet (1st time), founded on the Fairy Tale by Voltaire, La Begueule; or, She Wou'd and She Wou'd Not, in which a Minuet by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Degville Jun., Sga Crespi, Mlle Theodore, Mme Simonet

506
12 April 1783 @ King's Theatre

Performances

Mainpiece Title: I Vecchi Burlati

Dance: End of Act I New Divertisement, as17821130, but omitted: Slingsby; End of Act II 11 Riposo del Campo, as17830313but Degville Jun. in place of Slingsby

507
17 January 1784 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo D'arianna

Dance: End of Act I Friendship leads to Love, as17840103; End of Act II an entirely new dance, connected with the Opera, composed by D'Auberval, The Slaves of Conquering Bacchus, with a Pas de Trots by Mme Rossi, Slingsby, Mme Simonet; a Pas de Deux by Vestris [Jun.], Mme Theodore; by Blake, Henry; [by] Zuchelli, Monetti. The Music by Barthelemon

508
03 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I The Pastimes of Terpsycore, as17831227; End of Opera an entirely new Anacreontic Ballet (1st time), composed by D'Auberval, Le Reveil du Bonheur, by Slingsby, Vestris [Jun.], Mme Rossi, Mme Theodore, Mme Simonet, and Cupid-Miss De Camp. The Music of both dances by Barthelemon

509
14 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Divertissement, as17840207, but Henry in place of Mme Simonet, and omitted: Cossack; End of Opera L'Amitie conduite a L'Amour by Vestris [Jun.], Mme Rossi, Mme Theodore [and see17831206]

510
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

511
24 April 1784 @ King's Theatre

Performances

Mainpiece Title: Demofoonte

Dance: End of Act II an entirely New Divertissement in the Serious and Demi Character, composed by D'Auberval, by Lepicq, Mme Rossi, Vestris [Jun.], Mme Theodore, Mme Simonet; End of Opera Divertissement, as17840415

512
30 April 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Fryar

Dance: End of Act I a new pantomimical, operatical, farcical interlude, The Peasant Metamorphosed; or, Delpini's Voyage from Dublin in an Air Balloon, in which Delpini will introduce a specimen of singing in French, Italian and English, and which will conclude with a new Hornpipe by the celebrated Blake (by permission of the Managers of the Opera-house; his 1st appearance on that stage); End of Act II a comic pantomime dance, The Country Squabble, by Delpini, Mrs Dagville, Miss Parish, Duquesney Jun.; End of play a new pantomimical dance, The Rival Clowns, by Delpini, Blake, &c, in which the famous rondo of Orpheo, in Italian, by Delpini, and to conclude with an Allemande in a new comic stile

Song: End of Acts II and III, by a Young Gentlewoman (1st appearance on any stage [unidentified])

513
29 May 1784 @ King's Theatre

Performances

Mainpiece Title: Issipile

Dance: End of Act I Le Tuteur Trompe, as17840511; End of Opera Semiramis, as17840520, but added: Oroe-Henry; omitted: Vestris [Jun.], Mme Theodore

514
03 July 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Tuteur Trompe, as17840511, but with the favourite Pas de Deux from Le Reveil du Bonheur by Vestris [Jun.] and Mme Theodore; End of Opera Le Deserteur, as17840626

515
28 May 1785 @ Covent Garden

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Contrivances

Dance: End of mainpiece Minuet de la Cour and Gavot by Ansell Jun. and Miss Rowson

516
31 August 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Two Connoisseurs

Cast
Role: Careless Actor: Bannister Jun.

Afterpiece Title: Here and There and Every Where

Dance: In afterpiece, by Byrne, Ratchford, Giorgi Jun., Miss Francis, Miss Rowson, Mrs Invill, Giorgi's Scholars, the two Miss Simonets. [The dances were included, as here assigned, in all subsequent performances.]

517
17 September 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello-kemble ; Roderigo-dodd ; Cassio-bannister Jun

Afterpiece Title: The Quaker

518
18 February 1786 @ King's Theatre

Performances

Mainpiece Title: Didone Abbandonata

Dance: End of Act I Divertissement Villageois, as17860124, but omitted: Spozzi; End of Opera a new Ballet Historique, Acis and Galatea, by Vestris, Sga Carolina, D'Egville, Henry, Sga Crespi, Duquesney Jun., the two Mlles Simonet, Master D'Egville, Mme Harvey, Mlle Mozon. [Morning Post, 20 Feb. assigns: Acis-Vestris; Thetis-Mlle Mozon.]

519
25 February 1786 @ King's Theatre

Performances

Mainpiece Title: Didone Abbandonata

Dance: End of Act I Divertissement by Vestris, Henry, Duquesney [Jun.], the two Mlles Simonet, Mlle Mozon, &c.; End of Opera Divertissement Villageois, as17860218

520
11 March 1786 @ King's Theatre

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I Divertissement Villageois, as17860218; End of Opera a New Divertissement (composed by Giroux) by Vestris, Sga Carolina, Sga Crespi, Henry, Marseilles, Duquesney Jun., the two Mlles Simonet, Mlle Mozon, Fabiani (1st King's appearance in England)

521
01 April 1786 @ King's Theatre

Performances

Mainpiece Title: Perseo

Dance: End of Act I New Divertissement, as17860311End of Opera a new Ballet (composed by D'Egville) L'Amour Jardinier by Vestris, Fabiani, Sga Carolina Pitrot, Mlle Mozon, the two Mlles Simonet, Duquesney Jun., Henry, Michel, Mlle Baccelli

522
27 April 1786 @ King's Theatre

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I L'Amour Jardinier, as17860406, but added: With an additional Pas Seul by Mlle Mozon; End of Opera an entirely new Ballet, composed by D'Egville, La Fife Marine, in which La Provencale by Mlle Mozon; also a Pas de Trois to the favourite tune of Bon Andre taken from the French Comic Opera L'Epreuve Villageoise, the music by Gretry, performed by Vestris, Duquesney Jun., Mlle Baccelli; and to conclude with the Pas de SLuatre, so much admired in Paris, in the Opera called Pamrge, and got up here under the direction of Vestris, and performed by Vestris, Mlle Baccelli, Fabiani, Mlle Mozon. [In a review Morning Herald, 1 May, adds: Sequedilla by Miss De Camp and Master D'Egville.]

523
03 July 1786 @ Haymarket Theatre

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Bensley; Major Oaldy-Baddeley; Charles-HAY Bannister Jun.; Russet-Aickin; Sir Harry Beagle-R. Palmer; Captain O'Cutter-Booth; Paris-Wewitzer; Tom-Burton; Lord Trinket (with a song in character)-Sga Sestini; Lady Freelove-Mrs Bates; Harriet-Miss Woollery; Mrs Oakly-Miss Farren .
Cast
Role: Charles Actor: HAY Bannister Jun.

Afterpiece Title: Here, and There, and Every Where

Dance: In afterpiece, by Byrn, Rochfort, Giorgi Jun., the two Miss Simonets

524
07 July 1786 @ Haymarket Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Widow's Vow

Cast
Role: Marquis Actor: Bannister Jun.

Monologue: 1786 07 07 Before mainpiece an Occasional Address spoken by Bannister Jun

525
28 July 1786 @ Haymarket Theatre

Performances

Mainpiece Title: The English Merchant

Cast
Role: Lord Falbridge Actor: Bannister Jun.

Afterpiece Title: The Irish Widow

Dance: End of Act I of afterpiece, as17860706

Monologue: 1786 07 28 Before mainpiece an Introductory Address, on the 1st appearance of the Young Lady, spoken by Bannister Jun