SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Bannister Half past six went into ye "/1) | (@(roleclean,performerclean) "Bannister Half past six went into ye ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2297 matches on Performance Comments, 2246 matches on Event Comments, 404 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Places for the Boxes to be taken of Mr Hobson, at the Stage Door of the Theatre. By His Majesty's Command, no person to be admitted behind the scenes, nor any money to be return'd after the curtain is drawn up. To begin exactly at Six o'clock

Performances

Mainpiece Title: Love For Love

Event Comment: Written by Shakespear. Places for the boxes to be taken of Mr Page at the stage door of the theatre. To begin exactly at six o'clock

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Event Comment: With a new Farce of two Acts...Written by the Gentleman who plays the Part of Lothario. The Play and Entertainment being both so long we shall positively begin at exactly six o'clock. 3s., 2s., 1s. [Usual concert notice.

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Fortunate Adventurers or The Successful Lover

Event Comment: The Characters new dressed. Written in six weeks by Macklin. Put in rehearsal act by act as it came from him. Of topical interest because of the rebellion (Genest, IV, 178). Only revisals were at the rehearsals [Preface to first edition]

Performances

Mainpiece Title: Henry Vii Or The Popish Imposter

Event Comment: Not acted these six years

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Dance: Cooke, Sga Campioni, Sodi (being the first time of his appearing on that stage)

Event Comment: Not Acted these Eight Years [see 24 April 1741]. Benefit Cibber, Jr. Tickets and places of Hobson at the Stage door. Tickets ddliver'd out for All's Well at Covent Garden theatre will be taken to the above mentioned play this night. [Mrs Clive's Prologue recommended the cause of Liberty to the Ladies of Great Britain. Cibber had pleaded in his advance advertisement on 5 April in the General Advertiser.] As I have in justice to my creditors assigned over so much of my salary as reduces the remainder to a very small pittance, I very much depend on the encouragement and indulgence of the town at my Benefit. [On the day of the benefit he inserted in the General Advertiser a long, double column address to the Publick puffing his Benefit, and scotching a rumor industriously and invidiously spread that he came to Drury Lane only to impede Mrs Cibber in her performance there. In this he washes in public the linen of his domestic affairs at some length, professing his virtue, forbearance, and generosity, and Mrs Cibber's unfairness and ingratitude, citing her salary as about #700 per year, not a penny of which would she afford for his relief from creditors, or to bail him out of the Fleet prison where he languished six months. He alleges that she was instrumental in forming a cartel between the rival theatrical managers with precluded his employment by either house, and that she refused to act a benefit for him when he was in debtor's prison.

Performances

Mainpiece Title: The Ladys Last Stake Or The Wifes Resentment

Afterpiece Title: Three Hours after Marriage

Song: I: Cantata-Lowe; III: Scotch Dialogue, as17460310 V: My Faith and Truth, as17460104

Dance: IV: Italian Peasants, as17460206; III: Scotch Dialogue, as17460310

Event Comment: By particular Desire. Mainpiece written by Shakespear. Benefit Havard and Berry. Not acted in six years [see 12 April 1738]

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Double Disappointment

Song: III: Lowe; IV: Scotch Dialogue, as17460310

Dance: II: Muilment; V: Italian Peasants, as17460206

Event Comment: Boxes 5s. Pit 3s. Fist Gallery 2s. Upper Gallery 1s. No money to be taken behind the scenes. Places for the Boxes to be taken of Mr Page at the stage door of the theatre. To begin exactly at Six o'clock. [Balance brought over from Day Book F, #411 os. 7d. This balance actually represents a deficit from which the night's receipts are subtracted to indicate the reduction of it. But first, from the night's receipts, were subtracted #37 9s. 10d., an amount which seems to represent standing nightly costs for music, light, heat, taxes, &c.] Receipts: #115 8s

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Afterpiece Title: The Lying Valet

Event Comment: [Full column in Daily Advertiser describing Barry's and Mrs Macklin's acting techniques.] Barry from the Theatre in Dublin, perform'd the part of Othello, at Drury Lane, before a numerous and polite audience; and met with as great Applause as could be express'd.--General Advertiser, 6 Oct. Thomas Gray to Horace Walpole: You have probably been there since I left you, and consequently have seen the Mr Barry you desired some account of; yet as I am not certain of this and should be glad to know whether we agree about him, I will nevertheless tell you what he is, and the impression he made upon me. He is upwards of six feet in height; wdll and prortionably made, treads well and knows what to do with his limbs; in short a noble graceful figure. I can say nothing of his face but that it was all black, with a wide mough and good eyes. His voice is of a clear and pleasing tone, something like Delane's, but not so deep-mouthed, not so like a passing bell. When high strain'd it is apt to crack a little and be hoarse, but in its common pitch, and when it sinks into any softer passion, particularly expressive and touching. In the first scene, especially when he recounts to the Senate the progress of his love and the means he used to win Desdemona, he was quite mistaken, and I took a pique against him; instead of a cool narration he flew into a rant of voice and action, as though he were relating the circumstance of a battle that was fought yesterday. I expected nothing more from him, but was deceiv'd: in the scenes of rage and jealousy he was seldom inferior to Quin in the parts of tenderness and sorrow far above him. These latter seem to be his peculiarly; his action is not very various, but rarely improper, or without dignity, and some of his attitudes are really fine. He is not perfect to be sure, but I think may make a better player than any now on the stage in a little while. However, to see a man in one character, and but once, is not sufficient, so I rather ask your opinion by this, than give you mine.--Horace Walpole's Correspondence with Thomas Gray, II, 6-7

Performances

Mainpiece Title: Othello Moor Of Venice

Afterpiece Title: The Devil to Pay

Song: Between the acts: Lowe, Mrs Mozeen

Event Comment: Mainpiece not acted these six years. Receipts: #116 19s. 6d

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The King and The Miller of Mansfield

Event Comment: Paid Mr Finch [glover] for six pair for Garrick, 7s. 6d. (Account Books, Egerton 2268). Receipts: #104 18s. 6d

Performances

Mainpiece Title: The Squire Of Alsatia

Afterpiece Title: The Royal Chace or Harlequin Skeleton

Event Comment: A concert, etc. at the Great Tiled Booth. Benefit Yeates Jun. and Mrs Warner (his sister). Prices: 2s., 1s., 6d. To begin at six o'clock (Daily Advertiser)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Lying Valet

Event Comment: Benefit for a poor distress'd citizen's widow and six children. The concert to begin at five o'clock. Songs: By the Particular Desire of Several Ladies. Afterpiece: By the Particular Desire of Several Ladies of Quality

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Love In a Mist

Song: LLove a favourite song from Acis and Galatea-; Between the Acts: Songs-a Gentleman

Music: Solo on a German Flute-a Gentleman

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for Boxes to be taken of Mr Hobson at the stage door of the Theatre. To begin exactly at six o'clock (General Advertiser). [This customary notice for all subsequent bills will not be mentioned further this season.] Receipts: #80 (Cross); #88 7s. 6d. (Powel)

Performances

Mainpiece Title: The Busie Body

Afterpiece Title: The Lottery

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. To begin exactly at six o'clock. No persons to be admitted behind the scenes, nor any money to be return'd after the curtain is drawn up. Places for the boxes to be taken of Mr Page at the Stage door (General Advertiser). [This notice appears on subsequent bills this season but will not be repeated further here.

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Mock Doctor

Event Comment: At the New Theatre, Bowling Green, Southwark. A concert, etc. Benefit for a Person under very great Misfortunes (a blind man, initials A. M., now six years in prison). To begin (by particular Desire) at 7 p.m

Performances

Mainpiece Title: The Unhappy Favourite Or The Earl Of Essex

Afterpiece Title: The Devil to Pay

Event Comment: Benefit for a Family under Misfortune, a Concert, etc. Prices: 4s., 2s. 6d., 1s. 6d. To begin at six o'clock

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: The Lying Valet

Event Comment: At the New Wells, London Spaw, Clerkenwell. A concert, etc. To begin at six o'clock. Last night of performing

Performances

Mainpiece Title: The London Merchant Or The True And Ancient History Of George Barnwell

Afterpiece Title: The Lying Valet

Event Comment: At the Great Tiled Booth, Bowling Green, Southwark. For one night only. Benefit for Mrs Yeates. A concert, etc. Prices: 2s. 6d., 1s. 6d. To begin at six o'clock

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Virgin Unmasked

Event Comment: At the Great Tiled Booth, Bowling Green, Southwark. A concert, etc. Last time of performing. To begin exactly at six

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: Hercules

Performance Comment: Parts for six characters, two choruses; Hercules-; Deianira-; Hyllus-; Iole-; Lichas-; Priest of Jupiter-; Chorus of Trachinians-; Chorus of Oechalians-. [For speculation as to probable cast, see Deutsch, Handel, p. 658.]For speculation as to probable cast, see Deutsch, Handel, p. 658.]

Afterpiece Title: a C Concerto

Event Comment: At the New Wells, Lemon St., Goodman's Field. One night only. Benefit for L. Hallam...will be presented a Comedy. Boxes and Stage 3s. Pit and First Gallery 2s. Upper Gallery 1s. To begin at six o'clock

Performances

Mainpiece Title: The Committee

Afterpiece Title: Flora or Hob in the Well

Event Comment: By a Set of English Performers translated into French from The Beggar's Opera. Nothing under the full Price will be taken during the Time of the whole Performance, or any money returned after the Curtain is drawn up. To begin at six o'clock. Prices: 5s., 3s., 2s. As this is the first attempt of the kind that was ever made by the English, 'tis hoped the Town will not be offended, that we endeavour to equal the Foreigners in everything, that may conduce to divert or to please them; yet this apology we beg leave to make, that if in our Performance a little of our Native Accent should be discover'd, we humbly hope an English audience will excuse it

Performances

Mainpiece Title: Lopera Du Gueux

Event Comment: Benefit Furnival and Sherman. To begin at hadf after six. Prices: 4s., 2s. 6d., 1s. 6d

Performances

Mainpiece Title: The Knights

Afterpiece Title: The Auction

Event Comment: A concert, etc. Prices: 4s., 2s. 6d. Benefit for Bruodin and Mrs Hutton. The Play will be decently conducted, being thoroughly rehears'd, and the Performers exceeding perfect. To begin at six o'clock (Daily Advertiser)

Performances

Mainpiece Title: Othello