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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Captain Pack"/1) | (@(roleclean,performerclean) "Captain Pack")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1488 results for: Keyword - Captain Pack
We found 1264 matches on Performance Comments, 188 matches on Performance Title, 118 matches on Event Comments, 3 matches on Author, and 0 matches on Roles/Actors.

26
02 April 1677 @ Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346. This play was not published. It might be John Fletcher's The Captain

Performances

Mainpiece Title: The Captain; Or, Town Miss

Related Works
Related Work: The Armourer Author(s): Captain Warner

27
05 May 1733 @ Goodman's Fields

Event Comment: Benefit the Author of The Mad Captain. [Tickets for Tench and Miss Norris taken.

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Mad Captain

Song: E. Roberts

Dance: TTwo Pierrots-Vallois, J. Delagarde; Scotch Dance-Mrs Bullock; Masqueraders-Vallois, Mrs Bullock

28
19 November 1734 @ York Buildings

Event Comment: Benefit the Author of The Mad Captain. Mainpiece: Written by Shakespear. Afterpiece: With several Alterations. 6 P.M. Boxes 3s. Pit 2s

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Mad Captain

29
29 April 1749 @ Drury Lane Theatre

Event Comment: Benefit for Cross and Burton. Last time of acting Mainpiece this season. Afterpiece: A farce of my own, call'd the Henpeck'd Captain; or, the Humours of the Militia--damn'd before half over (Cross). [Afterpiece never printed. The Larpent MS lists the following characters: Capt. Teazable, Clermont, Mons Durtete, Brigadier? Sersnet, Capt? Druget, Col? Damask, Capt? Citern, Capt? Oldport, Capt? Patty@pan, Lt? Suet Pestle, Muster Master, Serjeant, Monsieur, Mrs Teazable, Angellica, Gusset. The men are all reserve officers in the Militia who parade occasionally in fine uniforms. See note, 1 May about publication.] Receipts: #139 (Cross); charges, #63 (Powel)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Henpeck'd Captain

Song: George Burton 1st appearance on that stage

30
05 April 1779 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. Afterpiece [1st time; F 2, by James Cobb, based on La Fausse Suivante; ou, Le Fourbe Puni, by Pierre Carlet de Chamblain de Marivaux. Prologue by the author (Knapp, 117). Larpent MS 476; not published. In 1780 this was acted at the hay as The Female Captain]. Part of the Pit will be laid into the Boxes. Public Advertiser, 15 Mar.: Tickets to be had of Miss Pope, Little Russel-street, Covent Garden. Receipts: #202 10s. (54.14; 17.6; 1.12; tickets: 128.18) (charge: #65 17s. 2d.)

Performances

Mainpiece Title: The Spanish Fryar

Cast
Role: Alphonso Actor: Packer

Afterpiece Title: The Contract; or, The Female Captain

31
26 August 1780 @ Haymarket Theatre

Event Comment: [3rd piece 1st acted at dl, 5 Apr. 1779, as The Contract; or, The Female Captain. Prologue by James Cobb (Public Advertiser, 19 Sept. 1780).] Tickets delivered by Kenny and Painter will be admitted

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Fryar

Afterpiece Title: The Female Captain

32
06 November 1790 @ Covent Garden

Performances

Mainpiece Title: The Female Pursuit; Or, Stop Her Who Can

Afterpiece Title: The Fugitive

Afterpiece Title: The Death of Captain Cook

Performance Comment: ["Follett played the part of Koah in the room of Delpini" (Diary, 8 Nov.). The other characters probably were: Terreeobo-$Blurton; Pareea-$Byrne; Captain Cook-$Cranfield; His Lieutenant-$Evatt; Lieutenant of the Marines-$Ratchford; Emai-$Miss Francis (see17890921).]
Cast
Role: Captain Cook Actor: Cranfield

33
06 November 1793 @ Covent Garden

Performances

Mainpiece Title: The Female Pursuit; Or, Stop Her Who Can

Afterpiece Title: The Fugitive

Afterpiece Title: The Death of Captain Cook

Performance Comment: ["Follett played the part of Koah in the room of Delpini" (Diary, 8 Nov.). The other characters probably were: Terreeobo-$Blurton; Pareea-$Byrne; Captain Cook-$Cranfield; His Lieutenant-$Evatt; Lieutenant of the Marines-$Ratchford; Emai-$Miss Francis (see17890921).]
Cast
Role: Captain Cook Actor: Cranfield

34
15 May 1794 @ Covent Garden

Performances

Mainpiece Title: The Death Of Captain Cook

Performance Comment: Cast not listed. [Thespian Magazine, June 1794, p. 227, refers to the performances of Byrn, Cranfield and Follett, among others. They acted Pareea, Captain Cook and Koah respectively (see playbill of 6 Nov. 1790).] hathi.

Afterpiece Title: THE SCHOOL FOR ARROGANCE

Afterpiece Title: NETLEY ABBEY

35
06 May 1795 @ Covent Garden

Event Comment: Benefit for Mrs Martyr. By Special Desire of the Turkish Ambassador [Yussuf Adijah Effendi]. 2nd piece [1st time; M. INT 1, probably by William Pearce. Text (Glindon and Co., 1795)]: The Music composed by Shield, Reeve, &c. The Dance and Procession by Byrn. With a Naval Medley Overture composed by Dr Arnold. In the course of the Piece will be represented the Engagement in which the brave Captain Robert? Faulknor fell [in an action off Guadeloupe on 5 Jan. 1795] between the English Frigate the Blanche and the French Frigate La Pique. To conclude with the Funeral Procession of Capt. Faulknor (composed by Byrn), accompanied by a new Dead March (composed by Shield). Morning Chronicle, 21 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street, Covent-garden. Receipts: #402 10s. (201.0; 5.19; tickets: 195.11)

Performances

Mainpiece Title: The Bank Note

Afterpiece Title: The Death of Captain Faulknor; or, British Heroism

Afterpiece Title: Tom Thumb

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course: Black Eyed Susan-Incledon; In course 2nd piece: [Larpent MS 1079 states, correctly, that most of the songs were "Sung in Arrived at Portsmouth"] Glee-Incledon, Linton, Bowden (Shield); With pride we steer for Britain's Coast-Incledon (Shield); O bring me wine-Bowden (Shield); A description of the Irish way of settling a Quarrel-Johnstone (Reeve); Negro Song-Mrs Martyr (Reeve); Description of a Cockney-Munden (Reeve); Hail to the Brave-Johnstone, Bowden, Incledon (Shield)

Entertainment: End II: Imitations of several favorite Vocal Performers-Mrs Wells; End 1st piece: Imitations of two celebrated Tragic Actresses-Mrs Wells (positively her last appearance in public)

36
29 October 1795 @ Covent Garden

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Death of Captain Cook

Performance Comment: [Pareea, Captain Cook and Koah were probably acted by Byrn, Cranfield and Follett respectively. See17940515.]

37
April 1684 @ Drury Lane Theatre

Event Comment: The United Company. The date of the first performance is not known, but Luttrell dated his copy of the separately-printed Prologue and Epilogue 5 April 1684 (J. W. Dodds, Thomas Southerne, p. 48). Very probably the play first appeared during the week of 31 March-5 April, immediately following Easter. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 191-94. This may have been the last new role William Smith undertook for some years; see Cibber, Apology, ed. Lowe, 1, 78-79, for the incident which prompted Smith's leaving the stage for awhile. One song, I never saw a face till now, with music by Captain Pack, is in The Theater of Music, the First Book, 1685; and another, O why did e'er my thoughts aspire, the music by R. King, is in the same collection. A third song, See how fair Corinna lies, the music by Captain Pack, is in A Collection of Twenty-Four Songs, 1685

Performances

Mainpiece Title: The Disappointment; Or, The Mother In Fashion

38
20 April 1715 @ Drury Lane Theatre

Event Comment: [By Nicholas Rowe.] Never Acted before. The Medley, 22 April: Whereas Nicodemus Somebody, Esq; alias The Merry Mr Pack, belonging to the Play-house in Lincolns-Inn-Fields, was on Wednesday Night last very noisy and troublesome in the first Gallery of Theatre-Royal in Drury-lane, he's desir'd hereby, when out of his own House, to behave himself with a little more Manners and Discretion, and not distinguish himself again by his ill-natur'd Gestures and frequent Hissings

Performances

Mainpiece Title: Lady Jane Gray

Performance Comment: Edition of 1715 lists: Duke of Northumberland-Mills; Duke of Suffolk-Boman; Lord Guilford Dudley-Booth; Earl of Pembroke-Elrington; Earl of Sussex-Ryan; Gardiner Bishop of Winchester-Cibber; Sir John Gates-Shepherd; Lieutenant of Tower-Quin; Captain of Guards-Maddocks; Dutchess of Suffolk-Mrs Porter; Lady Jane Gray-Mrs Oldfield; Prologue-Booth; Epilogue-Mrs Porter.
Cast
Role: Captain of Guards Actor: Maddocks

Music: In: a cantata, The Meditation by Pepusch-Mrs del'Epine, Mrs Barbier

39
01 November 1680 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first production is not certain, particularly since an entry in L. C. 5@145, p. 120 (see also Nicoll, Restoration Drama, p. 349) lists this play for 8 March, the year uncertain. Since the entry follows one for The Souldier's Fortune which followed the premiere of The Female Prelate, 31 May 1680, the L. C. entry probably is one for 8 March 1680@1. That the premiere occurred near 1 Nov. 1680 is suggested by a letter of Anne Montague to Lady Hatton, 1 Nov. 1680: For I never see the towne fuller, for I was to see the new play, The Spanish Frier, and there was all the world, but the Court is a letell dull yet; the Queen being sick, there is noe drawing room (Hatton Correspondence, Camden Society, XXII [1878], 240). A song, Farewell ungratefull Traytor, with music by Captain Pack and sung by Mrs Crofts, is in Act V. For Leigh's and Nokes' acting, see Cibber, Apology, ed. Lowe, I, 143, 145-46. Downes (Roscius Anglicanus, p. 37): 'Twas Admirably Acted, and produc'd vast Profit to the Company

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

40
January 1681 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first performance is not known. An entry in L. C. 5@145, p. 120 (see also Nicoll, Restoration Drama, p. 349) lists a performance for 4 April, once thought to be 4 April 1680; but as this date falls on Sunday, it more likely represents a revival on 4 April 1681. As the Epilogue appears to appeal to Parliament (which existed from 15 Oct. 1680 to 18 Jan. 1680@1) to vote funds for King Charles, "Our King of Poets," it seems likely that the play was first performed before the close of Parliament. The play was not entered in the Term Catalogues until June 1681. A song, Phyllis whose heart was unconfined, set by Thomas? Farmer; and another, A pox upon this cursed life, set by Captain Pack, are in Choice Ayres and Songs, The Fourth Book, 1683

Performances

Mainpiece Title: The Second Part Of The Rover

41
28 November 1682 @ Drury Lane Theatre

Event Comment: The United Company. Newdigate newsletters, 28 Nov. 1682: This day was Acted a new play called the Duke of Guise by Mr Dryden it was formerly forbidd as reflecting upon the D of Monmouth but by ye supplication of ye Author its now allowed to be acted (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately printed, bear Luttrell's date of acquisition (Huntington Library) as 4 Dec. 1682, but above this date Luttrell has written: "30 Nov." The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 149-52. Dedication, Edition of 1683: In the Representation itself, it was persecuted with so notorious Malice by one side, that it secur'd us the Partiality of the other. In a report from the Abbe Rouchi, in London, 14 Dec. 1682, it is stated that the Duke of Guise was acted three times (Campana de Cavelli, Les Derniers Stuarts [Paris and London, 1871], I, 398). One song, Tell me Thyrsis all your anguish, with music by Captain Pack, is in the edition of 1683 and also in Choice Ayres and Songs, The Fourth Book, 1683

Performances

Mainpiece Title: The Duke Of Guise

42
July 1683 @ Dorset Garden Theatre

Event Comment: The United Company. The date of the first Performance is not known, but, as the play was advertised in The Observator, 8 Aug. 1683, it was probably first acted not later than July 1683. A song, Welcome mortal to this place, set to music by Captain Pack for this play, is in Choice Ayres and Songs, 1684

Performances

Mainpiece Title: The Atheist; Or, The Second Part Of The Souldiers Fortune

43
26 May 1707 @ Queen's Theatre

Event Comment: Benefit Pack. Mainpiece: Written by Beaumont and Fletcher

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Stage Coach

Performance Comment: Nicodemus Somebody-Pack.
Cast
Role: Nicodemus Somebody Actor: Pack.

44
10 July 1707 @ Queen's Theatre

Event Comment: Benefit Husbands and Pack

Performances

Mainpiece Title: The City Heiress; Or, Sir Timothy Treatall

Performance Comment: Sir Timothy-Cross; Sir Anthony-Bullock; Sir Charles-Husbands; Tom-Mills; Foppington-Pack; Dresswell-Corey; Lady Galliard-Mrs Bradshaw; Mrs Charlot-Mrs Bicknell; Mrs Clacket-Mrs Powell.
Cast
Role: Foppington Actor: Pack

45
11 February 1710 @ Drury Lane Theatre

Event Comment: Benefit Pack. At the Desire of several Ladies of Quality. Written by the Author of the Relapse and Provok'd Wife

Performances

Mainpiece Title: The Mistake

Performance Comment: Alvarez-Keen; Carlos-Booth; Lorenzo-Elrington; Felix-Spillar; Sancho-Norris; Lopez-Pack; Toledo-Layfield; Leonora-Mrs Bradshaw; Camillo-Mrs Knight; Isabella-Mrs Moor.
Cast
Role: Lopez Actor: Pack

46
30 May 1710 @ Drury Lane Theatre

Event Comment: Benefit Pack and Mrs Bradshaw. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Confederacy

Performance Comment: See17100111; An Epilogue-Pack as on 23 May.
Cast
Role: An Epilogue Actor: Pack as on 23 May.

Dance: Four Scaramouches-; Italian Night Scene-

47
22 May 1712 @ Drury Lane Theatre

Event Comment: Benefit Pack. At the Desire of several Persons of Quality

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: As17111127, but Iago-Keene; Roderigo-Pack; Brabantio-_; Emilia-_.
Cast
Role: Roderigo Actor: Pack

48
05 May 1714 @ Drury Lane Theatre

Event Comment: Benefit Pack. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Amorous Widow

Performance Comment: As17131015, but Barnaby-Pack; Sir Peter-Johnson; Lovemore-Wilks; Cunningham-Mills; Merryman-Norris; Lady Laycock-Mrs Knight; Lady Pride-Mrs Willis.
Cast
Role: Barnaby Actor: Pack

Dance: Mrs Santlow

49
09 September 1717 @ Southwark Fair

Event Comment: At Penkethman and Pack's very large, commodious Booth, proper for the Reception of the Quality. A new Droll

Performances

Mainpiece Title: Twice Married And A Maid Still; Or, Bedding Makes The Bargain Last

Performance Comment: Old Merriwell-Penkethman; Tim (his son)-Pack; Vincent-Quin; Peregrine-Ryan; Lord Worthy-Diggs; Sir William Willful-Shepard; Cook-Norris; Trusty-Spiller.
Cast
Role: Tim Actor: Pack

Song:

Dance:

50
05 September 1718 @ Southwark Fair

Event Comment: At Pack-Spiller-Hall Booth in Angel Court. The whole Droll intirely new Writ. Advertised 5, 8, 10, 13 Sept

Performances

Mainpiece Title: The True And Ancient History Of Sir Richard Whittington, Thrice Lord Mayor Of London, And The Diverting Humours Of Madge The Cook-maid And Her Sweetheart John The Butler

Performance Comment: Whittington-Pack; Madge-Hall; John-Spiller; Fitzwarren-Schoolding; Supercargo-Giffard; Alicia-Mrs Spiller; Lucy-Mrs Giffard; Truelove-J. Leigh.
Cast
Role: Whittington Actor: Pack

Song:

Dance: