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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C Bannister"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C Bannister")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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14707 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $Mr C. Bannister
We found 9758 matches on Event Comments, 4881 matches on Performance Comments, 1353 matches on Performance Title, 31 matches on Author, and 0 matches on Roles/Actors.

9001
25 February 1774 @ Haymarket Theatre

Event Comment: A sacred Oratorio never performed in public. Composed by Handel

Performances

Mainpiece Title: Omnipotence

Song: After Part I: A New Italian Song- (Barthelemon) Mrs Barthelemon; accompanied by the Violin Obligato-

Music: After Part II: By Particular Desire, a Concerto on the Violin-Barthelemon; in which will be introduced a favourite Scotch Air, Lochaber-

9002
15 January 1776 @ Covent Garden

Event Comment: Afterpiece: Not acted these 6 years. [See 11 May 1772.] [Young gentleman identified by Hopkins MS Notes. Genest, V, 517, also calls attention to the fact that the text lists Douglas as Norval and Old Norval as Stranger (1757) or Prisoner (1768). Webster first named as Douglas on bill for 27 Feb. 1776. Review of Webster's acting appeared in the Westminster Magazine for Jan.: "His person is rather elegant; his voice is full and harmonious, his pronunciation distinct and correct, and his delivery graceful and unembarassed. Those are his excellencies, and considering it was his first performance, he seems to possess them in a degree far superior to the various candidates for theatrical fame which the managers of both houses have brought forward for some years past. On the other hand he is aukward, and in some parts unanimated. His arms are too long, or he flung them about in a very disgusting manner. He seemed to express the sense of his author much better than his own feelings. His voice though full, wants variety and modulation; not but on some occasions he managed it with infinite grace and judgement. But if this want of variety of tones and extent of voice, which is so indispensibly necessary to constitute a first rate actor, be not the effect of Nature, the Public may behold with less anxiety their decayed veterans giving nightly proofs of their increasing infirmities, and quick approaching theatrical dissolution."

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-A Young Gentleman, first appearance any stage (Webster); Lord Randolph-Wroughton; Officer-Thompson; Glenalvon-Aickin; Old Norval-Barry, being their first appearance in those characters; Anna-Miss Dayes; Lady Randolph-Mrs Barry.
Cast
Role: Anna Actor: Miss Dayes

Afterpiece Title: The Cheats of Scapin

Dance: End Tragedy: Mirth and Jollity, as17760102

9003
14 February 1777 @ Covent Garden

Event Comment: Boxes 10s. 6d. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. Places for the Boxes to be taken of Sarjant (only) at the Stage Door. Books of the Oratorios to be had at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season. The date of Tenducci's re-appearance in London seems to have been a matter of some uncertainty (see dl, 10 Feb.)]

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Principal Vocal Parts-Tenducci (1st appearance at that theatre these 8 years), Saville, Reinhold, Miss Storace, Miss Harrop (1st public appearance).

Music: End of Part I: concerto on the violoncello-Cervetto; End of Part II: concerto on the violin-Lamotte

9004
21 February 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: Judas Maccabaeus Alexanders Feast

Performance Comment: As17770214, but Principal Vocal Parts-Edwards (1st appearance in public).

Music: As17770214

9005
28 February 1777 @ Covent Garden

Event Comment: Oratorio [1st time in public. It had 1st been performed at Oxford, 8 July 1773, as part of the ceremony of the installation of Lord North as Chancellor.

Performances

Mainpiece Title: The Prodigal Son Judas Maccabaeus

Song: With additional airs-

Music: End Part I: solo on the German flute-DeCamp; End Part II: concerto on the violin, as17770214

9006
01 May 1777 @ Haymarket Theatre

Event Comment: By Authority [of the Lord Chamberlain]. Benefit for a Gentleman, who, through unavoidable misfortunes, is reduced to take this method of soliciting the patronage of his Friends and a Generous Public. Tickets delivered for the 26th of April will be admitted. The Doors to be opened at 6:30. To begin exactly at 7:00

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: Catherine and Petruchio

9007
06 June 1777 @ Haymarket Theatre

Event Comment: Morning Chronicle, 7 June: Foote caught cold on Wednesday last...Unwilling to disappoint the public [last night] he determined to play his part in The Devil upon Two Sticks, but, after he had ended the second act, was so much worse that he was obliged to retire...An apology was made to the audience, and Palmer undertook to read the remainder of Foote's part

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: Lilliput

9008
19 February 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Principal Vocal Parts-Norris, Webster, Miss M. Linley, Miss Draper, Miss Wright (1st appearance in public), Mrs Kennedy; 1st Violin-Richards.

Music: End Part I: concerto on the organ-Stanley; End Part II: concerto on the violin-Cramer

9009
30 October 1780 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. [1st time; M.ENT 3, by George Alexander Stevens. Larpent MS 533; not published. Songs published by R. Snagg, 1780.] The Overture, most of the Airs [see 6 Nov.], and Decorations entirely new. Ne Quid Nimis; or, Too much of one Thing is good for Nothing. Boxes 5s. Pit 3s. Gallery 2s. The Public are respectfully informed that the Upper Gallery will not be opened. The Doors to be opened at 6:00. To begin at 7:00. The Songs, written by G. A. Stevens, are to be had at the Theatre

Performances

Mainpiece Title: The Cabinet Of Fancy Or Evening Exhibition

9010
04 April 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Messiah

Performance Comment: As17810302but Principal Vocal Parts-A Young Gentleman (2nd appearance in public [see17810328.see17810328.

Music: End Part I: concerto on the organ, as17810302

9011
05 April 1781 @ King's Theatre

Event Comment: Benefit for Sga Sestini. Gherardi, though very ill, yet being unwilling to disappoint the Nobility, Gentry and Public who intend honouring Sga Sestini with their presence at her Benefit this Evening, has undertaken to perform in the best manner he is able, and hopes for the indulgence of the Audience. Opera: The music composed by Paisiello

Performances

Mainpiece Title: La Fraschetana

Dance: End I: The Fortunate Escape, as17801216; End II: Grand Serious Ballet, as17810315Pas@Solo, as17810315Pas de Deux, as17810315Grand Chaconne, as17810315End Opera: Les Amans Surpris, as17801216

Song: Act II: the favourite song in Il Barone di Torre Forte-Sga Sestini

9012
18 December 1781 @ King's Theatre

Event Comment: Prudom and Sga Allegranti continuing very much indisposed, and Pacchicrotti positively refusing to perform without a First Woman, the Public are respectfully informed that there can be no Opera this Evening

Performances

Mainpiece Title:

9013
15 May 1783 @ Drury Lane Theatre

Event Comment: Benefit for Burton and Harwood, prompter. King continuing so ill that it is impossible for him to perform this Evening, Waldron has kindly undertaken the Part of Sir Peter Teazle at a very short notice, and most humbly hopes for the indulgence of the Public. Receipts: #209 15s. 6d. (35/3/0; 15/10/6; 0/5/0; tickets: 158/17/0) (charge: #106 13s.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Lyar

Dance: As17830505

Song: As17830514

9014
13 January 1784 @ Drury Lane Theatre

Event Comment: Grimaldi being extremely ill, and it being uncertain when he may be able to perform, Wright has undertaken to supply his Character of the Clown, and Hamoir that of the Old Harlequin, and hope the Public will accept them with their usual kind Indulgence. In afterpiece: Repulse of the Spaniards, as 7 Jan. Receipts: #219 16s. (213/17; 5/4; tickets not come in: 0/15)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Harlequin Junior

9015
10 June 1784 @ Covent Garden

Event Comment: [Extra night] Benefit for Wild. Wild respectfully informs the Public, on account of the Loss he sustained by his former Night [see 17 May], the Managers of Covent Garden and Hay-market Theatres, as well as the several Performers, have granted him their free Assistance. Receipts: none listed

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Comus

Cast
Role: The Devil Actor: Bannister
Role: The Lady Actor: Mrs Bannister

Dance: End of Act III of mainpiece Dance by Byrne and Mrs Goodwin; End of Act IV Dance by Harris and Miss Besford

Song: In afterpiece Sweet Echo, as17840323but accompanied by Foster

9016
24 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Bellamy. Mainpiece: Not acted these 3 years. "Mrs Bellamy was too much frightened to speak the address [written by Charles Stuart (European Magazine, May 1785, p. 354)], and Miss Farren spoke it--Mrs Bellamy herself added some few words in prose" (Genest, VI, 342). But Stuart's address was abandoned, and in its place Miss Farren spoke one written by Alexander Bicknell (Gentleman's Magazine, June 1785, pp. 449-50). This occurred at the end of the play; following the address the curtain rose, and Mrs Bellamy "succeeded in muttering a few words, expressive of her gratitude" (Reynolds, I, 282-83). [This was Mrs Yates's last appearance in London. In July of this year she was acting in Birmingham (Morning Chronicle, 18 July). Mrs Bellamy's last appearance on the stage was at CG, 1 June 1780.] Receipts: #306 4s. (188/1/0; 13/3/6; 0/14/6; tickets: 104/5/0) (charge: #113 8s. 10d.)

Performances

Mainpiece Title: Braganza

Performance Comment: Valasquez-Smith; Ribiro-Palmer; Mendoza-Barrymore; Lemos-Chaplin; Corea-Fawcett; Antonio-Wrightcn; Pizarro-R. Palmer; Ramirez-Packer; Duke of Braganza-Brereton; Duchess of Braganza (for this night only)-Mrs Yates .

Afterpiece Title: Comus

Performance Comment: As17841007. Mrs Bellamy will, in the course of the evening, attempt to return her Thanks, in a short Address to the Public .
Cast
Role: Bacchanals Actor: Bannister, Williames
Role: Brothers Actor: Bannister Jun., R. Palmer

9017
09 June 1785 @ King's Theatre

Event Comment: Benefit for Sga Ferrarese. Sga Ferrarese, whose long and grievous Indispositions have been an Obstacle to the Success she ardently wished to obtain, cannot plead any Merit of her own, and only depends for Patronage on that well-known Liberality of a Public, equally disposed to allow for involuntary Deficiencies as to reward even an Attempt to captivate their Benevolence. Tickets, half a guinea each, to be had of Sga Ferrarese, No. 19, Oxendon Street, Hay-market

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Dance in Wooden Shoes [here entitled La Dance del Sabots], as17850303End of Opera Don Juan, as17850407

9018
05 May 1787 @ Covent Garden

Event Comment: Benefit for Macklin. Part of the Pit will be laid into the Boxes. [In afterpiece the playbill assigns Charlotte to Mrs Morton, but "On the illness of Mrs Morton Miss Ambrose, whom many must remember on the stage, was applied to--and undertook the part. Long disuse to it had made her timid [she had retired from the stage in May 1782], but she was well received by the public, and performed well" (World, 7 May). Mrs Morton is also listed as Betty Hint in mainpiece; her substitute in that part is not known.] World, 17 Apr.: Tickets to be had of Macklin, No. 6, Tavistock-row, Covent Garden. Receipts: #335 1s. 6d. (173.19.6; 2.11.0; tickets: 156.11.0)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Love a la Mode

9019
29 January 1788 @ King's Theatre

Event Comment: The Manager of the Opera, in conjunction with Noverre, the Ballet Master, esteem it their duty to request all persons who are not immediately interested in the performance of the new ballet of L'Amour et Psiche, to keep clear from the stage during the time of its representation, lest any accident should arise from the moving of the Machinery, from the flambeaux to be used therein, and from the opening of the Trap Doors, circumstances which must necessarily take place on the Practices and Representation of that ballet, and which they therefore think it incumbent on themselves to forewarn and caution the Public. "Noverre was unanimously called for on the stage to receive the applause and acclamations due to his merit...This, though common in France, was a new mark of approbation in England" (Burney,II, 901). Receipts: #146 1s. 6d. [non-subscription]

Performances

Mainpiece Title: La Locandiera

Dance: End I: Divertissement, as17871208

Ballet: End Opera: a new ballet (1st time), composed by Noverre, L'Amour et Psiche. By Mlle Hilligsberg, Didelot, Mlle Coulon, Chevalier, Vestris, Sga Bedini, the two Miss Simonets, Mlle Vedie, Henry, Jacolet, Saulnier, Sala, Coulon. Cast from synopsis (H. Reynell, 1788): Psyche-Mlle Hilligsberg; Adonis-Didelot; Venus-Mlle Coulon; Hymen-Chevalier; Love, or Cupid-Vestris; Graces Furies and Fates-Sga Bedini, the two Miss Simonets, Mlle Vedie, Henry, Jacolet, Saulnier, Sala; Mercury-Coulon. The music composed by Mazzinghi; with all new Scenery (by Marinari), Dresses (by Lupino)

9020
29 March 1788 @ King's Theatre

Event Comment: The Manager of the Opera House hopes for the Indulgence of the Public, in laying before them the great Complaints which have been made to him, on account of Invoncenience in the Entertainments, arising from the enormous Caps and Bonnets which several Ladies make it a Practice to appear in, within the Pit of this Theatre, excluding thereby that Part which is presentdd from the Dancing in a great Degree. The Manager is therefore under the Necessity of soliciting the Ladies to take the same into their Consideration, and humbly presumes for their Indulgence on the Occasion. Receipts: #246 8s. [non-subscription]

Performances

Mainpiece Title: La Cameriera Astuta

Dance: End I: As17880315but Euthyme et Eucharis-_

Ballet: End Opera: L'Amour et Psiche. As17880129

9021
21 February 1789 @ Covent Garden

Event Comment: [In mainpiece the playbill assigns Yarico to Mrs Billington, but "The Director is extremely sorry to be under the Necessity of making such frequent Apologies for unavoidable Disappointments [see 18, 20 Feb.]; Mrs Billington being this Afternoon taken extremely ill, it is hoped Miss Chapman will be honoured this Evening with the usual Indulgence of the Public, in the Part of Yarico" (printed slip on BM playbill, cg, Vol. VI).] Receipts: #196 9s. (185.6; 11.3)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Positive Man

Dance: As17890101

9022
12 June 1790 @ Haymarket Theatre

Event Comment: The Manager most respectfully informs the Subscribers and the Public that the Operas end this evening at this Theatre, and will open on Tuesday next the 15th at Covent-Garden Theatre, to perform the remainder of the Subscription Nights. At which Theatre the Manager has carefully arranged every Box to accomodate the Subscribers according to the plan of the present Opera season

Performances

Mainpiece Title: La Generosita Dalessandro

Dance: End I: La Bergere des Alpes, as17900525; End Opera: Les Mariages Flamands, as17900227

9023
24 July 1790 @ Covent Garden

Performances

Mainpiece Title: None

Performance Comment: The Manager of the Italian Opera most respecfully acquaints the Public and the Nobility that this Theatre is going under an alteration for the ensuing winter, which will prevent the Opera taking place, as was intended for this Evening.

9024
19 February 1791 @ Pantheon, Oxford Street

Event Comment: The Subscribers and the Public are respectfully acquainted that, on account of the length of the performance on Thursday last, and the Dances introduced in the Opera, there will be but one Ballet this evening

Performances

Mainpiece Title: Armida

Ballet: End I: Amphion et Thalie. As17910217

9025
26 February 1791 @ Pantheon, Oxford Street

Event Comment: "Pacchierotti was taken ill on Saturday and was unable to sing his songs. An apology was made for him, and he walked on and walked off without diminution of the public pleasure. Here was an unanswerable argument for the Pantheon as an Opera-House; for the silence of a singer is no injury to the entertainment" (Morning Chronicle, 28 Feb.)

Performances

Mainpiece Title: Armida

Dance: End I: Divertisement, as17910217

Ballet: End II: Amphion et Thalie. As17910217, but Principal dancers-_Fialon, _Duchesne, _Rousseau, _Boisgirard, _St.Aumer, _Schweitzer, Mme _Vigano, Mlle _Puisieux, Mlle Bithmer _Cadette; Mme _Didelot; Mlle _Bithmer; Mlle _Rousseau; Nymphes a la suite des Muses-Mlle _Vedie, Mlle _Durand

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