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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliver\'d out by "/1) | (@(roleclean,performerclean) "Costollo Tickets deliver\'d out by ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6544 results for: Keyword - Costollo</i>.] Tickets deliver'd out by $<span class=
We found 6336 matches on Event Comments, 256 matches on Performance Comments, 3 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

2151
06 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Bensley, being the Last Time of his Appearing on the Stage. Bensley's defects (chiefly Nature's) were to a stranger disgusting, but on a further acquaintance, hi merit (all his own) not only gained favour, but covered all his faults" (Monthly Magazine, May 1796, p. 320). Morning Herald, 23 Apr.: Tickets to be had of Bensley at his house, No. 21, Charlotte-street, Bloomsbury. Receipts: #595 9s. (271.2; 63.14; 6.2; tickets: 250.10; odd money: 4.1) (charge: #232 7s. 6d.)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Romp

2152
06 May 1796 @ Covent Garden

Event Comment: Benefit for Mr and Mrs Knight. 1st piece [1st time; C 3, by Thomas Holcroft, altered by author from his Duplicity. Larpent MS 1129; not published]. Oracle, 13 Apr.: Tickets to be had of Mr and Mrs Knight, No. 47, Rathbone Place. Receipts: #331 5s. (159.7.0; 16.7.6; tickets: 155.10.6)

Performances

Mainpiece Title: The Maskd Friend

Afterpiece Title: The Way to Get Un Married

Cast
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: Outside of Bagnio Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: Outside of Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.

Afterpiece Title: The Farmer

Song: In 2nd piece: The Sportman's snug little Cot-Incledon

Entertainment: Monologues, with Songs.End: The Barber's Petition-Fawcett (1st time); [with a song in character, Wigs [including His Own Wig, The Lover's Wig, Doctor's Wig, Coachman's Wig, Counsellor's Wig-Fawcett; End 2nd piece: A Ramble to Bath (1st time) [with a descriptive song in the character of Jacob Gawkey [in The Chapter of Accidents]-Knight

2153
09 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Sga Storace. Morning Herald, 25 Apr.: Tickets to be had of Sga Storace, No. 36, Howland-street, Fitzroy-square. Receipts: #402 7s. (197.11.6; 62.19.6; 0.16.0; tickets: 141.0.0) (charge: #261 7s.)

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: My Grandmother

2154
11 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Master Welsh. [2nd piece in place of The Sultan, advertised on playbill of 10 May. Medley is identified in MS list in Kemble playbills of new performers for this season.] "A riot took place this evening, occasioned by the performance of Skirmish by a new actor. This person, wanting every quality requisite for the stage, performed so very much to the dissatisfaction of the audience, that the piece was mutilated in such a manner that for some time it was insisted on that the whole should be repeated more perfectly and by another actor. This being impossible, some mischief was threatened, but after a short time the disturbance ceased" (European Magazine, June 1796, p. 396). Morning Herald, 30 Apr.: Tickets to be had of Master Welsh, No. 9, St. Margaret-street, Westminster. Receipts: #292 4s. (84.11.6; 47.15.6; 12.14.0; tickets: 146.19.6; odd money: 0.3.6). (charge: free)

Performances

Mainpiece Title: The Smugglers

Afterpiece Title: The Virgin Unmaskd

Afterpiece Title: The Deserter

Song: End: the favourite duett from Sampson, My Faith and Truth-Miss Leak, Master Welsh; End 2nd piece: Listen to the Voice of Love (composed by Hook)-Master Welsh

2155
12 May 1796 @ Covent Garden

Event Comment: Benefit for Harley [whose 1st appearance as Shylock was at cg, 6 Nov. 1789]. 1st piece: Not acted these 6 yexrs. 2nd piece: With a view of High-street, Portsmouth, at the time of an Illumination. Morning Herald, 12 May: Tickets to be had of Harley, Castle-street, Bloomsbury. Receipts: #219 12s. 6d. (102.13.0; 2.11.6; tickets: 114.8.0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Arrived at Portsmouth

Afterpiece Title: The Irish Mimick

Dance: As17960420

Song: In Evening: a Hunting Song [Old Towler]-Incledon; 2nd piece: We've bade the restless seas adieu-; O why to be happy, as17960412; Here we laugh and work together-; With pride we steer'd for England's coast, as17960412; When love was a stranger, as17960412; Hearts of Oak-Incledon, Chorus

2156
12 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Powell. "If we make allowances for embarrassment and imperfect study, the performance of Mrs Powell was by no means indifferent" (Monthly Mirror, May 1796, p. 50). Afterpiece: Not acted these 4 years. Morning Herald, 2 May: Tickets to be had of Mrs Powell, No. 22, Henrietta-street, Covent-Garden. Receipts: #466 11s. 6d. (189.3.6; 53.1.6; 4.14.6; tickets: 216.15.0) (charge: #212)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Follies of a Day

2157
13 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Miss Leak. 1st piece: Never performed here. The Musick selected, with new Accompaniments and a Scottish Overture, by Dr Arnold. [Miss Andrews is identified in MS list in Kemble playbills of new performers for this season.] Morning Herald, 30 Apr.: Tickets to be had of Miss Leak, Upper Mews Gate, Castle-street, Leicester-square. Receipts: #155 11s. 6d. (84.2.0; 66.10.0; 0.17.0; tickets: none listed; odd money: 4.2.6) (charge: #213 0s. 7d.)

Performances

Mainpiece Title: Love And Money

Afterpiece Title: The Belles Stratagem

Afterpiece Title: No Song No Supper

Song: In: Thro the Wood Laddie-Miss Leak; In Masquerade Scene 2nd piece: Ally Croker-Miss Leak, Master Welsh

2158
16 May 1796 @ Covent Garden

Event Comment: Benefit for Wild, prompter. 2nd piece [1st time; M. INT 1]: The Words of the Ode will be given in the Theatre. 3rd piece: A Short Description of the Scenery, &c. The Hall of Fingal-the Banquet preparatory to the celebration of the Nuptials of Oscar and Malvina; The Mountain of Ben Lomond; The Military Procession of Carrol to the Hall of Fingal; A View of the Sea and Rock, from which Oscar escapes, by leaping from a precipice, 20 feet high, into the arms of his Soldiers; A View of the Bridge, with the Camp of Carrol-the Death of Carrol, by the hands of Malvina, with his Descent into the Sea, and the Burning of the Camp of Carrol. The new Music composed, and the Ancient Scots Music selected and adapted by Shield. The Overture by Reeve. Morning Herald, 3 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #394 13s. (187.9; 3.10; tickets: 203.14)

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: A Melocosmiotes

Cast
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: Outside of Bagnio Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: Outside of Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.

Afterpiece Title: Oscar and Malvina

Song: End II of 1st piece: The Sea Storm-Incledon; In 3rd piece: I am a jolly gay Pedlar-Townsend; Come every jovial Fellow-Rees, Mrs Martyr, Mrs Mountain; O ever in my bosom live-Mrs Martyr, Mrs Mountain

2159
17 May 1796 @ Covent Garden

Event Comment: Benefit for Middleton. Morning Herald, 10 May: Tickets to be had of Middleton, No. 20, Great Russell-street, Covent-Garden. Receipts: #287 12s. (144.18.6; 2.15.0; tickets: 139.18.6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Netley Abbey

Dance: In I: Grand Masquerade-; with the Minuet de la Cour and Allemande, as17950921

Song: End IV: Elegy-; Solemn Dirge-; Vocal Parts, as17950921, but Miss _Stuart, Miss _Kirton; After entertainment: Black@ey'd Susan-Incledon; My Mother had a Maid called Barbara, as17960314but _Bowden; Old Towler-Incledon

Entertainment: End: Monsieur Tonson, as17960426; After which Recitation and Music, as performed last Season with universal Applause at Freemason's Hall, in which Errors of the Press-Holman; Dryden's Ode of Alexander's Feast-Middleton; The Story of the Dog (written by Whitehead)-Pope

2160
18 May 1796 @ Covent Garden

Event Comment: Benefit for Mrs Clendining. 3rd piece: To conclude as 15 Apr. Morning Herald, 16 May: Tickets to be had of Mrs Clendining, No. 13, King-street, Covent-Garden. Receipts: #238 4s. (100.15; 15.4; tickets: 122.5)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Tom Thumb

Afterpiece Title: The Point at Herqui

Dance: In 3rd piece: a new incidental Dance, as17960415

Song: In 3rd piece: songs As17960503; In Evening: Mad Bess (1st time), the Minstrel's Song [Where is that tow'ring spirit fled?] [from The Days of Yore-Mrs Clendining; Harp-Weippert

2161
20 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Barrymore. Mainpiece: In Act II a Masquerade Scene. Morning Herald, 16 May: Tickets to be had of Barrymore, No. 20, Judd-place West, New-road, St. Pancras. Receipts: #155 9s. (97.9.6; 51.12.6; 4.10.6; tickets: none listed; odd money: 1.16.6) (charge: #217 5s.)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Follies of a Day

Song: As17960428

2162
20 May 1796 @ Covent Garden

Event Comment: Benefit for Townsend. Morning Herald, 13 May: Tickets to be had of Townsend, No. 153, Drury-lane. Receipts: #354 16s. 6d. (131.13.6; 13.7.0; tickets: 209.16.0)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Positive Man

Performance Comment: Cable (with Poll of Plymouth)-Incledon; Grog-Munden; Sir Toby Tacet-Powel; Bellcamp-Toms; Stern (with a song)-Townsend; Maurice-Macready; Lake-Claremont; Rupee-Fawcett; Cornelia-Mrs Martyr; Florimel-Mrs Townsend; Nancy-Mrs Knight; Lady Tacet-Mrs Davenport.

Song: End: an Interlude of Songs, Glees-Incledon, Johnstone, Fawcett, Bowden, Townsend, Richardson, Linton

Entertainment: In course Evening: Imitations, The Beggar (from Merry Sherwood)-Townsend

2163
21 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Bannister. 3rd piece [1st time; M. INT 1]. Morning Herald, 10 May: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-cross. Receipts: #188 6s. 6d. (120.9.6; 61.1.0; 2.17.6; tickets: none listed; odd money: 3.18.6) (charge: #218 11s. 2d.)

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: The Devil to Pay

Afterpiece Title: A Musical Olio

2164
23 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Kemble, being the last Time of her Appearing on the Stage. 1st piece [1st time; T 2, by John Philip Kemble, altered from the same by Philip Massinger. Larpent MS 1040: not published]: In Act I the Triumphal Entry of Domitian into the Capitolv. 2nd piece [1st time; C 3, by John Philip Kemble, altered from The Comical Lovers, by John Dryden and Colley Cibber. Larpent MS 1133: not published. Genest, VII, 243: C. Kemble on being asked, in 1821, if the above cast was right, said that he believed it was, but that he was ill and did not act]. [Address by Bertie Greatheed (European Magazine, June 1796, p. 397).] Morning Herald, 10 May: Tickets to be had of Mrs Kemble, No. 13, Caroline-street, Bedford-square. Account-Book: Paid H. S. Hargraves, Box No. 95, his Servant being turn'd out by Force, #1 4s. Receipts: #190 9s. 6d. (130.9.0; 59.10.0; 0.10.0; tickets: none listed; odd money: 0.0.6) (charge: #216 17s.)

Performances

Mainpiece Title: The Roman Actor

Afterpiece Title: Celadon and Florimel or The Happy Counterplot

Afterpiece Title: No Song No Supper

Entertainment: Monologue.End 2nd piece: an Address-Mrs Kemble on the Occasion of her Retiring from the Stage

2165
25 May 1796 @ Covent Garden

Event Comment: Benefit for Mme Mara. 2nd piece: Compressed into 2 Acts. The Words of the new Song to be had at the Theatre. Morning Herald, 21 May: Tickets to be had of Mme Mara, No. 57, Edgeware-road. Account-Book: Paid the Duke of Bedford one years Rent for the Theatre due Ladyday 1794 #456 4s.; Account-Book, 10 June: Paid the Duke of Bedford one years Rent due Ladyday 1795 #456 4s. Receipts: #339 10s. (250.1.6; 2.2.0; tickets: 87.6.6)

Performances

Mainpiece Title: Comus

Afterpiece Title: Artaxerxes

Cast
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: Outside of Bagnio Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: Outside of Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.

Afterpiece Title: The Doldrum

Cast
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: Outside of Bagnio Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: Outside of Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.

Song: In 1st piece: Sweet Echo (1st time)-Mme Mara; accompanied on the hautboy-W. Parke; End I 1st piece: Mad Bess (in character)-Mme Mara (1st time); In 2nd piece: a new song [High rolling seas that bear afar]-Mme Mara [written for the Occasion, and set to music by Herself

2166
27 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Sedgwick. Morning Herald, 20 May: Tickets to be had of Sedgwick at Mr Gibson's, jeweller, Charlotte-street, Rathbone-place. Receipts: #156 17s. (100.16; 54.4; 1.17; tickets: none listed) (charge: #212 16s.)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Phoenix or Anacreontics Renovated i

Afterpiece Title: Rosina

Entertainment: In 2nd piece: Imitations-Caulfield

2167
31 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Whitfield. 1st piece: Written by the late Mr Benson [see 9 June]. Morning Herald, 21 May: Tickets to be had of Whitfield, No. 19, Piazza, Covent Garden. Receipts: #127 15s. (79.11.0; 40.5.6; 3.12.6; tickets: none listed; odd money: 4.6.0) (charge: #223 3s. 5d.)

Performances

Mainpiece Title: Love And Money

Afterpiece Title: First Love

Afterpiece Title: My Grandmother

2168
02 June 1796 @ Drury Lane Theatre

Event Comment: Benefit for R. Palmer and Russell. [Palmer's 1st recorded appearance as Hamlet was at Canterbury, 16 Feb. 1780.] Morning Herald, 31 May: Tickets to be had of R. Palmer, No. 28, Eaton-street, Pimlico; of Russell, No. 250, High Holborn. Receipts: #157 18s. (110.16; 43.10.6; 1.19.0; tickets: none listed; odd money: 1.12.6) (charge: #212 3s.)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Follies of a Day

Entertainment: Monologue. End: A Picture of a Play House; or, Bucks have at ye all-R. Palmer

2169
03 June 1796 @ Drury Lane Theatre

Event Comment: Benefit for Dignum. Morning Herald, 20 May: Tickets to be had of Dignum, No. 23, New North-street, Red-lion-square. Receipts: #148 10s. 6d. (81.10.0; 57.6.6; 2.3.0; tickets: none listed; odd money: 7.11.0) (charge: #214 1s. 7d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: No Song No Supper

Afterpiece Title: A Musical Olio

Song: End II: The Little Waist- (composed by Hook); End IV: The Sailor's Journal (composed by Dibdin)-Dignum

2170
07 June 1796 @ Drury Lane Theatre

Event Comment: Benefit for Caulfield, Phillimore & Johnston. 2nd piece [1st time; M. INT 1]. 3rd piece: Not acted these 5 years. To conclude with a superb Prospect of the Infernal Regions, and a Rain of Fire. Morning Herald, 4 June: Tickets to be had of Caulfield, No. 2, William-street, Adelphi [others not listed]. Receipts: #122 17s. (55.17.0; 51.16.6; 5.9.6; tickets: none listed; odd money: 9.14.0) (charge: #211 8s. 2d.)

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: Old Straw

Afterpiece Title: Don Juan or The Libertine Destroyed

2171
08 June 1796 @ Drury Lane Theatre

Event Comment: Benefit for Burton, Miss Heard, Miss Tidswell, & Mrs Bramwell. [2nd piece: With alterations by John Philip Kemble.] 3rd piece: Not acted these 6 years. "Of [Wroughton's] comedy something favourably must be said. His personations are usually natural, easy, and spirited; he is perhaps too locomotive: he cannot bear to stand still...To this peculiar bustle of his motion may be attributed much of his success in Sir John Restless [in All in the Wrong]...For the same reason, no man can play Ford with half the effect Wroughton does" (Monthly Mirror, Mar. 1796, p. 304). Morning Herald, 30 May: Tickets to be had of Miss Heard, No. 43, Haymarket [others not listed]. Receipts: #337 6s. 6d. (30.13.0; 40.16.6; 3.4.6; tickets: 260.10.0; odd money: 2.2.6) (charge: #202 11s.)

Performances

Mainpiece Title: The Purse

Afterpiece Title: The Merry Wives of Windsor

Afterpiece Title: The Gentle Shepherd

2172
14 January 1797 @ King's Theatre

Event Comment: In consequence of the very frequent abuses discovered to be practised at this Theatre, in respect to transferable Tickets of Admission, it has become indispensably requisite to adopt the former Regulation of having those Tickets left at the Doors on the Evening of Performance, and returned next day to the Owners of them

Performances

Mainpiece Title: Evelina

Dance: End I: Peggy's Love, as17961206; End Opera: Apollon Berger, as17970110

2173
08 April 1797 @ Covent Garden

Event Comment: Benefit for Lewis. 1st piece: In 3 Acts. 2nd piece: Not acted these 12 years [acted 13 Dec. 1788]. 3rd piece: With all original Scenery, Machinery, Dresses and Decorations. New Music composed, and ancient Scots Music selected and adapted, by Shield. The Overture by Reeve. With Harp Accompaniment by Weippert. True Briton, 27 Mar.: Tickets to be had of Lewis, Bow-street. Receipts: #519 1s. 6d. (386.10.0; 6.0.0; tickets: 126.11.6)

Performances

Mainpiece Title: The Double Gallant Or A Sick Ladys Cure

Afterpiece Title: Duke and No Duke or Trapolins Vagaries

Afterpiece Title: Oscar and Malvina

2174
19 April 1797 @ Covent Garden

Event Comment: Benefit for Quick. 2nd piece: In one Act. A Tragi-Comic, Pastoral, Operatical, Farcical Drama, written by the Author of The Beggar's Opera [John Gay]. True Briton, 3 Apr.: Tickets to be had of Quick, No. 30, Little Queen-street, Lincoln's Inn-Fields. Receipts: #352 0s. 6d. (140.15.6; 5.9.0; tickets: 205.16.0)

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: What dye Call It

Afterpiece Title: Tom Thumb

2175
26 April 1797 @ Covent Garden

Event Comment: Benefit for Miss Wallis. 2nd piece: By Permission of the Proprietors of Drury Lane Theatre, and for that night only; with additional Songs [Sga Storace had sung in the oratorios at this theatre in the 1789 season.] True Briton, 13 Apr.: Tickets to be had of Miss Wallis, Gower-street. Receipts: #376 9s. 6d. (192.15.6; 2.16.0; tickets: 180.18.0)

Performances

Mainpiece Title: The Guardian

Afterpiece Title: No Song No Supper

Afterpiece Title: The Comedy of Errors

Song: In 3rd piece: as17970107