SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Addison"/1) | (@(roleclean,performerclean) "Addison")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 412 matches on Author, 123 matches on Roles/Actors, 95 matches on Event Comments, 42 matches on Performance Title, and 37 matches on Performance Comments.

Performances

Mainpiece Title: Fortune's Fool

Afterpiece Title: Olympus in an Uproar

Cast
Role: Juno Actor: Mrs Addison

Performances

Mainpiece Title: Fortune's Fool

Afterpiece Title: Olympus in an Uproar

Cast
Role: Juno Actor: Mrs Addison

Performances

Mainpiece Title: Fortune's Fool

Afterpiece Title: Olympus in an Uproar

Cast
Role: Juno Actor: Mrs Addison

Performances

Mainpiece Title: Fortune's Fool

Afterpiece Title: Olympus in an Uproar

Cast
Role: Juno Actor: Mrs Addison

Performances

Mainpiece Title: Fortune's Fool

Afterpiece Title: Olympus in an Uproar

Cast
Role: Juno Actor: Mrs Addison

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Emperour of the Moon

Performance Comment: Harlequin-Woodward; Scaramouch-Yates; Charmante-Palmer; Cinthio-King; Bellemante-Miss Murgetroyd; Mopsophil-Mrs Green; Elaria-Miss Cole; Dr Baliardo-Winstone; Vocal Parts-Beard, Reinhold; Dances-Cooke, Mlle Janeton Auretti, Mathews, Mathews' scholar a child of 5 years old; Mrs Addison. Mrs Addison.

Music: A Piece of Music-the Child

Dance: TThe Sailors Revels-Mathews

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Chinese Festival

Performance Comment: As17551112, but Parts-Mons _Delaistre; _StLeger; _Pochee; _Granier; _Walker; _Atkins; Sga _Pietro; Mrs _Addison; Mlle _Charon; Mlle _Rousselet; Mrs _Philips; Mrs _Lawson; _Scrase; _Jefferson; _Vaughan; _Burton; _Marr; _Chamness; _Bullbrick; _Clough; _Allen; _Gray; Mrs _Bradshaw; Mrs _Hippisley; Mrs _Mathews; Mrs _Simson; Miss _Mills, _Lewis. _StLeger; _Pochee; _Granier; _Walker; _Atkins; Sga _Pietro; Mrs _Addison; Mlle _Charon; Mlle _Rousselet; Mrs _Philips; Mrs _Lawson; _Scrase; _Jefferson; _Vaughan; _Burton; _Marr; _Chamness; _Bullbrick; _Clough; _Allen; _Gray; Mrs _Bradshaw; Mrs _Hippisley; Mrs _Mathews; Mrs _Simson; Miss _Mills, _Lewis.
Event Comment: Philip Perceval to Sir John Perceval, 1 Feb.: The opera of Camilla has been one of the chief diversions of the town this long time, and business is forgot. Next week we expect a new one, and soon after another. One goes by Mr Addison's name; I think they call it Fair Rosamond, the other is Mr Clayton's undertaking. Great things are expected of them both. (Egmont MS, II, 215.

Performances

Mainpiece Title: Camilla

Event Comment: Chetwood, A General History of the Stage, p. 198: Yet a blind Man might have borne with Norris in the Roman Patriot , for he spoke it with all the Solemnity of a suffering Hero; while Penkethman, and the rest of the motley Tribe, made it as ridiculous by Humour and Action: And yet some of the first Rank in the Kingdom seemed highly diverted whilst others invoked the...dead Roman and Briton to rise, and avenge their own Cause. Lady Bristol in. Letter Books of John Hervey, II, 74-75: I had no patience to see [Addison's] play burlesqued as it was last night for the entertainment of their Royal Highnesses...their Audience was much too good for them, for there was a great many people of quality

Performances

Mainpiece Title: Cato Burlesqued

Event Comment: Benefit Milward. Mainpiece: Written by the late Mr Addison. Afterpiece: At the particular Desire of several Persons of Quality. Written by Mr Essex Hawker. Receipts: money #42 2s. 6d.; tickets #97 15s

Performances

Mainpiece Title: Ato

Afterpiece Title: The Wedding

Event Comment: Whereas Thomas Arne, Jun. Proprietor of English Operas [at lif], has new set to Musick, after the Italian Manner, the Opera of Rosamond, Written by the late Mr Addison, Which is now in Rehearsal....This is to give Notice, that he...hoping to receive Encouragement from the Town, will (notwithstanding his Expences are considerably greater than any of the other English Theatres) Entertain the Town at the following Prices (viz) Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. 6d. And that he will give a private Rehearsal of the said Opera, to such Friends as shall oblige him with a Subscription...at One Guinea, to be paid on Receipt of a Ticket, which will admit the Bearer into the Boxes five Nights

Performances

Event Comment: Benefit Mr Odell, formerly Master of Goodman's Fields Theatre. Mainpiece: Written by the late Mr Addison

Performances

Mainpiece Title: As 10 May, But Decius-boman

Afterpiece Title: An Old Man Taught Wisdom

Music: Select Pieces

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: Drunken Peasant by Le Brun. In: Black and White Joak by Nivelon and Miss Mann. V: Amorous Swain, as17350327

Song: IV: As17350603

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17481116, but add Masquerade Dance-Mrs Addison.

Afterpiece Title: The Mock Doctor

Dance: II: L'Entree de Flore, as17481027; IV: Dutch Dance, as17481203

Performances

Mainpiece Title: Comus

Performance Comment: Comus-Havard; Elder Brother-Usher; Younger Brother-King; First Spirit-Mills; Second Spirit-Master Mattocks; Bacchanal-Beard; Euphrosyne-Mrs Clive; Lady-Mrs Elmy; Sabrina-Miss Norris (with the song of Sweet Echo) her 1st appearance on that stage; The Dances-Matthews, Mlle Contri (her 1st time of appearing on that stage), Pelling, Shawford, Yates, Macclean, Mrs Addison, Miss Baker, Mrs Shawford, Mrs L'Font, Miss Shawford.

Afterpiece Title: The Anatomist

Event Comment: Nothing said abour ye prolog: (Cross). The Music of the Funeral Procession compos'd by Dr Boyce. [See "William Boyce's 'Solemn Dirge' in Garrick's Romeo and Juliet Production of 1750," by Charles Haywood, Shakespeare Quarterly, Spring, 1960.] This day is Publish'd at 1s. 6d. Romeo and Juliet a Tragedy, revised and alter'd from Shakespear by Theophilus Cibber, First revised in September 1744, at the Theatre in the Haymarket; now acted at the Theatre Royal in Drury Lane. To which is added a Serio-Comic Apology for Part of the Life of Mr Theophilus Cibber, Comedian, written by himself. Interspers'd with memoirs and anecdotes relating to the Stage Managements, Theatrical Resolutions, &c. also cursory Observations on principal Players: particularly Mr Quin, Mr Ryan, Mrs Woffington, Mrs Ward, and Miss Bellamy; Mr Garrick, Mr Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard, &c. Likewise Original Letters that passed between the late Sir Thomas DeVeil and Mr Theophilus Cibber relating to the Stage Act, Concluding with a copy of Verses, call'd the Contrite Comedian's Confession. Printed for C. Corbett, the Publisher, at Addison's Head, facing St Dunstan's Church, Fleet St; G. Woodfall, at the King's Arms, the corner of Craig's Court, Charing Cross. [See 11 Oct.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: [Benefit for] Taswell, Layfield, Marr, Mad Mariet, Mrs Addison had Tickets (Cross). Receipts: #90 (Cross)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Anatomist

Event Comment: Benefit for Mrs Horton, an old Actress, & ye Sub: Treasurer (Cross). Positively the last time of Mr Garrick's performing the character of Fribble this season. Tickets deliver'd out for the Fatal Marriage will be taken. Tickets to be had of Mrs Horton at Mr Havard's in Broad Court, Bow-Street, Covent Garden; and of the Sub-treasurer at Mrs Quaker's in Broad St., Soho, and at the Stage Door (playbill). On Monday next The Recruiting Officer with several entertainments for the Benefit of Mr George Burton, Mr Harvey and Mrs Addison. Receipts: #175 (Cross)

Performances

Mainpiece Title: The Earl Of Essex; Or, The Unhappy Favorite

Afterpiece Title: Miss in Her Teens

Song: Master Vernon

Event Comment: Benefit for Lacey and Wilder. Tickets deliver'd out by Ward, Harvey, and Mrs Addison will be taken. Receipts: #170 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Scapin

Dance: V: A Scot's Dance-Harvey, Miss Shawford; End Farce: A Minuet-Lacey, Mad Janeton Auretti

Song: II: A Song-Wilder; IV: Singing-Master Vernon

Event Comment: Never performed in this Kingdom. In the manner of an Oratorio. This is a species of entertainment borrowed from our volatile neighbors on the continent, and never performed in England before; that is not directly in this manner. [But see 4 May 1759.] The performance was divided into three parts: the First consisted of Mr Addison's celebrated Hymn, set to music by Mr Handel, which is a masterly performance; the second contained Miserere mei Dei, &c., the music compsoed by Sig Pergolesi; this is a noble performance; the third part consisted of a very fine anthem, by Sig Nigri of Milan, a work of great merit. A concerto on the French Horn (as 6 March) and a concerto on the Violin (as 11 March) (Theatrical Review, p. 220). Charges: #35 (Account Book)

Performances

Mainpiece Title: Concerto Spirituale

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. [Customary footnote for subsequent bills. Only significant variations will be noted further. The Westminster Magazine this month (p. 557) remarked upon Woodward's Prologue, "in part a parody on the celebrated speech of Cato in Addison's Tragedy....He informed the audience that they had assembled their Theatrical troops against the approaching winter; and that their leaders had met in council to consider the best method of supporting their campaign; but as their forces were numerous and strong, he hoped the town would not refuse them sufficient subsidies especially...as their Gods must aat, and without money could not even raise a Devil."] Receipts: #184 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Devil to Pay