SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Countess of Rutland"/1) | (@(roleclean,performerclean) "Countess of Rutland")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 234 matches on Performance Comments, 57 matches on Event Comments, 51 matches on Performance Title, 19 matches on Roles/Actors, and 0 matches on Author.

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Cautherly, first time; Lord William-Master J. Bannister; Eleanor-Miss Ambrose; Raymond-Reddish; Grey-Aickin; Morton-Palmer; Sir Ardolph-Bannister; Countess of Salisbury-Mrs Barry; Laroches-Hurst; Peasant-Ackman; Knights-Wright, Fawcett (playbill).

Afterpiece Title: The Male Coquette

Dance: V: The Sailors Revels, as17720919

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Lewis (1st appearance in that character); Raymond-Wroughton; Grey-Clarke; Laroche-Whitefield; Morton-L'Estrange; Sir Ardolph-Fearon; Peasant-Booth; Knight-Robson; Eleanor-Miss Dayes; Countess of Salisbury-Mrs Barry.

Afterpiece Title: True-Blue

Afterpiece Title: The Jealous Husband

Dance: As17761223

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Aickin (1st appearance in that character); Raymond-Wroughton; Grey-Clarke; Laroche-Whitfield; Morton-L'Estrange; Sir Ardolphe-Fearon; Peasant-Booth; Knight-Robson; Ld. William-Miss Francis; Eleanor-Mrs Morton; Countess of Salisbury-Mrs Barry.

Afterpiece Title: Poor Vulcan

Dance: As17780121

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Smith (1st appearance in that character); Grey-Aickin; Morton-Farren; Sir Ardolph-Packer; Laroches-Chaplin; Peasant-Wright; Knights-Philimore, Fawcett, Norris; Lord William-Miss G. Abrams; Raymond-Palmer; Eleanor-Miss Sherry; Countess of Salisbury-Miss Younge (1st appearance in that character).

Afterpiece Title: The Author

Dance: End: Minuet de la Cour, as17780919; Allemande, as17780919

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Henderson (1st appearance in that character [in London]); Raymond-Wroughton; Grey-Clarke; Laroche-Whitfield; Morton-L'Estrange; Sir Ardolph-Fearon; Peasant-Booth; Knight-Robson; Ld. William-Miss Langrish; Eleanor-Mrs Lewis; Countess of Salisbury-Miss Younge.

Afterpiece Title: Harlequin Every-where

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Salisbury-Palmer; Gray-Aickin; Morton-R. Palmer; Sir Ardolf-Egan; Lord William-Miss Langrish; Leroches-Gardner; Knights-Davis, Kenny; Raymond-Bannister Jun.; Eleanor-Mrs Poussin; Countess of Salisbury-Mrs Crawford.

Afterpiece Title: The Wedding Night

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Crawford; Grey-Aickin; Morton-Farren; Sir Ardolph-Norris; Laroches-Chaplin; Peasant-Wright; Knights-Phillimore, Fawcett, Griffiths; Lord William-Miss Langrish; Raymond-Palmer; Eleanor-Miss Sherry; Countess of Salisbury-Mrs Crawford.

Afterpiece Title: The Critic

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Kemble; Raymond-Barrymore; Lord William-Master Chatterley; Grey-Caulfield; Morton-C. Kemble; Sir Ardolf-Packer; Leroches-Holland; Knights-Trueman, Gibbon; Peasant-Maddocks; Countess of Salisbury-Mrs Siddons; Eleanor-Miss Tidswell.

Afterpiece Title: Comus

Event Comment: Mainpiece [1st time; T 5, by Hannah Cowley. Prologue by the author (Morning Chronicle, 9 Aug.)]: New Scenes painted by Rooker. Public Advertiser, 30 Aug. 1779: This Day is published Albina, Countess Raimond (price not listed)

Performances

Mainpiece Title: Albina, Countess Raimond

Afterpiece Title: Piety in Pattens

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 125. See also Nicoll, Restoration Drama, p. 350. Peregrine Bertie to the Countess of Rutland, 31 Dec. 1685: Yesterday was acted The Committee. The King and Queen were there and all the whole Court went to see it, but coming a little after it was begun [I] could not get any roome (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 100). Bridget Noel to the Countess of Rutland, ca. 6 Jan. 1685@6: [Last Wednesday] my Lady Exeter engaged us to goe to a play with her...which was a Commity. The King and Queen was at it, and the house as full as ever I saw it (ibid.)

Performances

Mainpiece Title: The Committee

Event Comment: Peregrine Bertie to the Countess of Rutland, 31 Dec. 1685: Last night was a masque at Mr Oldfield's in Soho Square, there was a great deale of very good company (ibid.). [Bridget Noel, writing to the Countess of Rutland, ca. 6 Jan. 1685@5, refers to a musicale, but her letter leaves unclear whether she refers to the same one Peregrine Bertie discusses (ibid.).

Performances

Mainpiece Title: Concert

Event Comment: Lady Anne Howe to the Countess of Rutland, [18 Dec. 1681]: I have seene but one play since I came, but I must goe to one to see [the Russian Ambassador] sure he cannot live long, for he makes noe thing of a pint of brandie at a draught with a spoonful of white pepper in it (HMC, Rutland MSS., Report XII, Appendix, Part V, p. 63)

Performances

Event Comment: The Duke's Company. Lady Anne Howe to the Countess of Rutland, 26 Jan. 1681@2: The King went by water to the new play yesterday, it being the poet's day, and is call'd the Loyallest (HMC, Rutland MSS., 12th Report, Appendix, Part V, p. 64). Newsletter, 26 Jan. 1681@2: Yesterday was a new play called the Royalist, where the Salamanca Doctor is exposed (HMC, 10th Report, Appendix, Part IV, p. 175)

Performances

Mainpiece Title: The Royalist

Event Comment: The Duke's Company. Newdigate newsletters, 5 Aug. 1682: [Yesterday the] Dutchess goes to ye Dukes Theatre--that and ye Kings house haveing Joyned interests the latter being Discontinued where will be purposely Acted for her Anna Bullen being a deepe Tragedy of the beheading of the said Lady by Henry the 8th (Wilson, Theatres Notes from the Newdigate Newsletters, p. 81). See also London Mercury, 8 Aug. 1682. Juliana Brabazon to the Countess of Rutland, Aug. 1682: The Dutches of Yorke kept her bed the day after seeing Anna Bulloigne acted (HMC, 12th Report, Rutland MSS., Part V, 1889, p. 77)

Performances

Mainpiece Title: Virtue Betrayed; Or, Anna Bullen

Event Comment: Edward Bedingfield to the Countess of Rutland, 1 Jan. 1684@5: Wee are in expectation of an opera composed by Mr Dryden, and set by Grabuche [Grabut], and so well performed at the repetition that has been made before his Majesty at the Duchess of Portsmouth's pleaseth mightily, but the rates proposed will not take soe well, for they have set the boxes at a guyny a place, and the Pitt at halfe. They advance 4,000 l. on the opera, and therefore must tax high to reimburse themselves (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 85)

Performances

Event Comment: Peregrine Bertie to the Countess of Rutland, 26 Dec. 1685: The other night was a disturbance at the play-house, upon which they broke up acting but to-day they have begun again (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 99)

Performances

Event Comment: Lady Dorset attended a play. See Peregrine Bertie to the Countess of Rutland, 9 Jan. 1685@6 (HMC, 12th Report, Appendix, Rutland MSS., Part V, II, 101)

Performances

Event Comment: The United Company. Peregrine Bertie to the Countess of Rutland, 23 Jan. 1685@6: Today will be acted King and noe King, by the King's command; everybody is sending to keep places; next week begins the French opera (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 102)

Performances

Mainpiece Title: King And No King

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 125. See also Nicoll, Restoration Drama, p. 350. Peregrine Bertie to the Countess of Rutland, 28 Jan. 1685@6: Last night was acted, the Chances at Whitehall, and to-night should have been a musicke meeting at Yorke Buildings, which I am jest now told is to bee put of till next weeke. The French Opera will begin the weeke after the next (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 102)

Performances

Mainpiece Title: The Chances

Event Comment: The United Company. Peregrine Bertie to the Countess of Rutland. 6 Feb. 1685@6: Thursday was acted Mithridates? for the Queen and Goodman played (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 104). [In L. C. 5@147, is a warrant to pay Mrs Barry for two plays-Valentinian and Mithridates-acted before the King and Queen, #40. The date of the warrant is 8 May 1686. If this warrant represents payment for this performance of Mithridates, probably Valentinian was acted in 1686.

Performances

Mainpiece Title: Mithridates

Event Comment: The United Company. Peregrine Bertie to the Countess of Rutland, 6 Feb. 1685@6: Today is Othello (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II., p. 104)

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: Peregrine Bertie to the Countess of Rutland, 11 Feb. 1685@6: To-day was the French opera. The King and Queen were there, the musicke was indeed very fine, but all the dresses the most wretched I ever saw; 'twas acted by none but French. A Saturday the Court goes to another play, to take their leaves of those vanitys till after Lent (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 104). [This performance is on the L. C. list 5@147, p. 125: The King & Queene & a Box for ye Maydes of honor at ye French Opera [the charge for the royal box was increased from #20 to #25 on this occasion]. W. J. Lawrence conjectured that this French opera was Cadmus et Hermione and that Jacques Rousseau, a scene painter of Paris, provided the decor. See W. J. Lawrence, The French opera in London; A Riddle of 1686, TLS, 28 March 1936, p. 268

Performances

Mainpiece Title: Cadmus Et Hermione

Event Comment: The United Company. The date of this Performance is stated as 16 Feb. (L. C. records) or 17 Feb. (Peregrine Bertie), but as Lent began on Wednesday 17 Feb., the performance probably occurred on Shrove Tuesday. This performance is on the L. C. list, 5@147, P. 125. See also Nicoll, Restoration Drama, p. 350. Peregrine Bertie to the Countess of Rutland, 17 Feb. 1685@6: To night will be the last play at court, they tell mee 'tis the Mocke Astrologer (HMC, 12th Report, Appendix, Rutland MSS., Part V, p. 105). John Povey to Sir Robert Southwell, 18 Feb. 1685@6: Sir, the enclosed had been sent last post, had it not been detained late by a play at Court which ended our Carnival. The night before the King and Queen were entertained by the Lord President at a ball or masque in Lady Portsmouth's lodgings. The Masquers were twelve couples whose habits were of several nations' and prescribed by a picture sent to each of them from the Queen, and the least habit cost !bove a hundred Pounds, and some above three hundred pounds, besides jewels of which Mrs Fox and some others had above thirty thousand pounds value each (Savile-Finch Correspondence, Add. Mss. 28,569; I owe this quotation to Professor John Harold Wilson)

Performances

Mainpiece Title: An Evening's Love; Or, The Mock Astrologer

Event Comment: The United Company. Peregrine Bertie to the Countess of Rutland, 6 March 1685@6: To day is acted Jevarns' new farse; Thursday was the first day. I must confess it is the strangest thinge I ever saw; 'twas mighty full the last time, and to day there is noe getting in (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 106). [Since Friday 5 March was a Friday in Lent, it is possible that the farce was not given on that day.

Performances

Mainpiece Title: The Devil Of A Wife

Event Comment: The United Company--Peregrine Bertie to the Countess of Rutland, 12 May 1688: We have had since my last another new play, a comedy writ by Shadwell, called the Esquire of Alsatia. It has been acted nine days successively, and on the third day the poet got 16l. more than any other poet ever did. When all this is granted, there is nothing in it extraordinary--except it is a Latin song--but the thing reason why it takes soe well is, because it brings severall of the cant words upon the stage which some in town have invented, and turns them into ridicule (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 119)

Performances

Mainpiece Title: The Squire Of Alsatia